Jean Cocteau’s “Beauty and the Beast” has long been a favourite of film-makers because of its inventive use of effects and its visual charm. But it has a literary strength, as well. It conveys the feeling of folktale. It has the undercurrents of sexual tension, danger, and cruelty that of genuine folklore. Cocteau employs all the traditional folkloric techniques, such as the pattern of three-fold repetition, which a modern story-teller would eschew. He realized that film was closer in techniques and sensibility to the folktale than to the modern novel.
(Cocteau 1946) La belle et la bête
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