{"id":11253,"date":"2021-10-31T23:45:43","date_gmt":"2021-11-01T03:45:43","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=11253"},"modified":"2021-12-28T22:01:03","modified_gmt":"2021-12-29T03:01:03","slug":"first-time-listening-for-october-2021","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=11253","title":{"rendered":"First-time listening for October 2021"},"content":{"rendered":"

26187. (Float\u00ading Opera) The Float\u00ading Opera<\/span>
\n26188. (Rais Khan &<\/span> Zakir Hus\u00adsain) Raga Nand Kalyan <\/span>
\n26189. (Kim Mitchell) Kim Mitchell EP<\/span><\/span>
\n26190. (Johannes Ock\u00adeghem) Mis\u00adsa Au tra\u00advail suis for 4 Voices<\/span>
\n26191. (Takashi Yoshi\u00admat\u00adsu) Tapi\u00ado\u00adla Visions for Piano Left Hand<\/span>
\n26192. (Ali\u00adson Krauss) Too Late To Cry<\/span>
\n26193. (Niladri Kumar) Revelation<\/span>
26194. (Carl Philipp Emanuel Bach) Arioso con 7 Vari\u00adazioni in F for Piano, Wq.118 #4,
. . . . . H.54
\n26195. (Carl Philipp Emanuel Bach) Alle\u00adgret\u00adto in C for Piano, Wq.118 #5, H.65<\/span>
\n26197. (Carl Philipp Emanuel Bach) Vari\u00ada\u00adtions on the Lied \u201cIch schlief da tr\u00e4umte mir?\u201d, <\/span>
\n. . . . . Wq.118 #1, H.69 for Piano<\/span>
\n26198. (Carl Philipp Emanuel Bach) Twelve Vari\u00ada\u00adtions on \u201cLa Folie d\u2019Espagne\u201d for Piano, <\/span>
\n. . . . . Wq.118 #9, H263<\/span> [see harp\u00adsi\u00adchord ver\u00adsion at 14542]<\/span>
26199. (Carl Philipp Emanuel Bach) Arioso sustenu\u00adto con vari\u00adazioni for Piano, Wq.79,
. . . . . H.535
\n26200. (Carl Philipp Emanuel Bach) Can\u00adzonet\u00adta by the Duchess of Gotha with Variations
. . . . . for Piano, Wq.118 #8, H.275<\/span>
\n26201. (Carl Philipp Emanuel Bach) Vari\u00ada\u00adtions on an Arioso with Var\u00adied Repris\u00ades for
. . . . . Piano, Wq.259, H.259<\/span>
\n26202. (Carl Philipp Emanuel Bach) Min\u00aduet by Locatel\u00adli with Vari\u00ada\u00adtions for Piano, <\/span>
\n. . . . . Wq.118 #7, H.14 <\/span>
\n26203. (Carl Philipp Emanuel Bach) Ari\u00adette with Vari\u00ada\u00adtion for Piano, Wq.118 #2, H.155<\/span>
\n26204. (Carl Philipp Emanuel Bach) Vari\u00ada\u00adtions on the Romance \u201cCol\u00adin \u00e0 peine \u00e0 seize
. . . . . ans\u201d, Wq.118 #6, H.226<\/span>
\n26205. (Clean Ban\u00addit) New Eyes<\/span>
\n26206. (Shu\u00adjaat Husain Khan) Sur Aur Saaz<\/span>
\n26207. (Gen\u00adtle Giant) Acquir\u00ading the Taste<\/span>
\n(Ensem\u00adble Flori\u00adta) Far Away Lands: The Medieval Sephardic Heritage:<\/span>
\n. . . . 26208. (Anon.) Siete Hijos Tiene Hanna <\/span>
\n. . . . 26209. (Anon.) \u201cAy De M\u00ed!\u201d Dize El Buen Padre <\/span>
\n. . . . 26210. (Anon.) Pun\u00adcha, Puncha <\/span>
\n. . . . 26211. (Anon.) Por La Tu Puer\u00adta Yo Passi <\/span>
\n. . . . 26212. (Anon.) Oh, Que Relum\u00adbror De Novia Hermoza<\/span>
\n. . . . 26213. (Anon.) Durme, Durme<\/span>
\n. . . . 26214. (Anon.) Estampie: Por Qu\u00e9 Llo\u00adrax Blan\u00adca Ni\u00f1a<\/span>
\n. . . . 26215. (Anon.) Delgadina<\/span>
\n. . . . 26216. (Anon.) La Madre D\u2019Es\u00adta Novia<\/span>
\n. . . . 26217. (Anon.) Entre Las Huer\u00adtas Paseando<\/span>
\n. . . . 26218. (Anon.) Porqu\u00e9 No Can\u00adt\u00e1is La Bella?<\/span>
\n. . . . 26219. (Anon.) La Mal\u00adcasa\u00adda Del Pastor<\/span>
\n. . . . 26220. (Anon.) Dos Amantes<\/span>
\n. . . . 26221. (Anon.) Esta Mon\u00adta\u00f1a D\u2019Enfrente<\/span>
\n. . . . 26222. (Anon.) Yo M\u2019Enamori<\/span>
\n. . . . 26223. (Anon.) El Mari\u00addo Disfrazado<\/span>
\n26224. (Carl Rug\u00adgles) Angels for Mut\u00aded Brass [orig\u00adi\u00adnal ver\u00adsion for six trumpets]<\/span>
\n26225. (Turkuaz) Turkuaz<\/span>
\n26226. (Kla\u00adgenkuen\u00adstler) Vinyl Only Ses\u00adsion At Home<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

26187. (Float\u00ading Opera) The Float\u00ading Opera 26188. (Rais Khan &<\/span> Zakir Hus\u00adsain) Raga Nand Kalyan 26189. (Kim Mitchell) Kim Mitchell EP<\/span> 26190. (Johannes Ock\u00adeghem) Mis\u00adsa Au tra\u00advail suis for 4 Voic\u00ades 26191. (Takashi Yoshi\u00admat\u00adsu) Tapi\u00ado\u00adla Visions for Piano Left Hand 26192. (Ali\u00adson \u2026<\/p>\n

Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,1522],"tags":[],"class_list":["post-11253","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cf-listening-2021"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/11253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11253"}],"version-history":[{"count":2,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/11253\/revisions"}],"predecessor-version":[{"id":11266,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/11253\/revisions\/11266"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11253"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}