{"id":9301,"date":"2007-01-31T23:45:58","date_gmt":"2007-02-01T04:45:58","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=9301"},"modified":"2020-02-19T18:39:47","modified_gmt":"2020-02-19T23:39:47","slug":"first-time-listening-for-january-2007-2","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=9301","title":{"rendered":"First-time listening for January, 2007"},"content":{"rendered":"<p><span style=\"color: #000000;\">16911.&nbsp;(Wolf\u00adgang Amadeus Mozart) Thamos, K\u00f6nig in \u00c4gypten, K.345 [336a] [d. Harnoncourt;<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;w. Thomaschke, Per\u00adry, M\u00fch\u00adle, Alte\u00adna, van der&nbsp;Kamp]<\/span><br>\n<span style=\"color: #000000;\"> 16912.&nbsp;(Martha Wain\u00adwright) Martha Wainwright<\/span><br>\n<span style=\"color: #000000;\"> Mojo Chess North\u00adern&nbsp;Soul:<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16913.&nbsp;(Mar\u00adlena Shaw) \u201cLet\u2019s Wade in the&nbsp;Water\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16914.&nbsp;(Mamie Galore) \u201cIt Ain\u2019t Nec\u00ades\u00adsar\u00adi\u00adly&nbsp;So\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16915.&nbsp;(Radi\u00adants) \u201cHold&nbsp;On\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16916.&nbsp;(Dells) \u201cWear It On Our&nbsp;Face\u201d<\/span><br>\n<!--more--><span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;16917.&nbsp;(Denise LaSalle) \u201cLove Reputation\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16918.&nbsp;(Ter\u00adry Cal\u00adli\u00ader) \u201cOrdi\u00adnary&nbsp;Joe\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16919.&nbsp;(anon.) \u201cMore Love, That\u2019s What We&nbsp;Need\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16920.&nbsp;(Fontel\u00adla Bass) \u201cLeave It in the Hands of&nbsp;Love\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16921.&nbsp;(Tony Clarke) \u201cLand\u00adslide\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16922.&nbsp;(Valenti\u00adnos) \u201cSweet\u00ader Than the Day Before\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16923.&nbsp;(Lit\u00adtle Mil\u00adton) \u201cMore and&nbsp;More\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16924.&nbsp;(Bob\u00adby McClure) \u201cPeak of&nbsp;Love\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16925.&nbsp;(Dells) \u201cRun For&nbsp;Cover\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16926.&nbsp;(Lit\u00adtle Mil\u00adton) \u201cYou Col\u00adored My Blues Bright\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16927.&nbsp;(Dells) \u201cMake Sure You Have Some\u00adone Who Loves&nbsp;You\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16928.&nbsp;(Tom\u00admy <span class=\"amp\">&amp;<\/span> Cleve) \u201cBooga\u00adloo&nbsp;Baby\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16929.&nbsp;(Ter\u00adry Cal\u00adli\u00ader) \u201cLook At Me&nbsp;Now\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16930.&nbsp;(Tony Clarke) \u201cFugi\u00adtive&nbsp;Kind\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16931.&nbsp;(Gems) \u201cI Can\u2019t Help Myself\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16932.&nbsp;(Ram\u00adsey Lewis Trio) \u201cWade in the&nbsp;Water\u201d<\/span><br>\n<span style=\"color: #000000;\"> 16933.&nbsp;(Fran\u00e7ois Devi\u00adenne) Sym\u00adphonie Con\u00adcer\u00adtante in G for Two Flutes <span class=\"amp\">&amp;<\/span> Orches\u00adtra, Op.76<\/span><br>\n<span style=\"color: #000000;\"> 16934.&nbsp;(Hong Xian\u00adnu) Smash\u00ading the Sea God [Da Shen: Hong Xian Nu Jin Qu Xuan&nbsp;1]<\/span><br>\n<span style=\"color: #000000;\"> 16935.&nbsp;(Sid\u00adney Bechet) Ever\u00adest Archive of Folk and Jazz: Sid\u00adney Bechet, with Guest Artist<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Lionel Hampton<\/span><br>\n<span style=\"color: #000000;\"> 16936.&nbsp;(Zolt\u00e1n Kod\u00e1\u00adly) String Quar\u00adtet #1, Op.2<\/span><br>\n<span style=\"color: #000000;\"> 16937.&nbsp;(Zolt\u00e1n Kod\u00e1\u00adly) String Quar\u00adtet #2, Op.10<\/span><br>\n<span style=\"color: #000000;\"> 16938.&nbsp;(Arthur Sul\u00adli\u00advan, mus. <span class=\"amp\">&amp;<\/span> W. S. Gilbert, text) The Gon\u00addo\u00adliers [d. Sar\u00adgent; w.&nbsp;Evans,<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Young, Bran\u00adni\u00adgan, Gra\u00adham, Sinclair]<\/span><br>\n<span style=\"color: #000000;\"> Rough Guide to the Music of Turkey:<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16939.&nbsp;(Sezen Aksu) \u201cGun\u00adgormemis\u00adler\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16940.&nbsp;(Ebru Gun\u00addes) \u201cSen Allahin Bir Lufusun\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16941.&nbsp;(Sibel Can) \u201cPadis\u00adah\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16942.&nbsp;(Umit Sayin) \u201cBen Tabii&nbsp;Ki\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16943.&nbsp;(Lev\u00aden Yuk\u00adsel) \u201cSul\u00adtan\u00adim\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16944.&nbsp;(Ajda Pekkan) \u201cDile&nbsp;Kolay\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16945.&nbsp;(Grup Yorum) \u201cHay\u00addi Kolkola\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16946.&nbsp;(Laco Tay\u00adfa <span class=\"amp\">&amp;<\/span> Hus\u00adnu Sen\u00adlediri\u00adci) \u201cCiftetel\u00adli\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16947.&nbsp;(Omar Faruk Tek\u00adbilek) \u201cHijaz Raks\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16948.&nbsp;(Belkis Akkale) \u201cBen\u00adde\u00adki Yaralar\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16949.&nbsp;(Birol Topaloglu) \u201cArsi\u00adma Seni [Arsi\u00adma&nbsp;Icin]\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16950.&nbsp;(Bar\u00adbaros Erk\u00f6se Ensam\u00adble) \u201cYal\u00advans\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16951.&nbsp;(Kemani Cemal Cinarli) \u201cMav\u00adisim\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16952.&nbsp;(Kudsi Erguner Ensam\u00adble) \u201cSed\u00addi\u00adara\u00adban Peshrev\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16953.&nbsp;(Mevlana Kul\u00adtur Ve Sant Vak\u00adfy Sanat\u00adcy\u00adlary) \u201cKemence Tak\u00adsi\u00admi \/ Segah Niyaz Llahisi\u201d<\/span><br>\n<span style=\"color: #000000;\"> 16954.&nbsp;(V\u00edt\u011bzslav Nov\u00e1k) Mary\u0161a, Op.18<\/span><br>\n<span style=\"color: #000000;\"> Now That\u2019s What I Call Love Ara\u00adbia&nbsp;2006:<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16955.&nbsp;(Nan\u00adcy Ajram) \u201cEnta&nbsp;Eh\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16956.&nbsp;(Tamer Hos\u00adni) \u201cOyounoh Dar\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16957.&nbsp;(Shereen) \u201cLaz\u00adim&nbsp;Aeesh\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16958.&nbsp;(Abdul Majeed Abul\u00adlah) \u201cSamma\u2019ani Ghennieh\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16959.&nbsp;(Elis\u00adsa) \u201cHob\u00adbak Waja\u2019a\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16960.&nbsp;(Mohamed Muneer) \u201cHad\u00ader Ya&nbsp;Zahr\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16961.&nbsp;(Car\u00adole Sama\u00adha) \u201cHab\u00adbet Delwa\u2019t\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16962.&nbsp;(Essam Kamal) \u201cQararek Saab\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16963.&nbsp;(Laila Ghofran) \u201cAsa\u00adhel\u00adha\u00adlak\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16964.&nbsp;(Has\u00adsan Al Maghribi) \u201cBad\u00addy Shoufak\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16965.&nbsp;(Yara) \u201cHob&nbsp;Kbeer\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16966.&nbsp;(Wael Jas\u00adsar) \u201cAeesh Ashanak\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16967.&nbsp;(Darine Had\u00adchi\u00adti) \u201cBaadak Bi Kel El Matareh\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16968.&nbsp;(Abas Ibrahim) \u201cAllah Ma\u2019ah\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16969.&nbsp;(Lau\u00adra Khalil) \u201cRawwe\u2019a Aasabak\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16970.&nbsp;(Fares Karam) \u201cW\u2019edni\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16971.&nbsp;(Maria) \u201cBahib\u00adbak Ad&nbsp;Eh\u201d<\/span><br>\n<span style=\"color: #000000;\"> 16972.&nbsp;(Joy Askew) Ten\u00adder&nbsp;City<\/span><br>\n<span style=\"color: #000000;\"> 16973.&nbsp;(F\u00e9lix Mendelssohn) Sonata #1 for Cel\u00adlo and Piano in B\u2011flat, Op.45<\/span><br>\n<span style=\"color: #000000;\"> 16974.&nbsp;(F\u00e9lix Mendelssohn) Vari\u00ada\u00adtions con\u00adcer\u00adtantes for Cel\u00adlo and Piano, Op.17<\/span><br>\n<span style=\"color: #000000;\"> 16975.&nbsp;(F\u00e9lix Mendelssohn) \u201cSweet Sou\u00advenirs\u201d, #1 from Songs With\u00adout Words Op,19<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[arr. Cel\u00adlo and&nbsp;Piano]<\/span><br>\n<span style=\"color: #000000;\"> 16976.&nbsp;(F\u00e9lix Mendelssohn) Song With\u00adout Words, Op.109 [arr. Cel\u00adlo and&nbsp;Piano]<\/span><br>\n<span style=\"color: #000000;\"> 16977.&nbsp;(F\u00e9lix Mendelssohn) Sonata #2 for Cel\u00adlo and Piano in D, Op.58<\/span><br>\n<span style=\"color: #000000;\"> 16978.&nbsp;(Anton\u00edn Dvo\u0159\u00e1k) Prague Waltzes<\/span><br>\n<span style=\"color: #000000;\"> 16979.&nbsp;(Anton\u00edn Dvo\u0159\u00e1k) Polon\u00adaise in E\u2011flat<\/span><br>\n<span style=\"color: #000000;\"> 16980.&nbsp;(Anton\u00edn Dvo\u0159\u00e1k) Pol\u00adka in B\u2011flat \u201cfor Prague Stu\u00addents\u201d, Op.53a #1<\/span><br>\n<span style=\"color: #000000;\"> 16981.&nbsp;(Imrat Khan) R\u0101g Jhi\u00f1jot\u012b [w. Vaja\u00adhat Khan <span class=\"amp\">&amp;<\/span> Shafaat\u00adul\u00adlah&nbsp;Khan]<\/span><br>\n<span style=\"color: #000000;\"> 16982.&nbsp;(Imrat Khan) R\u0101g P\u012bl\u016b [w. Vaja\u00adhat Khan <span class=\"amp\">&amp;<\/span> Shafaat\u00adul\u00adlah&nbsp;Khan]<\/span><br>\n<span style=\"color: #000000;\"> Geor\u00adgia Crossroads:<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16983.&nbsp;(Kolcheti) \u201cRose In The Garden\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16984.&nbsp;(Salchi\u00adno) \u201cOrov\u00adela\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16985.&nbsp;(Salchi\u00adno) \u201cAlile\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16986.&nbsp;(Salchi\u00adno) \u201cMravalzham\u00adn\u00ader, Cheers\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16987.&nbsp;(Salchi\u00adno) \u201cZam\u00adtari\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16988.&nbsp;(Tbil\u00adisi Stu\u00addio Orches\u00adtra) \u201cGeor\u00adgia Folk&nbsp;Dance\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16989.&nbsp;(Orera) \u201cAdan\u00addali\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16990.&nbsp;(M. Macharadze) \u201cGirl From Darkveti\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16991.&nbsp;(T. Kevkhishvili Vocal Group) \u201cSong Of The Forests\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16992.&nbsp;(Kolcheti) \u201cSong Of&nbsp;Love\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16993.&nbsp;(Salchi\u00adno) \u201cOdona\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16994.&nbsp;(Kolcheti) \u201cLyri\u00adcal Song Beloved Girl\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16995.&nbsp;(Kolcheti) \u201cMtku\u00adluri\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16996.&nbsp;(Salchi\u00adno) \u201cChakru\u00adlo\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16997.&nbsp;(Kolcheti) \u201cImeretin Jest\u00ading&nbsp;Song\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16998.&nbsp;(Kolcheti) \u201cShep\u00adherd\u2019s Song\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;16999.&nbsp;(Salchi\u00adno) \u201cUruli\u201d<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;17000.&nbsp;(Tbil\u00adisi Stu\u00addio Orches\u00adtra) \u201cDance Melody\u201d<\/span><br>\n<span style=\"color: #000000;\"> 17001.&nbsp;(F\u00e9lix Mendelssohn) Sonata for Vio\u00adlin and Piano in F (1838)<\/span><br>\n<span style=\"color: #000000;\"> 17002.&nbsp;(F\u00e9lix Mendelssohn) Sonata for Vio\u00adlin and Piano in F Minor, Op.4<\/span><br>\n<span style=\"color: #000000;\"> 17003.&nbsp;(F\u00e9lix Mendelssohn) Sonata for Vio\u00adlin and Piano in F (1820)<\/span><br>\n<span style=\"color: #000000;\"> 17004.&nbsp;(F\u00e9lix Mendelssohn) Move\u00adment in G Minor for Vio\u00adlin and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17005.&nbsp;(F\u00e9lix Mendelssohn) Andante in A Minor for Vio\u00adlin and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17006.&nbsp;(F\u00e9lix Mendelssohn) Fugue in D Minor for Vio\u00adlin and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17007.&nbsp;(F\u00e9lix Mendelssohn) Fugue in C Minor for Vio\u00adlin and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17008.&nbsp;(F\u00e9lix Mendelssohn) Alle\u00adgro in C for Vio\u00adlin and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17009.&nbsp;(el hadj N\u2019Diaye) <span class=\"caps\">XEL<\/span><\/span><br>\n<span style=\"color: #000000;\"> 17010.&nbsp;(Claude McKen\u00adzie) Innu&nbsp;Town<\/span><br>\n<span style=\"color: #000000;\"> 17011.&nbsp;(Wolf\u00adgang Amadeus Mozart) Cos\u00ec Fan Tutte, ossia La Scuo\u00adla degli aman\u00adti,&nbsp;Opera<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Buf\u00adfa [com\u00adplete opera; d. Solti; Flem\u00ading, von Otter, B\u00e4r, Lopardo]<\/span><br>\n<span style=\"color: #000000;\"> 17012.&nbsp;(Claude McKen\u00adzie) Pishimuss<\/span><br>\n<span style=\"color: #000000;\"> 17013.&nbsp;(Anton\u00edn Dvo\u0159\u00e1k) Four\u00adteen Mora\u00advian Duets [Moravsk\u00e9 dvo\u00adjzpevy], Op.32<\/span><br>\n<span style=\"color: #000000;\"> 17014.&nbsp;(Anton\u00edn Dvo\u0159\u00e1k) Four Mora\u00advian Duets [Moravsk\u00e9 dvo\u00adjzpevy], Op.20<\/span><br>\n<span style=\"color: #000000;\"> 17015.&nbsp;(Anton\u00edn Dvo\u0159\u00e1k) Four Mora\u00advian Duets [Moravsk\u00e9 dvo\u00adjzpevy], Op.38<\/span><br>\n<span style=\"color: #000000;\"> 17016.&nbsp;(Sid\u00adney Bechet) The Leg\u00adendary Sid\u00adney Bechet<\/span><br>\n<span style=\"color: #000000;\"> 17017.&nbsp;(Duke Elling\u00adton) Take the \u201cA\u201d Train [Four Star Mas\u00adters of&nbsp;Jazz]<\/span><br>\n<span style=\"color: #000000;\"> 17018.&nbsp;(Vish\u00adwa Mohan Bhatt) The Best of the Cord, Vol.1<\/span><br>\n<span style=\"color: #000000;\"> 17019.&nbsp;(Col\u00adin McPhee) Lagoe Sesoeloelin\u00adgan Ard\u00adja for Flute and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17020.&nbsp;(Col\u00adin McPhee) Suite in Six Movements<\/span><br>\n<span style=\"color: #000000;\"> 17021.&nbsp;(Col\u00adin McPhee) Kamb\u00ading Slem for Flute and&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\"> 17022.&nbsp;(Jos\u00e9 Evan\u00adge\u00adlista) \u00d4 Bali for Two Flutes<\/span><br>\n<span style=\"color: #000000;\"> 17023.&nbsp;(Mark Dug\u00adgan) Evo\u00adca\u00adtion: Gen\u00adtle Falling Rain for Gamelan<\/span><br>\n<span style=\"color: #000000;\"> 17024.&nbsp;(Jon Sid\u00addall) Jakar\u00adta Sleeps for Sax\u00ado\u00adphone and Gamelan<\/span><br>\n<span style=\"color: #000000;\"> 17025.&nbsp;(Andrew Timar) Leaves From Palimpsest for Piano and Gamelan<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>16911.&nbsp;(Wolf\u00adgang Amadeus Mozart) Thamos, K\u00f6nig in \u00c4gypten, K.345 [336a] [d. Harnon\u00adcourt; .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;w. Thomaschke, Per\u00adry, M\u00fch\u00adle, Alte\u00adna, van der&nbsp;Kamp] 16912.&nbsp;(Martha Wain\u00adwright) Martha Wain\u00adwright Mojo Chess North\u00adern&nbsp;Soul: .&nbsp;.&nbsp;.&nbsp;.&nbsp;16913.&nbsp;(Mar\u00adlena Shaw) \u201cLet\u2019s Wade in the&nbsp;Water\u201d .&nbsp;.&nbsp;.&nbsp;.&nbsp;16914.&nbsp;(Mamie Galore) \u201cIt Ain\u2019t Nec\u00ades\u00adsar\u00adi\u00adly&nbsp;So\u201d .&nbsp;.&nbsp;.&nbsp;.&nbsp;16915.&nbsp;(Radi\u00adants) \u201cHold&nbsp;On\u201d .&nbsp;.&nbsp;.&nbsp;.&nbsp;16916.&nbsp;(Dells) \u201cWear \u2026<\/p>\n<p class=\"read-more\"><a href=\"http:\/\/www.philpaine.com\/?p=9301\">Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,23],"tags":[],"class_list":["post-9301","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-ct-listening-2007"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9301"}],"version-history":[{"count":5,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9301\/revisions"}],"predecessor-version":[{"id":10386,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9301\/revisions\/10386"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9301"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}