{"id":8470,"date":"2008-05-31T23:45:44","date_gmt":"2008-06-01T03:45:44","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=8470"},"modified":"2020-02-11T18:08:34","modified_gmt":"2020-02-11T23:08:34","slug":"first-time-listening-for-may-2008-2","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=8470","title":{"rendered":"First-time listening for May,&nbsp;2008"},"content":{"rendered":"<p><span style=\"color: #000000;\">18565. (Johann Wil\u00adhelm Her\u00adtel) Con\u00adcer\u00adto in D for Trum\u00adpet, 2 Oboes and 2 Bassoons<br> 18566. (Franz Biber) Con\u00adcer\u00adto in C for Trum\u00adpet, Strings and Bas\u00adso Continuo<br> 18567. (Got\u00adtfried Hein\u00adrich Stoelzel) Con\u00adcer\u00adto in D for Six Trum\u00adpets and String Orchestra<br> 18568. (F\u00e9lix Mendelssohn) Die Erste Walpur\u00adgis\u00adnacht for Cho\u00adrus and Orches\u00adtra, Op.60<br> Jit\u00adter\u00adbug Jive \u2015 Hot Texas Swing 1940\u20131941:<br>\n<\/span><!--more--><span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;18569. (Bill Mounce) \u201cKickin\u2019 It&nbsp;Off\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18570. (Vil\u00adlage Boys) \u201cOld Joe Is At It&nbsp;Again\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18571. (Bill Boyd) \u201cJit\u00adter\u00adbug&nbsp;Jive\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18572. (Bill Mounce) \u201cI Found a New&nbsp;Baby\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18573. (Bill Mounce) \u201cI\u2019ve Been Drafted\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18574. (Bill Mounce) \u201c18 Months, Lit\u00adtle Darlin\u2019&nbsp;\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18575. (Bar X Cow\u00adboys) \u201cWhen Mama Goes Out the Maid Comes&nbsp;In\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18576. (Charles Mitchell) \u201cMean Mama&nbsp;Blues\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18577. (Jim\u00admy Hart) \u201cTee\u00adny&nbsp;Weeny\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18578. (Shel\u00adley Lee Alley) \u201cThe Big House&nbsp;Blues\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18579. (Dix\u00adie Ram\u00adblers) \u201cHe\u2019s an Army&nbsp;Man\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18580. (Jubileers) \u201cThe Right String but the Wrong&nbsp;Yo-Yo\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18581. (Nolan Bush) \u201cUntil You Went&nbsp;Away\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18582. (Bill Mounce) \u201cI Don\u2019t Get&nbsp;It\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18583. (Bill Mounce) \u201cIt\u2019s Just My Imagination\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18584. (Sons of Dix\u00adie) \u201cDon\u2019t Ever Go&nbsp;Wrong\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18585. (Bar X Cow\u00adboys) \u201cI Don\u2019t&nbsp;Worry\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18586. (Mod\u00adern Moun\u00adtaineers) \u201cRackin\u2019 It&nbsp;Back\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18587. (Mod\u00adern Moun\u00adtaineers) \u201cGood\u00adbye to the&nbsp;Blues\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18588. (Mod\u00adern Moun\u00adtaineers) \u201cMary&nbsp;Jane\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18589. (Mod\u00adern Moun\u00adtaineers) \u201cTakin\u2019 Off\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18590. (Sons of Dix\u00adie) \u201cI\u2019m Always Dream\u00ading of&nbsp;You\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18591. (Vil\u00adlage Boys) \u201cBaby, I Ain\u2019t Satisfied\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18592. (Vil\u00adlage Boys) \u201cBoo\u00adgie Woo\u00adgie in the Village\u201d<br> 18593. (Alexan\u00adder Scri\u00adabin) Prometheus: Poem of Fire, Opus&nbsp;60<br> 18594. (Healey Willan) Mis\u00adsa Bre\u00advis #13 in G Minor \u201cHoly&nbsp;Cross\u201d<br> 18595. (Healey Willan) Mis\u00adsa Bre\u00advis #2 in F&nbsp;Minor<br> 18596. (Healey Willan) Mis\u00adsa Bre\u00advis #5 in F\u2011sharp Minor<br> 18597. (Healey Willan) Now is the Heal\u00ading Time Decreed [Ecce Tem\u00adpus Idoneum], Plainsong,<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Mode <span class=\"caps\">III<\/span><br> 18598. (Healey Willan) Tene\u00adbrae of Maun\u00addy Thursday<br> 18599. (Healey Willan) The Roy\u00adal Ban\u00adners Go For\u00adward [Vex\u00adil\u00adla Reg\u00adis Prode\u00adunt], Plainsong,<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Mode I<br> 18600. (Healey Willan) The Tene\u00adbrae of Good Friday<br> 18601. (Healey Willan) Faith\u00adful Cross With the Hymn Pange, Lin\u00adgua, Glo\u00adriosi Proelium<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Cer\u00adt\u00ada\u00admin\u00adis, Mech\u00adlin Melody<br> 18602. (Healey Willan) Tene\u00adbrae of Holy Saturday<br> 18603. (Healey Willan) Mis\u00adsa Bre\u00advis #7 in G Minor \u201cO Westron Wynde\u201d<br> 18604. (Healey Willan) Mis\u00adsa Bre\u00advis #8 in D Minor \u201c<span class=\"caps\">SS<\/span> Philip\u00adpi et Jacobi\u201d<br> 18605. (Ali Far\u00adka Tour\u00e9) Niafunk\u00e9<br> 18606. (Anto\u00adnio Vival\u00addi) Longe mala umbrae ter\u00adrores, Motet for Sopra\u00adno, <span class=\"caps\">RV<\/span>.629<br> 18607. (Anto\u00adnio Vival\u00addi) Vestro prin\u00adcipi divi\u00adno, Motet for Alto, <span class=\"caps\">RV<\/span>.633<br> 18608. (Anto\u00adnio Vival\u00addi) Can\u00adta in pra\u00adto, Motet for Sopra\u00adno, <span class=\"caps\">RV<\/span>.623<br> 18609. (Anto\u00adnio Vival\u00addi) Invic\u00adti bel\u00adlate, Motet for Alto, <span class=\"caps\">RV<\/span>.628<br> 18610. (Anto\u00adnio Vival\u00addi) Nul\u00adla in mun\u00addo pax, Motet for Sopra\u00adno, <span class=\"caps\">RV<\/span>.630<br> 18611. (George Fred\u00ader\u00adick H\u00e4n\u00addel) Praise of Har\u00admo\u00adny, Aria [\u201cLook Down,Harmonious Saint\u201d]<br> 18612. (W. C. Clark) Deep in the&nbsp;Heart<br> 18613. (Josef Suk) Sym\u00adpho\u00adny #2 in C, Op.27 \u201cAsrael\u201d<br> 18614. (John Lee Hook\u00ader) Jack O\u2019 Diamonds<br> Mon\u00adster Garage \u2015 60\u2019s Garage Punk!:<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18615. (Cho\u00adsen Few) \u201cGet In On&nbsp;Life\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18616. (Oxfords) \u201cTime And&nbsp;Place\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18617. (Grodes) \u201cCry A Lit\u00adtle Longer\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18618. (Dogs) \u201cDon\u2019t Try To Help&nbsp;Me\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18619. (Evil) \u201cI\u2019m Movin&nbsp;On\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18620. (Cave\u00admen) \u201cAll About&nbsp;Love\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18621. (Barons) \u201cNow You\u2019re Mine\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18622. (Wig) \u201cDri\u00adve It&nbsp;Home\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18623. (Rev\u00adelles) \u201cYou Don\u2019t Love Me No&nbsp;More\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18624. (Per\u00adsian Mar\u00adket) \u201cFlash In The&nbsp;Pan\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18625. (Exe\u00adcu\u00adtion\u00aders) \u201cDon\u2019t Put Me&nbsp;On\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18626. (Evil Enc. Group) \u201cThe Point&nbsp;Is\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18627. (Rain) \u201cHear You&nbsp;Cry\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18628. (Five Bucks) \u201cNo Use In Trying\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18629. (Bil\u00adly Mck\u00adnight <span class=\"amp\">&amp;<\/span> The Plus 4) \u201cYou\u2019re Doing Me&nbsp;Wrong\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18630. (Beach\u00adnuts) \u201cMy Icon\u00ado\u00adclas\u00adtic&nbsp;Life\u201d<br> Calyp\u00adso Car\u00adni\u00adval 1936\u20131941:<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18631. (The Lion) \u201cBa Boo La&nbsp;La\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18632. (King Radio) \u201cNeigh\u00adbor\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18633. (Ger\u00adald Clark <span class=\"amp\">&amp;<\/span> His Caribbean Ser\u00ade\u00adnaders) \u201cSi-O-No\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18634. (The Tiger) \u201cBan\u00addan\u00addea\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18635. (The Growler) \u201cHigh&nbsp;Brown\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18636. (Lionel Belas\u00adco <span class=\"amp\">&amp;<\/span> His Orches\u00adtra) \u201cDepres\u00adsion\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18637. (The Lion) \u201cI Am Going to Buy a Bungalow\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18638. (Atti\u00adla the Hun) \u201cI Don\u2019t Want No Bungalow\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18639. (Codal\u00adlo\u2019s Top Hat\u00adters Orches\u00adtra) \u201cI Want to Buy a Bungalow\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18640. (The Caress\u00ader) \u201cJohn Thomas\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18641. (King Radio) \u201cIt\u2019s the Rhythm We&nbsp;Want\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18642. (Cyril Mon\u00adroe String Orches\u00adtra) \u201cTres Bemoles\u2019<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18643. (The Tiger) \u201cMara\u00adbel\u00adla Wedding\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18644. (Wilmoth Hou\u00addi\u00adni) \u201cMama, Call the Fire Brigade\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18645. (Har\u00admo\u00adny Kings\u2019 Orches\u00adtra) \u201cAny\u00adthing for&nbsp;Love\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18646. (The Lion) \u201cVita\u00adl\u00ado\u00adgy\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18647. (The Lion) \u201cIt\u2019s a Sin to Tell a&nbsp;Lie\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18648. (Lord Invad\u00ader) \u201cSaga Boy\u2019s in&nbsp;Town\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18649. (King Radio) \u201cJohn O\u2019Carr\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18650. (Ger\u00adald Clark <span class=\"amp\">&amp;<\/span> Hist Caribbean Ser\u00ade\u00adnaders) \u201cLa&nbsp;Rosa\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18651. (The Growler) \u201cIn the Dew and the&nbsp;Rain\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18652. (The Tiger) \u201cPoint Cumana\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18653. (The Lion) \u201cFred\u00addo\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18654. (The Lion) \u201cWan\u00adga\u201d<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;18655. (Lord Execu\u00adtor <span class=\"amp\">&amp;<\/span> The Caress\u00ader) \u201cOld Ginger\u201d<br> 18656. (Col\u00adin Lin\u00adden) South\u00adern&nbsp;Jumbo<br> 18657. (Johann Sebas\u00adt\u00adian Bach) Can\u00adta\u00adta #215 \u201cPreise dein Gl\u00fccke, geseg\u00adnetes Sachsen\u201d,<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Dram\u00adma per musica<br> 18658. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Rorate Coeli for 5 Voices<br> 18659. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Pueri Hebrae\u00ado\u00adrum for 4 Sim\u00adlar Voices<br> 18660. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Ter\u00adra Tremuit for 5 Voices<br> 18661. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Ascen\u00addit Deus for 5 Voices<br> 18662. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Dum Com\u00adple\u00admen\u00adtur for 6 Voices<br> 18663. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Dum Ergo Essent for 6 Voices<br> 18664. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Motet: Ergo Sum Panis Vivus for 4 Voices<br> 18665. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi Palest\u00adri\u00adna) Lau\u00addate Dominum omnes gentes for 2 Four-part Choirs<br> 18666. (Mas\u00adters of Per\u00adsian Music) Faryad<br> 18667. (Johann Sebas\u00adt\u00adian Bach) Sonata for Vio\u00adlin and Bas\u00adso Con\u00adtin\u00aduo in G, bwv.1021<br> 18668. (Johann Sebas\u00adt\u00adian Bach) Sonata for Vio\u00adlin and Harp\u00adsi\u00adchord in B Minor, bwv.1014<br> 18669. (Johann Sebas\u00adt\u00adian Bach) Sonata for Vio\u00adlin and Harp\u00adsi\u00adchord in A, bwv.1015<br> 18670. (Johann Sebas\u00adt\u00adian Bach) Sonata for Vio\u00adlin and Harp\u00adsi\u00adchord in E, bwv.1016<br> 18671. (Johann Sebas\u00adt\u00adian Bach) Sonata for Vio\u00adlin and Bas\u00adso Con\u00adtin\u00aduo in C Minor, bwv.1024<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>18565. (Johann Wil\u00adhelm Her\u00adtel) Con\u00adcer\u00adto in D for Trum\u00adpet, 2 Oboes and 2 Bas\u00adsoons 18566. (Franz Biber) Con\u00adcer\u00adto in C for Trum\u00adpet, Strings and Bas\u00adso Con\u00adtin\u00aduo 18567. (Got\u00adtfried Hein\u00adrich Stoelzel) Con\u00adcer\u00adto in D for Six Trum\u00adpets and String Orches\u00adtra&nbsp;18568.&nbsp;\u2026<\/p>\n<p class=\"read-more\"><a href=\"http:\/\/www.philpaine.com\/?p=8470\">Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,22],"tags":[],"class_list":["post-8470","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cs-listening-2008"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/8470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8470"}],"version-history":[{"count":3,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/8470\/revisions"}],"predecessor-version":[{"id":10315,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/8470\/revisions\/10315"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8470"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}