{"id":9913,"date":"2018-10-31T23:45:54","date_gmt":"2018-11-01T03:45:54","guid":{"rendered":"http:\/\/www.philpaine.com\/?p=9913"},"modified":"2020-03-03T02:38:04","modified_gmt":"2020-03-03T07:38:04","slug":"first-time-listening-for-october-2018","status":"publish","type":"post","link":"http:\/\/www.philpaine.com\/?p=9913","title":{"rendered":"First-time listening for October 2018"},"content":{"rendered":"<p><span style=\"color: #000000;\">25296. (Iner\u00adane) Music from Agadez<br> 25297. (Sil\u00advius Leopold Weiss) Suite #1 in F for&nbsp;Lute<br> 25298. (Sil\u00advius Leopold Weiss) Suite #2 in D for&nbsp;Lute<br> 25299. (Sil\u00advius Leopold Weiss) Suite #3 in G Minor for&nbsp;Lute<br> 25300. (Day\u00adg\u00adlo Abor\u00adtions) Out of the&nbsp;Womb<br>\n<\/span><!--more--><span style=\"color: #000000;\">25301. (Aman\u00adda Shires) To the Sunset<br> 25302. (Guil\u00adlaume Dufay) Ven\u00adite Benedicti<br> 25303. (Guil\u00adlaume Dufay) Glo\u00adrio\u00adsus&nbsp;Deus<br> 25304. (Guil\u00adlaume Dufay) Ludi\u00adcabunt Sancti<br> 25305. (Guil\u00adlaume Dufay) Mirabilis Deus<br> 25306. (Guil\u00adlaume Dufay) Mis\u00adsa \u201cSe la Face ay Pale\u201d [vari\u00adant of&nbsp;2428]<br> 25307. (Guil\u00adlaume Dufay) Gaudete lusti<br> 25308. (Guil\u00adlaume Dufay) O Tr\u00e8s Piteulx<br> 25309. (Guil\u00adlaume Dufay) Mag\u00adnanime Gentis<br> 25310. (Sam\u00adsara Blues Exper\u00adi\u00adment) Long Dis\u00adtance&nbsp;Trip<br> 25311. (Fleet Fox\u00ades) Fleet Fox\u00ades 2 <span class=\"caps\">CD<\/span> Lim\u00adit\u00aded Edi\u00adtion [5 extra tracks] [see also&nbsp;2183]<br> 25312. (Willis \u201cGator\u201d Jack\u00adson) Cookin\u2019 Sherry<br> 25313. (Rug\u00adgero Leon\u00adcav\u00adal\u00adlo) La Nuit de Mai, po\u00e8me sym\u00adphonique for tenor and orchestra<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;after Alfred de Mus\u00adset [d. San\u00adti; Sal\u00adva\u00adtore Fisichel\u00adla,&nbsp;tenor]<br> 25314. (<span class=\"caps\">YOB<\/span>) Our Raw&nbsp;Heart<br> 25315. (Sheik Chin\u00adna Moulana) Nadhaswaram<br> 25316. (Jacques Offen\u00adbach) Over\u00adture to The Drum Major\u2019s Daugh\u00adter [La fille du tambour-<br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;major]<br> 25317. (Jacques Offen\u00adbach) Over\u00adture to Madame Favart<br> 25318. (Jacques Offen\u00adbach) La P\u00e9ri\u00adc\u00adhole: Entr\u2019acte from Act 2 <span class=\"amp\">&amp;<\/span> Entr\u2019acte from Act&nbsp;3<br> 25319. (Jacques Offen\u00adbach) La Belle H\u00e9l\u00e8ne: Entr\u2019acte from Act&nbsp;2<br> 25320. (<span class=\"caps\">DJ<\/span> Koze) Amygdala<br> 25321. (Jose Mari Chan) Great\u00adest&nbsp;Hits<br> 25322. (U.S. Girls) Half&nbsp;Free<br> 25323. (Wil\u00adhelm Frei\u00adde\u00admann Bach) Can\u00adta\u00adta \u201cWohl dem, der den Her\u00adren f\u00fcrchtet\u201d, <span class=\"caps\">BR-WFB<\/span><br> .&nbsp;.&nbsp;.&nbsp;.&nbsp;.&nbsp;<span class=\"caps\">F19<\/span>\/F 96<br> 25324. (Wil\u00adhelm Frei\u00adde\u00admann Bach) Can\u00adta\u00adta \u201cO Wun\u00adder, wer kann dieses fassen\u201d, <span class=\"caps\">BR-WFB<\/span> <span class=\"caps\">F2<\/span><br> 25325. (Wil\u00adhelm Frei\u00adde\u00admann Bach) Can\u00adta\u00adta \u201cAch, dass du den Him\u00admel zer\u00adriss\u00adest\u201d, <span class=\"caps\">BR-WFB<\/span> <span class=\"caps\">F3<\/span><br> 25326. (Wil\u00adhelm Frei\u00adde\u00admann Bach) Can\u00adta\u00adta \u201cGott f\u00e4hret auf mit Jauchzen\u201d, <span class=\"caps\">BR-WFB<\/span> <span class=\"caps\">F10<\/span><br> 25327. (Patrick Moraz) Mainhorse<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>25296. (Iner\u00adane) Music from Agadez 25297. (Sil\u00advius Leopold Weiss) Suite #1 in F for&nbsp;Lute 25298. (Sil\u00advius Leopold Weiss) Suite #2 in D for&nbsp;Lute 25299. (Sil\u00advius Leopold Weiss) Suite #3 in G Minor for&nbsp;Lute 25300. (Day\u00adg\u00adlo Abor\u00adtions) Out of the&nbsp;Womb<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[947,1497],"tags":[],"class_list":["post-9913","post","type-post","status-publish","format-standard","hentry","category-c-listening","category-ci-listening-2018"],"_links":{"self":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9913"}],"version-history":[{"count":3,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9913\/revisions"}],"predecessor-version":[{"id":10803,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=\/wp\/v2\/posts\/9913\/revisions\/10803"}],"wp:attachment":[{"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9913"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.philpaine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}