{"id":9513,"date":"2006-08-31T23:45:49","date_gmt":"2006-09-01T03:45:49","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=9513"},"modified":"2020-02-18T01:40:52","modified_gmt":"2020-02-18T06:40:52","slug":"first-time-listening-for-august-2006-2","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=9513","title":{"rendered":"First-time listening for August, 2006"},"content":{"rendered":"

16290. (Siouxsie and the Ban\u00adshees) Juju<\/span>
\nRough Guide to Brazil: Bahia:<\/span>
\n. . . . 16291. (Tim\u00adbal\u00ada\u00adda) \u201cMotum\u00adba\u201d<\/span>
\n. . . . 16292. (Sylvia Tor\u00adres) \u201cTake Sarava\u201d<\/span>
\n. . . . 16293. (Daniela Mer\u00adcury) \u201cSwing Da Cor\u201d<\/span>
\n. . . . 16294. (Ze Paulo Beck\u00ader) \u201cA Vida e Boa\u201d<\/span>
\n. . . . 16295. (Riachao) \u201cPita\u00adda de Tabaco\u201d<\/span>
\n. . . . 16296. (Tim\u00adbal\u00ada\u00adda) \u201cGina de Bale\u201d<\/span>
\n. . . . 16297. (Ile Aiye) \u201cDeusa do Ebano\u201d<\/span>
\n. . . . 16298. (Muzen\u00adza) \u201cCom Muzen\u00adza Eu Vou\u201d<\/span>
\n. . . . 16299. (Mar\u00adcia Short) \u201cCorazao de Bola\u201d<\/span>
\n. . . . 16300. (Daniela Mer\u00adcury) \u201cMeni\u00adno do Pelo\u201d<\/span>
\n. . . . 16301. (Marisa Monte) \u201cLife Gods\u201d<\/span>
\n. . . . 16302. (Tom Z\u00e9) \u201cCuriosi\u00addade\u201d<\/span>
\n. . . . 16303. (Edson Gomes) \u201cLin\u00adda\u201d<\/span>
\n. . . . 16304. (Tony Mola) \u201cHemp e Fiesta\u201d<\/span>
\n. . . . 16305. (Mara\u00adgareth Menezes) \u201cMamae Querida\u201d<\/span>
\n. . . . 16306. (Ban\u00adda Per\u00adcu\u00adcia) \u201cExu Anan\u201d<\/span>
\n16307. (Ralph Vaugh\u00adan Williams) Pre\u00adlude: The 49th Parallel<\/span>
\n16308. (Ralph Vaugh\u00adan Williams) March from Sea Songs<\/span>
\n16309. (Joan Baez) Joan Baez \/ 5<\/span>
\n16310. (Robert Schu\u00admann) Three Romances for Oboe and Piano, Op.94<\/span>
\n16311. (Robert Schu\u00admann) Abend\u00adlied for Oboe and Piano, Op.85<\/span>
\n16312. (Robert Schu\u00admann) Ada\u00adgio and Alle\u00adgro in A\u2011flat for Oboe and Piano, Op.70<\/span>
\n16313. (Robert Schu\u00admann) Fan\u00adtasi\u00adest\u00fccke [Fan\u00adta\u00adsy Pieces] for Oboe and Piano, Op.73 <\/span>
\n. . . . . [vari\u00adant of Clar\u00adinet ver\u00adsion, item 3985]<\/span>
\n16314. (Robert Schu\u00admann) Langsam, from Five Pieces in Folk Style [F\u00fcnf St\u00fccke im Volkston], <\/span>
\n. . . . . Op.102 #2 [arr. Oboe and Piano]<\/span>
\n16315. (Robert Schu\u00admann) Nicht Schnell, Mit Viel Ton Zu Spie\u00adlen from Five Pieces in Folk <\/span>
\n. . . . . Style [F\u00fcnf St\u00fccke im Volk\u00adston], Op.102 #3 [arr. Oboe and Piano]<\/span>
\n16316. (Robert Schu\u00admann) Nicht Zu Racht from Five Pieces in Folk Style [F\u00fcnf St\u00fccke im Volkston], <\/span>
\n. . . . . Op.102 #4 [arr. Oboe and Piano]<\/span>
\n16317. (PJ<\/span> Har\u00advey) Uh Huh Her<\/span>
\n16318. (Camille Saint-Sa\u00ebns) Quam delic\u00adta, motet \u00e0 4 voix mixtes avec orgue et harpe<\/span>
\n16319. (Camille Saint-Sa\u00ebns) Ave verum pour 4 voix mixtes<\/span>
\n16320. (Mind\u00adless Self-Indul\u00adgence) Tight<\/span>
\n16321. (Sal\u00adly Old\u00adfield) Easy<\/span>
\n16322. (Andreas Vol\u00adlen\u00adwei\u00adder) Kryptos<\/span>
\n16323. (Arthur Conan Doyle) The Crooked Man [read by Edward Hardwicke]<\/span>
\n16324. (Judy Collins) Judy Collins #3<\/span>
\n16325. (Mind\u00adless Self-Indul\u00adgence) Alien\u00adat\u00ading Our Audi\u00adence: Live<\/span>
\n16326. (Arthur Conan Doyle) The Greek Inter\u00adpreter [read by Edward Hardwicke]<\/span>
\n16327. Alba\u00adnia: Vocal and Instru\u00admen\u00adtal Polyphonie<\/span>
\n16328. (Mind\u00adless Self-Indul\u00adgence) You\u2019ll Rebel To Anything<\/span>
\n16329. (Pride of the \u201948) A Hi-Fi Band Concert<\/span>
\n16330. (Arthur Conan Doyle) The Naval Treaty [read by Edward Hardwicke]<\/span>
\n16331. (Pet Shop Boys) Very<\/span>
\n16332. (Wolf\u00adgang Amadeus Mozart) Clar\u00adinet Quin\u00adtet in A \u201cStadler\u201d, K.581<\/span>
\n16333. (F\u00e9lix Mendelssohn) Sym\u00adpho\u00adny #1 in C Minor, Op.11<\/span>
\n16334. (F\u00e9lix Mendelssohn) Sym\u00adpho\u00adny #2 in B\u2011flat, Op.52 \u201cHymn of Praise\u201c<\/span>
\n16335. (Bil\u00adly Vaughn) Theme from A Sum\u00admer Place and Others<\/span>
\n16336. (Tiger Lilies) The Gorey End [with Kro\u00adnos Quartet]<\/span>
\n16337. (Mor\u00adris\u00adsey) Every Day Is Like Sun\u00adday \/ Sis\u00adter I\u2019m a Poet \/ Disappointed \/<\/span>
\n. . . . . Will Nev\u00ader Mar\u00adry EP<\/span><\/span>
\n16338. (Choy\u00ading Drol\u00adma &<\/span> Steve Tib\u00adbetts) Ch\u00f6<\/span>
\n16339. (Duke Elling\u00adton) Duke Elling\u00adton Plays Duke Ellington<\/span>
\n16340. (Richard Wag\u00adn\u00ader) G\u00f6t\u00adter\u00add\u00e4m\u00admerung [com\u00adplete opera; d. Solti; w. Windgassen,<\/span>
\n. . . . . Nils\u00adson, Nei\u00addlinger, Frick, Wat\u00adson, Fis\u00adch\u00ader-Dieskau, Lud\u00adwig, Jones, Guy]<\/span>
\n16341. (Char\u00adlie Haden) The Mon\u00adtre\u00adal Tapes<\/span>
\n16342. (Robert Schu\u00admann) Piano Sonata in G Minor, Op.22<\/span>
\n16343. (Moody Blues) Caught Live +5<\/span>
\n16344. (Arvo P\u00e4rt) Da pacem Domine for Soloists a cappela<\/span>
\n16345. (Arvo P\u00e4rt) Lamen\u00adtate for Piano and Orchestra<\/span>
\n16346. (Kas\u00adsav\u2019) Majestik Zouk<\/span>
\n16347. (Joan Baez) One Day at a Time<\/span>
\n16348. (Carl Nielsen) Andante Lamen\u00adtoso [\u201cVed en ung kun\u00adst\u00adners bare\u201d \/ \u201cAt the Bier of a <\/span>
\n. . . . . Young Artist\u201d] for String Quar\u00adtet and Dou\u00adble Bass<\/span>
\n16349. (Wolf\u00adgang Amadeus Mozart) The Impres\u00adsario [Der Schaspieldirek\u00adto], K.486<\/span>
\n. . . . . [d. Schoen\u00ader; Usti\u00acnov, Mes\u00acpl\u00e9, Moser, Gedda]<\/span>
\nRough Guide to the Music of the Himalayas:<\/span>
\n. . . . [16338] (Choy\u00ading Drol\u00adma &<\/span> Steve Tib\u00adbetts) \u201cNgani Tro\u00adma Part 1\u201d<\/span>
\n. . . . 16350. (Hariprasad [Pan\u00addit Hariprasad Chaura\u00adsia]) \u201cPaha\u00addi\u201d<\/span>
\n. . . . 16351. (Krish\u00adna Das &<\/span> The Mod\u00adern Light Music Brass Band) \u201cGurans Ko Phool Siuri\u201d<\/span>
\n. . . . 16352. (Nuns From Jangchub Cheling Nun\u00adnery) \u201cGaden Lhagya\u201d<\/span>
\n. . . . 16353. (Choy\u00ading Drol\u00adma) \u201cKyam\u00addro Semkye\u201d<\/span>
\n. . . . 16354. (Monks From Drete Dhar\u00adgon At Drepung Monastery) \u201cLek\u00addri Ma\u201d<\/span>
\n. . . . 16355. (Hooked Light Rays) \u201cFire Chan\u00adnels. Me\u201d<\/span>
\n. . . . 16356. (Pet\u00adso) \u201cDar Tson Nanga\u201d<\/span>
\n. . . . 16357. (Ladakhi Musi\u00adcians) \u201cMusic For Archery\u201d<\/span>
\n. . . . 16358. (Jigme Druk\u00adpa) \u201cLing Sho La\u201d<\/span>
\n. . . . 16359. (Nepali Musi\u00adcians) \u201cMew Dyahlhaygu\u201d<\/span>
\n. . . . 16360. (Do-Pe) \u201cDong Lim\u201d<\/span>
\n. . . . 16361. (Joji Hiro\u00adta) \u201cHimalayas\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

16290. (Siouxsie and the Ban\u00adshees) Juju Rough Guide to Brazil: Bahia: . . . . 16291. (Tim\u00adbal\u00ada\u00adda) \u201cMotum\u00adba\u201d . . . . 16292. (Sylvia Tor\u00adres) \u201cTake Sar\u00ada\u00adva\u201d . . . . 16293. (Daniela Mer\u00adcury) \u201cSwing Da Cor\u201d . . . . 16294. (Ze Paulo Beck\u00ader) \u201cA Vida e Boa\u201d . . . . 16295. (Riachao) \u201cPita\u00adda de Tabaco\u201d<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,24],"tags":[],"class_list":["post-9513","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cu-listening-2006"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9513"}],"version-history":[{"count":4,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9513\/revisions"}],"predecessor-version":[{"id":10172,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9513\/revisions\/10172"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9513"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}