{"id":11518,"date":"2022-10-31T23:40:56","date_gmt":"2022-11-01T03:40:56","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=11518"},"modified":"2026-01-27T23:21:49","modified_gmt":"2026-01-28T04:21:49","slug":"reading-october-2022","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=11518","title":{"rendered":"READING<\/span> \u2014 OCTOBER<\/span> 2022"},"content":{"rendered":"

25000. [2] (Antoine de Saint-Exup\u00e9ry) Le petit prince<\/span>
\n25001. (Jor\u00adrit M. Kelder) An Argu\u00adment for a Bronze Age Intro\u00adduc\u00adtion of the Chicken <\/span>
\n. . . . . in Greece [arti\u00adcle]<\/span>
\n25002. (Nigel Gor\u00ading-Mor\u00adris &<\/span> Anna Belfer Cohen) \u201cFar and Wide\u201d: Social Networking <\/span>
\n. . . . . in the Ear\u00adly Neolith\u00adic of the Lev\u00adant [arti\u00adcle]<\/span>
\n25003. (Lau\u00adrent Binet) Civilizations<\/span>
\n25004. (Andr\u00e9-Yves Bourg\u00e8s) \u00c0 pro\u00adpos d\u2019une cl\u00e9 de l\u2019\u0153u\u00advre de sir Wal\u00adter Scott. L\u2019origine <\/span>
\n. . . . . angevine des Fraz\u00ader d\u2019E\u00adcosse \u2014 nais\u00adsance d\u2019une tra\u00addi\u00adtion [arti\u00adcle]<\/span>
\n25005. (Elie Wiesel) Night [2006 trans\u00adla\u00adtion by Mar\u00adi\u00adon Wiesel]<\/span>
\n25006. (Steve Muhlberg\u00ader) [in blog Muhlberger\u2019s World His\u00adto\u00adry] (Queen Invis\u00adi\u00adble) [arti\u00adcle]<\/span>
\n25007. (Steve Muhlberg\u00ader) [in blog Muhlberger\u2019s World His\u00adto\u00adry] The Fall of Dubai [arti\u00adcle]<\/span>
\n25008. (Ed Mases\u00adsa) The Wand Mak\u00ader\u2019s Guide\u00adbook [ill. Daniel Jankowski]<\/span>
\n25009. (Steve Muhlberg\u00ader) [in blog Muhlberger\u2019s World His\u00adto\u00adry] A Good Sum\u00adma\u00adry of <\/span>
\n. . . . . Wal\u00adter Gof\u00adfart\u2019s Con\u00adtri\u00adbu\u00adtion to the His\u00adto\u00adry of Late Antiq\u00adui\u00adty and the <\/span>
\n. . . . . Mid\u00addle Ages [arti\u00adcle]<\/span>
\n(William M. Brei\u00add\u00ading \u2011ed.) Portable Stor\u00adage Eight:<\/span>
\n. . . . 25010. (William M. Brei\u00add\u00ading) Goings On About Town: Anar\u00adchy on the Right, <\/span>
\n. . . . . . . . . The\u00adatre of the Blocked [arti\u00adcle]<\/span>
\n. . . . 25011. (var\u00adi\u00adous) The Talk of the Town [arti\u00adcles]<\/span>
\n. . . . 25012. (G. Sut\u00adton Brei\u00add\u00ading) Mile\u00adstones [verse]<\/span>
\n25013. (Bruce Gille\u00adspie) Her Fame Ris\u00ades Up For\u00adev\u00ader \u2014 The Life of James <\/span>
\n. . . . Tip\u00adtree, Jr. [arti\u00adcle]<\/span>
\n. . . . 25014. (G. Sut\u00adton Brei\u00add\u00ading) A Let\u00adter from Gertrude Stein\u2019s Left Breast [poem]<\/span>
\n. . . . [\u2014\u2014] (Phil Paine) A Let\u00adter from Cana\u00adda: The Secret Path \u2014 Gord Downie\u2019s <\/span>
\n. . . . . . . . . Last\u00ading Exit [arti\u00adcle]<\/span>
\n. . . . 25015. (Dale Nel\u00adson) Fields of the Extol\u00adlagers \u2014 They Shall Laugh and Sing <\/span>
\n. . . . . . . . . [arti\u00adcle]<\/span>
\n. . . . 25016. (Alva Svo\u00adbo\u00adda) My Elec\u00adtric Utopia \u2014 The Mag\u00adi\u00adcal Grid [arti\u00adcle]<\/span>
\n. . . . 25017. (Gary Casey) The Great SFBC<\/span> Caper \u2014 For Love of the Lit\u00ader\u00ada\u00adture [arti\u00adcle]<\/span>
\n. . . . 25018. (Andy Hoop\u00ader) Orig\u00adi\u00adnal Sta\u00adples \u2014 Red Bog\u00adgs in Ret\u00adro\u00adgrade [arti\u00adcle]<\/span>
\n. . . . 25019. (Red Bog\u00adgs) Clas\u00adsic Reprint: The Bear and the Child [arti\u00adcle]<\/span>
\n. . . . 25020. (G. Sut\u00adton Brei\u00add\u00ading) Croon [poem]<\/span>
\n. . . . 25021. (San\u00addra Bond) I Am a Com\u00adput\u00ader \u2014 And I\u2019ve Made a Record [arti\u00adcle]<\/span>
\n. . . . 25022. (Jeanne N. Bow\u00adman) Crack \u2014 When Trees Fall [arti\u00adcle]<\/span>
\n. . . . 25023. (Kurt Erich\u00adsen) In Sound \u2014 Com\u00ading Full Cyrkle [arti\u00adcle]<\/span>
\n. . . . 25024. (Joe Pear\u00adson) The Future Is Dan\u00adger\u00adous \u2014 Mak\u00ading an Adult SF<\/span> Cartoon <\/span>
\n. . . . . . . . . in Post-Sovi\u00adet Kyiv [arti\u00adcle]<\/span>
\n. . . . 25025. (Bil\u00adly Wolfen\u00adbarg\u00ader) What It Means to Be a Poet in a Poet\u00adless World <\/span>
\n. . . . . . . . . [poem]<\/span>
\n. . . . 25026. (Jon Sum\u00admer) Towards a Bet\u00adter Athe\u00adism \u2014 What Would Mai\u00admonides Do? <\/span>
\n. . . . . . . . . [arti\u00adcle]<\/span>
\n. . . . 25027. (Cheryl Kline) Burrs Under the Sad\u00addle \u2014 The Cow\u00adboy Vs. The Revisionists <\/span>
\n. . . . . . . . . [arti\u00adcle]<\/span>
\n. . . . 25028. (Per\u00adry Mid\u00addle\u00admiss) Briefly Not\u00aded \u2014 The 2022 Nov\u00adel\u00adette Hugo Finalists <\/span>
\n. . . . . . . . . [arti\u00adcle]<\/span>
\n. . . . 25029. (William M. Brei\u00add\u00ading) Sex and the Sin\u00adgle Nanop\u00adunk \u2014 Mak\u00ading Sense of <\/span>
\n. . . . . . . . . M. John Har\u00adrison\u2019s Light [arti\u00adcle]<\/span>
\n. . . . 25030. (Steven Bryan Biel\u00ader) Typ\u00ading Test \u2014 Behind the Scenes at the Fiction <\/span>
\n. . . . . . . . . Fac\u00adto\u00adry [arti\u00adcle]<\/span>
\n25031. (Jan-Kyrre Berg Olsen) Time in Expe\u00adri\u00adence and Science <\/span>
\n25032. (Tris\u00adtan Carter, et al) Ear\u00adli\u00adest Occu\u00adpa\u00adtion of the Cen\u00adtral Aegean [Nax\u00ados], Greece: <\/span>
\n. . . . . Impli\u00adca\u00adtions for Hominin and Homo sapi\u00adens<\/em>\u2019 Behav\u00adior and Dis\u00adper\u00adsals [arti\u00adcle]<\/span>
\n25033. (Richard Bel\u00adlamy) Polit\u00adi\u00adcal Con\u00adsti\u00adtu\u00adtion\u00adal\u00adism and Pop\u00adulism [arti\u00adcle]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

25000. [2] (Antoine de Saint-Exup\u00e9ry) Le petit prince 25001. (Jor\u00adrit M. Kelder) An Argu\u00adment for a Bronze Age Intro\u00adduc\u00adtion of the Chick\u00aden . . . . . in Greece [arti\u00adcle] 25002. (Nigel Gor\u00ading-Mor\u00adris &<\/span> Anna Belfer Cohen) \u201cFar and Wide\u201d: Social Net\u00adwork\u00ading . . . . . in the Early \u2026<\/p>\n

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