{"id":657,"date":"2007-12-31T23:45:01","date_gmt":"2008-01-01T04:45:01","guid":{"rendered":"http:\/\/s265039441.onlinehome.us\/philpaine\/?p=657"},"modified":"2020-02-19T20:54:05","modified_gmt":"2020-02-20T01:54:05","slug":"first-time-listening-for-november-2007-2","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=657","title":{"rendered":"First-time listening for December, 2007"},"content":{"rendered":"<p><!-- @page { margin: 2cm } P { margin-bottom: 0.21cm } --><span style=\"color: #000000;\">17982.&nbsp;(William Byrd) Dileges Dominum<\/span><br>\n<span style=\"color: #000000;\">17983.&nbsp;(William Byrd) Ad Dominum cum tribulater&nbsp;<\/span><br>\n<span style=\"color: #000000;\">17984.&nbsp;(William Byrd) Mass for 5 Voic\u00ades [ver\u00adsion with Pros\u00adpers (4) for the Feast of All Saints]<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[see reg\u00adu\u00adlar ver\u00adsion [2060]<\/span><br>\n<span style=\"color: #000000;\">(Armen Grig\u00ado\u00adryan, douduk, with ensem\u00adble) Douduk, the Sound of Armenia:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17985.&nbsp;(Anon.) Gyoum\u00adr\u00adva&nbsp;Parer<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17986.&nbsp;(Say\u00adat Nova) Es Me Gharib Blbu\u00adli&nbsp;Pes<\/span><br>\n<span style=\"color: #000000;\"><!--more-->.&nbsp;.&nbsp;.&nbsp;.&nbsp;17987.&nbsp;(Anon.) Hay\u00adots Akhchikner<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17988.&nbsp;(Say\u00adat Nova) Med\u00adley: Dzenet Khahtzir Ounis \/ Ari Indz \/ Angadj Kal<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17989.&nbsp;(Anon.) Vakhenam Knem<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17990.&nbsp;(Komi\u00adtas Var\u00addapet) Horovel<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17991.&nbsp;(Gusan Ashot) Sari Sirun&nbsp;Yar<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17992.&nbsp;(Anon.) Erzrou\u00admi shoror<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17993.&nbsp;(Gusan Sher\u00adam) Ser, Im Sirun&nbsp;Es<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17994.&nbsp;(Say\u00adat Nova) Khnai Vur Jan&nbsp;Im<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;17995.&nbsp;(Anon.) Med\u00adley: Tuy-tuy \u2014 Khazakhi<\/span><br>\n<span style=\"color: #000000;\">17996.&nbsp;(Clara Schu\u00admann) Piano Con\u00adcer\u00adto in A Minor, Op.7<\/span><br>\n<span style=\"color: #000000;\">17997.&nbsp;(Clara Schu\u00admann) Piano Trio in G Minor, Op.17<\/span><br>\n<span style=\"color: #000000;\">17998.&nbsp;(Nana Mousk\u00adouri) Nou\u00advelles chan\u00adsons de la Vieille France<\/span><br>\n<span style=\"color: #000000;\">17999.&nbsp;(Phil Collins) Face&nbsp;Value<\/span><br>\n<span style=\"color: #000000;\">18000.&nbsp;(Johannes Brahms) Sonata for 2 Pianos in F Minor, Op.34b<\/span><br>\n<span style=\"color: #000000;\">18001.&nbsp;(Marin Marais) S\u00e9m\u00e9l\u00e9, ouver\u00adture et danses<\/span><br>\n<span style=\"color: #000000;\">18002.&nbsp;(Oscar Straus) Les Trois Valses, Operetta in Three&nbsp;Acts<\/span><br>\n<span style=\"color: #000000;\">18003.&nbsp;(Gary Numan) Dance<\/span><br>\n<span style=\"color: #000000;\">18004.&nbsp;(Claude Debussy) Clair de Lune , from Suite Berga\u00admasque [arr. for orches\u00adtra&nbsp;by&nbsp;<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Kostelanetz]<\/span><br>\n<span style=\"color: #000000;\">18005.&nbsp;(Ana\u00adtol Liadov) Une Tabati\u00e8re \u00e0 musique [A Musi\u00adcal Snuff-box]<\/span><br>\n<span style=\"color: #000000;\">18006.&nbsp;(Carl Stix) Spiel\u00aderei [Play\u00ading Around] [arr. for orches\u00adtra by Ormandy]<\/span><br>\n<span style=\"color: #000000;\">(Swingle Singers) The Swingle Singers Going Baroque:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18007.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Badiner\u00adie from Orches\u00adtral Suite #2 in B&nbsp;Minor,<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;bwv. 1067 [arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18008.&nbsp;(George Fred\u00ader\u00adick H\u00e4n\u00addel) Air from Harp\u00adsi\u00adchord Suite #5 in&nbsp;E<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18009.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Gigue from Suite #3 in C for Solo Cel\u00adlo, bwv.&nbsp;1009<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18010.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Largo from Harp\u00adsi\u00adchord Con\u00adcer\u00adto in F&nbsp;Minor<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18011.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Pre\u00adlude #19 in A, bwv.864, from The Well Tempered<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Clavier, Book I [arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18012.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Pre\u00adam\u00adbule from Par\u00adti\u00adta #5 in G [arr. swing&nbsp;vocal<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;(a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18013.&nbsp;(Anto\u00adnio Vival\u00addi) Fugue from Estro Armon\u00adi\u00adco, Op.3 #11 [from the arrange\u00adment&nbsp;by&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;J. S. Bach] [arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18014.&nbsp;(George Fred\u00ader\u00adick H\u00e4n\u00addel) Alle\u00adgro from Con\u00adcer\u00adto Grosso in A Minor, Op.6 #4<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18015.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Pre\u00adlude #7 in E\u2011flat, bwv.876, from The&nbsp;Well<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Tem\u00adpered Clavier, Book <span class=\"caps\">II<\/span> [arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18016.&nbsp;(Carl Philipp Emanuel Bach) Solfegi\u00adet\u00adto [arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18017.&nbsp;(Wil\u00adhelm Friede\u00admann Bach) Der Fruehling [Spring] [arr. swing&nbsp;vocal<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;(a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18018.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Pre\u00adlude and Fugue #24 in B Minor, bwv.893 from<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;The Well-Tem\u00adpered Clavier, Book <span class=\"caps\">II<\/span>] [arr. swing vocal (a capel\u00adla&nbsp;scat)]<\/span><br>\n<span style=\"color: #000000;\">18019.&nbsp;(Wolf\u00adgang Amadeus Mozart) Die Zauber\u00adfl\u00f6te [The Mag\u00adic Flute], K.&nbsp;620<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[com\u00adplete opera: d.Klemperer; w. Ged\u00adda, Schwatzkopf, Ludwig]<\/span><br>\n<span style=\"color: #000000;\">18020.&nbsp;(Zion8) Boom&nbsp;Bye<\/span><br>\n<span style=\"color: #000000;\">18021.&nbsp;(Franz Wax\u00adman) Joshua, Dra\u00admat\u00adic Ora\u00adto\u00adrio for Soloists, Nar\u00adra\u00adtor, Mixed Cho\u00adrus&nbsp;and<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Orchestra<\/span><br>\n<span style=\"color: #000000;\">18022.&nbsp;(Thelo\u00adnius Monk) Monk Alone: The Com\u00adplete Solo Stu\u00addio Record\u00adings of Thelonius<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Monk, 1962\u20131968 <\/span><br>\n<span style=\"color: #000000;\">18023.&nbsp;(Ben\u00adjamin Brit\u00adten) Cana\u00addi\u00adan Car\u00adni\u00adval [Ker\u00admesse Canadienne]<\/span><br>\n<span style=\"color: #000000;\">18024.&nbsp;(Ben\u00adjamin Brit\u00adten) Four Sea Inter\u00adludes from Peter Grimes<\/span><br>\n<span style=\"color: #000000;\">18025.&nbsp;(Healey Willan) Sym\u00adpho\u00adny #2 in C Minor, B.74<\/span><br>\n<span style=\"color: #000000;\">18026.&nbsp;(Fran\u00adcis Poulenc) Piano Con\u00adcer\u00adto in C\u2011sharp Minor, <span class=\"caps\">FP<\/span>.146<\/span><br>\n<span style=\"color: #000000;\">18027.&nbsp;(Fran\u00adcis Poulenc) Con\u00adcer\u00adto for Two Pianos and Orches\u00adtra in D Minor, <span class=\"caps\">FP<\/span>.61<\/span><br>\n<span style=\"color: #000000;\">18028.&nbsp;(Manuel de Fal\u00adla) Three-Cor\u00adnered Hat [d. Van Remoor\u00adtel; Madeira, soprano]<\/span><br>\n<span style=\"color: #000000;\">18029.&nbsp;(Stan Ken\u00adton) Cuban&nbsp;Fire<\/span><br>\n<span style=\"color: #000000;\">18030.&nbsp;(Loren\u00adzo Per\u00adosi) Mes\u00adsa Da Requiem<\/span><br>\n<span style=\"color: #000000;\">18031.&nbsp;(Johann Strauss, Jr.) Per\u00adpetu\u00adum Mobile [Per\u00adpet\u00adu\u00adal Motion], Op.257<\/span><br>\n<span style=\"color: #000000;\">18032.&nbsp;(Johann Strauss, Jr.) Cham\u00adpagne-Pol\u00adka op.&nbsp;211<\/span><br>\n<span style=\"color: #000000;\">18033.&nbsp;(Johann Strauss, Jr.) Wiener Blut [Vien\u00adnese Blood], Waltz op.&nbsp;354<\/span><br>\n<span style=\"color: #000000;\">18034.&nbsp;(Johann Strauss, Jr.) Wein, Weib und Gesang [Wine, Women and Song], Waltz,<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Op.333 [com\u00adplete ver\u00adsion, with introduction]<\/span><br>\n<span style=\"color: #000000;\">18035.&nbsp;(Johann Strauss, Jr.) Vergn\u00fc\u00adgungszug [\u201cJour\u00adney Train\u201d or \u201cExcur\u00adsion Train\u201d], Polka,<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Op. 281<\/span><br>\n<span style=\"color: #000000;\">18036.&nbsp;(Johann Strauss, Jr.) \u201cO Schoen\u00ader Mai\u201d from Prinz Math\u00adusalem [s. Judith Blagen]<br> 18037.&nbsp;(Johann Strauss, Jr.) Cagliostro-Walz\u00ader Op.&nbsp;370<br> 18038.&nbsp;(Ella Fitzger\u00adald) Ulti\u00admate Ella Fitzger\u00adald [with Stan Getz, Joe Williams]<br> 18039.&nbsp;(Johann Strauss, Jr.) Tritsch-Tratsch-Pol\u00adka [Chit-Chat Pol\u00adka], Op.&nbsp;214<\/span><br>\n<span style=\"color: #000000;\">18040.&nbsp;(Johann Strauss, Jr.) Selec\u00adtions from Die Fle\u00add\u00ader\u00admaus [selec\u00adtions: d. Gerhardt;<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Rothen\u00adberg\u00ader, Jan\u00adnings, Bow\u00adman,&nbsp;Clark]<\/span><br>\n<span style=\"color: #000000;\">18041.&nbsp;(Johann Strauss, Jr.) Wo die Zitro\u00adnen bl\u00fchen [Where the Lemons Blos\u00adsom ],&nbsp;Waltz,<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Op. 364<\/span><br>\n<span style=\"color: #000000;\">18042.&nbsp;(Johann Strauss, Jr.) Lagunen-Walz\u00ader [Lagoon Waltz] Op. 411, from Eine Nacht&nbsp;in<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Venedig [A Night in Venice]<\/span><br>\n<span style=\"color: #000000;\">18043.&nbsp;(Johann Strauss, Jr.) \u201cVoic\u00ades of Spring\u201d, Op.410 [s. Judith Blegen]<\/span><br>\n<span style=\"color: #000000;\">18044.&nbsp;(Johann Strauss, Jr.) Liebeslieder [Lovesongs ], Waltzes, Op.&nbsp;114<\/span><br>\n<span style=\"color: #000000;\">18045.&nbsp;(Johann Strauss, Jr.) Kuss-Walz\u00ader [Kiss Waltz], Op.400<\/span><br>\n<span style=\"color: #000000;\">18046.&nbsp;(Johann Strauss, Jr.) Seid umschlun\u00adgen Mil\u00adlio\u00adnen [Be Embraced Mil\u00adlions ]&nbsp;Waltz,<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Op. 443<\/span><br>\n<span style=\"color: #000000;\">18047.&nbsp;(Johann Strauss, Jr.) New Pizzi\u00adca\u00adto Pol\u00adka, Op.449<\/span><br>\n<span style=\"color: #000000;\">18048.&nbsp;(Johann Strauss, Jr.) Wiener Bon\u00adbons [Vien\u00adnese Sweets], Waltz, Op.307<\/span><br>\n<span style=\"color: #000000;\">18049.&nbsp;(Mor\u00admon Taber\u00adna\u00adcle Choir) Climb Every Mountain<\/span><br>\n<span style=\"color: #000000;\">18050.&nbsp;(Zolt\u00e1n Kod\u00e1\u00adly) The Pea\u00adcock, Vari\u00ada\u00adtions on a Hun\u00adgar\u00adi\u00adan Folk\u00adsong [F\u00f6l\u00adsz\u00e1l\u00adlot a&nbsp;P\u00e1va]<\/span><br>\n<span style=\"color: #000000;\">18051.&nbsp;(Zolt\u00e1n Kod\u00e1\u00adly) Marossz\u00e9k Dances [Marossz\u00e9\u00adki T\u00e1ncok]<\/span><br>\n<span style=\"color: #000000;\">18052.&nbsp;(Lit\u00adtle Feat) Sailin\u2019 Shoes<\/span><br>\n<span style=\"color: #000000;\">18053.&nbsp;(Franz Liszt) Six Pagani\u00adni Etudes<\/span><br>\n<span style=\"color: #000000;\">18054.&nbsp;(Franz Liszt) Ann\u00e9es de p\u00e8leri\u00adnage, sec\u00adonde ann\u00e9e: Sonet\u00adto di Petrar\u00adca #123<\/span><br>\n<span style=\"color: #000000;\">18055.&nbsp;(Franz Liszt) Ann\u00e9es de p\u00e8leri\u00adnage, sec\u00adonde ann\u00e9e [sup\u00adple\u00adment]: Tarantella<\/span><br>\n<span style=\"color: #000000;\">18056.&nbsp;(Bruce Spring\u00adsteen) Born in the U. S.&nbsp;A.<\/span><br>\n<span style=\"color: #000000;\">18057.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #56 \u201cIch will den Kreuzsab gerne tragen\u201d<\/span><br>\n<span style=\"color: #000000;\">18058.&nbsp;(Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #169 \u201cGott soll allein Herze&nbsp;haben\u201d<\/span><br>\n<span style=\"color: #000000;\">18059.&nbsp;(Edith But\u00adler) L\u2019Acadie S\u2019Marie<\/span><br>\n<span style=\"color: #000000;\">18060.&nbsp;(Rinal\u00addo di Capua) La Zin\u00adgara [La Boh\u00e9mi\u00adenne], Inter\u00admez\u00adzo in Two Parts [d.&nbsp;Kehr;<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Monke\u00adwitz, Malacarne, Malaguti]<\/span><br>\n<span style=\"color: #000000;\">18061.&nbsp;(Giuseppe Ver\u00addi) Don Car\u00adlo [com\u00adplete opera: d. San\u00adti\u00adni; Stel\u00adla, Nico\u00adlai, Filippeschi;<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Gob\u00adbi; Christoff]<\/span><\/p>\n<p><span style=\"font-family: Arial, sans-serif; color: #000000;\"><span style=\"font-size: x-small;\"><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>17982.&nbsp;(William Byrd) Dileges Dominum 17983.&nbsp;(William Byrd) Ad Dominum cum tribu\u00adlater&nbsp;17984.&nbsp;(William Byrd) Mass for 5 Voic\u00ades [ver\u00adsion with Pros\u00adpers (4) for the Feast of All Saints] .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[see reg\u00adu\u00adlar ver\u00adsion [2060] (Armen Grig\u00ado\u00adryan, douduk, with ensem\u00adble) Douduk, the Sound of Armenia:&nbsp;\u2026<\/p>\n<p class=\"read-more\"><a href=\"http:\/\/www.philpaine.com\/?p=657\">Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,23],"tags":[],"class_list":["post-657","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-ct-listening-2007"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=657"}],"version-history":[{"count":7,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/657\/revisions"}],"predecessor-version":[{"id":10319,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/657\/revisions\/10319"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=657"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}