Category Archives: C - LISTENING - Page 16

The Icicle Works

This band was named after a short sto­ry by Fred­erik Pohl (“The Day the Ici­cle Works Closed”, Galaxy, Feb­ru­ary 1960). I read the sto­ry when I was a kid, in Pohl’s won­der­ful col­lec­tion The Man Who Ate the World. There was a revival of “psy­che­delic” rock in liv­er­pool in the ear­ly 1980’s, and this band was part of that move­ment. The front­man was Ian McN­abb, who remains today a vet­eran crafts­man in British rock, but isn’t well known in North Amer­ica. Drum­mer Chris Shar­rock and bassist Chris Lay­he formed the oth­er two legs of the tri­pod. The band stuck around for quite awhile, but it nev­er made it big, per­haps because the “neo-psy­che­del­ic” for­mula real­ly didn’t suit them. Despite a few trap­pings of that genre, it sounds to me like they real­ly want­ed to do good sol­id rock with clean, crisp arrange­ments. The only album I pos­sess is the epony­mous first (1984), which con­tains their biggest hit “Love is a Won­der­ful Colour”. But I pre­fer “Whis­per To a Scream (Birds Fly)”, which was a big­ger hit here in Cana­da, and I remem­ber it get­ting con­sid­er­able air­play on Toron­to sta­tions. Sharrock’s drum­work is fine in this one, lift­ing them out of the poten­tial wimpi­ness of the psy­che­delic for­mula (the cut pre­ced­ing it, “In the Caul­dron of Love” sounds too much like recy­cled Moody Blues).

Adden­dum: A friend informs me that the Cana­dian release was quite dif­fer­ent from the U.S. release, and reached much high­er in the Cana­dian charts than in either the U.K. or U.S. ones, con­firm­ing my impres­sion. Unfor­tu­nately, I don’t have the vari­a­tions to com­pare. Mine is the Canadian.

First-time listening for December 2014

23088. (Dan Ar Braz) Zénith [Live]
Best of Afro-Brazil­ian Jazz:
. . . . 23089. (Anto­nio Car­los Jobim) “Brazil Nativo”
. . . . 23090. (Ser­gio Mendes & Brasil ’66) “Lap­in­ha”
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Steve Tilston

14-12-05 LISTN Steve TilstonIt will come as no sur­prise to any­one that I’m fond of the Fair­port Con­ven­tion song “Here’s To Tom Paine”. That song was orig­i­nally com­posed by the fine Eng­lish folk gui­tarist, Steve Tilston. While he must have over a dozen albums, the only one I own is Swans at Coole (1990). Though it nowhere says so on the album, this refers to the William But­ler Yeats poem, “The Wild Swans at Coole”, a wist­ful alle­gory of tran­si­tory beau­ty. The album fits that mood. Tilston’s fine, con­trolled, but not flashy gui­tar play­ing is bal­anced with var­ied accom­pa­ni­ments on ban­jo (Kevin Boyle), vio­lin (Stu­art Gor­don), flute (Mag­gy Boyle), and cel­lo (Tony Hilli­gan). If you want to have some­thing play­ing on a cold win­ter evening, gath­ered by the fire­place, with old friends not inclined to chat­ter, this is just about right.

First-time listening for November 2014

23066. (Spoon) They Want My Soul
23067. (Plat­ters) Four Plat­ters and One Love­ly, Vol.3
23068. (Alan Stiv­ell) Un Dewezh’ Barzh’ Ger — Journée a la Maison
23069. (John Ren­bourn) The Nine Maidens
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Strip Mind

If you’re a fan of Sul­ly Erna, the won­der­ful heavy met­al drum­mer in Gods­mack, you’ll enjoy What’s In Your Mouth (1993). This was the only album released by the short-lived thrash met­al band Strip Mind, and Erna’s first con­tract record­ing. This is pure thrash, with­out any pre­ten­sions to any­thing but unabashed vul­gar­ity and direct-to-the-hypo­thal­a­mus noise stim­u­la­tion. Song titles such as “I Wan­na Fuck Your Girl­friend” set the tone. But just lis­ten to that potent drumming.

First-time listening for October 2014

23051. (White Den­im) Last Days of Summer
23052. (Funkadel­ic) Mag­got Brain
23053. (Eddie LeJe­une) Cajun Soul
23054. (Louis Jor­dan) Jivin’ with Jor­dan [4‑disc set]
23055. (Beau­Soleil) From Bamako to Carencro
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Toward the Unknown Vaughan Williams

Dr. Ralph Vaughan Williams - The English Composer, Conductor and Organist, b.Gloucestershire 1872, d. London 1958 credit: ArenaPAL14-10-20 LISTN Toward the Unknown Vaughan Williams pic 2

Ralph Vaugh­an William’s first crit­i­cal and pop­u­lar suc­cess came fair­ly late, when he was 33. This was the remark­able song for cho­rus and orches­tra Toward the Unknown Region, based on Walt Whitman’s poem from the “Whis­pers of Heav­enly Death” sec­tion of Leaves of Grass : Read more »

First-time listening for September 2014

23029. (Oscar Moore & Carl Perkins) The Oscar Moore Quar­tet with Carl Perkins
23030. (Alan Stiv­ell) E Langonned
23031. (Man­ic 5) It Won’t Be Soon Before Long
23032. (Veld­huis & Kem­per) Wat Heb Je Nodig
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First-time listening for August 2014

23002. (Cocteau Twins) BBC Sessions
23003. (Armens) Six différents
23004. (Lon­don Gram­mar) If You Wait
23005. (Johannes Ock­egham) Vire­lai: “Ma bouche rit”
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First-time listening for July 2014

22960. (Josquin des Prez) Mis­sa Mal­heur me bat
22961. (Josquin des Prez) Mis­sa For­tu­na desperata
22962. (Nol­wenn Leroy) Bretonne
22963. (Wil­son Pick­ett) The Very Best of Wil­son Pickett
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