{"id":9547,"date":"2006-07-31T23:45:08","date_gmt":"2006-08-01T03:45:08","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=9547"},"modified":"2020-02-18T00:12:05","modified_gmt":"2020-02-18T05:12:05","slug":"first-time-listening-for-july-2006-2","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=9547","title":{"rendered":"First-time listening for July, 2006"},"content":{"rendered":"

Sichuan Folk Song and Bal\u00adlad, Vol.2:<\/span>
\n. . . . 16130. (Cheng Yong-Ling) \u201cFly\u00ading Kites\u201d [Sichuan Qingyin]<\/span>
\n. . . . 16131. (Li Cun-Liang) \u201cPlant\u00adi\u00adng Cape Jas\u00admine Along the Wall\u201d [Chongqing folksong]<\/span>
\n. . . . 16132. (Lian Zheng-Hua) \u201cPlant\u00adi\u00adng Paulow\u00adn\u00adia\u201d [Yib\u00adin folk song]<\/span>
\n. . . . 16133. (Li Su-Hua) \u201cMy Dili\u00adgent Sis\u00adter\u201d [Chuan\u00adnan folk song]<\/span>
\n. . . . 16134. (Lian Zheng-Hua) \u201cWhat a Cru\u00adel Crab\u201d [Naxi folk song]<\/span>
\n. . . . 16135. (Li Cun-Liang) \u201cBroth\u00ader Wang\u2019s Tune\u201d [Hanyuan folk song]<\/span>
\n. . . . 16136. (Li Su-Hua) \u201cDraw\u00ading Water On Bridge Lan\u201d [Xiushan folk song]<\/span>
\n. . . . 16137. (Li Su-Hua) \u201cLong\u00ading For My Lover\u201d [Dazu folk song]<\/span>
\n. . . . 16138. (Lian Zheng-Hua) \u201cPick\u00ading Grapes\u201d [Chongqing folk song]<\/span>
\n. . . . 16139. (Li Cun-Liang) \u201cThis Hill Is Not As High As That One\u201d [Naxi folk song]<\/span>
\n. . . . 16140. (Li Su-Hua) \u201cSun\u00adning Clothes\u201d [Nan\u00adchong folk song]<\/span>
\n. . . . 16141. (Lian Zheng-Hua) \u201cI Saw My Sis\u00adter-in-law Climb\u00ading Rock On the Oth\u00ader Side<\/span>
\n. . . . . . . . of the Riv\u00ader\u201d [Jun\u00adlian folk song]<\/span>
\n. . . . 16142. (Lian Zheng-Hua) \u201cThere Is a Chi\u00adnese Schol\u00adartree On the High Mountain\u201d <\/span>
\n. . . . . . . . [Nan\u00adjiang folk song]<\/span>
\n. . . . 16143. (Tian Lin-Ping) \u201cBro\u00adken Bridge\u201d [Sichuan Qingyin]<\/span>
\n. . . . 16144. (Tian Meng-Jun &<\/span> Wang Tie-Jun) \u201cBeat\u00ading Princess\u201d [Sichuan Qingyin]<\/span>
\n16145. (Syn\u00adtag\u00adma Musicum of Ams\u00adter\u00addam) Six Medieval Tunes<\/span>
\n16146. (Alfon\u00adso X \u201cEl Sabio\u201d) Rosa das rosas<\/span>
\n16147. (Alfon\u00adso X \u201cEl Sabio\u201d) Mar\u00adavil\u00adlosos e piadosos<\/span>
\n16148. (Anon.) Instru\u00admen\u00adtal Kyrie from the Codex Faenza<\/span>
\n16149. (Loren\u00adzo da Firen\u00adze) Sanctus<\/span>
\n16150. (Guil\u00adlaume Dufay) Flos florum<\/span>
\n16151. (Wil\u00adhel\u00admus Legrant) Unti\u00adtled work for Harpsichord<\/span>
\n16152. (Hein\u00adrich Isaac) Inns\u00adbruck, ich muss dich lassen, for Tenor &<\/span> Bass, Shawm, 4 Vio\u00adli di<\/span>
\n. . . . . Gam\u00adbi, and Choir<\/span>
\n16153. (Gio\u00advan\u00adni Pier\u00adlui\u00adgi da Palest\u00adri\u00adna) Hodie Chris\u00adtus natus est<\/span>
\n16154. (Giro\u00adlamo Fres\u00adcobal\u00addi) Toc\u00adca\u00adta #5 in G for Organ<\/span>
\n16155. (Final Fan\u00adta\u00adsy) Has A Good Home<\/span>
\n16156. (Osval\u00addo Goli\u00adjov) Last Round<\/span>
\n16157. (Osval\u00addo Goli\u00adjov) Lul\u00adla\u00adby and Doina<\/span>
\n16158. (Osval\u00addo Goli\u00adjov) Yid\u00addishb\u00adbuk for String Quartet<\/span>
\n16159. (Osval\u00addo Goli\u00adjov) The Dreams and Prayers of Isaac the Blind<\/span>
\n16160. (George Fred\u00ader\u00adick H\u00e4n\u00addel) \u201cWhere\u2019er You Walk\u201d from Semele [v. Richard Lewis]<\/span>
\n16161. (Johann Sebas\u00adt\u00adian Bach) Open\u00ading Cho\u00adrus from Can\u00adta\u00adta #78 \u201cJesu der du meine Seele\u201d<\/span>
\n16162. (Hives) Tyran\u00adnosaurus Hives<\/span>
\n16163. (Carl Philipp Emanuel Bach) Con\u00adcer\u00adto in D Minor for Harp\u00adsi\u00adchord, Strings and<\/span>
\n. . . . . Con\u00adtin\u00aduo: 3rd Movement<\/span>
\n16164. (Christof Willibald Gluck) \u201cOrpheus and the Furies\u201d from Orpheus and Euridice<\/span>
\n. . . . . [s. Grace Bumbry]<\/span>
\n16165. (Lui\u00adgi Boc\u00adcheri\u00adni) Over\u00adture in D, Op.43<\/span>
\n16166. (Wolf\u00adgang Amadeus Mozart) Clar\u00adinet Quin\u00adtet in A, k.581: First Movement<\/span>
\n16167. (Wolf\u00adgang Amadeus Mozart) Ave Verum Cor\u00adpus, k.618<\/span>
\n16168. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #22 in B\u2011flat, k.589 \u201cPruss\u00adian 2\u201d<\/span>
\n16169. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #23 in F, k.590 \u201cPruss\u00adian 3\u201d<\/span>
\n16170. (Franz Schu\u00adbert) Song: \u201cAn die Musik\u201d, Op.88 #4, D.547 [s. Christa Ludwig]<\/span>
\n16171. (Franz Schu\u00adbert) Song: \u201cGretchen am Spin\u00adnrade\u201d, Op.2, D.118 [s. Christa Ludwig]<\/span>
\n16172. (Franz Schu\u00adbert) Song: \u201cDie Forelle\u201d, Op.32, D.550 [s. Christa Ludwig]<\/span>
\n16173. (Hec\u00adtor Berlioz) Roy\u00adal Hunt and Storm, from Les Troyens<\/span>
\n16174. (Ali Haider) Best of Haider Ali<\/span>
\n16175. (Robert Schu\u00admann) Wald\u00adszenen [For\u00adest Scenes], Op.82 #7: Vogel als Prophet<\/span>
\n. . . . . [The Prophet Bird]<\/span>
\n16176. (Robert Schu\u00admann) Lei\u00adderkreis, Op.39 #5: \u201cMond\u00adnacht\u201d [s. Hans Hotter]<\/span>
\n16177. (Robert Schu\u00admann) Gedicht\u00ades, Op.35 #4: \u201cErstes Gr\u00fcn\u201d [s. Hans Hotter]<\/span>
\n16178. (Fr\u00e9d\u00e9ric Chopin) Pre\u00adlude in D\u2011flat, Op.28 #15, \u201cRain\u00addrop\u201d<\/span>
\n16179. (Richard Wag\u00adn\u00ader) \u201cDich, teure Halle\u201d from Tannh\u00e4user [s. Elis\u00ada\u00adbeth Gr\u00fcmmer]<\/span>
\n16180. (Richard Wag\u00adn\u00ader) \u201cLoge, h\u00f6r!\u201d from Die Walk\u00fcre [s. Hans Hotter]<\/span>
\n16181. (Richard Wag\u00adn\u00ader) Wesendon\u00adck Lieder #5: \u201cTr\u00e4ume \u2014 Studie zu Tris\u00adtan und Isolde\u201d<\/span>
\n. . . . . [s. R\u00e9gine Crespin]<\/span>
\n16182. (Robert Schu\u00admann) Trio #2 for Piano, Vio\u00adlin and Cel\u00adlo, Op.80<\/span>
\n16183. (Robert Schu\u00admann) Trio #3 for Piano, Vio\u00adlin and Cel\u00adlo, Op.110<\/span>
\n16184. (Mod\u00adest Mous\u00adsorgs\u00adki) Varlaam\u2019s Song from Boris Godunov [s. Boris Christoff]<\/span>
\n16185. (Enrique Grana\u00addos) Dan\u00adza Espa\u00f1o\u00adla, Op.37 #5 \u201cAndaluza\u201d [orches\u00adtral version]<\/span>
\n16186. (Isaac Alb\u00e9niz) Dance #1 from La Vida Breva<\/span>
\n16187. (Mor\u00adris\u00adsey) Your Arsenal<\/span>
\n16188. (Richard Wag\u00adn\u00ader) Die Walk\u00fcre [com\u00adplete opera; d. Solti; w. King, Crespin, Frick,<\/span>
\n. . . . . Hot\u00adter, Nils\u00adson, Ludwig]<\/span>
\n16189. (Gus\u00adtav Mahler) \u201cWenn mein Schatz Hochzeit macht\u201d from Songs of a Wayfarer<\/span>
\n. . . . . [s. Christa Ludwig]<\/span>
\n16190. (Fran\u00adcis Poulenc) Move\u00adments per\u00adp\u00e9tuels for Piano<\/span>
\n16191. (Igor Stravin\u00adsky) Fireworks<\/span>
\n16192. (Leo\u0161 Jan\u00e1\u010dek) Sec\u00adond move\u00adment from \u201cYouth\u201d, Sex\u00adtet for Flute, Oboe, Clarinet,<\/span>
\n. . . . . Bass Clar\u00adinet, Horn &<\/span> Bassoon<\/span>
\nNorth African Groove:<\/span>
\n. . . . 16193. (Jomed) \u201cMon\u00adtuno Noreno\u201d<\/span>
\n. . . . 16194. (Sami\u00adra Sa\u2019id) \u201cAal Eah\u201d <\/span>
\n. . . . 16195. (Amr Diab) \u201cNour El Ain\u201d<\/span>
\n. . . . 16196. (Faudel) \u201cSi Tu Le Veux\u201d<\/span>
\n. . . . 16197. (Rhany) \u201cUn Mot De Toi\u201d<\/span>
\n. . . . 16198. (Ami\u00adna) \u201cDis-Moi Pourquoi\u201d<\/span>
\n. . . . 16199. (Cheb Jilani) \u201cBaheb\u00adbak\u201d<\/span>
\n. . . . 16200. (Hamid Barou\u00addi) \u201cSidi\u201d<\/span>
\n. . . . 16201. (Khaled) \u201cYa-Rayi\u201d<\/span>
\n. . . . 16202. (Cheb Mami) \u201cViens Habibi\u201d<\/span>
\n. . . . 16203. (Mohamed Mounir) \u201cHan\u00adi\u00adna\u201d<\/span>
\n16204. (Eas\u00adt\u00aden\u00adders) \u201cOn The Ride\u201d<\/span>
\n16205. (Paul Hin\u00addemith) Con\u00adcert Music for Strings and Brass, Part 2<\/span>
\n16206. (Arnold Schoen\u00adberg) Klavier\u00adst\u00fccke #1, Op.33a<\/span>
\n16207. (Arnold Schoen\u00adberg) Klavier\u00adst\u00fccke #2, Op.33b<\/span>
\n16208. (Alban Berg) Five Pieces for Orches\u00adtra, Op.10<\/span>
\n16209. (Pierre Boulez) Le soleil des eaux<\/span>
\n16210. (Ian\u00adnis Xenakis) Pol\u00adla ta dhina<\/span>
\n16211. (Sadza) Mukonde weSadza<\/span>
\n(Jean-Pierre Ram\u00adpal &<\/span> Lily Lask\u00adine) Japan\u00adese Melodies for Flute and Harp:<\/span>
\n. . . . 16212. (Michio Miya\u00adgi) Haru no Umi<\/span>
\n. . . . 16213. (Kosaku Yama\u00adda) Chugoru Chi\u00adho no Komori Uta<\/span>
\n. . . . 16214. (Kosaku Yama\u00adda) Aka Tombo<\/span>
\n. . . . 16215. (Hide\u00admaro Konoe) Chin-Chin Chidori<\/span>
\n. . . . 16216. (Anon.) Nam\u00adbu Ushi oi Uta<\/span>
\n. . . . 16217. (Haseo Sugiya\u00adma) Defune<\/span>
\n. . . . 16218. (Kosaku Yama\u00adda) Kono Michi<\/span>
\n. . . . 16219. (Haseo Sugiya\u00adma) Hanay\u00adome Ningyo<\/span>
\n. . . . 16220. (Rentaro Taki) Kojo no Tsuki<\/span>
\n. . . . 16221. (Tadashi Yana\u00adda) Jogashima no Ame<\/span>
\n. . . . 16222. (Rentaro Taki) Hana<\/span>
\n. . . . 16223. (Anon.) Saku\u00adra Sakura<\/span>
\n16224. (Bea\u00adt\u00adles) Intro\u00adduc\u00ading the Beatles<\/span>
\n16225. (Bea\u00adt\u00adles) Please, Please Me<\/span>
\n16226. (Bea\u00adt\u00adles) Yes\u00adter\u00adday and Today<\/span>
\n16227. (Michael Tip\u00adpett) Mid\u00adsum\u00admer Mar\u00adriage [com\u00adplete opera; d. Davis; w. Remedios,<\/span>
\n. . . . . Car\u00adlyle, Her\u00adincx, Harwood]<\/span>
\n16228. (Ali Riza Mashayikhi) Sym\u00adpho\u00adny #2, Op.57 \u201cSimphoni\u2011i Tehran\u201d<\/span>
\n16229. (Ali Riza Mashayikhi) Con\u00adcer\u00adto for Vio\u00adlin and Orches\u00adtra, Op.96<\/span>
\n16230. (Ali Riza Mashayikhi) \u201cNous ne ver\u00adrons jamais les jardins de Nishapour\u201d, for Two<\/span>
\n. . . . . Pianos and Orches\u00adtra, Op.56<\/span>
\n16231. (Myron Flo\u00adren) Accor\u00addion Concert<\/span>
\n16232. (Ian &<\/span> Sylvia Tyson) Great\u00adest Hits<\/span>
\n16233. (Mike Old\u00adfield) Crises<\/span>
\n16234. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in A for Oboe d\u2019amore, Strings and Basso<\/span>
\n. . . . . Con\u00adtin\u00aduo, bwv.1055<\/span>
\n16235. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in G Minor for Oboe d\u2019amore, Strings and Basso<\/span>
\n. . . . . Con\u00adtin\u00aduo, bwv.1056<\/span>
\n16236. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in D Minor for Oboe d\u2019amore, Strings and Basso<\/span>
\n. . . . . Con\u00adtin\u00aduo, bwv.1059<\/span>
\n16237. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in D for Oboe d\u2019amore, Strings and Basso<\/span>
\n. . . . . Con\u00adtin\u00aduo, bwv.1053<\/span>
\n16238. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in C Minor for Oboe d\u2019amore, Strings and Basso<\/span>
\n. . . . . Con\u00adtin\u00aduo, bwv.1060<\/span>
\n16239. (Mireille Math\u00adieu) Mes pre\u00admi\u00e8re chansons<\/span>
\n16240. (Great Big Sea) The Hard and the Easy<\/span>
\n16241. (Ian &<\/span> Sylvia Tyson) So Much For Dreaming<\/span>
\n16242. (Ivor Gur\u00adney) The West\u00adern Play\u00adland, Song Cycle<\/span>
\n16243. (Ivor Gur\u00adney) Lud\u00adlow and Teme, Song Cycle<\/span>
\n16244. (Dmitri Shostakovich) Sonata for Cel\u00adlo and Piano, Op.40<\/span>
\n16245. (Joni Mitchell) Ladies of the Canyon<\/span>
\n16246. (Dave Matthews Band) Some Devil<\/span>
\n16247. (Man\u00adto\u00advani) Man\u00adot\u00advani Film Encores<\/span>
\n16248. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in D Minor for Three Harp\u00adsi\u00adchords, bwv.1063<\/span>
\n16249. (Johann Sebas\u00adt\u00adian Bach) Con\u00adcer\u00adto in C for Three Harp\u00adsi\u00adchords, bwv.1064<\/span>
\n16250. (Peter, Paul &<\/span> Mary) Late Again<\/span>
\n16251. (Noor Jehan) The Best of Noor Jehan<\/span>
\n16252. (Robert Morse) Take Me Along [orig\u00adi\u00adnal cast record\u00ading: w. Jack\u00adie Gleason,<\/span>
\n. . . . . Wal\u00adter Pid\u00adgeon, Eileen Her\u00adlie, Robert Morse, Una Merkel]<\/span>
\n(Nel\u00adlie Mel\u00adba) Great Voice of the Cen\u00adtu\u00adry: Nel\u00adlie Melba:<\/span>
\n. . . . 16253. (Ambroise Thomas) Mad Scene from Hamlet<\/span>
\n. . . . 16254. (Charles Goun\u00adod) Valse from Romeo and Juliet<\/span>
\n. . . . 16255. (Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cMi chi\u00admano Mimi\u201d from La Boh\u00e8me<\/span>
\n. . . . 16256. (Charles Goun\u00adod) Jew\u00adel Song from Faust<\/span>
\n. . . . 16257. (Edouard Lalo) Aubade from Le roi d\u2019Ys<\/span>
\n. . . . 16258. (Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cAddio, dulce sveg\u00adliare, alla mat\u00adti\u00adna\u201d from La Boh\u00e8me<\/span>
\n. . . . 16259. (Anto\u00adnio Lot\u00adti) Madri\u00adgal: Pur dices\u00adti, 0 boc\u00adca bella<\/span>
\n. . . . 16260. (Charles Goun\u00adod) Ave Maria<\/span>
\n. . . . 16261. (Georges Bizet) \u201cPas\u00adtorale\u201d, Song for Voice and Piano<\/span>
\n. . . . 16262. (Hen\u00adry Bish\u00adop) \u201cLo, Here the Gen\u00adtle Lark\u201d from Com\u00ade\u00addy of Errors<\/span>
\n. . . . 16263. (Her\u00admann Bem\u00adberg) Song: \u201cSur le lac\u201d<\/span>
\n. . . . 16264. (Lan\u00addon Ronald) Song: \u201cAway on a Hill\u201d<\/span>
\n. . . . 16265. (Her\u00admann Bem\u00adberg) Song: \u201cLes anges pleurant\u201d<\/span>
\n. . . . 16266. (Hen\u00adry Bish\u00adop) \u201cHome, Sweet Home\u201d<\/span>
\n16267. (Eddie Hey\u00adwood) The Touch of Eddie Heywood<\/span>
\n16268. (Para\u00adchute Club) At the Feet of the Moon<\/span>
\n16269. (Kashtin) Innu<\/span>
\n16270. (Jim\u00admy Bowskill) Old Soul<\/span>
\n16271. (Sang\u00adkeer\u00adtanam) Songs To Divinity<\/span>
\n16272. (John Ire\u00adland) These Things Shall Be, for Bari\u00adtone, Cho\u00adrus &<\/span> Orchestra<\/span>
\n16273. (John Ire\u00adland) The Holy Boy [ver\u00adsion for Voice &<\/span> Strings]<\/span>
\n16274. (John Ire\u00adland) Vex\u00adil\u00adla Reg\u00adis, for Sopra\u00adno, Alto, Tenor, Bass, Cho\u00adrus, 2 Trum\u00adpets, 3<\/span>
\n. . . . . Trom\u00adbones, and Organ<\/span>
\n16275. (John Ire\u00adland) Epic March for Orchestra<\/span>
\n16276. (John May\u00ader) Heav\u00adier Things<\/span>
\n16277. (Paul McCart\u00adney) Tug Of War<\/span>
\n16278. (Siouxsie and the Ban\u00adshees) Once Upon A Time: The Singles<\/span>
\n16279. (J. B. Lenoir) Mar\u00adtin Scorcese Presents The Blues: J. B. Lenoir<\/span>
\n16280. (Roy Orbi\u00adson) The All-Time Great\u00adest Hits of Roy Orbison<\/span>
\n16281. (Ralph Vaugh\u00adan Williams) Toc\u00adca\u00adta marziale<\/span>
\n16282. (Ralph Vaugh\u00adan Williams) Vari\u00ada\u00adtions For Wind Band<\/span>
\n16283. (Paul Hin\u00addemith) Konz\u00adert\u00admusik fur Bla\u00adsor\u00adch\u00adester, Op.41<\/span>
\n16284. (Aaron Cop\u00adland) Qui\u00adet City<\/span>
\n16285. (Karel Husa) Music For Prague<\/span>
\n16286. (Ryan Adams) Love Is Hell<\/span>
\n16287. The Music of Islam: Vol\u00adume 6 \u2015 Al-Maghrib, Gnawa Music, Mar\u00adrakesh, Morocco<\/span>
\n16288. (Dmitri Shostakovich) Piano Con\u00adcer\u00adto #2 in F, Op.102<\/span>
\n16289. (Joe Zaw\u00adin\u00adul) Sto\u00adries of the Danube for Orches\u00adtra in Sev\u00aden Movements<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Sichuan Folk Song and Bal\u00adlad, Vol.2: . . . . 16130. (Cheng Yong-Ling) \u201cFly\u00ading Kites\u201d [Sichuan Qingyin] . . . . 16131. (Li Cun-Liang) \u201cPlant\u00adi\u00adng Cape Jas\u00admine Along the Wall\u201d [Chongqing folk\u00adsong] . . . . 16132. (Lian Zheng-Hua) \u201cPlant\u00adi\u00adng Paulow\u00adn\u00adia\u201d [Yib\u00adin folk song] . . . . 16133. (Li Su-Hua) \u201cMy Dili\u00adgent Sis\u00adter\u201d [Chuan\u00adnan folk song] . . . . 16134. (Lian Zheng-Hua) \u2026<\/p>\n

Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,24],"tags":[],"class_list":["post-9547","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cu-listening-2006"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9547"}],"version-history":[{"count":4,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9547\/revisions"}],"predecessor-version":[{"id":10170,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9547\/revisions\/10170"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9547"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}