{"id":5842,"date":"2014-11-30T23:40:11","date_gmt":"2014-12-01T04:40:11","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=5842"},"modified":"2020-03-01T09:24:02","modified_gmt":"2020-03-01T14:24:02","slug":"reading-november-2014","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=5842","title":{"rendered":"<span class=\"caps\">READING<\/span> \u2013 <span class=\"caps\">NOVEMBER<\/span> 2014"},"content":{"rendered":"<p><span style=\"color: #000000;\">22228. (Tiant\u00adian Zheng) Recast\u00ading Gen\u00adder and Pro\u00adphy\u00adlac\u00adtic Use in Chi\u00adna: A His\u00adtor\u00adi\u00adcal and <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Anthro\u00adpolig\u00adi\u00adcal Per\u00adspec\u00adtive [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22229. (Jo\u00ebl Plouffe <span class=\"amp\">&amp;<\/span> Har\u00adry Bor\u00adlase) L\u2019Arctique de Stephen Harp\u00ader<\/span><br>\n<!--more--><span style=\"color: #000000;\">(Jann Pasler \u0336 ed.) Camille Saint-Sa\u00ebns and His World:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22230. (Jann Pasler) Decon\u00adstruct\u00ading Saint-Sa\u00ebns [pref\u00adace]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22231. (Mitchell Mor\u00adris) Camille Saint-Sa\u00ebns in [Semi-]Private [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22230. (Paul Viar\u00addot) Saint-Sa\u00ebns, The Play\u00adful [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22231. (L\u00e9o Houzi\u00adaux) Inspired by the Skies? Saint-Sa\u00ebns, Ama\u00adteur Astronomer <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22232. (Camille Saint-Sa\u00ebns) Changes on the Moon [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22233. (Camille Saint-Sa\u00ebns) Opti\u00adcal Illu\u00adsions [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22234. (Camille Saint-Sa\u00ebns) The Stars [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22235. (Jann Pasler) Busi\u00adness and Pol\u00adi\u00adtics, with Humor: Saint-Sa\u00ebns and Auguste <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Durand [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22236. (Jean-Christope Branger) Rivals and Friends: Saint-Sa\u00ebns, Massenet, and <em>Tha\u00efs<\/em> <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22237. (Camille Saint-Sa\u00ebns, Jules Massenet <span class=\"amp\">&amp;<\/span> Louise Massenet) Cor\u00adre\u00adspon\u00addence <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[let\u00adters]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22238. (Yves G\u00e9rard) Saint-Sa\u00ebns and Lecocq: An Unwa\u00adver\u00ading Friend\u00adship [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22239. (Dana Goo\u00adley) Saint-Sa\u00ebns and the Performer\u2019s Pres\u00adtige [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22240. (Flo\u00adrence Lau\u00adnay <span class=\"amp\">&amp;<\/span> Jann Passler)<em>Le Ma\u00eetre<\/em>and the \u201cStrange Woman,\u201d Marie <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Ja\u00ebll: Two Vior\u00adtu\u00adoso-Com\u00adposers in Renoance [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22241. (William Peter\u00adson) Saint-Sa\u00ebns\u2019s Impro\u00advi\u00adsa\u00adtions on the Organ [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22242. (Michael Strasse) Pro\u00advid\u00ading Direc\u00adtion for French Music: Saint-Sa\u00ebns and the <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Soci\u00e9t\u00e9 Nationale [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22243. (Lau\u00adre Schnap\u00adper) Saint-Sa\u00ebns as Pres\u00adi\u00addent of the Soci\u00e9t\u00e9 des Com\u00adpos\u00adi\u00adteurs, <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;1887\u20131991 [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22244. (D. Kern Holo\u00adman) Saint-Sa\u00ebns at the Soci\u00e9t\u00e9 des Con\u00adcerts du Con\u00adser\u00adva\u00adtoire <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;de Paris, 1903\u20131904 [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22245. (St\u00e9phane Leteur\u00e9) Saint-Sa\u00ebns: The Trav\u00adel\u00ading Musi\u00adcian [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22246. (Michael Stege\u00admann) Saint-Sa\u00ebns in Ger\u00admany [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22247. (Sabi\u00adna Teller Rat\u00adner) Saint-Sa\u00ebns in Eng\u00adland: His <em>Organ<\/em>Sym\u00adpho\u00adny [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22248. (Camille Saint-Sa\u00ebns) Ana\u00adlyt\u00adi\u00adcal and His\u00adtor\u00adi\u00adcal Pro\u00adgramme for His New <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Sym\u00adpho\u00adny in C Minor and Major [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22249. (Jann Pasler) Saint-Sa\u00ebns, \u201cAlger\u00adian by Adop\u00adtion\u201d [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22250. (Jann Pasler) Friend\u00adship and Music in Indochi\u00adna [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22251. (Car\u00adolyn Guzs\u00adki) Saint-Sa\u00ebns in New York [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22252. (Car\u00adol A. Hess) Saint-Sa\u00ebns and Latin Amer\u00adi\u00adca [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22253. (Annegret Fauser) What\u2019s in a Song? Saint-Sa\u00ebns\u2019s <em>M\u00e9lodies<\/em>[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22254. (Jann Pasler) Saint-Sa\u00ebns and the Ancient World: From Africa to Greece <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22255. (Maire-Gabrielle Soret) Saint-Sa\u00ebns, Writer [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22256. (Katharine Ellis) Saint-Sa\u00ebns and Rameau\u2019s Key\u00adboard Music [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22257. (Camille Saint-Sa\u00ebns) Pref\u00adace, Rameau\u2019s <em>Pi\u00e8ces de Clavecin<\/em>[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22258. (Marie-Gabrielle Soret) Lyres and Citha\u00adras of Antiq\u00adui\u00adty [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22259. (Camille Saint-Sa\u00ebns) Ancient Lyres and Citha\u00adras [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22260. (Jan Pasler) Saint-Sa\u00ebns and d\u2019Indy in Dia\u00adlogue [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22261. (Jann Pasler) Saint-Sa\u00ebns\u2019s Advo\u00adca\u00adcy of Music Edu\u00adca\u00adtion in Ele\u00admen\u00adtary <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;School [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22262. (Camille Saint-Sa\u00ebns) Report of M. Saint-Sa\u00ebns [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22263. (Byron Adams <span class=\"amp\">&amp;<\/span> Jann Pasler) Saint-Sa\u00ebns and the Future of Music [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22264. (Camille Saint-Sa\u00ebns) Musi\u00adcal Evo\u00adlu\u00adtion [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22265. (Michel Duch\u00ades\u00adneau) The Fox in the Hen\u00adhouse, or Saint-Sa\u00ebns at the <span class=\"caps\">SMI<\/span> <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22266. (Michael J. Puri) Saint-Sa\u00ebns, Rav\u00adel, and Their Piano Con\u00adcer\u00adtos: Sound\u00ading Out <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;a Lega\u00adcy [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22267. (Mar\u00adtin Marks) Saint-Sa\u00ebns and Silent Film \/ Sound Film and Saint-Sa\u00ebns <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22268. (Leon Bot\u00adstein) Beyond the Con\u00adceits of the Avant-Garde: Saint-Sa\u00ebns, Romain <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Rol\u00adland, and the Musi\u00adcal Cul\u00adture of the Nine\u00adteenth Cen\u00adtu\u00adry [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22269. (Helen Thomp\u00adson) Ten Years On, the Flo\u00adres \u201cHob\u00adbit\u201d Remains an Evo\u00adlu\u00adtion\u00adary <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Puz\u00adzle [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22270. (Emi\u00adly Chung) <span class=\"caps\">ROM<\/span> Mum\u00admy Justine\u2019s Real Name Was Nefret-Mut, Researchers <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Reveal [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22271. (Tay\u00adlor McNeil) Hotbed in the Arc\u00adtic: Will Warmer Tem\u00adper\u00ada\u00adtures Thaw Diplo\u00admat\u00adic <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Rela\u00adtions? [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22272. (James Cur\u00adran <span class=\"amp\">&amp;<\/span> Stu\u00adart Ward) The Unknown Nation: Aus\u00adtralia After Empire<\/span><br>\n<span style=\"color: #000000;\">22273. (Alain Anselin) Some Notes about an Ear\u00adly Pool of Cul\u00adtures from which Emerged the <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Egypt\u00adian Civil\u00adi\u00adsa\u00adtion [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22274. (Dean R. Snow) Sex\u00adu\u00adal Dimor\u00adphism in Euro\u00adpean Upper Pale\u00adolith\u00adic Cave Art [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22275. (Peter Tem\u00adple) The Bro\u00adken Shore<\/span><br>\n<span style=\"color: #000000;\">22276. (Lavanya Vem\u00adsani) Review of <em>The Artha\u015b\u0101s\u00adtra: Selec\u00adtions from the Clas\u00adsic Indi\u00adan<\/em><\/span><br>\n<span style=\"color: #000000;\"><em>.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Work on State\u00adcraft<\/em>by Patrick Oliv\u00adelle <span class=\"amp\">&amp;<\/span> Mark McClish [review]<\/span><br>\n<span style=\"color: #000000;\">22277. (Jef\u00adfrey H. Cohen) Myth, Real\u00adi\u00adty and Immi\u00adgra\u00adtion Reform [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22278. (Rapha\u00ebl Nowak) Dick Heb\u00addi\u00adge, <em>Sous-cul\u00adture: Le sens du style<\/em>[review]<\/span><br>\n<span style=\"color: #000000;\">22279. (Maria Xime\u00adna Sen\u00ada\u00adtore <span class=\"amp\">&amp;<\/span> Andr\u00e9s Zarankin) Widen\u00ading the Scope of the Antarc\u00adtic <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Her\u00aditage: Archae\u00adol\u00ado\u00adgy and \u201cthe ugly, the dirty and the evil\u201d in Antarc\u00adtic His\u00adto\u00adry <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22280. (Lijing Peng <span class=\"amp\">&amp;<\/span> Fangzhe Qiu) Space and Time in Irish Folk Rit\u00adu\u00adals and Tra\u00addi\u00adtions <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22281. (Car\u00adol J. Mack\u00adey <span class=\"amp\">&amp;<\/span> Joanne Pills\u00adbury) Cos\u00admol\u00ado\u00adgy and Rit\u00adu\u00adal on a Lam\u00adbayaque Beaker <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22282. (Anne Salmond) Aphrodite\u2019s Island \u2014 The Euro\u00adpean Dis\u00adcov\u00adery of Tahi\u00adti<\/span><br>\n<span style=\"color: #000000;\">22283. (D. Thomas) From Dusk Till Dawn; Win\u00adter rhythms of the Sun and Moon at Callan\u00adish. <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Can we use sound and images to demys\u00adti\u00adfy archaeoas\u00adtro\u00adnom\u00adic data? [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22284. (Adam W. Schnei\u00adder <span class=\"amp\">&amp;<\/span> Selim F. Adah) \u201cNo Har\u00advest Was Reaped\u201d: Demo\u00adgraph\u00adic and <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Cli\u00admat\u00adic Fac\u00adtors in the Decline of the Assyr\u00adi\u00adan Empire [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22285. (Ter\u00adry Bis\u00adson) They\u2019re Made Out of Meat [sto\u00adry] <\/span><br>\n<span style=\"color: #000000;\">22286. (Andrew David Field) Shanghai\u2019s Danc\u00ading World \u2014 Cabaret Cul\u00adture and Urban <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Pol\u00adi\u00adtics, 1919\u20131954<\/span><br>\n<span style=\"color: #000000;\">22287. (Fer\u00adgus Hume) The Amber Beads [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">22288. (James Traub) Bashar al-Assad and the Devil\u2019s Bar\u00adgain [arti\u00adcle] <\/span><br>\n<span style=\"color: #000000;\">22289. (Rosa Brooks) Embrace the Chaos [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22290. (Steve Albi\u00adni) On the Sur\u00adpris\u00ading\u00adly Stur\u00addy State of the Music Indus\u00adtry [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22291. (Robert C. Sug\u00adgs) The Hid\u00adden Worlds of Poly\u00adne\u00adsia<\/span><br>\n<span style=\"color: #000000;\">(Lu Xun) Select\u00aded Works [tr. Yang Xianyi <span class=\"amp\">&amp;<\/span> Gladys Yang]:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22292. (Feng Xue\u00adfeng) Lu Xun: His Life and Works [pref\u00adace]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22293. (Lu Xun) Pref\u00adace to Call to Arms [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22294. (Lu Xun) A Madman\u2019s Diary [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22295. (Lu Xun) Kon Yiji [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22296. (Lu Xun) Med\u00adi\u00adcine [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22297. (Lu Xun) Tomor\u00adrow [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22298. (Lu Xun) A Small Inci\u00addent [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22299. (Lu Xun) Storm in a Teacup [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22300. (Lu Xun) My Old Home [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22301. (Lu Xun) The True Sto\u00adry of Ah Q [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22302. (Lu Xun) Vil\u00adlage Opera [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22303. (Lu Xun) The New-Year Sac\u00adri\u00adfice [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22304. (Lu Xun) In the Tav\u00adern [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22305. (Lu Xun) A Hap\u00adpy Fam\u00adi\u00adly [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22306. (Lu Xun) Soap [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22307. (Lu Xun) The Mis\u00adan\u00adthrope [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22308. (Lu Xun) Regret for the Past [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22309. (Lu Xun) The Divorce [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22310. (Lu Xun) The Flight to the Moon [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22311. (Lu Xun) Forg\u00ading the Swords [sto\u00adry]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22312. (Lu Xun) 19 Prose Poems [verse]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22313. (Lu Xun) Achang and the <em>Book of Hills and Seas<\/em>[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22314. (Lu Xun) The Fair of the Five Fierce Gods [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22315. (Lu Xun) Wu Chang, or Life Is Tran\u00adsient [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22316. (Lu Xun) From Hun\u00addred-Plant Gar\u00adden to Three-Flavour Study [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22317. (Lu Xun) Father\u2019s Ill\u00adness [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22318. (Lu Xun) Mr. Fuji\u00adno [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22319. (Lu Xun) Fan Ain\u00adong [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22320. (Lu Xun) My First Teacher [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22321. (Lu Xun) The Hang\u00ading Woman [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22322. (Kathy Marks) Lost Par\u00adadise: From Mutiny on the Boun\u00adty to a Mod\u00adern-day Lega\u00adcy of <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Sex\u00adu\u00adal May\u00adhem, the Dark Secrets of Pit\u00adcairn Island Revealed<\/span><br>\n<span style=\"color: #000000;\">(New\u00adfound\u00adland His\u00adtor\u00adi\u00adcal Soci\u00adety) A Short His\u00adto\u00adry of New\u00adfound\u00adland and Labrador:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22323. (Jeff A. Webb) Pref\u00adace [pref\u00adace]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22324. (Lisa Rankin) Native Peo\u00adple from the Ice Age to the Extinc\u00adtion of the Beothuk <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22325. (Peter E. Pope) New\u00adfound\u00adland and Labrador, 1497\u20131697 [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22326. (Olaf U. Janzen) The \u201cLong\u201d Eigh\u00adteenth Cen\u00adtu\u00adry, 1697\u20131815 [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22327. (James K. Hiller) The Nine\u00adteenth Cen\u00adtu\u00adry, 1815\u20131914 [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;22328. (Ter\u00adry Bish\u00adop-Stir\u00adling <span class=\"amp\">&amp;<\/span> Jeff A. Webb) The Twen\u00adti\u00adeth Cen\u00adtu\u00adry [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22329. (Derek Few\u00adster) The Inven\u00adtion of the Finnish Stone Age \u2014 Pol\u00adi\u00adtics, Eth\u00adnic\u00adi\u00adty and <\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Archae\u00adol\u00ado\u00adgy [arti\u00adcle]<\/span><br>\n<span style=\"color: #000000;\">22330. (Dea Bir\u00adkett) Ser\u00adpent in Paradise<\/span><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>22228. (Tiant\u00adian Zheng) Recast\u00ading Gen\u00adder and Pro\u00adphy\u00adlac\u00adtic Use in Chi\u00adna: A His\u00adtor\u00adi\u00adcal and .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Anthro\u00adpolig\u00adi\u00adcal Per\u00adspec\u00adtive [arti\u00adcle] 22229. (Jo\u00ebl Plouffe <span class=\"amp\">&amp;<\/span> Har\u00adry Bor\u00adlase) L\u2019Arctique de Stephen Harper<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[946,942],"tags":[],"class_list":["post-5842","post","type-post","status-publish","format-standard","hentry","category-b-reading","category-bm-reading-2014-2"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/5842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5842"}],"version-history":[{"count":7,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/5842\/revisions"}],"predecessor-version":[{"id":5848,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/5842\/revisions\/5848"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5842"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}