{"id":980,"date":"2008-10-31T23:45:09","date_gmt":"2008-11-01T03:45:09","guid":{"rendered":"http:\/\/s265039441.onlinehome.us\/philpaine\/?p=980"},"modified":"2020-02-21T18:41:06","modified_gmt":"2020-02-21T23:41:06","slug":"first-time-listening-for-october-2008","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=980","title":{"rendered":"First-time listening for October, 2008"},"content":{"rendered":"

19002. (North\u00adern Cree Singers) Stay Red: Pow-wow Songs Record\u00aded Live at Pullman<\/span>
\n19003. (Franz Josef Haydn) Sym\u00adpho\u00adny #24 in D<\/span>
\n19004. (Franz Josef Haydn) Sym\u00adpho\u00adny #25 in C<\/span>
\n19005. (Franz Josef Haydn) Sym\u00adpho\u00adny #27 in G<\/span>
\n19006. (Mas\u00adsive Attack) Blue Lines<\/span>
\n19007. (Anton\u00edn Dvo\u0159ak) String Quar\u00adtet #3 in D, B.18<\/span>
\n19008. (Anton\u00edn Dvo\u0159ak) String Quar\u00adtet #4 in E\u2011flat, B.19<\/span>
\n19009. (North\u00adern Wind) Med\u00adi\u00adcine Dress [Round Dance songs hon\u00adour\u00ading the Jin\u00adgle Dress<\/span>
\n. . . . . com\u00adposed by Gabe Desrosiers]<\/span>
\n19010. (Jean-Philippe Rameau) Grand Motet: In con\u00adver\u00adtendo<\/em><\/span>
\n19011. (Jean-Philippe Rameau) Grand Motet: Quam dilec\u00adto<\/em><\/span>
\n19012. (Jean-Philippe Rameau) Grand Motet: Deus nos\u00adter refugium<\/em><\/span>
\n19013. (Arnold Schoen\u00adberg) Suite for 2 Clar\u00adinets, Bass Clar\u00adinet, Vio\u00adlin, Vio\u00adla, Cello <\/span>
\n. . . . . &<\/span> Piano, Op. 29<\/span>
\n19014. (Arnold Schoen\u00adberg) Trans\u00adfig\u00adured Night [Verk\u00adl\u00e4rte Nacht<\/em>], Op. 4 [Sex\u00adtet version: <\/span>
\n. . . . . for 2 Vio\u00adlins, 2 Vio\u00adlas &<\/span> 2 Cel\u00adli; see orches\u00adtral ver\u00adsion item 367]<\/span>
\n19015. (Arnold Schoen\u00adberg) Three Pieces for Cham\u00adber Orchestra<\/span>
\n19016. (Hos\u00adsein Alizadeh &<\/span> Dji\u00advan Gas\u00adparyan) End\u00adless Vision<\/span>
\n19017. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for vio\u00adlin &<\/span> con\u00adtin\u00aduo in D, Op. 5\/1<\/span>
\n19018. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for vio\u00adlin &<\/span> con\u00adtin\u00aduo in B\u2011flat, Op. 5\/2<\/span>
\n19019. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for vio\u00adlin &<\/span> con\u00adtin\u00aduo in C Minor, Op. 5\/3<\/span>
\n19020. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for vio\u00adlin &<\/span> con\u00adtin\u00aduo in F, Op. 5\/4<\/span>
\n19021. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for vio\u00adlin &<\/span> con\u00adtin\u00aduo in G, Op. 5\/5<\/span>
\n19022. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata for vio\u00adlin &<\/span> con\u00adtin\u00aduo in A, Op. 5\/6<\/span>
\n19023. (My Morn\u00ading Jack\u00adet) The Ten\u00adnessee Fire<\/span>
\nAfrica 100 \u2015 Afrobeat 7 CD<\/span> Box, Disc 2:<\/span>
\n. . . . 19024. (Brigth Engel\u00adberts &<\/span> the B.E. Move\u00adment) \u201cGet Together\u201d<\/span>
\n. . . . [17893] (Antibalas Afrobeat Orches\u00adtra) \u201cBig Man\u201d<\/span>
\n. . . . 19025. (Oscar Sul\u00adley &<\/span> the Uhu\u00adru Dance Band) \u201cOlufeme<\/em>\u201d<\/span>
\n. . . . 19026. (Tho\u00adny Shor\u00adby Nyen\u00adwi) \u201cNo Wrong Show\u201d<\/span>
\n. . . . 19027. (Ogy\u00adatanaa Show Band) \u201cDis\u00adco Africa\u201d<\/span>
\n. . . . 19028. (Wal\u00adlias Band) \u201cMuz\u00adiqawi Silt<\/em>\u201d<\/span>
\n. . . . 19029. (Lem\u00adma Demis\u00adsew) \u201cAstawe\u00adsale\u00adhu<\/em>\u201d<\/span>
\n. . . . 19030. (Apagya Show Band) \u201cKwaku Ananse<\/em>\u201d<\/span>
\n. . . . 19031. (Fela Ran\u00adsome Kuti &<\/span> Africa \u201970) \u201cRofo\u00adro\u00adfo Fight<\/em>\u201d<\/span>
\n. . . . 19032. (Monomono) \u201cTire Loma Da Nig\u00adbe\u00adhin<\/em>\u201d<\/span>
\n. . . . 19033. (Ofo the Black Com\u00adpa\u00adny) \u201cAllah Wak\u00adbarr<\/em>\u201d<\/span>
\n. . . . 19034. (Joe Men\u00adsah) \u201cAfrica Is Home\u201d<\/span>
\n. . . . 19035. (Lijadu Sis\u00adters) \u201cOrere Eljig\u00adbo<\/em>\u201d<\/span>
\n19036. (Wolf\u00adgang Amadeus Mozart) String Quar\u00adtet #16 in E\u2011flat, K.428<\/span>
\n19037. (Nir\u00advana) The Very Best of Nirvana<\/span>
\n19038. (Franz Josef Haydn) Sym\u00adpho\u00adny #28 in A<\/span>
\n19039. (Franz Josef Haydn) Sym\u00adpho\u00adny #30 in C \u201cAlleluia<\/em>\u201d<\/span>
\n19040. (Judge Dread) Ska Fever<\/span>
\n19041. (Orchestre Baobab) Made in Dakar<\/span>
\n19042. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in D, Op.2 #1<\/span>
\n19043. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in D Minor, Op.2 #2<\/span>
\n19044. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in C, Op.2 #3<\/span>
\n19045. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in E Minor, Op.2 #4<\/span>
\n19046. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in B, Op.2 #5<\/span>
\n19047. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in G Minor, Op.2 #6<\/span>
\n19048. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in F, Op.2 #7<\/span>
\n19049. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in B Minor, Op.2 #8<\/span>
\n19050. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in F\u2011sharp Minor, Op.2 #9<\/span>
\n19051. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in E, Op.2 #10<\/span>
\n19052. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in E\u2011flat, Op.2 #11<\/span>
\n19053. (Arcan\u00adge\u00adlo Corel\u00adli) Sonata da Cam\u00adera<\/em> in G, Op.2 #12: Cicona &<\/span> Largo<\/span>
\n19054. (Fats Domi\u00adno) Mil\u00adlion Sell\u00aders By Fats<\/span>
\n19055. (August\u00edn Bar\u00adrios) Waltzes for gui\u00adtar, No. 3 in D minor, Op. 8 #3 <\/span>
\n19056. (August\u00edn Bar\u00adrios) Pre\u00adlu\u00addio<\/em> for gui\u00adtar in C minor <\/span>
\n19057. (August\u00edn Bar\u00adrios) Cue\u00adca<\/em> for guitar<\/span>
\n19058. (August\u00edn Bar\u00adrios) Max\u00adixe<\/em> for guitar <\/span>
\n19059. (August\u00edn Bar\u00adrios) La Cat\u00ade\u00addral<\/em> for guitar<\/span>
\n19060. (August\u00edn Bar\u00adrios) Julia Flori\u00adda<\/em> for guitar <\/span>
\n19061. (August\u00edn Bar\u00adrios) Waltzes for gui\u00adtar, No. 4 in D major, Op. 8 #4 <\/span>
\n19062. (August\u00edn Bar\u00adrios) Una Limosna Por el Amor de Dios<\/em> for guitar <\/span>
\n19063. (August\u00edn Bar\u00adrios) Mazur\u00adka Appas\u00adsion\u00ada\u00adta<\/em> for guitar <\/span>
\n19064. (August\u00edn Bar\u00adrios) Las Abe\u00adjas<\/em> [The Bees] for guitar<\/span>
\n19065. (August\u00edn Bar\u00adrios) Medal\u00adlon antiguo<\/em> for guitar<\/span>
\n19066. (August\u00edn Bar\u00adrios) Ch\u00f4ro da Saudade<\/em> [A Lament] for guitar<\/span>
\n19067. (August\u00edn Bar\u00adrios) Air de Sam\u00adba<\/em> for guitar<\/span>
\n19068. (August\u00edn Bar\u00adrios) Acon\u00adqui\u00adja<\/em> for guitar <\/span>
\n19069. (August\u00edn Bar\u00adrios) Pre\u00adlude for gui\u00adtar in G minor, Op 5 #1 <\/span>
\n19070. (August\u00edn Bar\u00adrios) Un Sue\u00f1o en la Flo\u00adres\u00adta<\/em> for guitar<\/span>
\n19071. (August\u00edn Bar\u00adrios) Vil\u00adlan\u00adci\u00adco de Navi\u00addad<\/em> for guitar<\/span>
\n19072. (Camille Saint-Sa\u00ebns) Clar\u00adinet Sonata in E\u2011flat, Op.167<\/span>
\n19073. (Fran\u00adcis Poulenc) Clar\u00adinet Sonata, Op.184<\/span>
\n19074. (Robert Schu\u00admann) Sym\u00adphon\u00adic Etudes for Piano, Op.13<\/span>
\n19075. (Robert Schu\u00admann) Funf Album\u00adblat\u00adter: I. Ziem\u00adlich langsam<\/em>, from Bunte Bl\u00e4t\u00adter<\/em><\/span>
\n. . . . . [Coloured Leaves], Op.99 #7<\/span>
\n19076. (Robert Schu\u00admann) Funf Album\u00adblat\u00adter: II<\/span>. Schnell<\/em>, from Bunte Bl\u00e4t\u00adter<\/em><\/span>
\n. . . . . [Coloured Leaves], Op.99 #8<\/span>
\n19077. (Robert Schu\u00admann) Funf Album\u00adblat\u00adter: III<\/span>. Ziem\u00adlich langsam, sehr gesangvoll<\/em>, <\/span>
\n. . . . . from Bunte Bl\u00e4t\u00adter<\/em> [Coloured Leaves], Op.99 #9<\/span>
\n19078. (Robert Schu\u00admann) Funf Album\u00adblat\u00adter: IV<\/span>. Sehr langsam<\/em>, from Bunte Bl\u00e4t\u00adter<\/em><\/span>
\n. . . . . [Coloured Leaves], Op.99 #10<\/span>
\n19079. (Robert Schu\u00admann) Funf Album\u00adblat\u00adter: V. Langsam<\/em>, from Bunte Bl\u00e4t\u00adter<\/em><\/span>
\n. . . . . [Coloured Leaves], Op.99 #11<\/span>
\nWade In the Water, Vol\u00adume 1 \u2014 African Amer\u00adi\u00adcan Spir\u00adi\u00adtu\u00adals \u2015 The Con\u00adcert Tradition:<\/span>
\n. . . . 19080. (The Flori\u00adda A&<\/span>M U. Con\u00adcert Choir) \u201cThere is a Balm in Gilead\u201d<\/span>
\n. . . . 19081. (The Prince\u00adly Play\u00aders) \u201cWe Shall Walk Through the Valley\u201d<\/span>
\n. . . . 19082. (The Prince\u00adly Play\u00aders) \u201cRoll, Jor\u00addan Roll\u201d <\/span>
\n. . . . 19083. (The Flori\u00adda A&<\/span>M Uni\u00adver\u00adsi\u00adty Con\u00adcert Choir) \u201cI\u2019ve Been Buked and <\/span>
\n. . . . . . . . I\u2019ve Been Scorned\u201d<\/span>
\n. . . . 19084. (The Prince\u00adly Play\u00aders) \u201cSwing Low Sweet Chariot\u201d<\/span>
\n. . . . 19085. (Fisk Jubilee Singers) \u201cJoshua Fit the Bat\u00adtle of Jericho\u201d<\/span>
\n. . . . 19086. (Fisk Jubilee Singers) \u201cWade in the Water\u201d<\/span>
\n. . . . 19087. (The Howard Uni\u00adver\u00adsi\u00adty Cham\u00adber Choir) \u201cDeep River\u201d<\/span>
\n. . . . 19088. (The Howard Uni\u00adver\u00adsi\u00adty Cham\u00adber Choir) \u201cLis\u00adten to the Lambs\u201d<\/span>
\n. . . . 19089. (The Flori\u00adda A&<\/span>M Uni\u00adver\u00adsi\u00adty Con\u00adcert Choir) \u201cEvery\u00adtime I Feel <\/span>
\n. . . . . . . . the Spirit\u201d<\/span>
\n. . . . 19090. (The Prince\u00adly Play\u00aders) \u201cOh Freedom\u201d<\/span>
\n. . . . 19091. (The Prince\u00adly Play\u00aders) \u201cGospel Train\u201d<\/span>
\n. . . . 19092. (The Prince\u00adly Play\u00aders) \u201cI\u2019m a Rolling Through an Unfriend\u00adly World\u201d<\/span>
\n. . . . 19093. (Kehem\u00adbe Eichel\u00adberg\u00ader) \u201cSome\u00adtimes I Feel Like a Moth\u00ader\u00adless Child\u201d<\/span>
\n. . . . 19094. (The Prince\u00adly Play\u00aders) \u201cSteal Away\u201d<\/span>
\n. . . . 19095. (The Prince\u00adly Play\u00aders) \u201cGo in the Wilderness\u201d<\/span>
\n. . . . 19096. (The Flori\u00adda A&<\/span>M Uni\u00adver\u00adsi\u00adty Con\u00adcert Choir) \u201cEzekial Saw the Wheel\u201d<\/span>
\n. . . . 19097. (The Howard Uni\u00adver\u00adsi\u00adty Cham\u00adber Choir) \u201cAin\u2019t Got Time to Die\u201d<\/span>
\n. . . . 19098. (The Howard Uni\u00adver\u00adsi\u00adty Cham\u00adber Choir) \u201cWade in the Water\u201d<\/span>
\n19099. (Peter Ilich Tchaikovsky) Sou\u00advenir de Flo\u00adrence<\/em>, Ser\u00ade\u00adnade for String Orchestra,<\/span>
\n. . . . . Op.70 [vari\u00adant of string sex\u00adtet ver\u00adsion, item 9133]<\/span>
\n19100. (Crowd\u00aded House) Farewell to the World \u2015 Live from Syd\u00adney Opera House<\/span>
\n19101. (Jean Sibelius) Sn\u00f6frid<\/em>, Impro\u00advi\u00adsa\u00adtion for Mixed Choir and Sym\u00adpho\u00adny Orchestra,Op.29<\/span>
\n19102. (Jean Sibelius) V\u00e4in\u00f6n Vir\u00adsi<\/em> (V\u00e4i\u00adnam\u00f6i\u00adnen\u2019s Song), Can\u00adta\u00adta for Mixed Choir and<\/span>
\n. . . . . Sym\u00adpho\u00adny Orches\u00adtra, Op.110<\/span>
\n19103. (Jean Sibelius) Sandels, Improviza\u00adtion<\/em> for Male Choir and Sym\u00adpho\u00adny Orches\u00adtra, Op.28<\/span>
\n19104. (Jean Sibelius) Maan Vir\u00adsi<\/em> [Hymn to the Earth] for Male Choir and Symphony<\/span>
\n. . . . . Orches\u00adtra, Op.95<\/span>
\n19105. (Jean Sibelius) Laulu Lem\u00admink\u00e4selle<\/em> [Song to Lem\u00admink\u00e4i\u00adnen] for Male Choir and<\/span>
\n. . . . . Sym\u00adpho\u00adny Orches\u00adtra, Op.31 #1<\/span>
\n19106. (Dead Can Dance) Spleen and Ideal<\/span>
\n19107. (Wolf\u00adgang Amadeus Mozart) La clemen\u00adza di Tito<\/em>, K.621 [com\u00adplete opera; d. Jacobs;<\/span>
\n. . . . . w. Pad\u00admore, Pen\u00addatchan\u00ads\u00adka, Fink]<\/span>
\n19108. (Orchestre Baobab) Spe\u00adcial\u00adist In All Styles<\/span>
\n19109. (Anton\u00edn Dvo\u0159\u00e1k) Leg\u00adends (5) for Piano Four Hands, Op.59, B.122<\/span>
\n19110. (Anton\u00edn Dvo\u0159\u00e1k) From the Bohemi\u00adan For\u00adest [Ze \u0160umavy<\/em>] for Piano Four-Hands,<\/span>
\n. . . . . Op. 68, B.133<\/span>
\n19111. (Franz Josef Haydn) Sym\u00adpho\u00adny #32 in C<\/span>
\n19112. (Franz Josef Haydn) Sym\u00adpho\u00adny #33 in C<\/span>
\n19113. (Franz Josef Haydn) Sym\u00adpho\u00adny #34 in D Minor<\/span>
\n19114. (Franz Josef Haydn) Sym\u00adpho\u00adny #35 in B\u2011flat<\/span>
\n19115. (Fire\u00adsign The\u00adatre) Boom Dot Bust<\/span>
\n19116. (Pix\u00adies) Surfer Rosa and Come On Pilgrim<\/span>
\n19117. (Anton\u00edn Dvo\u0159\u00e1k) In Nature\u2019s Realm [V p\u0159\u00edrod\u011b<\/em>], Con\u00adcert Over\u00adture, Op.91, B.168<\/span>
\nDrops of Brandy and Oth\u00ader Tra\u00addi\u00adtion\u00adal M\u00e9tis Fid\u00addle Tunes \u2014 disc 1:<\/span>
\n. . . . 19118. (Fr\u00e9d\u00e9ric Gen\u00adthon) \u201cRed Riv\u00ader Jig\u201d<\/span>
\n. . . . 19119. (Richard Cal\u00adli\u00adhoo \/ Beauharnois Quadrille) \u201cFrench Jig in C\u201d<\/span>
\n. . . . 19120. (Richard Cal\u00adli\u00adhoo) \u201cDewey Day Foxtrot\u201d<\/span>
\n. . . . 19121. (Richard Cal\u00adli\u00adhoo) \u201cJim\u00admy Cal\u00adli\u00adhoo Special\u201d<\/span>
\n. . . . 19122. (Richard Cal\u00adli\u00adhoo) \u201cDrops of Brandy\u201d<\/span>
\n. . . . 19123. (Richard Cal\u00adli\u00adhoo) \u201cA Duck Dance in D\u201d<\/span>
\n. . . . 19124. (Richard Cal\u00adli\u00adhoo) \u201cHaste to the Wed\u00adding [Jig]\u201d<\/span>
\n. . . . 19125. (Richard Cal\u00adli\u00adhoo) \u201cHome Sweet Home Reel\u201d<\/span>
\n. . . . 19126. (Richard Cal\u00adli\u00adhoo) \u201cDon\u2019t Talk About Me When I\u2019m Gone [fox\u00adtrot]\u201d<\/span>
\n. . . . 19127. (Richard Cal\u00adli\u00adhoo) \u201cLife in the Fin\u00adland Woods [waltz]\u201d<\/span>
\n. . . . 19128. (Richard Cal\u00adli\u00adhoo) \u201cNor\u00adwe\u00adgian Waltz\u201d<\/span>
\n. . . . 19129. (Richard Cal\u00adli\u00adhoo) \u201cOld Style Duck Dance in D\u201d<\/span>
\n. . . . 19130. (Richard Cal\u00adli\u00adhoo) \u201cRed Riv\u00ader Jig #1\u201d<\/span>
\n. . . . 19131. (Richard Cal\u00adli\u00adhoo) \u201cRed Riv\u00ader Jig #2\u201d<\/span>
\n. . . . 19132. (Richard Cal\u00adli\u00adhoo) \u201cA Tra\u00addi\u00adtion\u00adal Reel of Eight in G\u201d<\/span>
\n. . . . 19133. (Richard Cal\u00adli\u00adhoo) \u201cA Reel of Four in D\u201d<\/span>
\n. . . . 19134. (Richard Cal\u00adli\u00adhoo) \u201cAn Old Reel of Four in G\u201d<\/span>
\n. . . . 19135. (Richard Cal\u00adli\u00adhoo) \u201cWest\u00adern First Change [jig]\u201d<\/span>
\n. . . . 19136. (Richard Cal\u00adli\u00adhoo) \u201cWhiskey Before Breakfast\u201d<\/span>
\n19137. (Jorane) Vent Fou<\/span>
\n19138. (Paul Oak\u00aden\u00adfold) Glob\u00adal Under\u00adground 004 Live in Oslo,<\/span> 1997<\/p>\n","protected":false},"excerpt":{"rendered":"

19002. (North\u00adern Cree Singers) Stay Red: Pow-wow Songs Record\u00aded Live at Pull\u00adman 19003. (Franz Josef Haydn) Sym\u00adpho\u00adny #24 in D 19004. (Franz Josef Haydn) Sym\u00adpho\u00adny #25 in C 19005. (Franz Josef Haydn) Sym\u00adpho\u00adny #27 in G 19006. (Mas\u00adsive Attack) Blue Lines 19007. (Anton\u00edn Dvo\u0159ak) String Quar\u00adtet #3 in D, B.18 \u2026<\/p>\n

Read more \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,22],"tags":[],"class_list":["post-980","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-cs-listening-2008"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=980"}],"version-history":[{"count":5,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/980\/revisions"}],"predecessor-version":[{"id":10432,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/980\/revisions\/10432"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=980"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}