The Sensual Fantasies of Thomas Burnett Swann

Back in 1987, I read Thomas Bur­nett Swan­n’s Day of the Mino­taur, and enjoyed it, but did not fol­low through with any more of his books until recent weeks. Now, read­ing four more of his nov­els gives me a bet­ter appre­ci­a­tion of this odd fan­ta­sy writer, who descends more from the Pre-Raphaelites, Lord Dun­sany, and James Branch Cabell than the more usu­al fan­ta­sist’s pat­ri­mo­ny of Tolkien and Howard.

Thomas Bur­nett Swann lived from 1928 until a youth­ful death from can­cer in 1976. In the few years before his death, he wrote a series of inter­con­nect­ed fan­tasies set in “his­toric” peri­ods — the ancient Mediter­ranean and Mid­dle East — but only if you imag­ine that the mytho­log­i­cal crea­tures of those civ­i­liza­tions actu­al­ly exist­ed in them. The satyrs, dryads, mino­taurs, and oth­er mytho­log­i­cal crea­tures are always pre­sent­ed in a psy­cho­log­i­cal­ly, if not phys­i­cal­ly real­is­tic way. His cen­taurs, like the kin­naras in the Mahab­hara­ta, are treat­ed in a mat­ter-of-fact way that makes you for­get they are impos­si­ble. You expect one to trot by you as you are read­ing one of the books.

Four of the five I’ve read are set in this fan­ta­sy-antiq­ui­ty. The book that does not quite fit in is The Goat With­out Horns, which is set in the 19th cen­tu­ry, and is nar­rat­ed by a dol­phin. It amus­ing­ly spoofs many con­ven­tions of Vic­to­ri­an fiction. 

All the books bathe in a pleas­ant sen­su­al­i­ty, and are nev­er far from a sex­u­al tease. They were pub­lished by DAW Books, direct­ed at the sub-cul­tur­al mar­ket of sci­ence fic­tion and fan­ta­sy read­ers, an audi­ence which was then (and per­haps remains) noto­ri­ous for its infan­tile sex­u­al atti­tudes. They did not fit into the zeit­geist, although a small minor­i­ty of read­ers took to them. All the books hint­ed at some sort of pan-sex­u­al­i­ty, but when DAW brought out How Are the Mighty Fall­en in 1974, with it’s overt (gasp!) homo­sex­u­al­i­ty, edi­tor Don­ald Woll­heim had to fight to get the dis­trib­u­tor to han­dle it, and genre review­ers went into homo­pho­bic pan­ic. Yet, it’s re-telling of the bib­li­cal sto­ry of David and Jonathan is charm­ing, intel­li­gent, and poetic. 

5830. (Thomas Bur­nett Swann) Day of the Minotaur
19240. (Thomas Bur­nett Swann) The Minikins of Yam
19248. (Thomas Bur­nett Swann) Cry Sil­ver Bells
19284. (Thomas Bur­nett Swann) How Are the Mighty Fallen
19289. (Thomas Bur­nett Swann) The Goat With­out Horns

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