Saturday, September 3, 2011 — Athens Redux

Tem­ple of Haephestos

The first things we noticed about Athens were the unmis­tak­able signs of a police state. Cops every­where, in gear more appro­pri­ate to an invad­ing army, some­times tot­ing machine guns. Parked near the Uni­ver­si­ty, and around Syn­tag­ma Square, were the riot wag­ons — sin­is­ter armoured bus­es full of gas masks (clear­ly vis­i­ble through the slit win­dows) and god knows what dis­sent-crush­ing tools. On a back street, we found a home-made mon­u­ment to a six­teen-year-old shot by the cops. The city is dirty and run down. The Metro is closed “for repairs”, but actu­al­ly for a strike. Most peo­ple look like they’re grudg­ing­ly mark­ing time rather than plan­ning for the future. I saw more ragged peo­ple, addicts open­ly plung­ing nee­dles into their flesh, and des­per­ate-look­ing young men than I’ve seen in any Euro­pean city.  Fil­ip, in an ear­li­er search of the chan­nels, could not find any tele­vi­sion news, and the local papers did not seem to cov­er inter­na­tion­al affairs. The Nation­al Muse­um of Archae­ol­o­gy, sup­posed to be a major cul­tur­al fea­ture, is closed for the week­end and appar­ent­ly on reduced hours the rest of the time.

The Acrop­o­lis of Athens

But we made for some to the sites that inter­est­ed me. The Parthanon, of course, but I was more keen to see the build­ings in the Ago­ra, espe­cial­ly the Stoa of Atta­los. This last was no dis­ap­point­ment. Back in the 1950s, this struc­ture was painstak­ing­ly restored by the Amer­i­can School of Clas­si­cal Stud­ies, and it con­tains a muse­um show­ing arti­facts from every stage in the city’s his­to­ry up to the Byzan­tine. There were many democ­ra­cy-relat­ed objects that delight­ed me. Too bad the idea does­n’t hold much sway in the town today.

The Tem­ple of Hep­haes­tus is bet­ter pre­served than the Parthenon, and, since you can get much clos­er to it, gives the vis­i­tor a bet­ter idea of what a Greek tem­ple was like in antiq­ui­ty. The Tem­ple of Olympian Zeus, built under the tyrant Hip­pias and Hip­par­chos, is only frag­men­tary, but quite has quite spec­tac­u­lar columns. It is men­tioned in Aris­totle’s Pol­i­tics as an exam­ple of mega­lo­ma­ni­ac pub­lic works used by tyrants to dis­tract the peo­ple from rebel­lion. When democ­ra­cy was restored in 510 BC, con­struc­tion ceased for more than 300 years. It was com­plet­ed in Hel­lenis­tic times, by a Roman archi­tect. We also vis­it­ed the Muse­um of Cycladic Art, which con­tained many exquis­ite objects that I had before only seen described in words, or poor­ly photographed.

The Tem­ple of Olympian Zeus.

We end­ed the day’s explo­ration on one of the few hills that held no mon­u­ments, but offered a splen­did view or the Acrop­o­lis and most of the city. Hot and tired and thirsty, we made our way to the docks of Piraeus, and I’m typ­ing the entry on the ferry.

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