Category Archives: CH – Listening 2014

First-time listening for December 2014

23088. (Dan Ar Braz) Zénith [Live]
Best of Afro-Brazil­ian Jazz:
. . . . 23089. (Anto­nio Car­los Jobim) “Brazil Nativo”
. . . . 23090. (Ser­gio Mendes & Brasil ’66) “Lap­in­ha”
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First-time listening for November 2014

23066. (Spoon) They Want My Soul
23067. (Plat­ters) Four Plat­ters and One Love­ly, Vol.3
23068. (Alan Stiv­ell) Un Dewezh’ Barzh’ Ger — Journée a la Maison
23069. (John Ren­bourn) The Nine Maidens
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Strip Mind

If you’re a fan of Sul­ly Erna, the won­der­ful heavy met­al drum­mer in Gods­mack, you’ll enjoy What’s In Your Mouth (1993). This was the only album released by the short-lived thrash met­al band Strip Mind, and Erna’s first con­tract record­ing. This is pure thrash, with­out any pre­ten­sions to any­thing but unabashed vul­gar­ity and direct-to-the-hypo­thal­a­mus noise stim­u­la­tion. Song titles such as “I Wan­na Fuck Your Girl­friend” set the tone. But just lis­ten to that potent drumming.

First-time listening for October 2014

23051. (White Den­im) Last Days of Summer
23052. (Funkadel­ic) Mag­got Brain
23053. (Eddie LeJe­une) Cajun Soul
23054. (Louis Jor­dan) Jivin’ with Jor­dan [4‑disc set]
23055. (Beau­Soleil) From Bamako to Carencro
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First-time listening for September 2014

23029. (Oscar Moore & Carl Perkins) The Oscar Moore Quar­tet with Carl Perkins
23030. (Alan Stiv­ell) E Langonned
23031. (Man­ic 5) It Won’t Be Soon Before Long
23032. (Veld­huis & Kem­per) Wat Heb Je Nodig
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First-time listening for August 2014

23002. (Cocteau Twins) BBC Sessions
23003. (Armens) Six différents
23004. (Lon­don Gram­mar) If You Wait
23005. (Johannes Ock­egham) Vire­lai: “Ma bouche rit”
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First-time listening for July 2014

22960. (Josquin des Prez) Mis­sa Mal­heur me bat
22961. (Josquin des Prez) Mis­sa For­tu­na desperata
22962. (Nol­wenn Leroy) Bretonne
22963. (Wil­son Pick­ett) The Very Best of Wil­son Pickett
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First-time listening for June 2014

22927. (Sol­dat Louis) Pre­mière bordée
22928. (Cole­man Hawkins) Desafinado
22929. (Armens) Une ombre
22930. (Giuseppe Ver­di) Mes­sa solenne
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Sibelius Quartets

"Kullervo paimenessa" (1896) by Sigfrid August Keinänen

Kuller­vo paime­nes­sa” (1896) by Sigfrid August Keinänen

The con­cert-going pub­lic doesn’t asso­ciate Sibelius with cham­ber music, but he actu­al­ly com­posed quite a bit of it, includ­ing four string quar­tets. One of them, the Quar­tet in D Minor, Op.56, known as “Voces Inti­mae”, has made it into the stan­dard reper­toire. With it’s jaun­ty rhythms, pecu­liar twists and turns, and fre­net­ic pas­sages that must work up a sweat among the play­ers, it has won a place in the sun, though it’s not in the same league with the famous Beethoven, Bartók, or Dvořák quar­tets. It’s always been a favourite of mine, because it seems to con­vey a mood that hits me occa­sion­al­ly, for which there is no com­mon name. It was com­posed around the time of the stark, intro­spec­tive Fourth Sym­pho­ny, and it shares some of its strange­ness. But Sibelius com­posed three oth­ers, sel­dom per­formed. The first, in E‑flat, is a youth­ful effort with lit­tle to com­mend it. It’s just warmed-over Hay­den, con­struct­ed by the book. But the sec­ond and third ones, in A Minor and B‑flat, are lis­ten­able and enter­tain­ing. Sibelius pret­ty obvi­ous­ly drew his inspi­ra­tion from Dvořák, but you can hear dis­tinc­tive­ly Sibelian ele­ments in both. The B‑flat one has evolved suf­fi­cient­ly to stand next to Voces Inti­mae with­out shame, and it should be played more.

First-time listening for May 2014

22901. (Penn Kazh) mesKad
22902. (Giuseppe Ver­di) Aïda [com­plete opera: von Kara­jan; Tebal­di, Simion­a­to, Bergonzi]
22903. (Denez Pri­gent) Irvi
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