Author Archives: Phil Paine - Page 30
Image of the Month — Art of Hannes Bok
FILMS — APRIL 2020
(Lamont 1953) Abbott and Costello Go to Mars
(Nassour 1956) The Beast of Hollow Mountain [Mystery Science Theatre version]
(Florey 1932) The Murders in the Rue Morgue
(Olivera 1985) Wizards of the Lost Kingdom [Mystery Science Theatre version]
(Clair 1945) And Then There Were None
(Marcel 1980) Hawk the Slayer
(Trelfer 2020) Dark Corners Review: (404) Hawk the Slayer
(Dante 1993) Matinee
(Dante 1993) Mant
(Korda 1942) The Jungle Book
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First-time listening for April 2020
25951. (Susan Aglukark) This Child
25952. (Daniel François Auber) Rondo for Cello and Orchestra
25953. (T.A.T.U.) 200 KH/H in the Wrong Lane
25954. (Diana Krall) Love Scenes
25955. (Takashi Yoshimatsu) Prelude to the Celebration of Birds for Orchestra
25956. (Royz) You Asked For It…
25957. (Laura Ricker) Heavy
25958. (Otmar Mácha) Double Concerto for Violin, Piano & Orchestra
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READING — APRIL 2020
24281. [2] (William Shakespeare) Sonnet #1 “From fairest creatures we desire increase”
24282. (Katherine Stewart) The Power Worshippers
24283. (Marc Lipsitch; David L. Swerdlow & Lyn Finelli) Defining the Epidemiology of
. . . . . Covid-19 [article]
24284. (Jorrit M. Kelder) A Thousand Black Ships: Maritime Trade, Diplomatic Relations, and
. . . . . the Rise of Mycenae [article]
24285. (Peter Hagoort) The Neurobiology of Language Beyond Single-Word Processing
. . . . . [article]
Read more »
Wednesday, April 29, 2020 — Fletcher Pratt’s The Well of the Unicorn
Afficionados of fantasy fiction are usually familiar with the collaborative works of L. Sprague de Camp and Fletcher Pratt collectively known as the “Harold Shea stories,” written in the 1940s. Both these men were hard-nosed rationalists who enjoyed writing fantasy, with de Camp particularly keen on building worlds out of the logical implications of magical premises, and equally keen on the humour that ensues from such logic. De Camp lived until 2000, dying at the age of 92, writing during most of that time. He published a science book on primatology in 1995 and an autobiography in 1996. He remained well known and well loved in the Science Fiction / Fantasy community for all that time. Pratt, however, was born in 1897 and died in 1956, shortly after the publication of these famous collaborations. Without de Camp, he wrote four science fiction and two fantasy novels, as well as sixteen books on naval history and many others on a broad range of subject. He was also a pioneer “gamer,” creating a complex mathematics-based strategic naval war game in 1933 that is considered one of the best ever conceived. After the publication of the revised version of the game in 1940, he wrote that “wives and girlfriends of male participants dropped their roles of observers and soon became fearsome tacticians.” He was, like de Camp, a man of broad interests. He wrote mysteries, Civil War histories, culinary histories and cookbooks, and a considerable amount of well-regarded poetry. While looking for a photo to illustrate this post, I found one of him at his New Jersey home gamboling on its lawn with the poet John Ciardi and rocket scientist Willy Ley.
Of the two fantasy novels, I’ve just read The Well of the Unicorn, first published in 1948. Three things are striking about the book.
One is the style, which combines the clean and crisp sentence structure and imagery you would have found in the era’s Saturday Night or New Yorker with some of the purple conventions of pulp fantasy novelists, and a dash of Lord Dunsany. He delighted in inserting antique and anagogic words into this slick matrix, but unlike most of the pulp writers, he actually knew what they meant.
Another thing that struck me is the social, psychological, and political realism. The society depicted is actually plausible, resembling very closely what you would find reading the Twelfth Century Gesta Danorum of Saxo Grammaticus. The interplay of local kings and feudatories with pirate raiders and independent jarls on the fringes of a world previously dominated by an urban empire is pretty much what you would have found in early medieval Jutland. Unlike most fantasy novels, Pratt’s imaginary world is one where people have to eat and make a living, and people get hurt when they fight. The politics is realistic. Much of the text is concerned with the hero Airar struggling with competing ideologies, forced into unpleasant compromises, and finding no social arrangement that doesn’t create some injustice. By the end of the book, he comes across something like Duke Louis II de Bourbon.*
There is, of course, magic in Pratt’s world, but there is an underlying message: magic sucks. It doesn’t work very well, doesn’t produce the desired results, and at its best is rather lame. This is what allows the book to maintain its realistic feeling, and also cures the most irritating problem of fantasy fiction. Since at any second someone might pull out a spell or summon some power that makes whatever happen that the writer wants to happen, the magical element of fantasy fiction essentially inflates the currency. The reader just trudges through the set-pieces and battles, waiting for the magic ring or the cosmic woo-be-doo to do its stuff. Pratt could see this peril, and instead used magic more as a source of irritation and irony than a driving force in the narrative. The only other fantasy writer that I know of taking this approach is R. A. MacAvoy.
This is an enjoyable old fantasy, if you know the conventions of pre-WWII pulp fiction established by Robert E. Howard, and even more if you’ve read a bit of Dunsany or A. Merritt. A modern reader might not quite “get it” or see its charm.
—–
* whose life story has recently been translated by my friend Steven Muhlburger (primarily) and myself (assisting). [Chronicle of the Good Duke by Jean Cabaret d’Orville (fl. 1429), translated by Steven Muhlberger and Phil Paine]
Thursday, April 16, 2020 — Report from Space Station 38
When Olive Fredrickson published her autobiography in 1972, after a long and hard life in Canada’s wilderness, her chosen title, The Silence of the North, was instantly meaningful to anyone familiar with the hard and empty country north of the temperate deciduous forests. Most of the forests of the world are noisy. At night, the relentless sound of cicadas, the scampering of animals, the swaying limbs of trees and rustles of leaves, and the sounds of humanity, even if only in the form of distant trains or highways, are evident. But the vast boreal regions of Canada, roadless, trainless and townless, dominated by motionless black spruce and tamarack, are silent at night. You have to be near a waterfall or a stretch of rapids to hear noise. The cold lakes are like black sheets of obsidian. Ironically, if there is a noise, it will carry across a lake for miles, so that you can make out a quiet conversation by a campfire from the opposite shore, and when a loon makes its occasional solemn cry, you don’t know if it’s nearby or three kliks away. I have vivid memories of that silence, and the phrase never had to be explained to me.
I live in a small apartment in downtown Toronto. In fact, it is known to statisticians as the most densely populated place in Canada. Within a short walk from my door, there are more people than in all of the Yukon, Northwest and Nunavut territories combined. Normally, this is a very noisy neighbourhood. The streets are usually crowded with traffic, people pour in and out of the subway stations, the stores are full of shoppers. There is always music. A few blocks from my home, the gay village has been a continuously lively party for the last half century, and it’s normal to see flocks of people on the streets at 3:30 or 4:00 in the morning. Forests of condominium towers fill the air with domestic noises, and construction crews are always hammering, hoisting, and mixing concrete to build new ones. Motorcycles, helicopters, cop cars, fire engines and ambulances add to the din.
Now, under lockdown, my neighbourhood has the Silence of the North. For most of the day, you hardly hear a sound. For me, it’s a bit of nostalgia. For the hardcore denizens, those “bred and buttered in Toronto” as the saying goes, it must be very disconcerting. It’s “damned eerie,” one elderly gentleman told me. But, every day, at 7:30 on the dot, a raucous din erupts, and lasts for about five minutes. You hear the national anthem loudly playing. People are out on their balconies blowing whistles, banging pots, and singing. The custom, which began in Italy and spread around the world, is a needed emotional outlet as well as a tribute to the doctors, first responders, care-givers and store clerks who must risk infection so that life can go on.
For myself, I’m as satisfied as a well-fed cat sleeping near a fireplace. Well-stocked with supplies, blessed with good neighbours who are self-disciplined and mutually helpful, and surrounded by a vast collection of books, films and music, I am in no position to complain about anything. While the public authorities made some errors in the beginning, on the whole they are acting responsibly ― even the ones I voted against. None of them are wasting time with self-promoting propaganda videos and all of them are publicly committed to following the science to determine policy. Alberta, which began planning for the pandemic last December, and is consequently less seriously affected, is sharing its surplus medical supplies with the other provinces, and Air Canada has volunteered three large jets to move them. Politics in Canada is not as a rule much concerned with race or religion, as it is in our neighbour to the south, but it has always been characterized by extreme rivalries and constant bickering between the provinces, each of which sees itself more or less as a mini-nation. But in this crisis, all such rivalries seem to have disappeared. I’ve never seen the provinces get on so well, or co-operate so efficiently. The one sour note is that the crisis has revealed the shocking level of ill-preparedness and incompetence in privately-run homes for the aged, where half of our deaths have occurred. In one case, criminal charges are being considered. On the brighter side, a company in Ottawa has developed an efficient portable testing kit, giving results in less than half an hour, that meets the government’s standards, and mass production of this kit is already underway. Mass testing, when combined with social distancing and contact tracing, is the solidly proven way out of this mess. Let’s hope that the kit is really as good as it seems, and that it is properly deployed. I follow all the available covid statistics daily. New Zealand and Iceland, both of which are places whose statistics are unquestionable, demonstrate that the virus can be beaten if the citizenry, medical profession, and elected officials co-operate and are pro-active. Canada is, of course, a much larger and more complex country than those two, with some inbuilt disadvantages that neither the Kiwis nor the Jáarar have, but the evidence so far is that the methods should be basically the same. We will not come out as squeaky-clean ― the scandalous failure in our care for the elderly will be a stain on our record ― but we may at least get a “good effort” report card. As I write, testing levels have been consistently better than average, with immediate prospects of drastic improvement, no regional medical system has been overwhelmed, though some are working at a frenzied pace, procurement of essential supplies seems to be assured, public response has been as good as anyone could reasonably expect, social solidarity and public morale have remained high, the co-operation between private industry and government has been exemplary, and there are no food shortages or significant failures in the supply chain. I went to a supermarket to stock up on fresh vegetables on Tuesday morning, after more than a week spent entirely at home. I arrived just at store opening, and there was as yet no line-up to get in, though it had started to form when I left, with all the protocols adhered to. I scanned the shelves, and everything appeared to be well-stocked, and even toilet paper, cleansers, eggs, and canned goods were plentiful. The selection of produce was excellent. There was no evidence of price-gouging, but some items had limits-per-customer, and there were none of the usual “loss-leader” sale prices. If this normalcy can be sustained, I know not, but in any case my personal stockpile is sufficient for months, and I am only shopping for fresh items.
I’m able to keep my finances on an even keel, since my income is not dependent on leaving the apartment, and I have a small cushion in the bank to deal with any temporary shortfall. I’ve never eaten so well! Since the best way to relieve the inevitable cramps from sitting at the computer is to get up and prepare a meal, and I no longer have the temptation to run out and get three slices of pizza or indulge in other unhealthy whims, I am steadily improving my cooking skills. My neighbours tell me they are also doing this (except for the one who is a professional chef). I have fresh herbs growing on the windowsill. I’m going to be using a lot of basil. If you plant basil it will just leap out of the soil and overwhelm everything, like the Blob in the 1958 Steve McQueen movie, while every other herb has a tough Darwinian struggle. My only regret is that I didn’t stock enough caraway seed, so my goulash and my borscht will no longer have the taste I prefer. But with all that basil, my Italian dishes will shine.
At the moment, I’m listening to Otmar Mácha’s Double Concerto for Violin, Piano and Orchestra ― a somewhat melodramatic piece. The cats are snoozing. After writing the next few sentences, and posting them, I’ll curl up with the cats and read The Journal of Nicholas Cresswell, 1774–1777. Am I troubled or inconvenienced by the lockdown or social distancing? It’s a laughable idea. When Olive Fredrickson’s husband drowned in a lake, and her three children were nearing starvation, she walked forty miles in a blizzard to reach the closest neighbour in order to get food for them, and remarked that the experience left her with little love for wolves. There were as yet no phones or radios in her part of the world. There was no internet.
I have an apartment full of technology that, in my childhood, I would have considered a fantastic science fiction dream. The speed of light is 299,792,458 metres per second. My average download speed is 28 Mbps. My friends are not far away in time, though some are pretty far in space. And I have very, very good friends.
FILMS — MARCH 2020
(Trelfer 2020) Universal’s Invisible Man ― Horror’s Anti-Hero
(Maddin 1989) Tales from the Gimli Hospital [version with director’s commentary]
(Malysheff 2008) The Immortal Beaver
(Day 2008) Lost Cities of the Amazon [National Geographic]
(Powell & Pressburger 1947) Black Narcissus
(Whale 1933) The Invisible Man
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First-time listening for March 2020
25917. (Pekka Kostiainen) Requiem
25918. (Buzzd) Frog from Above
25919. (Wolfgang Amadeus Mozart) Requiem, K.626 [d. Chalier; Kawamishi, Theoduloz,
. . . . . Williams, Imboden]
(Sérgio & Eduardo Ebreu) The Guitars of Sérgio & Eduardo Ebreu:
. . . . 25920. (John Dowland) John Langland’s Pavan [arr. two guitars]
. . . . 25921. (Girolamo Frescobaldi) Fugue [arr. two guitars]
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READING — MARCH 2020
24342. (Steven Muhlberger & Will McLean) Murder, Rape, & Treason ― Judicial Combats in
. . . . . the Late Middle Ages
24343. (Rebecca M. McLennan) The Wild Life of Law: Domesticating Nature in the Bering Sea,
. . . . . c. 1893 [article]
24344. (Daniel Fisher) Spun Dry: Mobility and Jurisdiction in Northern Australia [article]
24345. (Sarah Song) After Obergefell: On Marriage and Belonging in Carson McCuller’s Member
. . . . . of the Wedding [article]
24346. (Peggy Brock) The Many Voyages of Arthur Wellington Clah
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