{"id":4716,"date":"2012-09-30T23:50:44","date_gmt":"2012-10-01T03:50:44","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=4716"},"modified":"2018-08-03T21:55:52","modified_gmt":"2018-08-04T01:55:52","slug":"first-time-listening-for-september-2012","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=4716","title":{"rendered":"First-time listening for September, 2012"},"content":{"rendered":"<p><span style=\"color: #000000;\">23000.&nbsp;(George Fred\u00ader\u00adick H\u00e4n\u00addel) <em>Brock\u00ades Pas\u00adsion<\/em>, Ora\u00adto\u00adrio Hvw.48 [d. McGe\u00adgan; Klietman,<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;G\u00e1ti]<\/span><br>\n<span style=\"color: #000000;\">23001.&nbsp;(Weath\u00ader Report) Weath\u00ader Report<\/span><br>\n<span style=\"color: #000000;\">23002.&nbsp;(Ram\u00adsey Lewid Trio) The Best of the Ram\u00adsey Lewis&nbsp;Trio<\/span><!--more--><br>\n<span style=\"color: #000000;\">23003.&nbsp;(Will Glahe) The Pol\u00adka&nbsp;King<\/span><br>\n<span style=\"color: #000000;\">23004.&nbsp;(Car\u00admen Drag\u00adon)&nbsp;Gypsy!<\/span><br>\n<span style=\"color: #000000;\">(Lau\u00adrindo Almei\u00adda) Duets with the Span\u00adish Gui\u00adtar [w. Sal\u00adli Ter\u00adri, Mar\u00adtin Rud\u00ader\u00adman, Mitchell&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;Lurie]:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23005.&nbsp;(Almei\u00adda, arr.) <em>El Vito <\/em><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23006.&nbsp;(Heitor Vil\u00adla-Lobos) <em>Disc\u00adtribui\u00e7\u00e3o de Flo\u00adres<\/em> [arr. gui\u00adtar <span class=\"amp\">&amp;<\/span>&nbsp;flute]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23007.&nbsp;(Almei\u00adda)<em> Ch\u020fro e Batuque<\/em><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23008.&nbsp;(Almei\u00adda, arr.) Three Brazil\u00adian Folk&nbsp;Songs<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23009.&nbsp;(Claude Debussy) Arabesque #1 [arr. gui\u00adtar <span class=\"amp\">&amp;<\/span> clarinet]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23010.&nbsp;(Almei\u00adda, arr.) <em>Dos Vie\u00adjas Canciones<\/em><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23011.&nbsp;(Giro\u00adlamo Fres\u00adcobal\u00addi) La Fres\u00adcobal\u00adda [arr. gui\u00adtar <span class=\"amp\">&amp;<\/span>&nbsp;viola]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23012.&nbsp;(Almei\u00adda, arr.) <em>A Dormir Aho\u00adra&nbsp;Mesmo<\/em><\/span><br>\n<span style=\"color: #000000;\">23013.&nbsp;(Bela Sanders) Enchant\u00aded Tangos<\/span><br>\n<span style=\"color: #000000;\">23014.&nbsp;(Mau\u00adrice Lar\u00adcange) Right from the Left&nbsp;Bank<\/span><br>\n<span style=\"color: #000000;\">23015.&nbsp;(Bauhaus) Lagar\u00adti\u00adja Nick&nbsp;[sin\u00adgle]<\/span><br>\n<span style=\"color: #000000;\">23016.&nbsp;(Luiz Bon\u00adfa) O Vio\u00adlao de Luiz&nbsp;Bonfa<\/span><br>\n<span style=\"color: #000000;\">23017.&nbsp;(Wolf\u00adgang Amadeus Mozart) Sonata #4 for Flute and Harp\u00adsi\u00adchord in F, K.13<\/span><br>\n<span style=\"color: #000000;\">23018.&nbsp;(Wolf\u00adgang Amadeus Mozart) Sonata #6 for Flute and Harp\u00adsi\u00adchord in B\u2011flat, K.15<\/span><br>\n<span style=\"color: #000000;\">23019.&nbsp;(Wolf\u00adgang Amadeus Mozart) Sonata #3 for Flute and Harp\u00adsi\u00adchord in A, K.12<\/span><br>\n<span style=\"color: #000000;\">23020.&nbsp;(Wolf\u00adgang Amadeus Mozart) Sonata #5 for Flute and Harp\u00adsi\u00adchord in C, K.14<\/span><br>\n<span style=\"color: #000000;\">23021.&nbsp;(Wolf\u00adgang Amadeus Mozart) Sonata #1 for Flute and Harp\u00adsi\u00adchord in B\u2011flat, K.10<\/span><br>\n<span style=\"color: #000000;\">23022.&nbsp;(Wolf\u00adgan\u00adga Amadeus Mozart) Sonata #2 for Flute and Harp\u00adsi\u00adchord in G, K.11<\/span><br>\n<span style=\"color: #000000;\">23023.&nbsp;(Prince) U Got the Look \/ House\u00adquake [<span class=\"caps\">EP<\/span>]<\/span><br>\n<span style=\"color: #000000;\">23024.&nbsp;(Marim\u00adbas Caliente <span class=\"amp\">&amp;<\/span> Mari\u00adachis del Oro) Hol\u00adi\u00adday in Mexico<\/span><br>\n<span style=\"color: #000000;\">23025.&nbsp;(B\u00e9la Babai) Gyp\u00adsy&nbsp;Love<\/span><br>\n<span style=\"color: #000000;\">23026.&nbsp;(Idris Muham\u00admad) House of the Ris\u00ading&nbsp;Sun<\/span><br>\n<span style=\"color: #000000;\">23027.&nbsp;(Georges Bizet) Gyp\u00adsy Song from Act 2 of <em>Car\u00admen<\/em> [s. Callas]<\/span><br>\n<span style=\"color: #000000;\">23028.&nbsp;(Umber\u00adto Gior\u00addano) \u201c<em>Come un bel d\u00ec di Mag\u00adgio<\/em>\u201d from <em>Andr\u00e9a Che\u00adnier <\/em>[s. Corel\u00adli]<\/span><br>\n<span style=\"color: #000000;\">23029.&nbsp;(Wolf\u00adgang Amadeus Mozart) \u201c<em>Pogi Amor<\/em>\u201d from <em>The Mar\u00adriage of Figaro<\/em><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[s. Schwarzkopf]<\/span><br>\n<span style=\"color: #000000;\">23030.&nbsp;(Richard Wag\u00adn\u00ader) \u201c<em>Lied an den Abend\u00adstern<\/em>\u201d from <em>Tannh\u00e4user<\/em> [s. Fischer-Dieskau]<\/span><br>\n<span style=\"color: #000000;\">23031.&nbsp;(Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201c<em>Che gel\u00adi\u00adda man\u00adi\u00adna<\/em>\u201d from <em>La Boh\u00e8me<\/em> [s.&nbsp;Gedda]<\/span><br>\n<span style=\"color: #000000;\">23032.&nbsp;(Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201c<em>Che gel\u00adi\u00adda man\u00adi\u00adna<\/em>\u201d from <em>La Boh\u00e8me<\/em> [s.&nbsp;Gedda]<\/span><br>\n<span style=\"color: #000000;\">23033.&nbsp;(Wolf\u00adgang Amadeus Mozart) \u201c<em>De vieni<\/em>\u201d from <em>Don Gio\u00advan\u00adni<\/em> [s. W\u00e4chter]<\/span><br>\n<span style=\"color: #000000;\">23034.&nbsp;(Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201c<em>Un bel d\u00ec, vedremo<\/em>\u201d from <em>Madame But\u00adter\u00adfly<\/em> [s. de los Angeles]<\/span><br>\n<span style=\"color: #000000;\">23035.&nbsp;(Mod\u00adest Mous\u00adsorgs\u00adki) Coro\u00adna\u00adtion Scene from <em>Boris Godounov<\/em> [s. Christoff]<\/span><br>\n<span style=\"color: #000000;\">23036.&nbsp;(Jon\u00adah Jones Quar\u00adtet) Jumpin\u2019 with&nbsp;Jonah<\/span><br>\n<span style=\"color: #000000;\">23037.&nbsp;(Peter Ilich Tchaikovsky) <em>Pas de deux<\/em> from Nut\u00adcracke Suite #2<\/span><br>\n<span style=\"color: #000000;\">23038.&nbsp;(Peter Ilich Tchaikovsky) <em>Valse<\/em> in E\u2011flat, Op.39 #8 [arr. orchestra]<\/span><br>\n<span style=\"color: #000000;\">23039.&nbsp;(Peter Ilich Tchaikovsky) At the Ball, Op.38 #3<\/span><br>\n<span style=\"color: #000000;\">23040.&nbsp;(Peter Ilich Tchaikovsky) <em>Andante cantabile<\/em> from String Quar\u00adtet #1, Op.11<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arr. orchestra]<\/span><br>\n<span style=\"color: #000000;\">23041.&nbsp;(Peter Ilich Tchaikovsky) \u201c<em>Bar\u00adcarolle<\/em>\u201d from The Sea\u00adsons, Op.37a [arr. orchestra]<\/span><br>\n<span style=\"color: #000000;\">23042.&nbsp;(Peter Ilich Tchaikovsky) Song With\u00adout Words, Op.40 #6 [arr. orchestra]<\/span><br>\n<span style=\"color: #000000;\">23043.&nbsp;(Peter Ilich Tchaikovsky) <em>Chan\u00adson triste<\/em>, Op.40 #2 [arr. orchestra]<\/span><br>\n<span style=\"color: #000000;\">23044.&nbsp;(Peter Ilich Tchaikovsky) <em>Waltz Finale<\/em> from Nut\u00adcracke Suite #2<\/span><br>\n<span style=\"color: #000000;\">23045.&nbsp;(Peter Ilich Tchaikovsky) \u201cAutumn Song\u201d from The Sea\u00adsons, Op.37a [arr. orchestra]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>23000.&nbsp;(George Fred\u00ader\u00adick H\u00e4n\u00addel) Brock\u00ades Pas\u00adsion, Ora\u00adto\u00adrio Hvw.48 [d. McGe\u00adgan; Kli\u00adet\u00adman, .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;G\u00e1ti] 23001.&nbsp;(Weath\u00ader Report) Weath\u00ader Report 23002.&nbsp;(Ram\u00adsey Lewid Trio) The Best of the Ram\u00adsey Lewis&nbsp;Trio<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,934],"tags":[],"class_list":["post-4716","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-co-listening-2012"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/4716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4716"}],"version-history":[{"count":4,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/4716\/revisions"}],"predecessor-version":[{"id":4783,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/4716\/revisions\/4783"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4716"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}