{"id":5382,"date":"2014-02-28T23:45:33","date_gmt":"2014-03-01T04:45:33","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=5382"},"modified":"2020-02-27T04:19:02","modified_gmt":"2020-02-27T09:19:02","slug":"first-time-listening-for-february-2014","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=5382","title":{"rendered":"First-time listening for February 2014"},"content":{"rendered":"

22742. (Hen\u00adry Pur\u00adcell) Dido and Aeneas [com\u00adplete opera; d. Pin\u00adnock; von Otter, Varcoe, <\/span>
\n. . . . . Rogers]<\/span>
\n22743. (Fuck But\u00adtons) Slow Focus<\/span>
\n22744. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto, Op.7 #11: Adagio<\/span>
\n22745. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto, Op.7 #2: Adagio<\/span>
\n22746. (Tomas\u00adso Albi\u00adnoni) Sin\u00adfo\u00adnia for Two Oboes: Adagio<\/span>
\n22747. (Tomas\u00adso Albi\u00adnoni) Oboe Con\u00adcer\u00adto, Op.7 #4: Adagio<\/span>
\n22748. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto in C, Op.9 #9: Ada\u00adgio non troppo<\/span>
\n22749. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto, Op.7 #5: Adagio<\/span>
\n22750. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto, Op.9 #12: Adagio<\/span>
\n22751. (Tomas\u00adso Albi\u00adnoni) Oboe Con\u00adcer\u00adto, Op.7 #1: Ada\u00adgio e staccato<\/span>
\n22752. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto in G, Op.9 #6: Ada\u00adgio non troppo<\/span>
\n22753. (Sleigh Bells) Bit\u00adter Rivals<\/span>
\n22754. (Throw\u00ading Mus\u00ades) Purgatory\/Paradise<\/span>
\n22755. (Hugo Wolf) Goethe-lieder #1: \u201cHar\u00adfen\u00adspiel\u00ader 1\u201d [s. Fischer-Dieskau]<\/span>
\n22756. (Hugo Wolf) Goethe-lieder #2: \u201cHar\u00adfen\u00adspiel\u00ader 2\u201d [s. Fischer-Dieskau]<\/span>
\n22757. (Hugo Wolf) Goethe-lieder #3: \u201cHar\u00adfen\u00adspiel\u00ader 3\u201d [s. Fischer-Dieskau]<\/span>
\n22758. (Hugo Wolf) Goethe-lieder #28: \u201cFr\u00fch\u00adling \u00fcbers Jahr\u201d [s. Fischer-Dieskau]<\/span>
\n22759. (Hugo Wolf) Goethe-lieder #50: \u201cGanymed\u201d [s. Fischer-Dieskau]<\/span>
\n22760. (Hugo Wolf) Goethe-lieder #24: \u201cBlu\u00admen\u00adgru\u00df\u201d [s. Fischer-Dieskau]<\/span>
\n22761. (Hugo Wolf) Goethe-lieder #23: \u201cDer neue Amadis\u201d [s. Fischer-Dieskau]<\/span>
\n22762. (Hugo Wolf) Goethe-lieder #22: \u201cDer Sch\u00e4fer\u201d [s. Fischer-Dieskau]<\/span>
\n22763. (Hugo Wolf) Goethe-lieder #11: \u201cDer Rat\u00adten\u00adf\u00e4nger\u201d [s. Fischer-Dieskau]<\/span>
\n22764. (Hugo Wolf) 6 Gedichte von Schef\u00adfel, M\u00f6rike, Goethe und Kern\u00ader #5: \u201cWan\u00adder\u00aders <\/span>
\n. . . . . Nach\u00adlied\u201d [s. Fischer-Dieskau]<\/span>
\n22765. (Hugo Wolf) Goethe-lieder #51: \u201cGren\u00adzen der Men\u00adschheit\u201d [s. Fischer-Dieskau]<\/span>
\n22766. (Hugo Wolf) Goethe-lieder #29: \u201cAnakre\u00adons Grab\u201d [s. Fischer-Dieskau]<\/span>
\n22767. (Hugo Wolf) Goethe-lieder #49: \u201cPrometheus\u201d [s. Fischer-Dieskau]<\/span>
\n22768. (Hugo Wolf) Goethe-lieder #21: \u201cGenialisch Treiben\u201d [s. Fischer-Dieskau]<\/span>
\n22769. (Hugo Wolf) Goethe-lieder #14: \u201cCoph\u00adtis\u00adches Lied 1\u201d [s. Fischer-Dieskau]<\/span>
\n22770. (Hugo Wolf) Goethe-lieder #15: \u201cCoph\u00adtis\u00adches Lied 2\u201d [s. Fischer-Dieskau]<\/span>
\n22771. (Hugo Wolf) Goethe-lieder #34: \u201cOb der Koran von Ewigkeit sei?\u201d [s. Fischer-<\/span>
\n. . . . . Dieskau]<\/span>
\n22772. (Hugo Wolf) Goethe-lieder #32: \u201cPh\u00e4nomen\u201d [s. Fischer-Dieskau]<\/span>
\n22773. (Hugo Wolf) M\u00f6rike-lieder #8: \u201cBegeg\u00adnung\u201d [s. Fischer-Dieskau]<\/span>
\n22774. (Hugo Wolf) M\u00f6rike-lieder #46: \u201cGesang Wey\u00adla\u2019s\u201d [s. Fischer-Dieskau]<\/span>
\n22775. (Hugo Wolf) Ital\u00adienis\u00adches Lieder\u00adbuch 2 #20: \u201cNicht l\u00e4nger kann ich singen\u201d <\/span>
\n. . . . . [s. Fischer-Dieskau]<\/span>
\n22776. (William Wal\u00adton) Music for Olivier\u2019s Ham\u00adlet [film score]<\/span>
\n22777. (Louis Arm\u00adstrong) Louis Arm\u00adstrong 1938\u20131939<\/span>
\n22778. (Wild Beasts) Two Dancers<\/span>
\n22779. (ABBA<\/span>) Gold: Their Great\u00adest Hits<\/span>
\n22780. (Wild Beasts) Smother<\/span>
\n22781. (Giuseppe Ver\u00addi) Luisa Miller [com\u00adplete opera; d. Maag; Caballe, Pavarot\u00adti, Milnes]<\/span>
\n22782. (Josquin des Prez) Deus in nomine tua salvum me [instru\u00admen\u00adtal]<\/span>
\n22783. (Johannes Mar\u00adti\u00adni) Per\u00adfunde coeli rore<\/span>
\n22784. (Josquin des Prez) Mis\u00adsa Her\u00adcules Dux Ferrariae<\/span>
\n22785. (Josquin des Prez) Invi\u00ado\u00adla\u00adta, inte\u00adgra et cas\u00adta es Maria [see vari\u00adant at 9686]<\/span>
\n22786. (Josquin des Prez) Mis\u00adere mei Deus [see vari\u00adant at 9671]<\/span>
\n22787. (Eneas Dupr\u00e9) Chi \u00e0 Martel\u00adlo Dio gl\u2019il Toglia [instru\u00admen\u00adtal]<\/span>
\n22788. (JB<\/span> Lenoir) Down In Mississippi<\/span>
\n22789. (Vol\u00adcano Choir) Repave<\/span>
\n22790. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in D minor, Op.1 #1<\/span>
\n22791. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in F, Op.1 #2<\/span>
\n22792. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in G minor, Op.1 #4<\/span>
\n22793. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in C, Op.1 #5<\/span>
\n22794. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in A minor, Op.1 #6<\/span>
\n22795. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in G, Op.1 #7<\/span>
\n22796. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in B minor, Op.1 #8<\/span>
\n22797. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in D, Op.1 #9<\/span>
\n22798. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in F minor, Op.1 #10<\/span>
\n22799. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in E minor, Op.1 #11<\/span>
\n22800. (Tomas\u00adso Albi\u00adnoni) Trio Sonata in B\u2011flat, Op.1 #12<\/span>
\n22801. (JB<\/span> Lenoir) Mama Watch Your Daughter<\/span>
\n22802. (Giuseppe Ver\u00addi) Stiffe\u00adlio [com\u00adplete opera; d. Gardel\u00adli; Car\u00adreras, Moser]<\/span>
\n22803. (Cliff Richard) Won\u00adder\u00adful To Be Young [sound\u00adtrack]<\/span>
\n(Ensem\u00adble f\u00fcr Fr\u00fche Musik Augs\u00adburg) Camino de San\u00adti\u00ada\u00adgo \u2014 Music on the Pilgrimage:<\/span>
\n. . . . 22804. (Anon.) Wer daz elend bauen wil, Str.1\u20133<\/span>
\n. . . . 22805. (Anon.) Deus in adiutorium<\/span>
\n. . . . 22806. (Anon.) La quinte estampie royal<\/span>
\n. . . . 22807. (Anon.) El mois d\u2019avril; Al cor ai unse ale\u00adgrance; Et gaudebit<\/span>
\n. . . . 22808. (Anon.) Prend\u00e9s i garde<\/span>
\n. . . . 22809. (Anon.) Wer daz elend bauen wil, Str.4\u20135<\/span>
\n. . . . 22810. (Anon.) Pos de chan\u00adtar m\u2019es pres talenz<\/span>
\n. . . . 22811. (Anon.) La tierche estampie royal<\/span>
\n. . . . 22812. (Anon.) Clara sonent organa<\/span>
\n. . . . 22813. (Anon.) Annus novus in gaudio<\/span>
\n. . . . 22814. (Anon.) Farai un vers pos mi sonelh<\/span>
\n. . . . 22815. (Anon.) Razon an de seeren<\/span>
\n. . . . 22816. (Anon.) Resur\u00adgen\u00adtis Domini<\/span>
\n. . . . 22817. (Anon.) Non e gran cousa<\/span>
\n. . . . 22818. (Anon.) En todo tempo<\/span>
\n. . . . 22819. (Anon.) Wer daz elend bauen wil, Str.6\u20137<\/span>
\n. . . . 22820. (Anon.) Con\u00adgaudeant catholici<\/span>
\n. . . . 22821. (Anon.) Wer daz elend bauen wil, Str.8<\/span>
\n. . . . 22822. (Anon.) Dum pater familias<\/span>
\n22823. (William Tyler) Impos\u00adsi\u00adble Truth<\/span>
\n22824. (Arcade Fire) Her [sound\u00adtrack]<\/span>
\n22825. (Blood Orange) Coastal Grooves<\/span>
\n22826. (Bish\u00adop Of Hex\u00aden) Ancient Hymns of Leg\u00adends and Lore [demo]<\/span>
\n22827. (Yeah Yeah Yeahs) The Yeah Yeah Yeahs [EP<\/span>]<\/span>
\n22828. (Blood Orange) Coastal Grooves<\/span>
\n22829. (Bing Cros\u00adby) A Lit\u00adtle Bit of Irish<\/span>
\n22830. (XX<\/span>) KEXP<\/span> Ses\u00adsion Live<\/span>
\n22831. (Claude Debussy) Sonata for Flute, Vio\u00adla &<\/span> Harp<\/span>
\n22832. (Jim\u00admy With\u00ader\u00adspoon) Ain\u2019t Nobody\u2019s Biz\u00adness [Blues Col\u00adlec\u00adtion #24]<\/span>
\n22833. (Dave Edmunds) Trax On Wax<\/span>
\n22835. (Blood Orange) Cupid Deluxe<\/span>
\n22836. (Vam\u00adpire Week\u00adend) Mod\u00adern Vam\u00adpires of the City<\/span>
\n22837. (Friends of Dean Mar\u00adtinez) Under the Waves<\/span>
\n22838. (Gen\u00ade\u00adsis) Turn It On Again: The Hits<\/span>
\n22839. (Phoenix) Wolf\u00adgang Amadeus Phoenix<\/span>
\n22840. (Ten Years After) A Space In Time<\/span>
\n22841. (Gia\u00adco\u00admo Puc\u00adci\u00adni) La Boh\u00e8me [com\u00adplete opera; d. Beecham; de los Ange\u00adles, Bjorling, <\/span>
\n. . . . . Merrill]<\/span><\/p>\n

<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

22742. (Hen\u00adry Pur\u00adcell) Dido and Aeneas [com\u00adplete opera; d. Pin\u00adnock; von Otter, Var\u00adcoe, . . . . . Rogers] 22743. (Fuck But\u00adtons) Slow Focus 22744. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto, Op.7 #11: Ada\u00adgio 22745. (Tomas\u00adso Albi\u00adnoni) Dou\u00adble Oboe Con\u00adcer\u00adto, Op.7 #2: Adagio<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,943],"tags":[],"class_list":["post-5382","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cm-listening-2014"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/5382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5382"}],"version-history":[{"count":3,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/5382\/revisions"}],"predecessor-version":[{"id":10519,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/5382\/revisions\/10519"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5382"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}