{"id":6118,"date":"2015-10-31T23:50:13","date_gmt":"2015-11-01T03:50:13","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=6118"},"modified":"2020-03-01T20:30:06","modified_gmt":"2020-03-02T01:30:06","slug":"first-time-listening-for-october-2015","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=6118","title":{"rendered":"First-time listening for October 2015"},"content":{"rendered":"

23351. (Zchiw Song Ensem\u00adble) Zchiw [\u0416\u044a\u044b\u0443] [Zamudin Ghwch\u2019e &<\/span> Zawir Negh\u00adwey on <\/span>
\n. . . . . ancient Adi\u00adgean instruments]<\/span>
\n23352. (Orb) Orb\u2019s Adven\u00adtures Beyond the Ultraworld<\/span>
\n23353. (Edward Sharpe &<\/span> the Mag\u00adnet\u00adic Zeros) Here<\/span>
\n23354. (Glenn Miller) Sec\u00adond Press\u00ading [5 disk set]<\/span>
\n23355. (Eric Salz\u00adman &<\/span> Michael Sahl) Civ\u00adi\u00adliza\u00adtion &<\/span> Its Dis\u00adcon\u00adtents [musi\u00adcal comedy]<\/span>
\n23356. (Bob\u00adby Vee) Come Back When You Grow Up<\/span>
\n23357. New\u00adport in New York \u201972 \u2014 The Jam Ses\u00adsions, vol. 1: Jumpin\u2019 at the Woodside &<\/span> <\/span>
\n. . . . . Lo-Slo Bluze [Charles McPher\u00adson, Charles Min\u00adgus, Alan Daw\u00adson, Milt Buckner, <\/span>
\n. . . . . Roland Han\u00adna, Bud\u00addy Tate, Cat Ander\u00adson, Jim\u00admy Owens]<\/span>
\n23358. (Ray Noble) Ray Noble Plays Ray Noble<\/span>
\n23359. (The\u00ado\u00adry of a Dea\u00adman) The\u00ado\u00adry of a Deadman<\/span>
\n23360. (Nol\u00adwenn Leroy) Nolwenn<\/span>
\n23361. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: Ouver\u00adture d\u2019Amadis<\/span>
\n23362. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: R\u00e9pands char\u00admante nuit<\/span>
\n23363. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: R\u00e9c\u00adit d\u2019Orph\u00e9e<\/span>
\n23364. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: Entr\u00e9e pour Bac\u00adchus et Ariadne<\/span>
\n23365. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: Rochers vous \u00eates sourds<\/span>
\n23366. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: Plainte de V\u00e9nus sur la mort d\u2019Adonis<\/span>
\n23367. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 1: Dieu des enfers<\/span>
\n23368. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 2: Ouver\u00adture de Psych\u00e9<\/span>
\n23369. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 2: Plainte italienne<\/span>
\n23370. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 2: Cha\u00adconne d\u2019Amadis<\/span>
\n23371. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 3: Entr\u00e9 d\u2019Apollon<\/span>
\n23372. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 3: Si l\u2019amour vous soumet<\/span>
\n23373. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 3: Enfin il es en ma puissance<\/span>
\n23374. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 3: Air pour les d\u00e9mons et les monstres<\/span>
\n23375. (Jean-Bap\u00adtiste Lul\u00adly) Diver\u00adtisse\u00adments 3: Pas\u00adsacaille d\u2019Armide<\/span>
\n23376. (Kendrick Lamar) To Pimp a Butterfly<\/span>
\n23377. (Charles Min\u00adgus) Mys\u00adte\u00adri\u00adous Blues<\/span>
\n23378. (Lift to Expe\u00adri\u00adence) The Texas-Jerusalem Crossroads<\/span>
\n23379. (Mbong\u00adwana Star) From Kinshasa<\/span>
\n23380. (Tom Morel\u00adlo [The Night\u00adwatch\u00adman]) Union Town<\/span>
\n23381. (Slow Club) Paradise<\/span>
\n23382. (Rage Against the Machine) Live &<\/span> Rare<\/span>
\n23383. (Arvo P\u00e4rt) Litany for soloists, cho\u00adrus and orchestra<\/span>
\n23384. New\u00adport in New York \u201972 \u2014 The Jam Ses\u00adsions, vol. 2: Bag\u2019s Groove &<\/span> Night in Tunisia<\/span>
\n. . . . . [Dizzy Gille\u00adspie, Stan Getz, Milt Jack\u00adson, Big Black, Max Roach, Ken\u00adny Burrell, <\/span>
\n. . . . . Mary Lou Williams, Ben\u00adny Green, John Blair]<\/span>
\n23385. (Flo\u00adrence + the Machine) Lungs<\/span>
\n23386. (My Morn\u00ading Jack\u00adet) Circuital<\/span>
\n23387. (Har\u00adry Gib\u00adson, Ben\u00adny Carter &<\/span> Cecil Grant) I Gigan\u00adti del Jazz 26<\/span>
\n23388. (Witold Lutos\u0142aws\u00adki) Con\u00adcer\u00adto for Orchestra<\/span>
\n23389. (Witold Lutos\u0142aws\u00adki) Musique fun\u00e8bre [Muzy\u00adka \u017ca\u0142ob\u00adna; Fune\u00adre\u00adal Music]<\/span>
\n23390. (Witold Lutos\u0142aws\u00adki) Jeux v\u00e9ni\u00adtiens [Venet\u00adian Games]<\/span>
\n23391. New\u00adport in New York \u201972 \u2014 The Jam Ses\u00adsions, vol. 3: Per\u00addi\u00addo, Misty, &<\/span> Now\u2019s the <\/span>
\n. . . . . Time [Ger\u00adry Mul\u00adli\u00adgan, Chub\u00adby Jack\u00adson, Jaki Byard, Budd John\u00adson, Illi\u00adnois Jacquet, <\/span>
\n. . . . . Tyree Glenn, Joe New\u00adman, Nat Adderley]<\/span>
\n23392. (Mar\u00adi\u00adan Ander\u00adson) Spirituals<\/span>
\n23393. New\u00adport in New York \u201972 \u2014 The Jam Ses\u00adsions, vol. 4: Blue \u2019n\u2019 Boo\u00adgie &<\/span> So What<\/span>
\n. . . . . [Art Blakey, Al McK\u00adib\u00adbon, Jim\u00admy Smith, George Duke, Dex\u00adter Gor\u00addon, Son\u00adny Stitt, <\/span>
\n. . . . . Clark Ter\u00adry, Howard McGhee, Gary Burton]<\/span>
\n23394. (Rain\u00adcoats) You\u2019re a Mil\u00adlion [sin\u00adgle]<\/span>
\n23395. (Arnold Bax) From Dusk Til Dawn<\/span>
\n23396. (Azealia Banks) Broke With Expen\u00adsive Taste<\/span>
\n23397. (Pink Turns Blue) If Two Worlds Kiss<\/span>
\n23398. (Baby Bud\u00addha) Music For Teenage Sex<\/span><\/p>\n

<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

23351. (Zchiw Song Ensem\u00adble) Zchiw [\u0416\u044a\u044b\u0443] [Zamudin Ghwch\u2019e &<\/span> Zawir Negh\u00adwey on . . . . . ancient Adi\u00adgean instru\u00adments] 23352. (Orb) Orb\u2019s Adven\u00adtures Beyond the Ultra\u00adworld 23353. (Edward Sharpe &<\/span> the Mag\u00adnet\u00adic Zeros) Here 23354. (Glenn Miller) Sec\u00adond Press\u00ading [5 disk set]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,19],"tags":[],"class_list":["post-6118","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cl-listening-2015"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6118"}],"version-history":[{"count":6,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6118\/revisions"}],"predecessor-version":[{"id":10675,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6118\/revisions\/10675"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6118"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}