{"id":6551,"date":"2016-10-31T23:40:19","date_gmt":"2016-11-01T03:40:19","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=6551"},"modified":"2026-01-27T23:38:09","modified_gmt":"2026-01-28T04:38:09","slug":"first-time-listening-for-october-2016","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=6551","title":{"rendered":"First-time listening for October 2016"},"content":{"rendered":"<p><span style=\"color: #000000;\">23854. (Rabih Abou-Khalil) Roots <span class=\"amp\">&amp;<\/span> Sprouts<\/span><br>\n<span style=\"color: #000000;\">23855. (Hen\u00adry Pur\u00adcell) The Indi\u00adan Queen [com\u00adplete opera; d. Hog\u00adwood; Kirk\u00adby, Bott, Ainsley]<\/span><br>\n<span style=\"color: #000000;\">23856. (Last Shad\u00adow Pup\u00adpets) Every\u00adthing You\u2019ve Come To Expect<\/span><br>\n<span style=\"color: #000000;\">23857. (Alessan\u00addro Scar\u00adlat\u00adti) Telema\u00adco [com\u00adplete opera; d. Hen\u00adgel\u00adbrock; Ham\u00advasi, Kulman]<\/span><br>\n<span style=\"color: #000000;\">Music of the Ancient Sume\u00adri\u00adans, Egyp\u00adtians and Greeks:<\/span><br>\n<!--more--><span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23858. (anon.) Musi\u00adcal Exerpts, 2nd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23859. (anon.) Lament, 2nd-3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23860. (anon.) Frag\u00adment 1, 2nd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23861. (anon.) Paean, 3rd-4th c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23862. (anon.) Trochaid Frag\u00adment, 3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23863. (anon.) Four Set\u00adtings from Menander\u2019s Epitre\u00adpontes, 3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23864. (anon.) Excerpts Men\u00adtion\u00ading Eros and Aphrodite, 2nd-3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23865. (anon.) Musi\u00adcal Excerpt, 3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23866. (anon.) Hypoly\u00addi\u00adan Excerpt, 2nd-3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23867. (anon.) Frag\u00adment 3, 3rd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23868. (anon.) A Zaluzi To the Gods, Hur\u00adri\u00adan Hymn 7, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23869. (anon.) Hur\u00adri\u00adan Hymns 19 <span class=\"amp\">&amp;<\/span> 23, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23870. (anon.) Hur\u00adri\u00adan Hymns 13 <span class=\"amp\">&amp;<\/span> 12, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23871. (anon.) Hur\u00adri\u00adan Hymn 2, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23872. (anon.) Hur\u00adri\u00adan Hymn 8, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23873. (anon.) Hur\u00adri\u00adan Hymn 5, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23874. (anon.) Hur\u00adri\u00adan Hymns 4, 21 <span class=\"amp\">&amp;<\/span> 22, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23875. (anon.) Hur\u00adri\u00adan Hymns 7 <span class=\"amp\">&amp;<\/span> 10, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23876. (anon.) Hur\u00adri\u00adan Hymns 16 <span class=\"amp\">&amp;<\/span> 30, c. 1225&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23877. (anon.) Musi\u00adcal Instruc\u00adtions for Lip\u00adit-Istar, King of Jus\u00adtice, c. 1950&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23878. (anon.) Trum\u00adpet Call, After Plutarch, 1st c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23879. (anon.) Isis Sistrum Rhythm, After Apuleius, 2nd c.&nbsp;<span class=\"caps\">AD<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23880. (anon.) Harp Piece A, 6th-7th c.&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23881. (anon.) Harp Piece B, 6th-7th c.&nbsp;<span class=\"caps\">BC<\/span><\/span><br>\n<span style=\"color: #000000;\">23882. (White Lung) Paradise<\/span><br>\n<span style=\"color: #000000;\">23883. (Kevin Mor\u00adby) Singing Saw<\/span><br>\n<span style=\"color: #000000;\">23884. (Sleaford Mods) Aus\u00adter\u00adi\u00adty&nbsp;Dogs<\/span><br>\n<span style=\"color: #000000;\">23885. (Tegan <span class=\"amp\">&amp;<\/span> Sara) Love You To&nbsp;Death<\/span><br>\n<span style=\"color: #000000;\">23886. (Carl Nielsen) Lit\u00adtle Suite for Strings, Op.1 [ver\u00adsion for quar\u00adtet] [orig\u00adi\u00adnal at&nbsp;3958]<\/span><br>\n<span style=\"color: #000000;\">23887. (Alexan\u00adder Borodin) Prince Igor [com\u00adplete opera; d. Gergiev; Putilin, Gorchakova,&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Alek\u00adsashkin, Borodina]<\/span><br>\n<span style=\"color: #000000;\">23888. (Ludolf Nielsen) For\u00adest Walk, Sym\u00adphon\u00adic&nbsp;Suite<\/span><br>\n<span style=\"color: #000000;\">23889. (George Ezra) \u201cLis\u00adten to the&nbsp;Man\u201d&nbsp;<\/span><br>\n<span style=\"color: #000000;\">23890. (George Ezra) \u201cBudapest\u201d<\/span><br>\n<span style=\"color: #000000;\">23891. (George Ben\u00adjamin) Dance Figures<\/span><br>\n<span style=\"color: #000000;\">23892. (Neon Neon) Stain\u00adless&nbsp;Style<\/span><br>\n<span style=\"color: #000000;\">23893. (Carl Czerny) Vari\u00ada\u00adtions on a Theme by Haydn for Piano and Orches\u00adtra, Op.73<\/span><br>\n<span style=\"color: #000000;\">23894. (Hec\u00adtor Berlioz) La Damna\u00adtion de Faust [com\u00adplete opera; d. Kord; Szostek-Radkowa,&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Ged\u00adda, Mr\u00f3z, Doumene \u2014&nbsp;1979]<\/span><br>\n<span style=\"color: #000000;\">23895. (Diet\u00adrich Bux\u00adte\u00adhude) Gott und Herr for Organ, BuxWV&nbsp;177<\/span><br>\n<span style=\"color: #000000;\">23896. (Diet\u00adrich Bux\u00adte\u00adhude) Can\u00adzonet\u00adta in A for Organ, BuxWV&nbsp;225<\/span><br>\n<span style=\"color: #000000;\">23897. (Diet\u00adrich Bux\u00adte\u00adhude) Can\u00adzonet\u00adta in C for Organ, BuxWV&nbsp;167<\/span><br>\n<span style=\"color: #000000;\">23898. (Diet\u00adrich Bux\u00adte\u00adhude) Christ, unser Herr, zum Jor\u00addan kam for Organ, BuxWV&nbsp;180<\/span><br>\n<span style=\"color: #000000;\">23899. (Diet\u00adrich Bux\u00adte\u00adhude) Cia\u00adcona in C for Organ, BuxWV&nbsp;159<\/span><br>\n<span style=\"color: #000000;\">23900. (Diet\u00adrich Bux\u00adte\u00adhude) Erhalt uns Herr, bei Deinem Wort for Organ, BuxWV&nbsp;185<\/span><br>\n<span style=\"color: #000000;\">23901. (Diet\u00adrich Bux\u00adte\u00adhude) Kommt her zu mir, spricht Gottes Sohn for Organ, Bux <span class=\"caps\">WV<\/span>&nbsp;201<\/span><br>\n<span style=\"color: #000000;\">23902. (Diet\u00adrich Bux\u00adte\u00adhude) Men\u00adsch, willst Du leben seliglich for Organ, BuxWV&nbsp;206<\/span><br>\n<span style=\"color: #000000;\">23903. (Diet\u00adrich Bux\u00adte\u00adhude) Nun komm, der Hei\u00adden Hei\u00adland for Organ, BuxWV&nbsp;221<\/span><br>\n<span style=\"color: #000000;\">23904. (Diet\u00adrich Bux\u00adte\u00adhude) Nun lob, mein Seel, den Her\u00adren for Organ, BuxWV&nbsp;214<\/span><br>\n<span style=\"color: #000000;\">23905. (Diet\u00adrich Bux\u00adte\u00adhude) Pas\u00adsacaglia in D for Organ, BuxWV&nbsp;161<\/span><br>\n<span style=\"color: #000000;\">23906. (Diet\u00adrich Bux\u00adte\u00adhude) Pre\u00adlude in G for Organ, BuxWV&nbsp;149<\/span><br>\n<span style=\"color: #000000;\">23907. (Diet\u00adrich Bux\u00adte\u00adhude) Pre\u00adlude in E m for Organ, BuxWV&nbsp;143<\/span><br>\n<span style=\"color: #000000;\">23908. (Diet\u00adrich Bux\u00adte\u00adhude) Pre\u00adlude in G m for Organ, BuxWV&nbsp;148<\/span><br>\n<span style=\"color: #000000;\">23909. (Diet\u00adrich Bux\u00adte\u00adhude) Te Deum lau\u00addamus for Organ, BuxWV&nbsp;218<\/span><br>\n<span style=\"color: #000000;\">23910. (Diet\u00adrich Bux\u00adte\u00adhude) Toc\u00adca\u00adta in D for Organ, BuxWV&nbsp;155<\/span><br>\n<span style=\"color: #000000;\">23911. (Diet\u00adrich Bux\u00adte\u00adhude) War Gott nicht mit uns diese Zeit for Organ, BuxWV&nbsp;222<\/span><br>\n<span style=\"color: #000000;\">23912. (Diet\u00adrich Bux\u00adte\u00adhude) Wir danken dir, Herr Jesu Christ for Organ, BuxWV&nbsp;224<\/span><br>\n<span style=\"color: #000000;\">23913. (Sofia Gubaiduli\u00adna) The Can\u00adti\u00adcle of the&nbsp;Sun<\/span><br>\n<span style=\"color: #000000;\">23914. (Sofia Gubaiduli\u00adna) Pre\u00adludes for Vio\u00adlin\u00adcello&nbsp;Solo<\/span><br>\n<span style=\"color: #000000;\">23915. (Sofia Gubaiduli\u00adna) In Croce for Cel\u00adlo and&nbsp;Bajan<\/span><br>\n<span style=\"color: #000000;\">23916. (Miles Davis) The Com\u00adplete Birth of the&nbsp;Cool<\/span><br>\n<span style=\"color: #000000;\">23917. (Last Shad\u00adow Pup\u00adpets) Every\u00adthing You\u2019ve Come to Expect<\/span><br>\n<span style=\"color: #000000;\">23918. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #30 \u201cFreue dich, erl\u00f6ste Schar\u201d<\/span><br>\n<span style=\"color: #000000;\">23919. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #31 \u201cDer Him\u00admel lacht! die Erde jubilieret\u201d<\/span><br>\n<span style=\"color: #000000;\">23920. (Cal\u00adixa Laval\u00adl\u00e9e) Le papil\u00adlon for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">23921. (Cal\u00adixa Laval\u00adl\u00e9e) Ellinger Pol\u00adka for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">23922. (Cal\u00adixa Laval\u00adl\u00e9e) Marche fun\u00e8bre for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">23923. (Cal\u00adixa Laval\u00adl\u00e9e) First Salon Waltz, Op.39<\/span><br>\n<span style=\"color: #000000;\">23924. (Cal\u00adixa Laval\u00adl\u00e9e) L\u2019oiseau mouche, Op.111<\/span><br>\n<span style=\"color: #000000;\">23925. (Cal\u00adixa Laval\u00adl\u00e9e) Grande Marche de Con\u00adcert, Op.4<\/span><br>\n<span style=\"color: #000000;\">23926. (Cal\u00adixa Laval\u00adl\u00e9e) \u201cO Cana\u00adda\u201d [orig\u00adi\u00adnal ver\u00adsion with Adolphe-Basile Routhi\u00ader lyrics]<\/span><br>\n<span style=\"color: #000000;\">23927. (<span class=\"caps\">MD<\/span>.45) The Craving<\/span><br>\n<span style=\"color: #000000;\">23928. (\u00c9liz\u00ada\u00adbeth Jacquet de la Guerre) Harp\u00adsi\u00adchord Suite #1 in D&nbsp;m&nbsp;<\/span><br>\n<span style=\"color: #000000;\">23929. (\u00c9liz\u00ada\u00adbeth Jacquet de la Guerre) Harp\u00adsi\u00adchord Suite #2 in G&nbsp;m&nbsp;<\/span><br>\n<span style=\"color: #000000;\">23930. (\u00c9liz\u00ada\u00adbeth Jacquet de la Guerre) Harp\u00adsi\u00adchord Suite #3 in A&nbsp;m&nbsp;<\/span><br>\n<span style=\"color: #000000;\">23931. (\u00c9liz\u00ada\u00adbeth Jacquet de la Guerre) Harp\u00adsi\u00adchord Suite #4 in F&nbsp;m&nbsp;<\/span><br>\n<span style=\"color: #000000;\">23932. (\u00c9liz\u00ada\u00adbeth Jacquet de la Guerre) Harp\u00adsi\u00adchord Suite #5 in D&nbsp;m<\/span><br>\n<span style=\"color: #000000;\">23933. (\u00c9liz\u00ada\u00adbeth Jacquet de la Guerre) Harp\u00adsi\u00adchord Suite #6 in&nbsp;G<\/span><br>\n<span style=\"color: #000000;\">23934. (Skep\u00adta) Doin\u2019 It&nbsp;Again<\/span><br>\n<span style=\"color: #000000;\">23935. (Sleaford Mods) Divide and&nbsp;Exit<\/span><br>\n<span style=\"color: #000000;\">23936. (Skep\u00adta) Black\u00adlist\u00aded [mix\u00adtape]<\/span><br>\n<span style=\"color: #000000;\">23937. (Vladislav Agaf\u00adfonikov) Sym\u00adpho\u00adny in Mem\u00ado\u00adry of Shebalin<\/span><br>\n<span style=\"color: #000000;\">23938. (Jean-Philippe Rameau) Hip\u00adpoly\u00adte et Aricie, Orches\u00adtral&nbsp;Suite<\/span><br>\n<span style=\"color: #000000;\">23939. (George H. Dia\u00admond) When Sum\u00admer Comes Again [Edi\u00adson wax cylin\u00adder,&nbsp;1893]<\/span><br>\n<span style=\"color: #000000;\">La Musique anci\u00adenne, vol.1: La musique de l\u2019Antiquit\u00e9:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23940. (Anon.) Ako\u00fasate of&nbsp;Argos<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23941. (Anon.) M\u00e9lo\u00admai [text of Anacreon]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23942. (Anon.) Eros [text of Sappho]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23943. (Anon.) Nomos&nbsp;M<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23944. (Anon.) D\u00e1k\u00adty\u00adlos am\u00e9ra [text of Anacreon]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23945. (Anon.) Makr\u00f3tatos<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23946. (Anon.) Ekleip\u00adsis [text of Anacreon]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23947. (Anon.) Psaume 23 \u201cL\u2019\u00e9tenel est mon berger\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23948. (Anon.) Psaume 24 \u201cA l\u2019\u00e9ternel appar\u00adtient la&nbsp;terre\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23949. (Anon.) Can\u00adtique des Can\u00adtiques: I\u20111<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23950. (Anon.) Lamen\u00adta\u00adtion: I\u20111<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23951. (Anon.) Psaume 150 \u201cAlleluia!\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23952. (Anon.) Esther V\u20111<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23953. (Anon.) Alleluia, Tropaire de venue de l\u2019\u00e9poux, Lun\u00addi Saint: \u201cHa-Houwad\u00adha-<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;lAru\u00e7\u201d [Ara\u00adbic version]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23954. (Anon.) Exa\u00adpos\u00adti\u00adlar\u00adi\u00adon de l\u2019Office du Mar\u00addi Saint: \u201cInnani\u2019 Uchachidu&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;khidra\u00adka\u201d [Ara\u00adbic version]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23955. (Anon.) Exa\u00adpos\u00adti\u00adlar\u00adi\u00adon de l\u2019Office du Mar\u00addi Saint: \u201cInnani\u2019 Uchachidu&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;khidra\u00adka\u201d [Greek version]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23956. (Anon.) Kimonikon [chant de Com\u00admu\u00adnion] de la Liturgie de Jeu\u00addit&nbsp;Saint:&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;\u201cIqbal\u00adni-l-yawn\u201d [Ara\u00adbic version]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23957. (Anon.) Extrait du Canon du Same\u00addi Saint: \u201cTagaridh\u201d [Arabic\/Greek]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23958. (Anon.) Hymne \u00e0 la Vierge, 1st echos: Axion esti [Mel\u00adchite&nbsp;chant]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23959. (Anon.) Office of the Nativ\u00adi\u00adty of the Moth\u00ader of God, 8th echos: \u201cYa walidata-<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;I\u2011ilah\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23960. (Anon.) Alleluia: Mar\u00adt\u00adi\u00adnus [Gaul\u00adish]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;23961. (Anon.) Offer\u00adto\u00adri\u00adum: Mar\u00adt\u00adi\u00adnus igi\u00adtur [Gaul\u00adish]<\/span><br>\n<span style=\"color: #000000;\">23962. (Jacques Brel) \u201cQuand Maman reviendra\u201d<\/span><br>\n<span style=\"color: #000000;\">23963. (Vera Lynn) \u201cA Nightin\u00adgale Sang in Berke\u00adley Square\u201d<\/span><br>\n<span style=\"color: #000000;\">23964. (Ella Fitzger\u00adald <span class=\"amp\">&amp;<\/span> Duke Elling\u00adton) \u201cTake the A&nbsp;Train\u201d<\/span><br>\n<span style=\"color: #000000;\">23965. (Mireille Math\u00adieu) \u201cPar\u00addonne-moi ce caprice d\u2019enfants\u201d<\/span><br>\n<span style=\"color: #000000;\">23966. (Frank Sina\u00adtra, Con\u00adnie Haines <span class=\"amp\">&amp;<\/span> Tom\u00admy Dorsey) \u201cOh Look At Me&nbsp;Now\u201d<\/span><br>\n<span style=\"color: #000000;\">23967. (Bil\u00adlie Hol\u00adi\u00adday) \u201cCrazy He Calls&nbsp;Me\u201d<\/span><br>\n<span style=\"color: #000000;\">23968. (Joe Stafford) \u201cSep\u00adtem\u00adber in the&nbsp;Rain\u201d<\/span><br>\n<span style=\"color: #000000;\">23969. (Helen For\u00adrest <span class=\"amp\">&amp;<\/span> Artie Shaw) \u201cDeep in a&nbsp;Dream\u201d<\/span><br>\n<span style=\"color: #000000;\">23970. (Yves Mon\u00adtand) \u201cLes feuilles mortes\u201d<\/span><br>\n<span style=\"color: #000000;\">23971. (Glenn Miller) \u201cTuxe\u00addo Junction\u201d<\/span><br>\n<span style=\"color: #000000;\">23972. (Robert Charlebois) \u201cJe reviendrai \u00e0 Montr\u00e9al\u201d<\/span><br>\n<span style=\"color: #000000;\">23973. (Peg\u00adgy Lee) \u201cJust One of Those Things\u201d<\/span><br>\n<span style=\"color: #000000;\">23974. (Ella Fitzger\u00adald <span class=\"amp\">&amp;<\/span> Louis Arm\u00adstrong) \u201cSum\u00admer\u00adtime\u201d<\/span><br>\n<span style=\"color: #000000;\">23975. (Bil\u00adlie Hol\u00adi\u00adday) \u201cAll of&nbsp;Me\u201d<\/span><br>\n<span style=\"color: #000000;\">23976. (Andrews Sis\u00adters <span class=\"amp\">&amp;<\/span> Dan\u00adny Kaye) \u201cCiv\u00adi\u00adliza\u00adtion\u201d<\/span><br>\n<span style=\"color: #000000;\">23977. (Duke Elling\u00adton) \u201cIt Don\u2019t Mean a&nbsp;Thing\u201d<\/span><br>\n<span style=\"color: #000000;\">23978. (Jacques Brel) \u201cNe me quitte pas\u201d<\/span><br>\n<span style=\"color: #000000;\">23979. (Vera Lynn) \u201cAs Time Goes&nbsp;By\u201d<\/span><br>\n<span style=\"color: #000000;\">23980. (Charles Trenet) \u201cLa folle complainte\u201d<\/span><br>\n<span style=\"color: #000000;\">23981. (Bil\u00adlie Hol\u00adi\u00adday <span class=\"amp\">&amp;<\/span> Artie Shaw) \u201cAny Old&nbsp;Time\u201d&nbsp;<\/span><br>\n<span style=\"color: #000000;\">23982. (F\u00e9lix Leclerc) \u201cLe p\u2019tit bohheur\u201d<\/span><br>\n<span style=\"color: #000000;\">23983. (Mills Broth\u00aders) \u201cGlow-Worm\u201d<\/span><br>\n<span style=\"color: #000000;\">23984. (Serge Gains\u00adbourg) \u201cLe chan\u00adson de Pr\u00e9vert\u201d<\/span><br>\n<span style=\"color: #000000;\">23985. (Ella Fitzger\u00adald) \u201cCry Me a&nbsp;River\u201d<\/span><br>\n<span style=\"color: #000000;\">23986. (Lucille Starr) \u201cQuand le soleil dit bonjour\u201d<\/span><br>\n<span style=\"color: #000000;\">23987. (Bil\u00adlie Hol\u00adi\u00adday <span class=\"amp\">&amp;<\/span> Louis Arm\u00adstrong) \u201cThe Blues Are Brewing\u201d<\/span><br>\n<span style=\"color: #000000;\">23988. (Mireille Math\u00adieu <span class=\"amp\">&amp;<\/span> Nana Mousk\u00adouri) \u201cLa Paloma\u201d<\/span><br>\n<span style=\"color: #000000;\">23989. (Helen For\u00adrest) \u201cI\u2019ll Remember\u201d<\/span><br>\n<span style=\"color: #000000;\">23990. (Dinah Wash\u00ading\u00adton) \u201cNobody Knows the Way I Feel This Morning\u201d<\/span><br>\n<span style=\"color: #000000;\">23991. (Charles Aznavour) \u201cEt pourtant\u201d<\/span><br>\n<span style=\"color: #000000;\">23992. (Helen For\u00adrest <span class=\"amp\">&amp;<\/span> Har\u00adry James) \u201cI\u2019ve Heard That Song Before\u201d<\/span><br>\n<span style=\"color: #000000;\">23993. (Vera Lynn) \u201cThe White Cliffs of&nbsp;Dover\u201d<\/span><br>\n<span style=\"color: #000000;\">23994. (Edith Piaf) \u201cPadam Padam\u201d<\/span><br>\n<span style=\"color: #000000;\">23995. (Ben\u00adny Good\u00adman) \u201cJumpin\u2019 at the Woodside\u201d<\/span><br>\n<span style=\"color: #000000;\">23996. (Mireille Math\u00adieu) \u201cNos souvenirs\u201d<\/span><br>\n<span style=\"color: #000000;\">23997. (Pied Pipers) \u201cOnce In a&nbsp;While\u201d<\/span><br>\n<span style=\"color: #000000;\">23998. (Vera Lynn) \u201cWe\u2019ll Meet&nbsp;Again\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>23854. (Rabih Abou-Khalil) Roots <span class=\"amp\">&amp;<\/span> Sprouts 23855. (Hen\u00adry Pur\u00adcell) The Indi\u00adan Queen [com\u00adplete opera; d. Hog\u00adwood; Kirk\u00adby, Bott, Ains\u00adley] 23856. (Last Shad\u00adow Pup\u00adpets) Every\u00adthing You\u2019ve Come To Expect 23857. (Alessan\u00addro Scar\u00adlat\u00adti) Telema\u00adco [com\u00adplete opera; d. Hen\u00adgel\u00adbrock; Ham\u00advasi, Kul\u00adman] Music&nbsp;of&nbsp;\u2026<\/p>\n<p class=\"read-more\"><a href=\"http:\/\/www.philpaine.com\/?p=6551\">Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,952],"tags":[],"class_list":["post-6551","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-ck-listening-2016"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6551"}],"version-history":[{"count":4,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6551\/revisions"}],"predecessor-version":[{"id":7358,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6551\/revisions\/7358"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6551"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}