{"id":8674,"date":"2008-01-31T23:45:57","date_gmt":"2008-02-01T04:45:57","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=8674"},"modified":"2021-09-01T17:18:35","modified_gmt":"2021-09-01T21:18:35","slug":"first-time-listening-for-january-2008-2","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=8674","title":{"rendered":"First-time listening for January 2008"},"content":{"rendered":"

18062. (Oscar Peter\u00adson) A Trib\u00adute to Oscar Peter\u00adson Live at Town Hall [with Neils-Henning<\/span>
\n. . . . . \u00d8rst\u00aded Ped\u00ader\u00adson, Ray Brown, Herb Ellis, Ben\u00adny Green, Roy Har\u00adgrove, Shirley Horn, <\/span>
\n. . . . . Milt Jack\u00adson, Lewis Nash, Clark Ter\u00adry, Stan\u00adley Tur\u00adren\u00adtine, Man\u00adhat\u00adtan Transfer]<\/span>
\n18063. (Oscar Peter\u00adson &<\/span> Ben Web\u00adster) Ben Web\u00adster Meets Oscar Peter\u00adson [with Ray Brown<\/span>
\n. . . . . and Ed Thigpen]<\/span>
\n18064. (Oscar Peter\u00adson) A 75th Birth\u00adday Cel\u00ade\u00adbra\u00adtion [Cana\u00addi\u00adan exclu\u00adsive release]<\/span>
\n18065. (John Blow) Ode on the Death of Mr. Hen\u00adry Purcell<\/span>
\n18066. (Hen\u00adry Pur\u00adcell) \u201cWhy should men quarrel?\u201d<\/span>
\n18067. (Hen\u00adry Pur\u00adcell) \u201cWhilst I with grief\u201d<\/span>
\n18068. (Hen\u00adry Pur\u00adcell) Two In One Upon a Ground<\/span>
\n18069. (Hen\u00adry Pur\u00adcell) \u201cWhen the cock begins to crow\u201d<\/span>
\n18070. (Hen\u00adry Pur\u00adcell) \u201cHow pleas\u00adant is this flow\u00adery plain\u201d<\/span>
\n18071. (Hen\u00adry Pur\u00adcell) \u201cWhat a sad fate\u201d<\/span>
\n18072. (Hen\u00adry Pur\u00adcell) \u201cWhat can we poor females do?\u201d<\/span>
\n18073. (Hen\u00adry Pur\u00adcell) \u201cStrike the viol\u201d<\/span>
\n18074. (Art Gar\u00adfun\u00adkle) Scis\u00adsors Cut<\/span>
\n18075. (Anto\u00adnio Vival\u00addi) Con\u00adcer\u00adto in F for 2 Horns &<\/span> Strings<\/span>
\n18076. (Anto\u00adnio Vival\u00addi) Il Pas\u00adtor Fido: suite for Harp\u00adsi\u00adchord and Bass Con\u00adtin\u00aduo, Op.13<\/span>
\n18077. (Felice Ane\u00adr\u00adio) Ven\u00adite ad me omnes<\/span>
\n18078. (Gio\u00advan\u00adni Bernardi\u00adno Nani\u00adno) Haec dies<\/span>
\n18079. (Rug\u00adgiero Gio\u00advan\u00adnel\u00adli) Jubi\u00adlate Deo<\/span>
\n18080. (Young Bird &<\/span> North\u00adern Cree Singers) Dou\u00adble Platinum<\/span>
\nRough Guide to the Music of Nige\u00adria &<\/span> Ghana:<\/span>
\n. . . . 18081. (I. K. Dairo) \u201cOkin Omo Ni [The King Of The Children]\u201d <\/span>
\n. . . . [776] (King Sun\u00adny Ad\u00e9 &<\/span> His Afi\u00adcan Beats) \u201cMaa Jo\u201d <\/span>
\n. . . . 18082. (C. K. Mann) \u201cFunky Hi-Life\u201d<\/span>
\n. . . . 18083. (Tony Allen) \u201cAsiko\u201d<\/span>
\n. . . . 18084. (Cap\u00adtain Yaba) \u201cNer\u00adib\u00adal\u00adank\u00adi\u00adna\u201d<\/span>
\n. . . . 18085. (Ade\u00adwale Ayu\u00adba) \u201cFuji Shuffle\u201d<\/span>
\n. . . . 18086. (E. K. Nyame) \u201cBra Ohoho\u201d<\/span>
\n. . . . 18087. (Vic\u00adtor Uwaifo) \u201cJoro\u00admi \/ Mon\u00adkey Yanga\u201d<\/span>
\n. . . . 18088. (E. T. Men\u00adsah) \u201cDay By Day\u201d<\/span>
\n. . . . 18089. (Eric Agye\u00adman) \u201cMatu\u00adtu Mirika\u201d<\/span>
\n. . . . 18090. (Chief Stephen Osi\u00adta Osadebe) \u201cOyoli\u00adma\u201d<\/span>
\n. . . . 18091. (Sweet Talks) \u201cFakye Me\u201d<\/span>
\n. . . . 18092. (Amanze\u00adba Nat Brew) \u201cBaa\u00adwo\u201d<\/span>
\n18093. (Hugo Alfv\u00e9n) En skar\u00adgardssagen [A Leg\u00adend of the Sker\u00adries], Op.20<\/span>
\n18094. (Hugo Alfv\u00e9n) Sym\u00adpho\u00adny #4 in C Minor for Sopra\u00adno, Tenor and Orches\u00adtra Op.39, R 93<\/span>
\n . . . . . \u201cFran havs\u00adban\u00addet en skar\u00adgardssagen\u201d [\u201cFrom the Out\u00ader\u00admost Skerries\u201d]<\/span>
\n18095. (Hugo Alfv\u00e9n) Sym\u00adpho\u00adny #5 in A Minor, Op.54 R 209 <\/span>
\n18096. (Hugo Alfv\u00e9n) Gus\u00adtav Adolf II<\/span> Suite, Op.49, R 121: 4th move\u00adment, Elegy<\/span>
\n18097. (Arc\u00adtic Mon\u00adkeys) Favourite Worst Nightmare<\/span>
\n18098. (Claude Debussy) Estampe #1 \u201cPagodes\u201d<\/span>
\n18099. (Claude Debussy) Estampe #3 \u201cJardins sous la pluie\u201d<\/span>
\n18100. (Claude Debussy) Masques<\/span>
\n18101. (Claude Debussy) D\u2019un cahi\u00ader d\u2019esquisses<\/span>
\n18102. (Claude Debussy) La plus que lente<\/span>
\n18103. (Claude Debussy) Le petit n\u00e8gre<\/span>
\n18104. (Claude Debussy) Berceuse heroique<\/span>
\n18105. (Claude Debussy) Hom\u00admage \u00e0 Haydn<\/span>
\n18106. (Claude Debussy) Danse boh\u00e9mienne<\/span>
\n18107. (Claude Debussy) R\u00eaverie<\/span>
\n18108. (Claude Debussy) Mazur\u00adka {?1890}<\/span>
\n18109. (Claude Debussy) Valse romantique<\/span>
\n18110. (Claude Debussy) Noc\u00adturne in D\u2011flat<\/span>
\n18111. (Claude Debussy) Fan\u00adtaisie for Piano and Orchestra<\/span>
\n18112. (Lux Radio The\u00adatre \/ U.S. Armed Forces Radio and Tele\u00advi\u00adsion Ser\u00advice) The Day the<\/span>
\n. . . . . Earth Stood Still [radio dra\u00adma w. Michael Ren\u00adnie, Jean Peters, William Conrad]<\/span>
\n18113. (Arcade Fire) Neon Bible<\/span>
\n18114. (Juno Reac\u00adtor) Labyrinth<\/span>
\n18115. (King Sun\u00adny Ad\u00e9) Best of the Clas\u00adsic Years<\/span>
\n18116. (John Adams) Road Movies<\/span>
\n18117. (John Adams) Hal\u00adlelu\u00adjah Junction<\/span>
\n18118. (John Adams) Chi\u00adna Gates<\/span>
\n18119. (John Adams) Amer\u00adi\u00adcan Berserk<\/span>
\n18120. (John Adams) Phry\u00adgian Gates<\/span>
\n18121. (Mr. Oizo) Ana\u00adlog Worms Attack <\/span>
\n18122. (Arnold Bax) Phan\u00adta\u00adsy Sonata for Vio\u00adla and Harp<\/span>
\n18123. (Arnold Bax) Con\u00adcert Piece [Fan\u00adta\u00adsy] for Vio\u00adla and Piano<\/span>
\n18124. (Arnold Bax) Sonata for Vio\u00adla and Piano<\/span>
\n18125. (Saint Eti\u00adenne) Too Young to Die: Singles<\/span>
\n18126. (Saint Eti\u00adenne) \u201cOnly Love Can Break Your Heart\u201d [sin\u00adgle remix]<\/span>
\n18127. (Saint Eti\u00adenne) \u201cStoned To Say the Least\u201d [sin\u00adgle]<\/span>
\n18128. (Saint Eti\u00adenne) \u201cOnly Love Can Break Your Heart [A Mix in Two Halves]\u201d single<\/span>
\n18129. (Lisa Ger\u00adrard) The Sil\u00adver Tree<\/span>
\n18130. (Lionel Richie) The Defin\u00adi\u00adtive Collection<\/span>
\n18131. (Cut Chemist) The Audience\u2019s Listening<\/span>
\n18132. (Anton\u00edn Dvo\u0159\u00e1k) String Quar\u00adtet #1 in A, B002<\/span><\/span>
\n18133. (Anton\u00edn Dvo\u0159\u00e1k) Andante appas\u00adsion\u00ada\u00adto in A Minor for String Quar\u00adtet, B.40a<\/span>
\n18134. (Anton\u00edn Dvo\u0159\u00e1k) String Quar\u00adtet #2 In B\u2011f , B017<\/span><\/span>
\n18135. (Anton\u00edn Dvo\u0159\u00e1k) 2 Waltzes for String Orches\u00adtra, Op. 54, B105<\/span> [arr. String Quartet]<\/span>
\n18136. (Anton\u00edn Dvo\u0159\u00e1k) String Quar\u00adtet Frag\u00adment in F: Alle\u00adgro vivace, B120<\/span><\/span>
\n18137. (A. R. Rah\u00adman) Live in Dubai<\/span>
\n18138. (My Morn\u00ading Jack\u00adet) At Dawn<\/span>
\n18139. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #1 in G, K.80<\/span>
\n18140. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #2 in D, K.155<\/span>
\n18141. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #3 in G, K.156<\/span>
\n18142. (Wolf\u00adgang Amadeus Mozart) Alter\u00adnate Ada\u00adgio to String Quar\u00adtet #3 in G, K.156a<\/span>
\n18143. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #4 in C, K.157<\/span>
\n18144. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #5 in F, K.158<\/span>
\n18145. (Hiero\u00adglyph\u00adics) Full Circle <\/span>
\n18146. (Baa\u00adba Maal) Miss\u00ading You [Mi Yeewnii]<\/span>
\n18147. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #6 in B\u2011flat, K.159<\/span>
\n18148. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #7 in E\u2011flat, K.160<\/span>
\n18149. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #8 in F, K.168<\/span>
\n18150. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #9 in A, K.169<\/span>
\n18151. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #10 in C, K.170<\/span>
\n18152. (Anton\u00edn Dvo\u0159\u00e1k) Sym\u00adpho\u00adny #2 in B\u2011flat, Op.4<\/span>
\nAfrica 100 \u2015 Afrobeat 7 CD<\/span> Box, Disc 1:<\/span>
\n. . . . 18153. (Fela Aniku\u00adlapo Kuti &<\/span> Africa \u201970) \u201cZom\u00adbie\u201d<\/span>
\n. . . . 18154. (Gir\u00adma Beyene)\u201cSet Alamenem\u201d<\/span>
\n. . . . 18155. (Mar\u00adi\u00adja\u00adta) \u201cMoth\u00ader Africa\u201d<\/span>
\n. . . . 18156. (Segun Buc\u00adknor &<\/span> His Rev\u00ado\u00adlu\u00adtion) \u201cLa La La\u201d<\/span>
\n. . . . 18157. (Oscar Sul\u00adley &<\/span> the Uhu\u00adru Dance Band) \u201cBukom Mashie\u201d<\/span>
\n. . . . 18158. (Ger\u00adal\u00addo Pino) \u201cHeavy Heavy Heavy\u201d<\/span>
\n. . . . 18159. (Super Eagles) \u201cLove\u2019s a Real Thing\u201d<\/span>
\n. . . . 18160. (Orlan\u00addo Julius &<\/span> His Mod\u00adern Aces) \u201cIjo Soul\u201d<\/span>
\n. . . . 18161. (Mata\u00adta) \u201cTalkin\u2019 Talkin\u2019 \u201d<\/span>
\n. . . . 18162. (Ayalew Mes\u00adfin) \u201cHasabe\u201d<\/span>
\n. . . . 18163. (Super Mam\u00adbo 69) \u201cSweep\u00ader Soul\u201d<\/span>
\n. . . . 18164. (Babatunde Olatun\u00adji) \u201cJin-Go-Lo-Ba\u201d<\/span>
\n. . . . 18165. (Dick Khoza) \u201cAfrican Jive\u201d<\/span>
\n. . . . 18166. (Orches\u00adtra Baobab) \u201cMouhamadou Bamba\u201d<\/span>
\n. . . . 18167. (Os Bon\u00adgos) \u201cKazuku\u00adta\u201d<\/span>
\n18168. (Franz Josef Haydn) Sym\u00adpho\u00adny #20 in C<\/span>
\n18169. (Franz Josef Haydn) Sym\u00adpho\u00adny #22 in E\u2011flat \u201cThe Philosopher\u201d<\/span>
\n18170. (Franz Josef Haydn) Sym\u00adpho\u00adny #23 in G<\/span>
\n18171. (Saint Eti\u00adenne) Finisterre<\/span>
\n18172. (Tinari\u00adwen) Amassakoul<\/span>
\n18173. (Boards of Cana\u00adda) \u201cAquar\u00adius\u201d \/ \u201cChi\u00adnook\u201d [sin\u00adgle]<\/span>
\n18174. (Boards of Cana\u00adda) Hi Scores<\/span>
\n18175. (Boards of Cana\u00adda) In a Beau\u00adti\u00adful Place Out in the Coun\u00adtry EP<\/span><\/span>
\n18176. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #11 in E\u2011f, K.171<\/span>
\n18177. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #12 in B\u2011f, K.172<\/span>
\n18178. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #13 in D, K.173<\/span>
\n18179. (Ramones) Leav\u00ading Home<\/span>
\n18180. (Ali Far\u00adka Tour\u00e9) Vieux Far\u00adka Tour\u00e9 [with Toumani Dia\u00adbate &<\/span> Issa Bamba]<\/span>
\n18181. (Chan\u00adtal Kre\u00advi\u00adazuk) Ghost Stories<\/span>
\n18182. (Qigang Chen) Extase<\/span>
\n18183. (Qigang Chen) Sam Xiao<\/span>
\n18184. (Qigang Chen) Yuan<\/span>
\n18185. (Qigang Chen) L\u2019\u00e9loigment<\/span>
\n18186. (Depeche Mode) 101 [Live at the Pasade\u00adna Rose Bowl, June 18th, 1988]<\/span>
\n18187. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #1 in A<\/span>
\n18188. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #2 in G<\/span>
\n18189. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #3 in D Minor<\/span>
\n18190. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #4 in A Minor<\/span>
\n18191. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #5 in D Minor<\/span>
\n18192. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #6 in D<\/span>
\n18193. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #7 in G Minor<\/span>
\n18194. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #8 in E Minor<\/span>
\n18195. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #9 in C<\/span>
\n18196. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #10 in D<\/span>
\n18197. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #11 in G<\/span>
\n18198. (Domeni\u00adco Scar\u00adlat\u00adti &<\/span> Charles Avi\u00adson) Con\u00adcer\u00adto Grosso #12 in D<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

18062. (Oscar Peter\u00adson) A Trib\u00adute to Oscar Peter\u00adson Live at Town Hall [with Neils-Hen\u00adning . . . . . \u00d8rst\u00aded Ped\u00ader\u00adson, Ray Brown, Herb Ellis, Ben\u00adny Green, Roy Har\u00adgrove, Shirley Horn, . . . . . Milt Jack\u00adson, Lewis Nash, Clark Ter\u00adry, Stan\u00adley Tur\u00adren\u00adtine, Man\u00adhat\u00adtan Trans\u00adfer] 18063. (Oscar Peter\u00adson &<\/span> Ben Webster) \u2026<\/p>\n

Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,22],"tags":[],"class_list":["post-8674","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cs-listening-2008"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/8674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8674"}],"version-history":[{"count":7,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/8674\/revisions"}],"predecessor-version":[{"id":11230,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/8674\/revisions\/11230"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8674"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}