{"id":1381,"date":"2010-03-31T23:45:51","date_gmt":"2010-04-01T03:45:51","guid":{"rendered":"http:\/\/s265039441.onlinehome.us\/philpaine\/?p=1381"},"modified":"2018-08-06T19:33:46","modified_gmt":"2018-08-06T23:33:46","slug":"listening-march-2010","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=1381","title":{"rendered":"LISTENING<\/span> \u2014 MARCH<\/span> 2010"},"content":{"rendered":"

22006. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #13 \u201cMeine Seufz\u00ader, meine Tr\u00e4\u00adnen<\/em>\u201d, bwv.13<\/span>
\n22007. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #14 \u201cW\u00e4r Gott nicht mit uns diese Zeit<\/em>\u201d, bwv.14<\/span>
\n22008. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #16 \u201cHerr Gott, dich loben wir<\/em>\u201d, bwv.16<\/span>
\n22009. (Scraps of Tape) This Is a Copy This Is a Copy<\/span>
\n22010. (Avett Broth\u00aders) A Car\u00adoli\u00adna Jubilee<\/span>
\n22011. (My Lit\u00adtle Air\u00adport) Zoo Sad, Peo\u00adple Are Cruel<\/span>
\n22012. (Toumast) Ishumar<\/span>
\n22013. (Shpon\u00adgle) Noth\u00ading Lasts\u2026But Noth\u00ading Is Lost<\/span>
\n22014. (Zolt\u00e1n Kod\u00e1\u00adly) F\u00f6l\u00adsz\u00e1l\u00adlott a P\u00e1va<\/em> [Vari\u00ada\u00adtions on a Hun\u00adgar\u00adi\u00adan Folk Song,<\/span>
. . . . . \u201cThe <\/span>Pea\u00adcock\u201d]<\/span>
\nEsto\u201980: P\u00f5h\u00adja-Ameeri\u00adka noored taidurid<\/em>, record\u00aded live at Scala Teater, Stockholm, <\/span>
\n. Jul 6\u20139, <\/span>1980:<\/span>
\n. . . . 22015. (Epp-Karike J\u00fcri\u00adma-Sonin) \u201cNeli kil\u00addu<\/em>\u201d<\/span>
\n. . . . 22016. (Avo Kit\u00adtask) \u201c\u00dcle vee<\/em>\u201d<\/span>
\n. . . . 22017. (Avo Kit\u00adtask) \u201cK\u00fctkes<\/em>\u201d<\/span>
\n. . . . 22018. (Epp-Karike J\u00fcri\u00adma-Sonin) \u201c\u00c4ra viies<\/em>\u201d<\/span>
\n. . . . 22019. (Avo Kit\u00adtask) \u201cN\u00f5el<\/em>\u201d<\/span>
\n. . . . 22020. (Avo Kit\u00adtask) \u201cPoiss\u00adme\u00adhe elu<\/em>\u201d<\/span>
\n. . . . 22021. (Epp-Karike J\u00fcri\u00adma-Sonin) \u201cEmale<\/em>\u201d<\/span>
\n. . . . 22022. (Kaja) \u201cTer\u00advi\u00adtus\u00adlaul<\/em>\u201d<\/span>
\n. . . . 22023. (Omad Poisid) \u201cAga nei\u00addudel<\/em>\u201d<\/span>
\n. . . . 22024. (Kaja) \u201cMiki mere\u00adh\u00e4\u00addas<\/em>\u201d<\/span>
\n. . . . 22025. (Kaja) \u201cLas\u2019 j\u00e4\u00e4\u00adda meil<\/em>e\u201d<\/span>
\n. . . . 22026. (Omad Poisid) \u201cMeenub Tallinn<\/em>\u201d<\/span>
\n. . . . 22027. (Kaja) \u201cEsti lipp\u201d<\/span>
\n. . . . 22028. (Posi\u00adti\u00adivsed Mehed, Urmas K\u00e4rn\u00ader, Lin\u00addau \u00d5ed, Ell Tabur, Andres Raudsepp) <\/span>
\n . . . . . . . . \u201cVil\u00adlu lep\u00adalind<\/em>\u201d<\/span>
\n. . . . 22029. (Posi\u00adti\u00adivsed Mehed) \u201cViru plats<\/em>\u201d<\/span>
\n. . . . 22030. (Ell Tabur) \u201cTuisu Antsu lugu<\/em>\u201d<\/span>
\n. . . . 22031. (Urmas K\u00e4rn\u00ader &<\/span> Ell Tabur) \u201cOleksin puusepp<\/em>\u201d<\/span>
\n. . . . 22032. (Lin\u00addau \u00d5ed) \u201cKan\u00adnel\u00adda\u00adja<\/em>\u201d<\/span>
\n. . . . 22033. (Ell Tabur) \u201cBob\u00adby McGee\u201d<\/span>
\n. . . . 22034. (Posi\u00adti\u00adivsed Mehed) \u201cPur\u00adjus isa<\/em>\u201d<\/span>
\n. . . . 22035. (Lin\u00addau \u00d5ed) \u201cSuve\u00adtu\u00adul<\/em>\u201d<\/span>
\n. . . . 22036. (Urmas K\u00e4rn\u00ader) \u201cSinu naeruka\u00adja<\/em>\u201d<\/span>
\n. . . . 22037. (Ell Tabur &<\/span> Paula Vassi\u00adnen) \u201cEn voi<\/em>\u201d<\/span>
\n. . . . 22038. (Andres Raud\u00adsepp) \u201cVabaduse valve<\/em>\u201d<\/span>
\n. . . . 22039. (Urmas K\u00e4rn\u00ader) \u201c\u00d5\u00f5 pime<\/em>\u201d<\/span>
\n. . . . 22040. (Posi\u00adti\u00adivsed Mehed, Urmas K\u00e4rn\u00ader, Lin\u00addau \u00d5ed, Ell Tabur, Andres Raudsepp) <\/span>
\n . . . . . . . . \u201cP\u00e4ike\u00adse\u00adle<\/em>\u201d<\/span>
\n22041. (Why?) Eski\u00admo Snow<\/span>
\n22042. (Mag\u00adno\u00adlia Elec\u00adtric Co.) Josephine<\/span>
\n22043. (Chuck Berry) Chess Years Vol.5<\/span>
\nPutomayo Presents An Afro-Por\u00adtuguese Odyssey:<\/span>
\n. . . . 22044. (Paulo Flo\u00adres) \u201cZ\u00e9 In\u00e1\u00adcio<\/em>\u201d <\/span>
\n. . . . 22045. (Maldeyeni) \u201cMab\u00adu\u00adlu<\/em>\u201d <\/span>
\n. . . . 22046. (Enei\u00adda Mar\u00adta) \u201cNa Bu Mons<\/em>\u201d <\/span>
\n. . . . 22047. (Mendes Broth\u00aders) \u201cCor Di Rosa<\/em>\u201d <\/span>
\n. . . . 22048. (Ruy Min\u00adgas) \u201cHom\u00ade\u00adnagem a Liceu Vieira Dias<\/em>\u201d<\/span>
\n. . . . 22049. (Augus\u00adto Cego) \u201cNha Fid\u00adjo<\/em>\u201d <\/span>
\n. . . . 22050. (Paulo Flo\u00adres &<\/span> Ban\u00adda Mar\u00adavil\u00adha) \u201cCan\u00adta Forte<\/em>\u201d<\/span>
\n. . . . 22051. (Manecas Cos\u00adta) \u201cErmons Di Ter\u00adra<\/em>\u201d<\/span>
\n. . . . 22052. (Bid\u00adinte) \u201cCon\u00adsid\u00adjo Di Garan\u00addis<\/em>\u201d <\/span>
\n. . . . 22053. (Dulce Neves) \u201cN\u2019Tchan\u00adha<\/em>\u201d <\/span>
\n. . . . 22054. (Z\u00e9 Manel) \u201cBu Fid\u00adjo Femia<\/em>\u201d <\/span>
\n. . . . 22055. (Leonel Almei\u00adda) \u201cTi J\u00f4m P\u00f3ca<\/em>\u201d <\/span>
\n. . . . 22056. (Jovi\u00adno Dos San\u00adtos) \u201cAfrica Mam\u00e2e<\/em>\u201d <\/span>
\n22057. (Shear\u00adwa\u00adter) The Gold\u00aden Archipelago<\/span>
\n22058. (And So I Watch You From Afar) This Is Our Machine And Noth\u00ading Can Stop It EP<\/span><\/span>
\n22059. (Bear in Heav\u00aden) Beast Rest Forth Mouth<\/span>
\n22060. (Avett Broth\u00aders) Mignonette<\/span>
\n22061. (Grooverid\u00ader) FabricLive.06,October 2002<\/span>
\n22062. (And So I Watch You From Afar) Tonight the City Burns EP<\/span><\/span>
\n22063. (Jethro Tull) Benefit<\/span>
\n22064. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #17 \u201cWer Dank opfert, der preiset mich<\/em>\u201d, bwv.17<\/span>
\n22065. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #18 \u201cGle\u00adich\u00adwie der Regen und Schnee vom Himmel <\/em><\/span>
\n . . . . . f\u00e4llt<\/em>\u201d, bwv.18<\/span>
\n22066. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #19 \u201cEs erhub sich ein Stre\u00adit\u201d, bwv.19<\/span>
\n22067. (Japan\u00addroids) Post Nothing<\/span>
\n22068. (Avey Tare &<\/span> Pan\u00adda Bear) Spir\u00adit They\u2019re Gone, Spir\u00adit They\u2019ve Vanished <\/span>
\n22069. (Avett Broth\u00aders) Four Thieves Gone: The Rob\u00adbinsville Sessions<\/span>
\n22070. (Local Natives) Goril\u00adla Manor<\/span>
\n22071. (Chuck Berry) Chess Years Vol.6<\/span>
\n22072. (Julian Casablan\u00adcas) Phrazes of the Young<\/span>
\n22073. (Johann Sebas\u00adt\u00adian Bach) Par\u00adti\u00adta #5 in G, bwv.829 [piano version]<\/span>
\n22074. (Johann Sebas\u00adt\u00adian Bach) Fugue #14 in F\u2011s m [The Well-Tem\u00adpered Clavier, Book II<\/span>], <\/span>
\n . . . . . bwv.883b <\/span>
\n22075. (Johann Sebas\u00adt\u00adian Bach) Fugue #9 in E [The Well-Tem\u00adpered Clavier, Book II<\/span>], <\/span>
\n . . . . . bwv.878b <\/span>
\n22076. (Johann Sebas\u00adt\u00adian Bach) Par\u00adti\u00adta #6 in E Minor, bwv.830 [piano version]<\/span>
\n22077. (Foo Fight\u00aders) One By One<\/span>
\n22078. (Sleep\u00ading States) In the Gar\u00addens of the North<\/span>
\n22079. (Avett Broth\u00aders) The Gleam<\/span>
\n22080. (Bike For Three!) More Heart Than Brains<\/span>
\n22081. (John Peel) FabricLive.07, Decem\u00adber 2002<\/span>
\n22082. (Kevin Ayers) Bananamour [2003 reis\u00adsue with bonus tracks; orig\u00adi\u00adnal (1973) at 615]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

22006. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #13 \u201cMeine Seufz\u00ader, meine Tr\u00e4\u00adnen\u201d, bwv.13 22007. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #14 \u201cW\u00e4r Gott nicht mit uns diese Zeit\u201d, bwv.14 22008. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #16 \u201cHerr Gott, dich loben wir\u201d, bwv.16<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,20],"tags":[],"class_list":["post-1381","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cq-listening-2010"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1381"}],"version-history":[{"count":10,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1381\/revisions"}],"predecessor-version":[{"id":7823,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1381\/revisions\/7823"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1381"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}