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Image of the month:

#L! (1602)

Image of the month: petroglyphs, central Sahara

Vandalised rock art is pictured at Tadrart Acacus May 30, 2014. REUTERS/Aimen ElsahliThis ancient rock art found in the Tadrart Aca­cus, a moun­tain range in exact cen­ter of the Sahara, was pho­tographed on May 30, 2014 by Aimen Elsahli, and put out by Reuters News. Reli­gious fanat­ics had been attempt­ing to destroy the art by scrub­bing them with acid. The art por­trays ani­mals such as these giraffes that flour­ished in the Sahara when it was filled with lakes and grass­lands. Below is a pic­ture shows an approach route to the Tadrart Aca­cus, show­ing its present climate:

2014 MAY B

Sunday, May 5, 2014 — In Search of Gildas

Grotto of St. GildasOne spe­cial trip, at my request, was to the chapel of Saint Gildas. Gildas is well-known to those who study Eng­lish his­to­ry in the “dark ages”, because his De Excidio et Con­ques­tu Bri­tan­ni­ae is the first writ­ten his­to­ry of Britain. In fact, it is pret­ty much the only doc­u­men­tary source for fifth and sixth cen­tu­ry Britain. Bede’s His­to­ry doesn’t appear until the year 731. But Gildas spent part of his career on the con­ti­nent (he is sup­posed to have slain a drag­on on a brief vis­it to Rome), and specif­i­cal­ly in Mor­bi­han, where he died. There are two writ­ten biogra­phies of Gildas on which we depend for infor­ma­tion, but they were writ­ten respec­tive­ly in the ninth and twelfth cen­turies, and tell very dis­sim­i­lar sto­ries. The ear­li­est life relates that Gildas con­vert­ed the hea­then of the Blavet val­ley by stand­ing upon a great rock over­look­ing the riv­er and shout­ing his exhor­ta­tions. That sort of thing, appar­ent­ly, worked in those days. When some­one has already slain a drag­on, he prob­a­bly has a suf­fi­cient­ly force­ful per­son­al­i­ty to pull it off. Any­way, the rock is still there, with a medieval chapel at its foot, and the place is won­der­ful­ly atmos­pher­ic. It being before the tourist sea­son, Didi­er and I had it all to our­selves. Gildas lived, with one acolyte, in a tiny grot­to under­neath the rock, still acces­si­ble, until he returned to his monastery on the coast and com­plet­ed Con­ques­tu Bri­tan­ni­ae. While the late medieval chapel was closed, I have found a pic­ture of its interior.

Chapel of St. Gildas

Saturday, May 3, 2014 — Some Architecture

14-05-03 BLOG The Blavet on a quiet bend

The Blavet on a qui­et bend. I walked the path for a km and met nobody.

For such a short vis­it, I was able to see a good deal of the coun­try­side of Mor­bi­han. Didi­er drove me to a num­ber of won­der­ful places, and I also cov­ered a con­sid­er­able amount on my own, on foot, and did some hitch-hik­ing as well.

But rather than attempt to recon­struct where I vis­it­ed chrono­log­i­cal­ly, or trip by trip, I think I’ll just present a gallery of images, with a few com­ments. Read more »

Thursday, May 1, 2014 — Rue de Kergallic

Art is not free­dom from dis­ci­pline, but Dis­ci­plined Free­dom.” — Edward Catich

14-05-01 BLOG Rue de KergillacI must tell you some­thing of the peo­ple I’m stay­ing with. Noth­ing I write could pos­si­bly con­vey the plea­sure I expe­ri­enced in meet­ing them.

Del­phine Decloedt and Didi­er Durassier live in a lit­tle bun­ga­lo in Saint Barthéle­my, on the qui­et lane that leads to l’étan (the pond) de Ker­gal­lic. The house, true to medieval tra­di­tion, com­bines the func­tions of home and ate­lier, and opens onto a delight­ful­ly anar­chic gar­den. Their chil­dren are intel­li­gent, polite (well, lit­tle Arthur can be stub­born, some­times!) and tal­ent­ed. Didi­er is well known in Bre­ton music cir­cles as a per­former on bin­iou, veuse and bom­barde, as a mem­ber of the band Penn Kazh, and as Brittany’s most accom­plished crafts­man-sculp­tor of tra­di­tion­al instru­ments. Del­phine is a painter and cal­lig­ra­ph­er (Grand prix du pres­tige Européen des Arts et Belles Let­tres, Com­man­deur de l’or­dre de l’E­toile de l’Eu­rope). When, I stepped into the house, Mélis­sande was play­ing some Satie on the piano. She came across as qui­et, but not timid. Liam already has the “cool” of French cin­e­ma idols. Arthur is a rein­car­na­tion of Christo­pher Robin. Read more »

Image of the month:

2014 MAY

Tuesday, April 29, 2014 — Carnac

In the morn­ing, M. Durassier took me on a tour of the major mega­lith­ic align­ments at Carnac, near the coast. There are four large groups — from west to east, Ménec, Kérabus, Ker­mario and Ker­les­can. In between Ker­mario and Ker­les­can there is a strange quadri­lat­er­al assem­bly of stones, tight­ly spaced, unlike any­thing I’ve seen in the U.K., and near it is the largest of the men­hirs, an immense phal­lic stone called “le géant de Mario”. Every stone I’ve seen so far has been the same sort of gran­ite, though most are coat­ed with so much lichen that it’s hard to see the tex­ture. Noth­ing resem­bles the blue­stone in Wilt­shire sites.

14-04-29 BLOG Carnac

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Monday, April 28, 2014 — Saint-Barthélemy & Lann Gouh

A fab­u­lous night of music and con­ver­sa­tion. An assort­ment of local musi­cians at the vil­lage pub called Sterenn Roz (The Rose Star). These “ses­sion trad” have been held here for at least a quar­ter cen­tu­ry. Young and old, play­ing in dif­fer­ent com­bi­na­tions through­out the evening. No stage, just a com­fort­able mix of musi­cians and clien­tele. Peo­ple switch­ing instru­ments, drop­ping in or drop­ping out of a song as the spir­it moved them, glances exchanged between play­ers who found a com­mon groove. The Celtic way. There were accor­dions; gui­tars, bag­pipes, and a cou­ple of reed instru­ments resem­bling a medieval shawm which they called a bom­barde. Call-and-response, knees and feet catch­ing the tem­po. The style of per­for­mance, the rhythms and melodies bore a strong resem­blance to Cana­di­an folk music (It’s no acci­dent that the acknowl­edged region­al heart of Cana­di­an folk is Cape Bre­ton, Nova Sco­tia). But the fid­dle, the work­horse of Cana­di­an music, played no part. So the effect was a bit weird to me, as if some­one played blue­grass with no ban­jo. Read more »

Sunday, April 27, 2014 — In the forests of the Vallée du Blavet

14-04-27 BLOG The Forests of Morbihan 1

A maze of mists and shadows.

It’s easy to under­stand why it was so hard for the Romans, and then the French, to con­quer Brit­tany. The land resem­bles, as I said yes­ter­day, the Ozarks or West Vir­ginia in its basic sur­face struc­ture. Brit­tany shares the same North Atlantic winds and cur­rents that turn Eng­land into a sog­gy mess. There are creeks every­where. Every tree and rock is slimy with moss. The ground cov­er is thick. There are climb­ing vines cling­ing to every decid­u­ous tree. Except where the ground is lev­el, it’s slip­pery foot­ing — and it’s sel­dom lev­el. This for­est con­tains an amaz­ing vari­ety of trees. Call­ing it “mixed for­est” is an under­state­ment. Oaks are every­where, and so are an odd-look­ing sil­ver birch. There are also spruce and the occa­sion­al pine. One large stand of spruce I passed through was par­tic­u­lar­ly creepy, a con­fus­ing maze of mist and shad­ows. Every­thing about this for­est makes for slow going, and the under­growth quick­ly swal­low up any foot­path that isn’t con­stant­ly used. Read more »

Saturday, April 26, 2014 — Saint-Barthélelmy, Morbihan, Bretagne, France

A church bell tolls in the Bre­ton vil­lage of Saint-Barthéle­my. It rained last night. Today it’s cool, and the blue sky is bro­ken up by rapid­ly mov­ing clouds. The view from the win­dow is calm­ing. Brit­tany is a land of Ozark-like hills and hol­lows. There are plen­ty of trees. Not the tamed woods of Eng­land or the order­ly plains of France, but real for­est, in which the farms and vil­lages are embed­ded like raisins in a bran muf­fin. There’s a con­stant cho­rus of bird song, even in the mid­dle of the vil­lage. The farms look pros­per­ous, well-appoint­ed and scrupu­lous­ly clean. The hous­es are charm­ing and well-kept, whether they are ancient stone or new­ly built.  Read more »