15176. (Norman F. Cantor) The Last Knight: The Twilight of the Middle Ages and the Birth of the Modern Era

This short and enter­tain­ing account of life in four­teenth cen­tury Eng­land and France uses the life of John of Gaunt to illus­trate its themes. Can­tor is opin­ion­ated. He likes to make analo­gies with today’s social insti­tu­tions, pop­u­lar lit­er­a­ture, and movies. This makes the book feel “unschol­arly”, but it comes clos­er to the actu­al con­ver­sa­tions that his­to­ri­ans are like­ly to hold while dis­cussing John of Gaunt in a pub. It”s the sort of book that should be read by a few friends one evening, then dis­cussed over beer the next.

There are two atti­tudes that one can hold about a dis­tant time. One is that “the past is a for­eign coun­try” — that we can’t real­ly put our­selves in the shoes of four­teenth cen­tury peo­ple, because their expe­ri­ence was fun­da­men­tally alien to our own. The oth­er is that the past is com­pre­hen­si­ble to us psy­cho­log­i­cally, if our inter­pre­ta­tions are based on com­mon sense, because human nature and char­ac­ter remain con­stants. Things in our own expe­ri­ence will present them­selves as clar­i­fy­ing par­al­lels. Can­tor is inclined to this last atti­tude, and so am I. I was not very sur­prised to learn that Can­tor is not the usu­al Oxford don, but the son of a Man­i­toba ranch­er. An ear­lier book of his, which I great­ly enjoyed, exam­ined the per­sonal expe­ri­ences and atti­tudes of sev­eral twen­ti­eth cen­tury his­to­ri­ans who inter­preted the Mid­dle Ages (Invent­ing the Mid­dle Ages, 1992).

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