(Hitchcock 1953) I Confess

If you’re look­ing for a good Hitch­cock film that isn’t con­stant­ly screened, then check out this 1953 item which failed at the box-office, but con­tains all the ele­ments of clas­sic Hitch­cock. Mont­gomery Clift gives one of his typ­i­cal­ly tense and repressed per­for­mances as a priest false­ly accused of a mur­der. The set­ting, Que­bec City in the ear­ly 1950’s, is rep­re­sent­ed with more real­ism than Hol­ly­wood usu­al­ly man­aged with such “exot­ic” locales at that time. The main hook, that the priest can’t clear him­self because the real mur­der­er has con­fessed to him under the “seal of the con­fes­sion­al”, might be a stum­bling block for today’s audi­ence, but giv­en that under­stand­ing, the plot works out log­i­cal­ly. The hero­ine, played by Anne Bax­ter, comes across as a thor­ough­ly dis­lik­able per­son, which may have been the main rea­son the film failed with the pub­lic. By the end of the first reel, I was hop­ing that she would turn out to be the real mur­der­er. Karl Malden gives an odd per­for­mance, obvi­ous­ly uncer­tain how to rep­re­sent a French Cana­di­an police detec­tive, and uncom­fort­able with his stilt­ed dialog.

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