24062. (anon.) Personal Message from a Grandfather to his Grandchild [1894 wax cylinder]
24063. (Dan W. Quinn) “Down in Poverty Row” [1997 wax cylinder]
24064. (Will F. Denny) “Change Will Do You Good” [1897 wax cylinder]
24065. (John Philip Sousa Band) “Darkies Temptation” [1897 wax cylinder]
24066. (Len Spencer) “Sleigh Ride Party” [1897 wax cylinder]
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Category Archives: CF – Listening 2016
First-time listening for December 2016
First-time listening for November 2016
23999. (Duke Ellington) After All
(Anonymous 4) Darkness into Light: The Bridegroom & other works by John Tavener:
. . . . 24000. (John Tavener) Vespers hymn: O lux beata trinitas
. . . . 24001. (John Tavener) Jube domine/Lection: In principio erat verbum
. . . . 24002. (John Tavener) Come and do Your will in me [arr. Tavener]
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First-time listening for October 2016
23854. (Rabih Abou-Khalil) Roots & Sprouts
23855. (Henry Purcell) The Indian Queen [complete opera; d. Hogwood; Kirkby, Bott, Ainsley]
23856. (Last Shadow Puppets) Everything You’ve Come To Expect
23857. (Alessandro Scarlatti) Telemaco [complete opera; d. Hengelbrock; Hamvasi, Kulman]
Music of the Ancient Sumerians, Egyptians and Greeks:
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First-time listening for September 2016
23787. (Skepta) Konnichiwa
23788. (Anon.) Hurrian Hymn #6 [oldest known melody, c.1400 BC] [Michael Levy, lyre]
23789. (Anon.) Ancient Assyrian Music of Northern Iraq
23790. (Burning Spear) The Best of Burning Spear [Justice Sound compilation]
23791. (Anon.) Old Iranic Luri Folk Music
23792. (Doobie Brothers) The Doobie Brothers
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First-time listening for August 2016
23738. (Leon Scott [Édouard-Léon Scott de Martinville]) Au claire de la lune [first song
. . . . . recorded, April 9 1860 and reconstructed]
23739. (Leon Scott [Édouard-Léon Scott de Martinville]) Chi crederia sotto forme umane e
. . . . . sotto queste pastorali spoglie fosse nascosto un Dio? Non mica un… from Tasso’s
. . . . . Aminta [first recorded spoken words, April or May 1860, reconstructed]
23740. (Leon Scott [Édouard-Léon Scott de Martinville]) Complete sound recording
. . . . . experiments, 1853–1860 [reconstructed by Lawrence Berkeley National Labor-atory]
23741. (Constant Lambert) Concerto for Piano and Nine Instruments
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Young Winwood
Some of my earliest experiences of listening to the blues came from the blues-rock bands of the 1960s and 1970s, which unobtrusively shared the record bins with the chart-topping bands, but were not household words. I heard them long before I learned anything about classic blues. Among my favourites were Traffic, Blind Faith and the Spencer Davis Group. What these three bands shared was the amazing vocalist and multi-instrumentalist Steve Winwood.
Winwood is English, but he learned his trade from the American masters. The older blues singers toured in England alone, relying on local pickup bands for backing wherever they went, and the teenage Winwood, active since the age of 8 in Birmingham’s club scene, played with B.B. King, John Lee Hooker, Muddy Waters, T‑Bone Walker, Chuck Berry, Howlin’ Wolf, Sonny Boy Williamson, and even Bo Diddley! Just how much he learned, and how quickly he learned it is demonstrated by this performance of the 1920s classic “Nobody Knows You When You’re Down and Out”, at the age of fifteen.
First-time listening for July 2016
23706. (Wolfgang Amadeus Mozart) La clemenza di Tito [complete opera; d. Davis;
. . . . . w. Constable, Burrows, Baker, Popp]
23707. (Courtney Barnett) Sometimes I Sit And Think, And Sometimes I Just Sit
23708. (The 1975) The 1975 [2 cd version]
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First-time listening for June 2016
23686. (Junko Ueda) The Epic of Heike [L’épopée des Heike]
23687. (Mr. Oizo & Sebastien Tellier) Steak
23688. (Maroon 5) Hands All Over
23689. (Incredible Fred Banana Combo) FBS
23690. (Alan Hovhaness) Saturn for Soprano, Clarinet & Piano, Op.243
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First-time listening for May 2016
23670. (Pierre de Manchicourt) Missa Veni Sancte Spiritus
23671. (Pierre de Manchicourt) Motet: Reges terrae
23672. (Pierre de Manchicourt) Motet: O virgo virginum
23673. (Pierre de Manchicourt) Chanson: Long temps mon coeur languissoit
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Handel’s Fireworks
Well, I have no shortage of recordings of this, one of the most popular works of baroque music. I have performances conducted by Fennell, Gardiner, Hogwood, Marriner, Maier, Pinnock, Savall, Stokowski, and Warchal, and I’ve probably heard a dozen others. Most listeners divide them into two categories: 1) recordings using original period instruments, or an approximation thereof; 2) recordings using twentieth century instruments in a standard concert format. I’m not going to sneer at the latter group. Handel was as pragmatic a showman as music ever produced, and he would have been perfectly happy hearing Stokowski’s wonderful and totally inauthentic version, though he might have told Marriner to give his performance a little more zetz. But on the whole, I prefer the period instrument versions, and of those, I’d pick Jordi Savall’s for my desert island music collection. This version has zetz-aplenty. Read more »