{"id":9768,"date":"2006-02-28T23:45:38","date_gmt":"2006-03-01T04:45:38","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=9768"},"modified":"2022-07-17T19:53:54","modified_gmt":"2022-07-17T23:53:54","slug":"first-time-listening-for-march-2006-3","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=9768","title":{"rendered":"First-time listening for February, 2006"},"content":{"rendered":"<p><span style=\"color: #000000;\">15263.&nbsp;(Sergei Rach\u00admani\u00adnov) Sym\u00adpho\u00adny #3 in A Minor, Op.44<\/span><br>\n<span style=\"color: #000000;\">15264.&nbsp;(Con\u00adstan\u00adtines) Shine a&nbsp;Light<\/span><br>\n<span style=\"color: #000000;\">15265.&nbsp;(Ani DiFRan\u00adco) Not A Pret\u00adty&nbsp;Girl<\/span><br>\n<span style=\"color: #000000;\">15266.&nbsp;(Friedrich von Flo\u00adtow) Martha, or The Fair Maid At Rich\u00admond [opera highlights;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;d. Klobu\u00adcar; w. Durham, Rothe\u00adberg\u00ader, Plumach\u00ader, Volk\u00ader, Wunderlich]<\/span><br>\n<span style=\"color: #000000;\">15267.&nbsp;(North\u00adern Pikes) The North\u00adern&nbsp;Pikes<\/span><br>\n<span style=\"color: #000000;\">15268.&nbsp;(Aaron Cop\u00adland) Scher\u00adzo Humoris\u00adtique: The Cat and the Mouse for Piano&nbsp;Solo<\/span><br>\n<span style=\"color: #000000;\">15269.&nbsp;(Aaron Cop\u00adland) Piano Vari\u00ada\u00adtions, 1930<\/span><br>\n<!--more--><span style=\"color: #000000;\">15270.&nbsp;(Aaron Cop\u00adland) In Evening Air, for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">15271.&nbsp;(Aaron Cop\u00adland) Pas\u00adsacaglia for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">15272.&nbsp;(Aaron Cop\u00adland) Piano Sonata<\/span><br>\n<span style=\"color: #000000;\">15273.&nbsp;(Aaron Cop\u00adland) Piano Fantasy<\/span><br>\n<span style=\"color: #000000;\">15274.&nbsp;(Aaron Cop\u00adland) Four Piano&nbsp;Blues<\/span><br>\n<span style=\"color: #000000;\">15275.&nbsp;(Aaron Cop\u00adland) Mid\u00adsum\u00admer Nocturne<\/span><br>\n<span style=\"color: #000000;\">15276.&nbsp;(Aaron Cop\u00adland) The Young Pio\u00adneers, for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">15277.&nbsp;(Aaron Cop\u00adland) Sun\u00adday After\u00adnoon Music, for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">15278.&nbsp;(Aaron Cop\u00adland) Down a Coun\u00adtry Lane, for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">15279.&nbsp;(Aaron Cop\u00adland) Night Thoughts [Homage to Ives], for&nbsp;Piano<\/span><br>\n<span style=\"color: #000000;\">15280.&nbsp;(Funkadel\u00adic) One Nation Under a Groove<\/span><br>\n<span style=\"color: #000000;\">15281.&nbsp;(Har\u00adry Breuer and his Quin\u00adtet) Mal\u00adlet&nbsp;Magic<\/span><br>\n<span style=\"color: #000000;\">15282.&nbsp;(Ang\u00e9lique Kid\u00adjo) The Best of Ang\u00e9lique Kidjo<\/span><br>\n<span style=\"color: #000000;\">15283.&nbsp;(John Kan\u00addel <span class=\"amp\">&amp;<\/span> Fred Ebb) Cabaret [film soundtrack]<\/span><br>\n<span style=\"color: #000000;\">(Jus\u00adsi Bj\u00f6r\u00adling, tenor) Jus\u00adsi Bj\u00f6r\u00adling reDis\u00adcov\u00adered: Sep\u00adtem\u00adber 1955 Carnegie Hall Recital:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15284.&nbsp;(Lud\u00adwig van Beethoven) \u201cAde\u00adlaide\u201d, Op.46<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15285.&nbsp;(Franz Schu\u00adbert) \u201cFr\u00fch\u00adlings\u00adglaube\u201d, D.686<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15286.&nbsp;(Franz Schu\u00adbert) \u201cDie Forelle\u201d, D.550<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15287.&nbsp;(Franz Schu\u00adbert) Schwa\u00adnenge\u00adsang:&nbsp;#4 \u201cSt\u00e4nd\u00adchen\u201d, D.957<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15288.&nbsp;(Franz Schu\u00adbert) \u201cDie b\u00f6se Farbe\u201d, D.795<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15289.&nbsp;(Richard Strauss) \u201cTraum durch di D\u00e4m\u00admerung\u201d from Three Songs, Op.29 #1<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15290.&nbsp;(Richard Strauss) \u201cC\u00e4cilie\u201d, Op.27 #2<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15291.&nbsp;(Johannes Brahms) \u201cSt\u00e4nd\u00adchen\u201d, Op.106 #1<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15292.&nbsp;(Wolf\u00adgang Amadeus Mozart) \u201cIl mio tesoro\u201d [from Don Gio\u00advan\u00adni, K.527]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15293.&nbsp;(Umber\u00adto Gior\u00addano) \u201cAmor ti vieta\u201d [from Fedora]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15294.&nbsp;(Georges Bizet) \u201cFlower Song\u201d [from Carmen]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15295.&nbsp;(Jules Massenet) \u201cThe Dream\u201d [from&nbsp;Manon]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15296.&nbsp;(Edvard Grieg) \u201cEn Svane [The Swan]\u201d, Op.25 #2<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15297.&nbsp;(Edvard Grieg) \u201cEn Dr\u00f8m [The Dream]\u201d, Op.48 #6<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15298.&nbsp;(Jean Sibelius) \u201cDeman\u00adten p\u00e5 marss\u00adn\u00f6n [Dia\u00admond in the March Snow]\u201d, Op.36 #6<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15299.&nbsp;(Jean Sibelius) \u201cS\u00e4v, s\u00e4v, susa [Rush\u00ades, Whis\u00adper]\u201d, Op.36 #4<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15300.&nbsp;(Jean Sibelius) \u201cSvar\u00adta rosor [Black Ros\u00ades]\u201d, Op.36 #1<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15301.&nbsp;(Carl Leopold Sj\u00f6berg) \u201cTon\u00ader\u00adna [Music]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15302.&nbsp;(Pietro Mascagni) \u201cAddio alla madre\u201d [from Cav\u00adal\u00adle\u00adria rusticana]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15303.&nbsp;(Francesco Pao\u00adlo Tosti) \u201cIde\u00adale\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15304.&nbsp;(Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cE luce\u00advan le stelle\u201d [from&nbsp;Tosca]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15305.&nbsp;(Francesco Pao\u00adlo Tosti) \u201cL\u2019Alba sep\u00ada\u00adr\u00e0 del\u00adla luce&nbsp;ombra\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15306.&nbsp;(Stephen Fos\u00adter) \u201cJeanie With the Light Brown&nbsp;Hair\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15307.&nbsp;(Umber\u00adto Gior\u00addano) \u201cCome un bel di di Mag\u00adgio\u201d [from Andr\u00e9a Chenier]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15308.&nbsp;(Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cChe gel\u00adi\u00adda man\u00adi\u00adna\u201d [from La Boh\u00e8me]<\/span><br>\n<span style=\"color: #000000;\">The Amer\u00adi\u00adcan Musi\u00adcal Theatre:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[195]&nbsp;(Leonard Bern\u00adstein) Can\u00addide Overture<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15309.&nbsp;(Jerome Kern) \u201cCot\u00adton Blos\u00adsom\u201d from Show&nbsp;Boat<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15310.&nbsp;(John Raitt) \u201cOh, What a Beau\u00adti\u00adful Mornin\u2019\u201d from Okla\u00adhoma! [Richard Rodgers]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15311.&nbsp;(Leonard Bern\u00adstein) \u201cChristo\u00adpher Street\u201d from Won\u00adder\u00adful&nbsp;Town<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[13879] (Rex Har\u00adri\u00adson) \u201cWhy Can\u2019t the Eng\u00adlish?\u201d from My Fair Lady [Fred\u00ader\u00adick&nbsp;Loewe]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15312.&nbsp;(Avon Long) \u201cThere\u2019s a Boat That\u2019s Leav\u00adin\u2019 Soon For New York\u201d from&nbsp;Porgy&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;and Bess [George Gershwin]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15313.&nbsp;(Vivi\u00adenne Segal <span class=\"amp\">&amp;<\/span> Harold Lang) \u201cIn Our Lit\u00adtle Den of Iniq\u00adui\u00adty\u201d from Pal&nbsp;Joey<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[Richard Rodgers]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15314.&nbsp;(David Wayne) \u201cWhen I\u2019m Not Near the Girl I Love\u201d from Finian\u2019s Rainbow<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[Bur\u00adton&nbsp;Lane]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7182]&nbsp;(Dia\u00adhann Car\u00adroll) \u201cI Nev\u00ader Has Seen Snow\u201d from House of Flow\u00aders&nbsp;[Harold<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Arlen]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15315.&nbsp;(Frank Loess\u00ader) \u201cStand\u00ading On the Cor\u00adner\u201d from The Most Hap\u00adpy Feller<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7195]&nbsp;(Her\u00adschel Bernar\u00addi) \u201cIf I Were a Rich Man\u201d from Fid\u00addler On the Roof&nbsp;[Jer\u00adry<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Bock]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15316.&nbsp;(Ani\u00adta Dar\u00adi\u00adan) \u201cBill\u201d from Show Boat [Jerome Kern]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7142]&nbsp;(Mary Mar\u00adtin) \u201cEmbrace\u00adable You\u201d from Girl Crazy [George Gershwin]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15317.&nbsp;(Mary Mar\u00adtin) \u201cDanc\u00ading In the Dark\u201d from The Band Wag\u00adon [Arthur Schwartz]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15318.&nbsp;(Ethel Mer\u00adman) \u201cI Get a Kick Out of You\u201d from Any\u00adthing Goes [Cole Porter]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15319.&nbsp;(Robert Goulet) \u201cThe Girl That I Mar\u00adry\u201d from Annie Get Your Gun [Irv\u00ading Berlin]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7183]&nbsp;(Judy Hol\u00adl\u00adi\u00adday) \u201cThe Party\u2019s Over\u201d from Bells Are Ring\u00ading [Julie Styne]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7144]&nbsp;(Bar\u00adbra Steisand) \u201cNobody Makes a Pass at Me\u201d from Pins and Needles<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[Harold Rome]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15320.&nbsp;(Vivi\u00adenne Segal) \u201cBewitched\u201d from Pal Joey [Richard Rodgers]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7174]&nbsp;(Ethel Griffies <span class=\"amp\">&amp;<\/span> Eddie Albert) \u201cOnly For Amer\u00adi\u00adcans\u201d from Miss Lib\u00ader\u00adty [Irv\u00ading Berlin]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7175]&nbsp;(Car\u00adol Chan\u00adning) \u201cDia\u00admonds Are a Girl\u2019s Best Friend\u201d&nbsp;from Gen\u00adtle\u00admen Prefer&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Blondes [Julie Styne]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7177]&nbsp;(Shirley Booth) \u201cHe Had Refine\u00adment\u201d from A Tree Grows In Brooklyn<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[Arthur Schwartz]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15321.&nbsp;(Leonard Bern\u00adstein) \u201cOffi\u00adcer Krup\u00adke\u201d from West Side&nbsp;Story<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15322.&nbsp;(George Gersh\u00adwin) \u201cFinale\u201d from Por\u00adgy and Bess [sung by Broad\u00adway&nbsp;cast]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15323.&nbsp;(Lee Cass) \u201cLone\u00adly Room\u201d from Okla\u00adhoma! [Richard Rodgers]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;[7180]&nbsp;(Leonard Bern\u00adstein) \u201cCon\u00adver\u00adsa\u00adtion Piece\u201d from Won\u00adder\u00adful&nbsp;Town<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15324.&nbsp;(Rex Har\u00adri\u00adson <span class=\"amp\">&amp;<\/span> Julie Andrews) \u201cThe Rain In Spain\u201d from My Fair&nbsp;Lady<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[Fred\u00ader\u00adick&nbsp;Loewe]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15325.&nbsp;(Leonard Bern\u00adstein) Act I Finale of West Side Sto\u00adry [Broad\u00adway&nbsp;cast]<\/span><br>\n<span style=\"color: #000000;\">15326.&nbsp;(Mah\u00admoud Fadl) Umm Kalthum 7000<\/span><br>\n<span style=\"color: #000000;\">15327.&nbsp;(Mason Williams) The Mason Williams Phono\u00adgraph Record<\/span><br>\n<span style=\"color: #000000;\">15328.&nbsp;(Elliott Carter) Piano Concerto<\/span><br>\n<span style=\"color: #000000;\">15329.&nbsp;(Elliott Carter) Vari\u00ada\u00adtions for Orchestra<\/span><br>\n<span style=\"color: #000000;\">Divas of&nbsp;Mali:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15330.&nbsp;(Sanogue Kouy\u00adate) \u201cBal\u00aden\u00addala&nbsp;Djibe\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15331.&nbsp;(Tata Bam\u00adbo Kouy\u00adate) \u201cDiadie Diawara\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15332.&nbsp;(Nahawa Doumbia) \u201cMogoya\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15333.&nbsp;(Had\u00adja Soumano) \u201cSos\u00adso\u201d&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15334.&nbsp;(Ami Koi\u00adta) \u201cToun\u00adya&nbsp;Tigui\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15335.&nbsp;(Coum\u00adba Sidibe) \u201cWary\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15336.&nbsp;(Fan\u00adta Dam\u00adba) \u201cSek\u00adou Semega\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15337.&nbsp;(Yayi Kanoute) \u201cDjugu Magni\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15338.&nbsp;(Kan\u00addia Kouy\u00adate) \u201cJah\u00adka\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15339.&nbsp;(Djen\u00adda Diakite) \u201cTaoume Maide\u201d<\/span><br>\n<span style=\"color: #000000;\">&nbsp;15340.&nbsp;(Sali Sidibe) \u201cYacou\u00adba&nbsp;Sylla\u201d<\/span><br>\n<span style=\"color: #000000;\">15341.&nbsp;(Dmitri Shostakovich) Ada\u00adgio [Ele\u00adgy] for String Quartet<\/span><br>\n<span style=\"color: #000000;\">15342.&nbsp;(Dmitri Shostakovich) Alle\u00adgret\u00adto [Pol\u00adka] for String Quartet<\/span><br>\n<span style=\"color: #000000;\">15343.&nbsp;(Dmitri Shostakovich) String Quar\u00adtet #11 in F Minor, Op.122<\/span><br>\n<span style=\"color: #000000;\">15344.&nbsp;(Dmitri Shostakovich) String Quar\u00adtet #12 in D\u2011flat, Op.133<\/span><br>\n<span style=\"color: #000000;\">15345.&nbsp;(Dmitri Shostakovich) String Quar\u00adtet #13 in B\u2011flat Minor, Op.138<\/span><br>\n<span style=\"color: #000000;\">15346.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Piano Sonata #1, Op.6<\/span><br>\n<span style=\"color: #000000;\">15347.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Piano Sonata #4, Op.30<\/span><br>\n<span style=\"color: #000000;\">15348.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Qua\u00adtre Morceaux, Op.56<\/span><br>\n<span style=\"color: #000000;\">15349.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Deux Dans\u00ades, Op.73<\/span><br>\n<span style=\"color: #000000;\">15350.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Deux Po\u00e8mes, Op.32<\/span><br>\n<span style=\"color: #000000;\">Caf\u00e9 de Luna&nbsp;2003:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15351.&nbsp;(Althea W.) \u201cDjam\u00adbee\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15352.&nbsp;(Gingko Gar\u00adden) \u201cVoic\u00ades From the Past [Club&nbsp;Mix]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15353.&nbsp;(Eroc <span class=\"amp\">&amp;<\/span> Urs Fuchs) \u201cAqua Acclivis\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15354.&nbsp;(Steve Gor\u00addon) \u201cSpir\u00aditrun\u00adner\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15355.&nbsp;(Alquimia) \u201cMag\u00addine\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15356.&nbsp;(David <span class=\"amp\">&amp;<\/span> Steve Gor\u00addon) \u201cGuardian Spir\u00adit [Club&nbsp;Mix]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15357.&nbsp;(Roedelius) \u201cCheer\u00adweed\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15358.&nbsp;(Opera To Relax) \u201cGive Wings To Your&nbsp;Dream\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15359.&nbsp;(David <span class=\"amp\">&amp;<\/span> Steve Gor\u00addon) \u201cFlow\u00ader\u00ading&nbsp;Tree\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15360.&nbsp;(Roykey) \u201cSay\u00ading Save the&nbsp;World\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15361.&nbsp;(Eroc <span class=\"amp\">&amp;<\/span> Urs Fuchs) \u201cYahoo City\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15362.&nbsp;(Opera To Relax) \u201cSoul Spaces\u201d<\/span><br>\n<span style=\"color: #000000;\">15363.&nbsp;(Shu-De) Voic\u00ades From the Dis\u00adtant Steppes<\/span><br>\n<span style=\"color: #000000;\">15364.&nbsp;(Dmitri Shostakovich) String Quar\u00adtet #14 in F\u2011sharp, Op.142<\/span><br>\n<span style=\"color: #000000;\">15365.&nbsp;(Dmitri Shostakovich) String Quar\u00adtet #15 in E\u2011flat Minor, Op.144<\/span><br>\n<span style=\"color: #000000;\">15366.&nbsp;(Darts) Darts<\/span><br>\n<span style=\"color: #000000;\">15367.&nbsp;(Igor Stravin\u00adsky) The Flood, music dra\u00adma for three soloists and four speak\u00ading&nbsp;parts<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[d. Knussen; Hall, Wil\u00adson-John\u00adson, Richard\u00adson] [see also Noyes Fludd, item&nbsp;566]<\/span><br>\n<span style=\"color: #000000;\">15368.&nbsp;(Igor Stravin\u00adsky) Abra\u00adham and Isaac, for Bass-baritone<\/span><br>\n<span style=\"color: #000000;\">15369.&nbsp;(Igor Stravin\u00adsky) Vari\u00ada\u00adtions: Aldous Hux\u00adley In Memoriam<\/span><br>\n<span style=\"color: #000000;\">15370.&nbsp;(Igor Stravin\u00adsky) Requiem Can\u00adti\u00adcles, for Con\u00adtral\u00adto and Bass-baritone<\/span><br>\n<span style=\"color: #000000;\">15371.&nbsp;(Charles Wuori\u00adnen) A Reli\u00adquary for Igor Stravinsky<\/span><br>\n<span style=\"color: #000000;\">(Christa Lud\u00adwig [mez\u00adzo-sopra\u00adno], Wal\u00adter Berry [bass] <span class=\"amp\">&amp;<\/span> Ger\u00adald Moore [piano])<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;A Most Unusu\u00adal Song Recital:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15372.&nbsp;(Lud\u00adwig van Beethoven) \u201cDer Kuss [The Kiss]\u201d, Op.128<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15373.&nbsp;(Lud\u00adwig van Beethoven) \u201cDer Fluh [The Flea]\u201d, from Three Songs&nbsp;After<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Goethe, Op.75 #3<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15374.&nbsp;(Franz Josef Haydn) \u201cLob der Faul\u00adheit [In Praise of&nbsp;Sloth]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15375.&nbsp;(Gioacchi\u00adno Rossi\u00adni) La Rega\u00adta veneziana: \u201cAnzo\u00adle\u00adta avan\u00adti la regata\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15376.&nbsp;(Gioacchi\u00adno Rossi\u00adni) La Rega\u00adta veneziana: \u201cAnzo\u00adle\u00adta co pas\u00adsa la regata\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15377.&nbsp;(Gioacchi\u00adno Rossi\u00adni) La Rega\u00adta veneziana: \u201cAnzo\u00adle\u00adta dopo la regata\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15378.&nbsp;(Gioacchi\u00adno Rossi\u00adni) Duet\u00adto buf\u00adfo di due gati [Cat&nbsp;Duet]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15379.&nbsp;(Johannes Brahms) \u201cWe kumm ish dann de Pooz&nbsp;erenn?\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15380.&nbsp;(Johannes Brahms) \u201cOch, Mod\u00ader, ich well en Ding&nbsp;han\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15381.&nbsp;(Johannes Brahms) \u201cVerge\u00adblich\u00ades St\u00e4ndchen\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15382.&nbsp;(Max Reger) \u201cDer Brief [The Let\u00adter]\u201d, After&nbsp;Burns<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15383.&nbsp;(Max Reger) \u201cWaldein\u00adsamkeit [For\u00adest Solitude]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15384.&nbsp;(Richard Strauss) \u201cSchlestes Wet\u00adter [Nasty Weather]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15385.&nbsp;(Richard Strauss) \u201cAch, weh mir ungl\u00fcck\u00adhaftem Mann\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15386.&nbsp;(Hugo Wolf) \u201cZur War\u00adnung [Warn\u00ading]\u201d, After M\u00f6rike<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15387.&nbsp;(Hugo Wolf) \u201cAuf\u00adtag [The Com\u00admis\u00adsion]\u201d, After M\u00f6rike<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15388.&nbsp;(Hugo Wolf) \u201cBei ein\u00ader Trau\u00adung [At a Wed\u00adding]\u201d, After M\u00f6rike<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15389.&nbsp;(Hugo Wolf) \u201cSelb\u00adst\u00adgest\u00e4nd\u00adnis [Self-Suf\u00adfi\u00adcien\u00adcy]\u201d, After M\u00f6rike<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15390.&nbsp;(Hugo Wolf) \u201cAbschied [Part\u00ading]\u201d, After M\u00f6rike<\/span><br>\n<span style=\"color: #000000;\">15391.&nbsp;(Trag\u00adi\u00adcal\u00adly Hip) Phan\u00adtom&nbsp;Power<\/span><br>\n<span style=\"color: #000000;\">15392.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Piano Sonata #9, Op.68<\/span><br>\n<span style=\"color: #000000;\">15393.&nbsp;(Alexan\u00adder Niko\u00adlaievich Scri\u00adabin) Qua\u00adtre Morceaux, Op.51<\/span><br>\n<span style=\"color: #000000;\">15394.&nbsp;(Duke Elling\u00adton) Mon\u00adey Jun\u00adgle [fea\u00adtur\u00ading Charles Min\u00adgus <span class=\"amp\">&amp;<\/span> Max&nbsp;Roach]<\/span><br>\n<span style=\"color: #000000;\">15395.&nbsp;(King Sun\u00adny Ad\u00e9)&nbsp;Od\u00f9<\/span><br>\n<span style=\"color: #000000;\">15396.&nbsp;(Elliott Carter) Con\u00adcer\u00adto for&nbsp;Oboe<\/span><br>\n<span style=\"color: #000000;\">15397.&nbsp;(Elliott Carter) Exprit rude \/ esprit doux for Flute and Clarinet<\/span><br>\n<span style=\"color: #000000;\">15398.&nbsp;(Elliott Carter) A Mir\u00adror on Which to Dwell for Sopra\u00adno and Cham\u00adber Orchestra<\/span><br>\n<span style=\"color: #000000;\">15399.&nbsp;(Elliott Carter) Penth\u00adode for Groups of Four Instruments<\/span><br>\n<span style=\"color: #000000;\">15400.&nbsp;(New Pornog\u00adra\u00adphers) Elec\u00adtric Version<\/span><br>\n<span style=\"color: #000000;\">15401.&nbsp;(Anton\u00edn Dvo\u0159ak)&nbsp;Mazurek in E Minor for Vio\u00adlin, Op.49<\/span><br>\n<span style=\"color: #000000;\">15402.&nbsp;(Anton\u00edn Dvo\u0159ak) Vio\u00adlin Sonata in F, Op.57<\/span><br>\n<span style=\"color: #000000;\">15403.&nbsp;(Anton\u00edn Dvo\u0159ak) Capric\u00adcio for Vio\u00adlin: Ron\u00addo di con\u00adcer\u00adto, Op.24<\/span><br>\n<span style=\"color: #000000;\">15404.&nbsp;(Anton\u00edn Dvo\u0159ak) Not\u00adturno in B, Op.40 [ver\u00adsion for Vio\u00adlin and&nbsp;Piano]<\/span><br>\n<span style=\"color: #000000;\">15405.&nbsp;(Anton\u00edn Dvo\u0159ak) Slavon\u00adic Dance, Op.46 #2 [arr. for vio\u00adlin by Fritz Kreisler]<\/span><br>\n<span style=\"color: #000000;\">15406.&nbsp;(Anton\u00edn Dvo\u0159ak) Slavon\u00adic Dance, Op.72 #2 [arr. for vio\u00adlin by Fritz Kreisler]<\/span><br>\n<span style=\"color: #000000;\">15407.&nbsp;(Anton\u00edn Dvo\u0159ak) Humoresque in G\u2011flat Op.101 #7 [arr. for Violin]<\/span><br>\n<span style=\"color: #000000;\">15408.&nbsp;(Oscar Peter\u00adson) The Song Is&nbsp;You<\/span><br>\n<span style=\"color: #000000;\">15409.&nbsp;(Witold Lutoslaws\u00adki) L\u2019Espace du sommeil<\/span><br>\n<span style=\"color: #000000;\">15410.&nbsp;(Witold Lutoslaws\u00adki) Sym\u00adpho\u00adny #3<\/span><br>\n<span style=\"color: #000000;\">15411.&nbsp;(Har\u00adry Breuer and his Quin\u00adtet) Mal\u00adlet Mischief<\/span><br>\n<span style=\"color: #000000;\">15412.&nbsp;(Haver\u00adgal Bri\u00adan) Sym\u00adpho\u00adny #1 \u201cGoth\u00adic\u201d<\/span><br>\n<span style=\"color: #000000;\">Ten Great Cana\u00addi\u00adan Opera&nbsp;Stars:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15413.&nbsp;(Giuseppe Ver\u00addi) \u201cSe quel guer\u00adri\u00ader io fos\u00adsi\u201d from A\u00efda [s. Jon Vickers]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15414.&nbsp;(Giuseppe Ver\u00addi) \u201cCeleste A\u00efda\u201d from A\u00efda [s. Jon Vickers]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15415.&nbsp;(Vin\u00adcen\u00adzon Belli\u00adni) \u201cA te, o cara, amor talo\u00adra\u201d from I Puri\u00adtani [s. Pierre<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Duval <span class=\"amp\">&amp;<\/span> Joan Sutherland]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15416.&nbsp;(Gia\u00adco\u00admo Puc\u00adci\u00adni) \u201cAddio, dulce sveg\u00adliare, alla mat\u00adti\u00adna\u201d from La Boh\u00e8me<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[s. Jean Bon\u00adhomme, Maria Pel\u00adle\u00adgri\u00adni, Eliz\u00ada\u00adbeth Vaugh\u00adan, Delme Bryn-Jones]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15417.&nbsp;(Mod\u00adest Mous\u00adsorgs\u00adki) Coro\u00adna\u00adtion Scene from Boris Godunov [s. Joseph Roleau&nbsp;<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;<span class=\"amp\">&amp;<\/span> John Lannigan]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15418.&nbsp;(Charles Goun\u00adod) Cavati\u00adna: \u201cAh! l\u00e9ve-toi soleil\u201d from Romeo et Juliette<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[s. Raoul&nbsp;Jobin]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15419.&nbsp;(Wolf\u00adgang Amadeur Mozart) \u201cDie Bild\u00adnis ist beza\u00adubernd sch\u00f6n\u201d from<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Die Zauber\u00adfl\u00f6te, K.620 [s. L\u00e9opold Simoneau]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15420.&nbsp;(Richard Wag\u00adn\u00ader) \u201cDie Friest is um\u201d from Der Fliegende Hollander<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[s. George London]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15421.&nbsp;(Richard Wag\u00adn\u00ader) \u201cO du mein hold\u00ader Abend\u00adstern\u201d from Tannh\u00e4user<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[s. Vic\u00adtor&nbsp;Braun]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15422.&nbsp;(Gia\u00adco\u00admo Meyer\u00adbeer) \u201cNobles Seigneurs, salut\u201d from Les Huguenots<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;[s. Huguette Tourangeu]<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15423.&nbsp;(Gia\u00adco\u00admo Meyer\u00adbeer) Cavati\u00adna: \u201cUne dame noble et sage\u201d from&nbsp;Les<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Huguenots [s. Huguette Tourangeu]<\/span><br>\n<span style=\"color: #000000;\">15424.&nbsp;(Judge Dread) The Leg\u00adendary Judge&nbsp;Dread<\/span><br>\n<span style=\"color: #000000;\">15425.&nbsp;(Lud\u00adwig van Beethoven) Piano Sonata #6 in F, Op.10 #2<\/span><br>\n<span style=\"color: #000000;\">15426.&nbsp;(Elvis Costel\u00adlo) My Aim Is True [2007 expand\u00aded reissue]<\/span><br>\n<span style=\"color: #000000;\">15427.&nbsp;(Ralph Vaugh\u00adan Williams) Rid\u00aders to the Sea, an opera in one act based on the play&nbsp;by<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;John Milling\u00adton&nbsp;Synge<\/span><br>\n<span style=\"color: #000000;\">15428.&nbsp;(Ralph Vaugh\u00adan Williams) House\u00adhold Music: Three Pre\u00adludes on Welsh Hymn&nbsp;Tunes<\/span><br>\n<span style=\"color: #000000;\">15429.&nbsp;(Mil\u00adton Bab\u00adbitt) Con\u00adcer\u00adto for Piano and Orchestra<\/span><br>\n<span style=\"color: #000000;\">15430.&nbsp;(Mil\u00adton Bab\u00adbitt) The Head of the&nbsp;Bed<\/span><br>\n<span style=\"color: #000000;\">15431.&nbsp;(Sil\u00adver\u00adchair) Neon Ballroom<\/span><br>\n<span style=\"color: #000000;\">15432.&nbsp;(Haver\u00adgal Bri\u00adan) Sym\u00adpho\u00adny #3<\/span><br>\n<span style=\"color: #000000;\">15433.&nbsp;(Split Enz) The Best of Split&nbsp;Enz<\/span><br>\n<span style=\"color: #000000;\">15434.&nbsp;(Elliott Carter) Clar\u00adinet Concerto<\/span><br>\n<span style=\"color: #000000;\">15435.&nbsp;(Elliott Carter) Sym\u00adpho\u00adnia: sum flux\u00adae pretium spei<\/span><br>\n<span style=\"color: #000000;\">15436.&nbsp;(Goril\u00adlaz) Demon&nbsp;Days<\/span><br>\n<span style=\"color: #000000;\">15437.&nbsp;(Duke Elling\u00adton) Black, Brown and Beige [fea\u00adtur\u00ading Mahalia Jack\u00adson] [reis\u00adsue&nbsp;with<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;extra tracks]<\/span><br>\n<span style=\"color: #000000;\">15438.&nbsp;(Anton\u00edn Dvo\u0159ak) My Home, Over\u00adture, Op.62<\/span><br>\n<span style=\"color: #000000;\">15439.&nbsp;(Anton\u00edn Dvo\u0159ak) The Water Gob\u00adlin, Sym\u00adphon\u00adic Poem, Op.107<\/span><br>\n<span style=\"color: #000000;\">15440.&nbsp;(Anton\u00edn Dvo\u0159ak) The Gold\u00aden Spin\u00adning Wheel, Sym\u00adphon\u00adic Poem, Op.109<\/span><br>\n<span style=\"color: #000000;\">15441.&nbsp;(Anton\u00edn Dvo\u0159ak) The Noon Witch, Sym\u00adphon\u00adic Poem, Op.108<\/span><br>\n<span style=\"color: #000000;\">15442.&nbsp;(Anton\u00edn Dvo\u0159ak) The Wood Dove, Sym\u00adphon\u00adic Poem, Op.110<\/span><br>\n<span style=\"color: #000000;\">15443.&nbsp;(Anton\u00edn Dvo\u0159ak) The Hero\u2019s Song, Sym\u00adphon\u00adic Poem, Op.111<\/span><br>\n<span style=\"color: #000000;\">15444.&nbsp;(Sil\u00adver\u00adchair) Frogstomp<\/span><br>\n<span style=\"color: #000000;\">15445.&nbsp;(John Rut\u00adter) Gloria<\/span><br>\n<span style=\"color: #000000;\">15446.&nbsp;(John Rut\u00adter) Anthem: O Clap Your&nbsp;Hands<\/span><br>\n<span style=\"color: #000000;\">15447.&nbsp;(John Rut\u00adter) Anthem: All Things Bright and Beautiful<\/span><br>\n<span style=\"color: #000000;\">15448.&nbsp;(John Rut\u00adter) Anthem: The Lord Is My Shepherd<\/span><br>\n<span style=\"color: #000000;\">15449.&nbsp;(Yous\u00adsou N\u2019Dour) Eyes&nbsp;Open<\/span><br>\n<span style=\"color: #000000;\">15450.&nbsp;(Thomas Tallis) O salu\u00adtaris hos\u00adtia for Five Voices<\/span><br>\n<span style=\"color: #000000;\">15451.&nbsp;(Thomas Tallis) Sal\u00adva\u00adtor mun\u00addi [<span class=\"caps\">II<\/span>] for Five Voices<\/span><br>\n<span style=\"color: #000000;\">15452.&nbsp;(Thomas Tallis) O sacrum con\u00advivi\u00adum for Five Voices<\/span><br>\n<span style=\"color: #000000;\">15453.&nbsp;(Ben\u00adjamin Brit\u00adten) Albert Her\u00adring [com\u00adplete opera; dir. Hick\u00adox; Opie, Gilchrist,<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Stephen, Williams, Richardson]<\/span><br>\n<span style=\"color: #000000;\">Rough Guide to the Music of Kenya \u2015 Roots Ben\u00adga, Coastal Taarab, Urban&nbsp;Rap:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15454.&nbsp;(Queen Jane [Jane Nyam\u00adbu\u00adra]) \u201cNdura\u00adga Ngwetereire\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15455.&nbsp;(Gidi Gidi Maji Maji [Joseph Ogi\u00addi <span class=\"amp\">&amp;<\/span> Julius Owino]) \u201cTing\u2019 Badi&nbsp;Malo\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15456.&nbsp;(Nyota Ndo\u00adgo [\u201cLit\u00adtle Star\u201d = Mwanaisha Abdal\u00adlah Mohamed]) \u201cChereko\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15457.&nbsp;(Kakai Kilo\u00adn\u00adzo) \u201cMama Sofia Pt.2\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15458.&nbsp;(Miraj Juma <span class=\"amp\">&amp;<\/span> Jauhar Orches\u00adtra) \u201cMuhogo\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15459.&nbsp;(Suz\u00adzana Owiyo) \u201cKisumu 100\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15460.&nbsp;(Gold\u00aden Sounds Band) \u201cHasi\u00addi Hana Sababu\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15461.&nbsp;(Yunasi) \u201cYamala [Respon\u00adsi\u00adbil\u00adi\u00adty]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15462.&nbsp;(D.O. Misiani <span class=\"amp\">&amp;<\/span> Shi\u00adrati Jazz) \u201cBeat\u00adrice #4\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15463.&nbsp;(Zuhu\u00adra Swaleh <span class=\"amp\">&amp;<\/span> Mom\u00adbasa Par\u00adty) \u201cTwe\u00adta\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15464.&nbsp;(Kakai Kilo\u00adn\u00adzo) \u201cMama Sofia Pt.1\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15465.&nbsp;(Kenge Kenge Oru\u00adtu Sys\u00adtems) \u201cObu\u00adra Jabilo\u201d<\/span><br>\n<span style=\"color: #000000;\">15466.&nbsp;(John Rut\u00adter) The Reluc\u00adtant Drag\u00adon, a Musi\u00adcal&nbsp;Fable<\/span><br>\n<span style=\"color: #000000;\">15467.&nbsp;(John Rut\u00adter) Broth\u00ader Heinrich\u2019s Christ\u00admas, a Musi\u00adcal&nbsp;Fable<\/span><br>\n<span style=\"color: #000000;\">15468.&nbsp;(John Rut\u00adter) The Wind in the Wil\u00adlows, a Musi\u00adcal&nbsp;Fable<\/span><br>\n<span style=\"color: #000000;\">15469.&nbsp;(Celtic Con\u00adnec\u00adtion) The Celtic Connection<\/span><br>\n<span style=\"color: #000000;\">Asian Trav\u00adels&nbsp;2:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15470.&nbsp;(Karsh Kale) \u201cDis\u00adtance [Ban\u00adco de Gaia&nbsp;Remix]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15471.&nbsp;(Out\u00adside) \u201cRed&nbsp;Earth\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15472.&nbsp;(Govin\u00adda) \u201cSlow Devotion\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15473.&nbsp;(MIDI\u00adval Pun\u00additZ) \u201cAaja&nbsp;re\u2019&nbsp;\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15474.&nbsp;(Makyo) \u201cDevadasi [Mantra Mix]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15475.&nbsp;(Ban\u00adco de Gaia) \u201cHow Much Real\u00adi\u00adty Can You Take? [Radio Mix]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15476.&nbsp;(Karsh Kale) \u201cDeep\u00adest Blue [<span class=\"caps\">KK<\/span>\u2019s Deep\u00adest Brook\u00adlyn&nbsp;Mix]\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15477.&nbsp;(Jairamji) \u201cSwaraga\u00admi\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15478.&nbsp;(Bob Hol\u00adroyd) \u201cAdrift in Kerala\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15479.&nbsp;(<span class=\"caps\">DJ<\/span> Cheb i Sab\u00adbah) \u201cTum Bin&nbsp;Shyam\u201d<\/span><br>\n<span style=\"color: #000000;\">15480.&nbsp;(Ani DiFran\u00adco) Ani DiFranco<\/span><br>\n<span style=\"color: #000000;\">15481.&nbsp;(Keane) Hopes and&nbsp;Fears<\/span><br>\n<span style=\"color: #000000;\">15482.&nbsp;(Anton\u00edn Dvo\u0159ak ) Eight Love Songs [P\u00edsne milost\u00adm\u00e9] for voice <span class=\"amp\">&amp;<\/span> piano, B.160,<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Op. 83 [revi\u00adsion of Cypress\u00ades, B.11]<\/span><br>\n<span style=\"color: #000000;\">15483.&nbsp;(Anton\u00edn Dvo\u0159ak ) Six Songs from the Dvur Kr\u00e1lov\u00e9 Man\u00adu\u00adscript [P\u00edsne z Rukopisu<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Kr\u00e1lov\u00e9d\u00advoysk\u00e9ho] for voice <span class=\"amp\">&amp;<\/span> piano, B.30, Op.&nbsp;7<\/span><br>\n<span style=\"color: #000000;\">15484.&nbsp;(Anton\u00edn Dvo\u0159ak ) Two [from Four] Songs for voice <span class=\"amp\">&amp;<\/span> piano on poems&nbsp;by<\/span><br>\n<span style=\"color: #000000;\"> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;Pfleger-Moravsky, Op.2 [revised ver\u00adsions, B.124]<\/span><br>\n<span style=\"color: #000000;\">15485.&nbsp;(Anton\u00edn Dvo\u0159ak ) Three Songs&nbsp;for voice <span class=\"amp\">&amp;<\/span> piano on poems by Eli\u0161kt Kr\u00e1s\u00adno\u00adhorsk\u00e9, B.&nbsp;157<\/span><br>\n<span style=\"color: #000000;\">15486.&nbsp;(Anton\u00edn Dvo\u0159ak ) Three [from Four] Songs&nbsp;for voice <span class=\"amp\">&amp;<\/span> piano, B.157, Op. 82 [#2,3,4]<\/span><br>\n<span style=\"color: #000000;\">15487.&nbsp;(Anton\u00edn Dvo\u0159ak ) In Folk Tone [V n\u00e1rod\u00adn\u00edm t\u00f3nu], song cycle for voice <span class=\"amp\">&amp;<\/span>&nbsp;piano,<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;B.146, Op.&nbsp;73<\/span><br>\n<span style=\"color: #000000;\">15488.&nbsp;(Anton\u00edn Dvo\u0159ak ) Sev\u00aden Gyp\u00adsy Melodies [Zige\u00aduner\u00admelo\u00addi\u00aden] for voice <span class=\"amp\">&amp;<\/span>&nbsp;piano,<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;B.104, Op.&nbsp;55<\/span><br>\n<span style=\"color: #000000;\">Chi\u00adna Chill \u2015 Urban Essence From The Far&nbsp;East:<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15489.&nbsp;(Liu Xing) \u201cStill Clouds and a Soli\u00adtary&nbsp;Crane\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15490.&nbsp;(Yang Xiao-Lin) \u201cHow Can I Stop Miss\u00ading&nbsp;Him?\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15491.&nbsp;(Zhang Wei-liang) \u201cLone\u00adly\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15492.&nbsp;(John Chen) \u201cEssence \u201c<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15493.&nbsp;(Huang Hong-Ying) \u201cTibetan Plateau\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15494.&nbsp;(Damo Luzhuo) \u201cBeau\u00adty\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15495.&nbsp;(Liu Xing) \u201cLate Autumn Rain\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15496.&nbsp;(Matias Leung <span class=\"amp\">&amp;<\/span> Evonne Lei) \u201cBlue&nbsp;Sky\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15497.&nbsp;(Zhang Wei-liang) \u201cCon\u00adcord\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15498.&nbsp;(Yang Xiao-Lin) \u201cDeep in&nbsp;Love\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15499.&nbsp;(Wu Yi-Wen) \u201cSoft Noth\u00ading\u00adness of the&nbsp;Frogs\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15500.&nbsp;(Dadawa) \u201cThe Xiao Player\u201d<\/span><br>\n<span style=\"color: #000000;\">.&nbsp;.&nbsp;.&nbsp;.&nbsp;15501.&nbsp;(Liu Xing) \u201cFad\u00ading Village\u201d<\/span><br>\n<span style=\"color: #000000;\">15502.&nbsp;(Johannes Brahms) Piano Quar\u00adtet #2 in A, Op.26<\/span><br>\n<span style=\"color: #000000;\">15503.&nbsp;(Arvo P\u00e4rt) Can\u00adtate Domi\u00adno Can\u00adticum&nbsp;Novum<\/span><br>\n<span style=\"color: #000000;\">15504.&nbsp;(Arvo P\u00e4rt) Berlin\u00ader&nbsp;Messe<\/span><br>\n<span style=\"color: #000000;\">15505.&nbsp;(Arvo P\u00e4rt) The Beat\u00adi\u00adtudes [1990, rev.1991]<\/span><br>\n<span style=\"color: #000000;\">15506.&nbsp;(David Bowie) Reality<\/span><br>\n<span style=\"color: #000000;\">15507.&nbsp;(Cha\u00adva Alber\u00adstein) End of the Holiday<\/span><br>\n<span style=\"color: #000000;\">15508.&nbsp;(Mor\u00adris\u00adsey) Kill&nbsp;Uncle<\/span><br>\n<span style=\"color: #000000;\">15509.&nbsp;(New Pornog\u00adra\u00adphers) Mass Romantic<\/span><br>\n<span style=\"color: #000000;\">15510.&nbsp;(Ralph Vaugh\u00adan Williams) The Pilgrim\u2019s Progress [s. Ger\u00adald Finley]<\/span><br>\n<span style=\"color: #000000;\">15511.&nbsp;(Andrew Lloyd Weber) Requiem<\/span><br>\n<span style=\"color: #000000;\">15512.&nbsp;(Liu Xing) Indefinable<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>15263.&nbsp;(Sergei Rach\u00admani\u00adnov) Sym\u00adpho\u00adny #3 in A Minor, Op.44 15264.&nbsp;(Con\u00adstan\u00adtines) Shine a&nbsp;Light 15265.&nbsp;(Ani DiFRan\u00adco) Not A Pret\u00adty&nbsp;Girl 15266.&nbsp;(Friedrich von Flo\u00adtow) Martha, or The Fair Maid At Rich\u00admond [opera high\u00adlights; .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;d. Klobu\u00adcar; w. Durham, Rothe\u00adberg\u00ader, Plumach\u00ader, Volk\u00ader, Wun\u00adder\u00adlich] 15267.&nbsp;(North\u00adern Pikes) The North\u00adern&nbsp;Pikes&nbsp;\u2026<\/p>\n<p class=\"read-more\"><a href=\"http:\/\/www.philpaine.com\/?p=9768\">Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,30],"tags":[],"class_list":["post-9768","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-du-viewing-2006"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9768"}],"version-history":[{"count":6,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9768\/revisions"}],"predecessor-version":[{"id":11460,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9768\/revisions\/11460"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9768"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}