{"id":1425,"date":"2010-05-31T23:45:33","date_gmt":"2010-06-01T03:45:33","guid":{"rendered":"http:\/\/s265039441.onlinehome.us\/philpaine\/?p=1425"},"modified":"2020-02-18T19:35:28","modified_gmt":"2020-02-19T00:35:28","slug":"first-time-listening-for-may-2010","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=1425","title":{"rendered":"First-time listening for May, 2010"},"content":{"rendered":"

22160. (Jacques Lu Cont [aka Stu\u00adart Price] ) FabricLive.09, April 2003 <\/span>
\n22161. (Killers) Hot Fuss<\/span>
\n22162. (Dutchess &<\/span> the Duke) Sun\u00adset \/ Sunrise<\/span>
\n22163. (Ar Re Yaouank) Breizh Positive<\/span>
\n22164. (Morn\u00ading Ben\u00adders) Big Echo<\/span>
\n22165. (Kurt Vile) Child\u00adish Prodigy<\/span>
\n22166. (Amir Khan) Raga Bihag<\/em><\/span>
\n22167. (Amir Khan) Raga Kalashri<\/em><\/span>
\n22168. (Amir Khan) Raga Ram\u00addasi Malhar<\/em><\/span>
\n22169. (Fool\u2019s Gold) Fool\u2019s Gold<\/span>
\n22170. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #26 \u201cAch wie fl\u00fcchtig, ach wie nichtig<\/em>\u201d, bwv.26<\/span>
\n22171. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #27 \u201cWer wei\u00df, wie nahe mir mein Ende<\/em>\u201d, bwv.27<\/span>
\n22172. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #28 \u201cGot\u00adt\u00adlob! nun geht das Jahr zu Ende<\/em>\u201d, bwv.28<\/span>
\n22173. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #29 \u201cWir danken dir, Gott, wir danken dir<\/em>\u201d, bwv.29<\/span>
\n22174. (Foo Fight\u00aders) Echoes, Silence, Patience &<\/span> Grace<\/span>
\n22175. (Dirty Three) What\u00adev\u00ader You Love, You Are<\/span>
\n22176. (Thao with the Get Down Stay Down) Know Bet\u00adter Learn Faster<\/span>
\n22177. (Jef\u00adfer\u00adson Air\u00adplane) Bark<\/span>
\n22178. (Tom Waits) Fast Women &<\/span> Slow Hors\u00ades: Live at State The\u00adatre in Sydney,1979<\/span>
\n22179. (Sun\u00adset Rub\u00addown) Dragonslayer<\/span>
\n22180. (Album Leaf) An Orches\u00adtrat\u00aded Rise to Fall<\/span>
\n22181. (Anhin\u00adga) Spir\u00adits of the Canyons<\/span>
\n22182. (Eels) End of Times<\/span>
\n22183. (Griz\u00adzly Bear) Veckatimest<\/span>
\n22184. (Killers) Sam\u2019s Town<\/span>
\n22185. (Pink Moun\u00adtain\u00adtops) Out\u00adside Love<\/span>
\n22186. (Plants and Ani\u00admals) Parc Avenue<\/span>
\n22187. (Alfon\u00adso X \u201cEl Sabio) Canti\u00adgas de Extremadu\u00adra [Musi\u00adca Antigua, d. Eduardo <\/span>
\n . . . . . Panaguia]<\/span>
\n22188. (Chuck Berry) The Blues Berry<\/span>
\n22189. (Christoff Willibald Gluck) \u201cChe puro ciel<\/em>\u201d from Orpheus and Euridice<\/em> [s. Berganza]<\/span>
\n22190. (Wolf\u00adgang Amadeus Mozart) \u201cFinch \u2018han dan vino<\/em>\u201d from Don Gio\u00advan\u00adni<\/em> [s. Krause]<\/span>
\n22191. (Giuseppe Ver\u00addi) \u201cLib\u00adi\u00adamo ne\u2019li\u00adeti cali\u00adci<\/em>\u201d from La Travi\u00ada\u00adta<\/em> [s. Suther\u00adland; Bergonzi]<\/span>
\n22192. (Giuseppe Ver\u00addi) \u201cRitor\u00adna vinci\u00adtor<\/em>\u201d from A\u00efda<\/em> [s. Chiara]<\/span>
\n22193. (Giuseppe Ver\u00addi) \u201cSolenne in quest\u2019o\u00adra<\/em>\u201d from La Forza del Des\u00adti\u00adno<\/em> [s. del Monaco; <\/span>
\n . . . . . Bastianini]<\/span>
\n22194. (Pyra\u00admids) Pyra\u00admids With Nadja<\/span>
\n22195. (Ger\u00adry Mul\u00adli\u00adgan) Ger\u00adry Mul\u00adli\u00adgan [Verve Jazz Mas\u00adters #36]<\/span>
\n22196. (Espers) III<\/span><\/span>
\n22197. (All\u00adman Broth\u00aders) The All\u00adman Broth\u00aders Band<\/span>
\n22198. (Triskell \/ Ser\u00advat) L\u2019al\u00adba\u00adtros fou <\/span>
\n22199. (Wor\u00adry\u00adtrain) Fog Dance, My Moth Kingdom<\/span>
\n22200. (Antlers) Hospice<\/span>
\n22201. (Kevin Ayers) BBC<\/span> Radio 1 Live In Con\u00adcert, 1972<\/span>
\n22202. (Chick Corea) Chick Corea [Verve Jazz Mas\u00adters #3]<\/span>
\n22203. (Chief\u00adtains) Film Cuts<\/span>
\n22204. (City and Hors\u00ades) I Don\u2019t Want To Dream<\/span>
\n22205. (Weak\u00aderthans) Fallow<\/span>
\n22206. (Tri Yann) An h\u00e9ol a zo glaz \/ Le Soleil est Vert<\/span>
\n22207. (Port O\u2019Brien) Threadbare<\/span>
\n22208. (Camille Saint-Sa\u00ebns) \u201cMon coeur s\u2019ou\u00advre \u00e0 ta voix<\/em>\u201d from Sam\u00adson et Dalila<\/em> [s. Horne]<\/span>
\n22209. (Richard Wag\u00adn\u00ader) \u201cMor\u00adgen\u00adlich Leuch\u00adt\u00adend<\/em>\u201d from Die Meis\u00adtersinger von N\u00fcrn\u00adberg<\/em> <\/span>
\n . . . . . [s. King]<\/span>
\n22210. (Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cUn bel d\u00ec, vedremo<\/em>\u201d from Madame But\u00adter\u00adfly<\/em> [s. Weathers]<\/span>
\n22211. (Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cE luce\u00advan le stelle<\/em>\u201d from Tosca<\/em> [s. del Monaco]<\/span>
\n22212. (Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cLa com\u00adme\u00addia \u00e8 stu\u00adpen\u00adda<\/em>\u201d from La Boh\u00e8me<\/em> [s. Tibal\u00addi, D\u2019angelo, <\/span>
\n . . . . . Bergonzi]<\/span>
\n22213. (Alec Ounsworth) Mo Beauty<\/span>
\n22214. (Alice In Chains) Noth\u00ading Safe: Best of the Box<\/span>
\n22215. (Car\u00admen Drag\u00adon) Serenade<\/span>
\n22216. (Beach House) Teen Dream<\/span>
\n22217. (Chet Bak\u00ader) Chet Bak\u00ader [Verve Jazz Mas\u00adters #32] <\/span>
\n22218. (Do Make Say Think) Do Make Say Think<\/span>
\n22219. (Car\u00admen Drag\u00adon) Romantique<\/span>
\n22220. (Flog\u00adging Mol\u00adly) Drunk\u00aden Lullabies<\/span>
\n22221. (Juras\u00adsic 5) Feedback<\/span>
\n22222. (Killers) 2007 Pro\u00admo: A Great Big Sled &<\/span> Don\u2019t Shoot Me San\u00adta [EP<\/span>]<\/span>
\n22223. (Jonathan Byrd) The Law &<\/span> the Lonesome<\/span>
\n22224. (Kens\u00ading\u00adton Prairie) Cap\u00adtured in Still Life<\/span>
\n22225. (Amethys\u00adtium) Odonata<\/span>
\n22226. (Daniel John\u00adson) Fun<\/span>
\n22227. (Jethro Tull) War Child<\/span>
\n22228. (Tri Yann) Suite Gallaise<\/span>
\n22229. (Real Estate) Real Estate<\/span>
\n22230. (Sub\u00admarines) Hon\u00adey\u00adsuck\u00adle Weeks<\/span>
\n22231. (Most Serene Repub\u00adlic) \u2026And the Ever Expand\u00ading Universe<\/span>
\n22232. (Sim\u00adple Minds) Empires and Dance<\/span>
\n22233. (Pome\u00adgran\u00adates) Every\u00adbody, Come Outside!<\/span>
\n22234. (Luther Alli\u00adson) Rich Man [Blues Col\u00adlec\u00adtion #44]<\/span>
\n22235. (Dub Syn\u00addi\u00adcate) Echomania<\/span>
\n22236. (Hans Carste und dem Grossen Stre\u00adi\u00adchorch\u00adester) Zwis\u00adchen Tag and Traum, Folge 2<\/span>
\n22237. (Rolling Stones) The Rolling Stones [1964]<\/span>
\n22238. (Ner\u00adsiss\u00adian) Song Sketches<\/span>
\n22239. (Casiotone for the Painful\u00adly Alone) Twin\u00adkle Echo<\/span>
\n22240. (Daniel John\u00adston) Hi, How Are You?<\/span>
\n22241. (Kevin Ayers) Colours of the Day [Dutch Radio, 1970]<\/span>
\n22242. (Music Tapes) For Clouds and Tornadoes<\/span>
\n22243. (Altan) The Best of Altan<\/span>
\n22244. (Base\u00adment Jaxx) Crazy Itch Radio<\/span>
\n22245. (King Los\u00ader) You Cannot<\/span>
\n22246. (Rolling Stones) The Rolling Stones No.2 [1964]<\/span>
\n22247. (Oi! Scouts) Boots for the Beatdown<\/span>
\n22248. (Roland Kirk) Roland Kirk [Verve Jazz Mas\u00adters #27]<\/span>
\n22249. (Rolling Stones) The Rolling Stones, Now!<\/span>
\n22250. (Daniel John\u00adston) Is and Always Was<\/span>
\n22251. (Dead Man\u2019s Bones) Dead Man\u2019s Bones<\/span>
\n22252. (Bro\u00adken Social Scene) Bee Hives<\/span>
\n22253. (Rolling Stones) Out of Our Heads [U.S. version]<\/span>
\n22254. (Altan) Island Angel<\/span>
\n22255. (Blur) 13<\/span>
\n22256. (Ani\u00admal Col\u00adlec\u00adtive) Danse Man\u00ada\u00adtee [released under Avey Tare, Pan\u00adda Bear and <\/em><\/span>
\n . . . . . Geol\u00ado\u00adgist<\/em>]<\/span>
\n22257. (Bail\u00adter Space) Capsul<\/span>
\n22258. (Killers) Sawdust<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

22160. (Jacques Lu Cont [aka Stu\u00adart Price] ) FabricLive.09, April 2003 22161. (Killers) Hot Fuss 22162. (Dutchess &<\/span> the Duke) Sun\u00adset \/ Sunrise<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,20],"tags":[],"class_list":["post-1425","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cq-listening-2010"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1425"}],"version-history":[{"count":10,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1425\/revisions"}],"predecessor-version":[{"id":10365,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/1425\/revisions\/10365"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1425"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}