{"id":6820,"date":"2017-10-31T23:50:37","date_gmt":"2017-11-01T03:50:37","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=6820"},"modified":"2020-03-02T18:22:27","modified_gmt":"2020-03-02T23:22:27","slug":"first-time-listening-for-october-2017","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=6820","title":{"rendered":"First-time listening for October 2017"},"content":{"rendered":"

24843. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in F \u201cDis\u00adso\u00adnance Sym\u00adpho\u00adny\u201d, F.67\/BR<\/span>.C2<\/span>
24844. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in F after the Sacred Can\u00adta\u00adta \u201cErt\u00f6nt, ihr
. . . . . seli\u00adgen V\u00f6lk\u00ader\u201d, F88<\/span>\/BR<\/span>.F15<\/span>
24845. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in D, F.64\/BR<\/span>.C8<\/span>
\n24846. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in D after the Sacred Can\u00adta\u00adta \u201cWo geht die
. . . . . Leben\u00adsreise hin\u201d, F.91\/BR<\/span>.F12<\/span>
24847. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in D after the Sacred Can\u00adta\u00adta \u201cO Wun\u00adder ! wer
. . . . . kann dieses fassen?\u201d, F.92\/BR<\/span>.F2<\/span>
24848. (Wil\u00adhelm Friede\u00admann Bach) Orches\u00adtral Suite in G Minor [wrong\u00adly attrib\u00aduted to J. S.
. . . . . Bach as Bwv.1070]
24849. (New Pornog\u00adra\u00adphers) White\u00adout Conditions
24850. (Mag\u00adnet\u00adic Fields) The Way\u00adward Bus
24851. (Harold Melvin &<\/span> The Blue Notes)
24852. (Pietro Mascagni) Cav\u00adal\u00adle\u00adria Rus\u00adti\u00adcana [com\u00adplete opera; d. Ser\u00adafin; Del Monaco,
. . . . . Simion\u00ada\u00adto, MacNeil]
24853. (Shamir) Ratchet
24854. (Arthur Sul\u00adli\u00advan) The Con\u00adtra\u00adban\u00addista [opera selec\u00adtions; d. Moss; Fearnley]
24855. (Jamie XX<\/span>) Boil\u00ader Room Reyk\u00adjav\u00edk DJ<\/span> Set
24856. (Hum\u00adble Pie) As Safe As Yes\u00adter\u00adday Is
24857. (Har\u00adry Mac\u00addo\u00adnough) \u201cHiawatha\u201d [1903]
24858. (Har\u00adry Mac\u00addo\u00adnough &<\/span> Haydn Bar\u00adber\u00adshop Q) \u201cIn the Good Old Sum\u00admer Time\u201d [1903]
24859. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #68 \u201cAlso hat Gott die Welt geliebt\u201d, Bwv.68
24860. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #69 \u201cLobe den Her\u00adrn, meine Seele\u201d, Bwv.69
24861. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #70 \u201cWachet! betet! betet! wachet!\u201d. Bwv.70
24862. (4 Skins) A Fist\u00adful of 4 Skins
24863. (Georges Delerue) Promise at Dawn [film soundtrack]
24864. (Mered\u00adith Wil\u00adson) The Music Man [film soundtrack]
24865. (Anto\u00adnio Vival\u00addi) Sonata in G Minor, Op.13 #6 from Il Pas\u00adtor Fido, arr. for Recorder
24866. (Benedet\u00adto Mar\u00adcel\u00adlo) Sonata in D Minor for Recorder
24867. (Gio\u00advan\u00adni Bat\u00adtista Bononci\u00adni) Diver\u00adti\u00admen\u00adto da Cam\u00adera in F for Recorder, Cello &<\/span>
. . . . . Harpsichord
24868. (Francesco Barsan\u00adti) Sonata in G for Recorder, Cel\u00adlo &<\/span> Harpsichord
24869. (Nico\u00adla Mat\u00adteis) Ayre with Divi\u00adsions for Recorder
24870. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for Recorder and Con\u00adtin\u00aduo in F, Op.5 #4 [vari\u00adant at 19920]
24871. (Mitch Leigh) Man of La Man\u00adcha [Broad\u00adway soundtrack]
24872. (Glenn Miller) The Best of Glenn Miller<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

24843. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in F \u201cDis\u00adso\u00adnance Sym\u00adpho\u00adny\u201d, F.67\/BR<\/span>.C2<\/span> 24844. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in F after the Sacred Can\u00adta\u00adta \u201cErt\u00f6nt, ihr . . . . . seli\u00adgen V\u00f6lk\u00ader\u201d, F88<\/span>\/BR<\/span>.F15<\/span> 24845. (Wil\u00adhelm Friede\u00admann Bach) Sym\u00adpho\u00adny in D, F.64\/BR<\/span>.C8<\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,958],"tags":[],"class_list":["post-6820","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cj-listening-2017"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6820"}],"version-history":[{"count":6,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6820\/revisions"}],"predecessor-version":[{"id":6823,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/6820\/revisions\/6823"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6820"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}