{"id":6812,"date":"2017-09-30T23:45:03","date_gmt":"2017-10-01T03:45:03","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=6812"},"modified":"2020-03-02T18:18:20","modified_gmt":"2020-03-02T23:18:20","slug":"first-time-listening-for-september-2017","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=6812","title":{"rendered":"First-time listening for September 2017"},"content":{"rendered":"<p><span style=\"color: #000000;\">(Cur\u00adrende Con\u00adsort) 16th Cen\u00adtu\u00adry Songs and Dances from Flanders:<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24738. (Tiel\u00adman Susato) Pavane-Gail\u00adlarde \u201cLa&nbsp;Donna\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24739. (Anon.) Druck en verdriet<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24740. (Anon.) Wie sach&nbsp;olt<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24741. (Tiel\u00adman Susato) Pavanne-Gail\u00adlarde-Ronde \u201cMille Ducas\u201d<br>\n<\/span><!--more--><span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;24742. (Jheron\u00adimus Vin\u00adders) Mins liefkens bru\u00adin&nbsp;oghen<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24743. (Tiel\u00adman Susato) Basse Dance \u201cDon\u2019t vient&nbsp;cela\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;[22672] (Pierre de LaRue) Mijn hert alti\u00adjt heeft verlanghen<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24744. (Jacques Cl\u00e9\u00adment aka Clemens Non Pap\u00adpa) Roepen, bidden<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24745. (Pierre Phal\u00e8se) Pavane sur la bataille<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24746. (Pierre Phal\u00e8se) Gail\u00adlarde sur la bataille<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24747. (Pierre Phal\u00e8se) Pre\u00admier bran\u00adle de la guerre<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24748. (Pierre Phal\u00e8se) Deux\u00adi\u00e8me Bran\u00adle de la guerre<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24749. (Anon.) Mij heeft een piperken dagh ghestelt<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24750. (Nico\u00adlas Cham\u00adpi\u00adon) Noch weet ick een schoen lof\u00adfrau [vocal version]<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24751. (Nico\u00adlas Cham\u00adpi\u00adon) Noch weet ick een schoen lof\u00adfrau [instru\u00admen\u00adtal version]<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24752. (Pierre Phal\u00e8se) Pavane de&nbsp;garde<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24753. (Pierre Phal\u00e8se) Gail\u00adlarde de&nbsp;garde<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24754. (Pierre Phal\u00e8se) Volte<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24755. (Anon.) Tsou een meysken gaen om&nbsp;wijn<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24756. (Hein\u00adrich Isaac) \u2018t Meisken was&nbsp;jonck<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24757. (Pierre Phal\u00e8se) Alemande<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24758. (Pierre Phal\u00e8se) Ale\u00admande Courrante<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24759. (Pierre Phal\u00e8se) Gail\u00adlarde au joly&nbsp;boys<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24760. (Cor\u00adnelis Boscoop) Wilt doch belijen<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24761. (Ludovi\u00adcus Epis\u00adcopius) Ghe\u00adquetst Ben Ic Van Binnen<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24762. (Pierre Phal\u00e8se) Bran\u00adle de Bourgoigne<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24763. (Pierre Phal\u00e8se) Bran\u00adle de Champaigne<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24764. (Pierre Phal\u00e8se) Bran\u00adle&nbsp;6<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24765. (Pierre Phal\u00e8se) Ungaresca<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24766. (Pierre Phal\u00e8se) Saltarello<br> 24767. (Tee Griz\u00adz\u00adley) My Moment<br> 24768. (Trans\u00adglob\u00adal Under\u00adground) Back\u00adpack\u00ading on the Graves of Our Ancestors<br> 24769. (Arthur Sul\u00adli\u00advan) Over\u00adture in C \u201cIn Memoriam\u201d<br> 24770. (Cars) Com\u00adplete Great\u00adest&nbsp;Hits<br> 24771. (Song\u00adhoy Blues) R\u00e9sistance<br> 24772. (Pietro Mascagni) Cav\u00adal\u00adle\u00adria Rus\u00adti\u00adcana [com\u00adplete opera; d. Gavazzeni; Simionato,<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Corel\u00adli, Guelfi]<br> 24773. (Jes\u00adsi\u00adca Pratt) Jes\u00adsi\u00adca&nbsp;Pratt<br> 24774. (Ben\u00adny Good\u00adman) Ben\u00adny Good\u00adman [Verve Jazz Mas\u00adters #33]<br> 24775. (Trey Songz) \u201cGot\u00adta Make It\u201d [w. Aretha Franklin <span class=\"amp\">&amp;<\/span> Juve\u00adnile] [sin\u00adgle]<br> 24776. (Trey Songz) \u201cGot\u00adta Make It\u201d [w. Twista) [sin\u00adgle]<br> 24777. (Hen\u00adry Pur\u00adcell) Dido and Aeneas [d. Hog\u00adwood; Bott, Kirk\u00adby, Ains\u00adley, Thomas]<br> 24778. (R\u00f6yk\u00adsopp <span class=\"amp\">&amp;<\/span> Robyn) Do It&nbsp;Again<br> 24779. (Spoon) Hot Thoughts<br> 24780. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in C for Harp\u00adsi\u00adchod, K.461 \/ L.8<br> 24781. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in E Minor for Harp\u00adsi\u00adchord, K.147 \/ L.376<br> 24782. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in E for Harp\u00adsi\u00adchord, K.531 \/ L.430<br> 24783. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in F for Harp\u00adsi\u00adchord, K.44 \/ L.&nbsp;432<br> 24784. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in F for Harp\u00adsi\u00adchord, K.469 \/ L.431<br> 24785. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in G Minor for Harp\u00adsi\u00adchord, K.426 \/ L.128<br> 24786. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in G for Harp\u00adsi\u00adchord, K.427 \/ L.286<br> 24787. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in D Minor for Harp\u00adsi\u00adchord, K.52 \/ L.267<br> 24788. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in D for Harp\u00adsi\u00adchord, K.53 \/ L.261<br> 24789. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in D m for Harp\u00adsi\u00adchord, K.120 \/ L.215<br> 24790. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in G for Harp\u00adsi\u00adchord, K.144<br> 24791. (Domeni\u00adco Scar\u00adlat\u00adti) Sonata in D for Harp\u00adsi\u00adchord, K.140 \/ L.107<br> 24792. (Halsey) Hope\u00adless Foun\u00adtain Kingdom<br> 24793. (Takashi Yoshi\u00admat\u00adsu) Chikap for Wind Orches\u00adtra, Op.14 [ver\u00adsion for flute ensemble]<br> 24794. (Takashi Yoshi\u00admat\u00adsu) Pega\u00adsus Effect Con\u00adcer\u00adto for Gui\u00adtar and Orches\u00adtra, Op.21<br> 24795. (Takashi Yoshi\u00admat\u00adsu) The Age of Birds for Orches\u00adtra, Op.25<br> 24796. (T\u2011Bone Walk\u00ader) The Com\u00adplete Record\u00adings of T\u2011Bone Walk\u00ader 1940\u20131954, vol.4<br> 24797. (3 Inch\u00ades of Bloo) Fire Up the Blades\u2019<br> 24798. (Arthur Sul\u00adli\u00advan <span class=\"amp\">&amp;<\/span> W. S. Gilbert) The Pirates of Pen\u00adzance [com\u00adplete opera; D\u2019Oy\u00adly&nbsp;Carte]<br> 24799. (Rober\u00adto Bernie Marinel\u00adli) \u201cIt\u2019s a Shaman\u00adic Recall\u201d [sin\u00adgle]<br> (Ensem\u00adble Organum) Chants de l\u2019\u00c9glise de&nbsp;Rome:<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24800. (anon.) Introit: Hodie Scietis<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24801. (anon.) Gradu\u00adel: Hodie Scietis<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24802. (anon.) Introit: Domi\u00adnus dix\u00adit ad&nbsp;me<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24803. (anon.) Gradu\u00adel: Tecum Principium<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24804. (anon.) Alleluia: Domi\u00adnus dix\u00adit ad&nbsp;me<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24805. (anon.) Offer\u00adtoire: Leten\u00adtur celi et exul\u00adtet&nbsp;terra<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24806. (anon.) Introit: Lux fulgebit<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24807. (anon.) Gradu\u00adel: Bene\u00addic\u00adtus qui ven\u00adit in nomine Domini<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24808. (anon.) Introit: Puer natus est&nbsp;nobis<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24809. (anon.) Kyrie eleison<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24810. (anon.) Alleluia: Dies sanctificatus<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24811. (anon.) Pro\u00adlogue de l\u2019\u00c9\u00advangile selon St.&nbsp;Jean<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;24812. (anon.) Com\u00admu\u00adnion: Viderunt omnes fines terre salutare Dei nostri<br> 24813. (J Hus) Com\u00admon&nbsp;Sense<br> 24814. (Shabazz Palaces) Lese Majesty<br> 24815. (Sleater-Kin\u00adney) Get Up&nbsp;<span class=\"caps\">EP<\/span><br> 24816. (Arthur Collins) \u201cBill Bai\u00adley, Won\u2019t You Please Come Home\u201d [1902]<br> 24817. (J. W. Myers) \u201cBreak the News to Moth\u00ader\u201d [1902]<br> 24818. (Har\u00adry Mac\u00addo\u00adnough) \u201cCould You Be True to Eyes of Blue\u201d [1902]<br> 24819. (George J. Gaskin) \u201cMandy Lee\u201d [1902]<br> 24820. (Har\u00adry Mac\u00addo\u00adnough) \u201cNan\u00adcy Brown\u201d [1902]<br> 24821. (J. W. Myers) \u201cThe Bell Buoy\u201d [1902]<br> 24822. (Har\u00adry Mac\u00addo\u00adnough) \u201cThe Man\u00adsion of Aching Hearts\u201d [1902]<br> 24823. (Jan Pieter\u00adszoon Sweel\u00adinck) Diligam te Domine \u00e0 5 [vari\u00adant at&nbsp;28606]<br> 24824. (Jan Pieter\u00adszoon Sweel\u00adinck) Psalm 109: O Dieu, mon hon\u00adneur et ma gloire \u00e0&nbsp;6<br> 24825. (Jan Pieter\u00adszoon Sweel\u00adinck) Tan\u00adto tem\u00adpore vobis\u00adcum sum \u00e0 5 [vari\u00adant at&nbsp;28638]<br> 24826. (Jan Pieter\u00adszoon Sweel\u00adinck) Psalm 77: A Dieux ma voix j\u2019ai hauss\u00e9e \u00e0&nbsp;5<br> 24827. (Jan Pieter\u00adszoon Sweel\u00adinck) Che gio\u00adva posseder cit\u00adta\u00addi e reg\u00adni \u00e0&nbsp;2<br> 24828. (Jan Pieter\u00adszoon Sweel\u00adinck) Yeux qui guidez mon \u00e2me \u00e0&nbsp;3<br> 24829. (Jan Pieter\u00adszoon Sweel\u00adinck) Dol\u00adcis\u00adsi\u00admo ben mio \u00e0&nbsp;3<br> 24830. (Jan Pieter\u00adszoon Sweel\u00adinck) O Domine Jesu Christe \u00e0 5 [vari\u00adant at&nbsp;28611]<br> 24831. (Jan Pieter\u00adszoon Sweel\u00adinck) Psalm 114: Quand Israel hors d\u2019E\u00adgypte sor\u00adtit \u00e0&nbsp;4<br> 24832. (Jan Pieter\u00adszoon Sweel\u00adinck) Tim\u00ador Domi\u00adni \u00e0 5 [vari\u00adant at&nbsp;28631]<br> 24833. (Jan Pieter\u00adszoon Sweel\u00adinck) Mein junges Leben hat ein End\u2019 \u00e0&nbsp;4<br> 24834. (Jan Pieter\u00adszoon Sweel\u00adinck) Qual vive Salamandra<br> 24835. (Fly\u00ading Hat Band) The Fly\u00ading Hat Band [demo]<br> 24836. (Jamie xx) In Colour<br> 24837. (Arthur Sul\u00adli\u00advan) Sym\u00adpho\u00adny in E \u201cIrish\u201d<br> 24838. (Tom Dick\u00adie <span class=\"amp\">&amp;<\/span> The Desires) Competition<br> 24839. (Sia) This Is Acting<br> 24840. (Leo\u0161 Jan\u00e1\u010dek) The Excur\u00adsions of Mr. Brou\u010dek [V\u00fdle\u00adty p\u00e1n\u011b Brou\u010dkovy] [com\u00adplete<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;opera d. Keil\u00adberth; Fehen\u00adberg\u00ader, Wun\u00adder\u00adlich, B\u00f6hme, Lipp]<br> 24841. (OneRe\u00adpub\u00adlic) Oh My&nbsp;My<br> 24842. (<span class=\"caps\">DJ<\/span> Pro\u00adfes\u00adsor, <span class=\"caps\">RAF<\/span>, <span class=\"caps\">DJ<\/span> Pierre <span class=\"amp\">&amp;<\/span> Clock) <span class=\"caps\">BBC<\/span> Essen\u00adtial Mix 1994-02-12<br>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Cur\u00adrende Con\u00adsort) 16th Cen\u00adtu\u00adry Songs and Dances from Flan\u00adders: .&nbsp;.&nbsp;.&nbsp;.&nbsp;24738. (Tiel\u00adman Susato) Pavane-Gail\u00adlarde \u201cLa&nbsp;Don\u00adna\u201d .&nbsp;.&nbsp;.&nbsp;.&nbsp;24739. (Anon.) Druck en ver\u00addri\u00adet .&nbsp;.&nbsp;.&nbsp;.&nbsp;24740. (Anon.) Wie sach&nbsp;olt .&nbsp;.&nbsp;.&nbsp;.&nbsp;24741. (Tiel\u00adman Susato) Pavanne-Gail\u00adlarde-Ronde \u201cMille Ducas\u201d<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,958],"tags":[],"class_list":["post-6812","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cj-listening-2017"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6812"}],"version-history":[{"count":4,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6812\/revisions"}],"predecessor-version":[{"id":6984,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6812\/revisions\/6984"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6812"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}