{"id":1414,"date":"2010-04-30T23:45:16","date_gmt":"2010-05-01T03:45:16","guid":{"rendered":"http:\/\/s265039441.onlinehome.us\/philpaine\/?p=1414"},"modified":"2018-08-06T19:15:44","modified_gmt":"2018-08-06T23:15:44","slug":"first-time-listening-for-april-2010","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=1414","title":{"rendered":"First-time listening for April, 2010"},"content":{"rendered":"

22083. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #20 \u201cO Ewigkeit, du Don\u00adner\u00adwort<\/em> (I)\u201d, bwv.20<\/span>
\n 22084. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #21 \u201cIch hat\u00adte viel Bek\u00fcm\u00admer\u00adnis<\/em>\u201d, bwv.21<\/span>
\n 22085. (A Sun\u00adny Day In Glas\u00adgow) Ash\u00ades Grammar<\/span>
\n 22086. (Jan Dis\u00admas Zelen\u00adka) Mis\u00adsa Dei Filii<\/em><\/span>
\n 22087. (Alice In Chains) Black Gives Way To Blue<\/span>
\n 22088. (Owen) New Leaves<\/span>
\n 22089. (Suf\u00adjan Stevens) The Age of Adz<\/span>
\n 22090. (Wolf\u00adgang Amadeus Mozart) Fan\u00adta\u00adsia and Fugue in C for Piano, K.394<\/span>
\n 22091. (Avett Broth\u00aders) Emotionalism<\/span>
\n 22092. (Rur\u00adal Alber\u00adta Advan\u00adtage) Hometowns<\/span>
\n 22093. (Chuck Berry) The Chess Years Vol.7<\/span>
\n 22094. (Vic Ches\u00adnutt) At the Cut<\/span>
\n 22095. (Dutchess &<\/span> the Duke) She\u2019s the Dutchess, He\u2019s the Duke<\/span>
\n 22096. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #22 \u201cJesus nahm zu sich die Zw\u00f6lfe<\/em>\u201d, bwv.22<\/span>
\n 22097. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #23 \u201cDu wahrer Gott und Davids Sohn<\/em>\u201d, bwv.23<\/span>
\n 22098. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #24 \u201cEin unge\u00adf\u00e4rbt Gem\u00fcte<\/em>\u201d, bwv.24<\/span>
\n 22099. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #25 \u201cEs ist nichts Gesun\u00addes an meinem Leibe<\/em>\u201d, <\/span>
\n . . . . . bwv.25<\/span>
\n 22100. (Tom Waits) Clos\u00ading Time<\/span>
\n 22101. (Neon Indi\u00adan) Psy\u00adchic Chasms<\/span>
\n 22102. (Slow Club) Yeah So<\/span>
\n 22103. (Avett Broth\u00aders) Live at 5X5W<\/span>, 2008<\/span>
\n 22104. (Radioac\u00adtive Man [Kei\u00adth Ten\u00adnis\u00adwood]) Fabric.08, Jan\u00adu\u00adary 2003<\/span>
\n 22105. (Hen\u00adryk Wieni\u00adaws\u00adki) Scher\u00adzo-Taran\u00adtelle<\/em><\/span>
\n 22106. (Edward Elgar) La Capricieuse<\/em> for Vio\u00adlin and Piano<\/span>
\n 22107. (Franz von Vec\u00adsey) Caprice #1 in A Minor, \u201cLe Vent\u201d, for Vio\u00adlin and Piano<\/span>
\n 22108. (William Kroll) Ban\u00adjo and Fiddle<\/span>
\n 22109. (Fr\u00e9d\u00e9ric Chopin) Noc\u00adturne #20 in C\u2011sharp [arr. Vio\u00adlin &<\/span> Piano] <\/span>
\n 22110. (Bed\u0159ich Smetana) From the Home\u00adland #2 for Vio\u00adlin and Piano<\/span>
\n 22111. (Josef Suk) Four Pieces for Vio\u00adlin and Piano: #4 Burles\u00adka<\/em> <\/span>
\n 22112. (Joseph Achron) Hebrew Melody for Vio\u00adlin and Piano<\/span>
\n 22113. (Pablo Sarasat\u00e9) Jota Aragonesa <\/span>
\n 22114. (Jen\u00f6 Hubay) The Zephyr, Op.30 #5<\/span>
\n 22115. (Moritz Moszkows\u00adki) Gui\u00adtare<\/em> for Vio\u00adlin and Piano, Op.45 #2<\/span>
\n 22116. (Anto\u00adnio Bazz\u00adi\u00adni) La Ronde des Lutins<\/em><\/span>
\n 22117. (Franz L\u00e9har) The Mer\u00adry Wid\u00adow [Die Lustige Witwe<\/em>] [operetta highlights; <\/span>
\n d. von Mat\u00adacic; Glawari, Danilowitch]<\/span>
\n 22118. (Plump DJs [Lee Rous &<\/span> Andy Gard\u00adner]) FabricLive.08, Feb\u00adru\u00adary 2003<\/span>
\n 22119. (Veikko Ahve\u00adnainen) Armas\u00adta\u00adtu\u00admaid Eesti Laule [Best Loved Eston\u00adian Songs]<\/span>
\n 22120. (BLK<\/span> JKS<\/span>) After Robots<\/span>
\n 22121. (BLK<\/span> JKS<\/span>) Mys\u00adtery EP<\/span><\/span>
\n 22122. (Franz L\u00e9har) Der Zarevwitsch<\/em> [operetta; d. Rein\u00adsha\u00adgen; Roswaenge, Del\u00adla Casa, <\/span>
\n . . . . . Hen\u00addrik, Funk]<\/span>
\n 22123. (Manuel de Fal\u00adla) The Miller\u2019s Dance from The Three-Cor\u00adnered Hat [arr. 2 guitars]<\/span>
\n 22124. (Claude Debussy) Claire de Lune<\/em> from Suite Bergmanesque<\/em> [arr. 2 gui\u00adtars &<\/span> alto<\/span>
\n . . . . . guitar]<\/span>
\n 22125. (Lau\u00adrindo Almei\u00adda) Braziliance<\/em> #1 for Three Guitars<\/span>
\n 22126. (Johann Sebas\u00adt\u00adian Bach) Chorale Pre\u00adlude [Cat\u00ade\u00adchism chorale] \u201cOur Father Who Art in <\/span>
\n . . . . . Heav\u00aden\u201d [Clavier-\u00dcbung <\/em>III<\/span>], bwv.683 [arr. 2 guitars] <\/span>
\n 22127. (Mau\u00adrice Rav\u00adel) Menuet from Le Tombeau de Couperin<\/em> [arr. 2 guitars]<\/span>
\n 22128. (Fr\u00e9d\u00e9ric Chopin) Waltz #9 in A\u2011flat, Op.69 #1 [arr. 2 guitars]<\/span>
\n 22129. (Enrique Grana\u00addos) Dan\u00adza Espa\u00f1o\u00adla <\/em>#11 in G Minor \u201cZam\u00adbra<\/em>\u201d [arr. 2 guitars]<\/span>
\n 22130. (Claude Debussy) La plus que lente<\/em> [arr. 2 gui\u00adtars and alto guitar]<\/span>
\n 22131. (Johann Sebas\u00adt\u00adian Bach) Duet #3 in G [Clavier-\u00dcbung<\/em> III<\/span>], bwv.804 [arr. 2 guitars]<\/span>
\n 22132. (Fr\u00e9d\u00e9ric Chopin) Mazur\u00adka #5 in B\u2011flat, Op.7 #1 [arr. 2 guitars]<\/span>
\n 22133. (Sergei Rach\u00admani\u00adnov) Pre\u00adlude in C\u2011sharp Minor, Op.3 #2 [arr. 2 gui\u00adtars an alto guitar]<\/span>
\n 22134. (Paul Abra\u00adham) Die Blume von Hawaii<\/em> [operetta high\u00adlights; d. Marsza\u00adlek; Talmar, <\/span>
\n . . . . . K\u00f3nya, Alexan\u00adder, Hof\u00admann, Shneider] <\/span>
\n 22135. (Paul Abra\u00adham) Vik\u00adto\u00adria und ihr Husar <\/em>[operetta high\u00adlights; d. Marsza\u00adlek; Talmar, <\/span>
\n . . . . . K\u00f3nya, Alexan\u00adder, Hof\u00admann, Shneider] <\/span>
\n 22136. (Cam\u00adera Obscu\u00adra) Let\u2019s Get Out of This Country<\/span>
\n 22137. (Casiotone for the Painful\u00adly Alone) Young Shields<\/span>
\n 22138. (Ar Re Yaouank) Fest Noz Still Alive<\/span>
\n 22139. (Eulo\u00adgies) Here Anonymous<\/span>
\n 22140. (Avett Broth\u00aders) The Sec\u00adond Gleam<\/span>
\n 22141. (Chuck Berry) The Chess Years Vol.8<\/span>
\n 22142. (Amy Mil\u00adlan) Mas\u00adters of the Burial<\/span>
\n 22143. (Avett Broth\u00aders) Live at WXPN<\/span>, Philadel\u00adphia, 2009<\/span>
\n 22144. (Girls) Album<\/span>
\n 22145. (Rafael Perez Arroyo) Music of the Age of the Pyramids<\/span>
\n 22146. (Win\u00adter\u00adsleep) Wel\u00adcome to the Night Sky<\/span>
\n 22147. (Chuck Berry) Chess Years Vol.9<\/span>
\n 22148. (Cam\u00adera Obscu\u00adra) My Maudlin Career<\/span>
\n 22149. (Hid\u00adden Cam\u00aderas) Ori\u00adgin: Orphan<\/span>
\n 22150. (Dirty Three) Ocean Songs<\/span>
\n 22151. (Altan) Horse With a Heart<\/span>
\n 22152. (Ear\u00adli\u00admart) Hymn and Her<\/span>
\n 22153. (Karate) Unsolved<\/span>
\n 22154. (Foo Fight\u00aders) Skin and Bones<\/span>
\n 22155. (Ramona Falls) Intuit<\/span>
\n 22156. (Hal\u00adlelu\u00adjah the Hills) Colo\u00adnial Drone<\/span>
\n 22157. (Ani\u00admal Col\u00adlec\u00adtive) Mer\u00adri\u00adweath\u00ader Post Pavilion<\/span>
\n 22158. (White Den\u00adim) Fits<\/span>
\n 22159. (Jethro Tull) Liv\u00ading in the Past<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

22083. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #20 \u201cO Ewigkeit, du Don\u00adner\u00adwort (I)\u201d, bwv.20 22084. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #21 \u201cIch hat\u00adte viel Bek\u00fcm\u00admer\u00adnis\u201d, bwv.21 22085. (A Sun\u00adny Day In Glas\u00adgow) Ash\u00ades Grammar<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,20],"tags":[],"class_list":["post-1414","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cq-listening-2010"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1414"}],"version-history":[{"count":9,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1414\/revisions"}],"predecessor-version":[{"id":7818,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1414\/revisions\/7818"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1414"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}