14957. (Mervyn Peake) Titus Alone

I got tremen­dous plea­sure fin­ish­ing Mervin Peake’s enig­matic fan­tasy series. I was warned that the last vol­ume would be a dis­ap­point­ment, but when I got around to it, I did not think it so. It’s true that it has a sig­nif­i­cantly dif­fer­ent “feel” from the first two, and shifts focus to oth­er mat­ters. Peake was near death, and quite ill, when he wrote it, so it con­tains some laps­es in style and inter­nal incon­sis­ten­cies. But it does not mer­it the scorn it faced on pub­li­ca­tion, or the dis­missal it gets from fans of Gor­meng­hast. Titus, who is more or less a place-mark­er in the imag­is­tic maze of the first vol­umes, acquires much more of an inter­nal voice Titus Alone. The issues and imagery of this vol­ume curi­ously antic­i­pate the cyber­punk and steam­punk styles of a half cen­tury later.

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