Category Archives: CL - Listening 2010

First-time listening for December, 2010

22625. (George Form­by) George Form­by — Pri­vate Com­pi­la­tion, vol.2 [33 items]
22626. (Alice in Chains) Come and Save Me [Paris, 1993 bootleg]
22627. (Light­nin’ Hop­kins) Texas Blues [Blues Col­lec­tion #31] Read more »

First-time listening for November, 2010

22586. (As The Poets Affirm) I Want to Tell My Heart to You, But I Can­not Say English
22587. (Piir­pauke) Piir­pauke Live
22588. (Deadmau5) Ran­dom Album Title Read more »

Deadmaus5

The tech­no-rave scene has been mori­bund for the last few years, but there’s an occa­sion­al good album that comes out. Cana­di­an DJ Deadmaus5 (Joel Zim­mer­man) pub­li­cizes him­self with a sil­ly gim­mick: he appears in pub­lic in a mouse cos­tume. But Ran­dom Album Title, which came out in 2008, is an enter­tain­ing set, though more for lis­ten­ing, as long seg­ments don’t sound very dance­able to me. The “I Remem­ber,” “Fax­ing Berlin,” and “Not Exact­ly” seg­ments, which fol­low each oth­er, stand out. It’s a slow warm-up to get to them, however.

North, an Arizona metal band

I don’t know if this Tuc­son-based met­al band is still active, but I rather like their 2008 album What You Were, which trots along loud­ly, with grow­ly vocals by Kyle Hardy, at a steady, unrushed pace. I’m not sure if they would be called “melod­ic met­al” or “post-rock” in the cur­rent jar­gon, but there is both melod­ic and ryth­mic sophis­ti­ca­tion in most of the songs. “Eidolon” and “Falling In Per­petu­um” stand out among the tracks. The album has a fine bal­ance, sequenc­ing the songs to good effect in a genre which tends to turn albums into undif­fer­en­ti­at­ed blurs. I also have an EP from the same year, Ruins.

Bach’s 1046

The first of the Bran­den­burg Con­cer­tos, cat­a­log # bwv1046, is actu­al­ly enti­tled Con­cer­to 1mo à 2 Corni di Cac­cia, 3 Hautb: è Bas­sono, Vio­li­no Pic­co­lo con­cer­ta­to, 2 Vio­li­ni, una Vio­la è Vio­lon­cel­lo, col Bas­so Con­tin­uo. It has four move­ments, unlike the oth­er five con­cer­tos, which have three. You would think that the pat­tern alle­gro — ada­gio — alle­gro — min­uet would make it clum­sy, but for some rea­son, it works in this case. The final min­uet does­n’t seem out of place or anti-cli­mac­tic. Noth­ing could be a bet­ter intro­duc­tion to the plea­sures of baroque music. Read more »

The Builders and the Butchers: Salvation is a Deep Dark Well

Accord­ing to their web­site, each mem­ber of The Builders and the Butch­ers is orig­i­nal­ly from Anchor­age, Alas­ka and migrat­ed sep­a­rate­ly to Port­land, Ore­gon to start a career in music. Port­land, nowa­days, is what Seat­tle was in the 1980’s: a con­sis­tent gen­er­a­tor of good new music.  Read more »

First-time listening for October, 2010

22568. (Giuseppe Ver­di) Aïda [selec­tions; d. Per­lea; Milanov, Bar­bi­eri, Bjoerling]
22569. (Bad­ly Drawn Boy) Born in the U.K.
22570. (Stel­la May­hew) Stel­la May­hew: Pri­vate Com­pi­la­tion [8 items] Read more »

First-time listening for September, 2010

22529. (Alcest) Sou­venirs D’un Autre Monde
22530. (Musi­ca Antigua, d. Eduar­do Panaguia [group] ) Canti­gas de Jeres

22531. (Ali Akbar Khan) Raga Mian Ki Todi
Read more »

Lovesliescrushing

Loves­li­escrush­ing is an inter­est­ing lo-fi ambi­ent band based in Tuc­son. They pro­duce some pleas­ant­ly eerie sounds with gui­tars (Scott Cortez), soft vocals (Melis­sa Arpin-Duim­stra) and var­i­ous uncon­ven­tion­al noise-mak­ers. There’s a bit of the spir­it of 1950’s exper­i­men­tal and aleatoric art music, and def­i­nite influ­ences of Ein­stürzende Neubaut­en and My Bloody Valen­tine, but I think they’ve craft­ed a suf­fi­cient­ly dis­tinc­tive sound of their own. Appar­ent­ly, they’ve been around for quite awhile, out­side of my ken. The 2010 album I have, GIRL.ECHO.SUNS.VEILS, makes me want to dig up their ear­li­er work.

First-time listening for August, 2010

22441. (Bad­ly Drawn Boy) About a Boy
22442. (Guil­laume de Machaut) Qui n’aroit autre deport, lai for voice
22443. (Guil­laume de Machaut) Liement me deport par sam­blant, vire­lai for voice Read more »