Category Archives: B - READING - Page 41

14717. (Robert Swindells) No Angels

Swindells runs two sto­ries in par­al­lel. One is set in 19th cen­tury Lon­don, and tells of an orphan boy who encoun­ters Dr. John Snow, the founder of mod­ern epi­demi­ol­ogy, and dis­cov­erer of the cause of cholera. The sec­ond sto­ry is set in mod­ern times, and fol­lows a young girl who flees sex­ual abuse from her mother’s boyfriend, and lives in a Lon­don “squat”. Inter­spersed through these episodes are news­pa­per let­ters from a con­ser­v­a­tive crank, and the diaries of a nasty Vic­to­rian mag­is­trate. The boy’s nar­ra­tive is writ­ten in pho­netic tran­scrip­tion of his dialect, which may cause trou­ble for a Cana­dian or Amer­i­can read­er. Jug­gling these dis­parate ele­ments is a dif­fi­cult task, and the author pulls it off beau­ti­fully. The nov­el has an obvi­ous mes­sage: the strug­gle against igno­rance nev­er ceas­es. I was delight­ed that a youth nov­el like this draws atten­tion to Snow, who is one of my per­sonal heroes. The more atten­tion is paid to real­ly impor­tant his­tor­i­cal per­son­ages like Snow, the more peo­ple will under­stand the dif­fer­ence between them and the assort­ment of gang­sters, thugs, and con-men who are con­ven­tionally rep­re­sented as “great”.

14716. (Bernard DeVoto) Mark Twain’s America

06-07-27 READ 14716. (Bernard DeVoto) Mark Twain’s AmericaBernard DeVo­to was was one of the lead­ing Mark Twain schol­ars, as well as being a his­to­rian of the Amer­i­can far west, a pas­sion­ate advo­cate of nature con­ser­va­tion, and a lead­ing advo­cate of civ­il lib­er­ties. In this curi­ous book, writ­ten in 1932, he devotes most of his ener­gy to crit­i­ciz­ing oth­er Mark Twain Schol­ars. The book is clever, acer­bic, and some­times down­right nasty, but enter­tains pre­cisely for those rea­sons. DeVo­to detest­ed the scholas­tic habits of reify­ing abstrac­tions (The Fron­tier, Puri­tanism, The Artist, Mate­ri­al­ism) and bas­ing grand explana­tory the­o­ries on triv­ial or dubi­ous evi­dence, or no evi­dence at all. Some­times his sar­casm grates on the read­er, but often it is just so good (that is to say, cru­el, like Scot­tish humour) that it brings up a smile from that lit­tle reser­voir of mal­ice that hides some­where in even the kind­est read­er. Here is his treat­ment of one well-known pun­dit: “He exhibits the amateur’s rev­er­ence for the prin­ci­ple of ambiva­lence. This, in his lay psy­cho-analy­sis, is a device for the rec­on­cil­i­a­tion of con­tra­dic­tory evi­dence. It explains that a fact can be both its lit­eral self and a sym­bol of its oppo­site, that one fact can prove a giv­en asser­tion on one page and a con­tra­dic­tory asser­tion on anoth­er, that the two facts which seem to indi­cate irrec­on­cil­able con­clu­sions real­ly mean one thing — the pre­ferred thing.” Boy, I wish I could write sar­casm of that dis­ti­lla­tion. DeVo­to could prob­a­bly take on six coral snakes and a griz­zlie before break­fast, then move on to seri­ous sar­casm after cof­fee. Psy­cho­an­a­lyt­ic crit­i­cism was the bab­ble of that time, but I’m sure he would make mince­meat of today’s equiv­a­lents (“post-mod­ernism”, for example).

14715. (Jung Chang) Mao, the Unknown Story

06-07-25 READ 14715. (Jung Chang) Mao, the Unknown StoryThere’s a com­mon belief, fos­tered in gen­tle soci­eties, where peo­ple expect their chil­dren to grow up, and famine nev­er stalks the land, that there is no such thing as absolute evil, and that dic­ta­tors are con­fused ide­al­ists who took a wrong turn. This, the first seri­ously researched and accu­rate biog­ra­phy of Mao Zedong, should dis­abuse any­one of such naiv­ité. I have spent most of my life­time study­ing the motives, ide­olo­gies, mech­a­nisms, and agents of slav­ery, but I was still not pre­pared for the con­tents of this book, which is one of the most impor­tant biogra­phies of mod­ern times. It is absolute­ly essen­tial that this book be in every library and school in the world, for Holo­caust Denial is the endem­ic sick­ness of our age, and the wor­ship of mass mur­der­ers the endem­ic sick­ness of all ages.

I remem­ber when col­lege cam­puses were adorned with posters of Mao, when Jean-Paul Sartre was pro­claim­ing that Mao’s “rev­o­lu­tion­ary vio­lence” was “pro­foundly moral”, when uni­ver­sity pro­fes­sors prat­tled the moron­ic, mega­lo­ma­niac slo­gans of Mao’s Lit­tle Red Book [“Pow­er comes from the muz­zle of a gun”] as if they were pro­found phi­los­o­phy, and a lawyer and fem­i­nist activist tried to slap me in the face when I told her that Mao was a geno­ci­dal crim­i­nal. I remem­ber when anoth­er stu­dent activist glee­fully showed me a pho­to­graph of one of Mao’s “projects” — thou­sands of ragged, starved, bru­tal­ized slaves dig­ging up earth with their bare hands while machine-gun-tot­ing Com­mu­nist Par­ty cadrés watched over them, smok­ing cig­a­rettes, barbed wire and wood­en watch­tow­ers clear­ly vis­i­ble in the back­ground. This, he explained, was the ide­al soci­ety, Utopia being con­structed for the com­mon good. This was not even the death camps or the lao­gai, mind you, of which no pic­tures where per­mit­ted to exist, but of one of the projects the Par­ty liked to pub­li­cize. And their cal­cu­la­tions were cor­rect. To the cam­pus intel­lec­tu­als in Paris, Berke­ley, or Toron­to, such pic­tures were appeal­ing. To any actu­al human being, they could not be any­thing but hor­ri­fy­ing and dis­gust­ing. Read more »

14706. (N. A. M. Rodger) The Command of the Ocean ― A Naval History of Britain, Volume Two, 1649–1815

The two hefty vol­umes of Rodger’s his­tory of the British Navy bring the sto­ry only up to 1815. But this life­time schol­arly work is well-bal­anced with read­abil­ity. Rodger thinks strate­gi­cally more than tac­ti­cally. He knows that the eco­nom­ics of get­ting ships on the sea, admin­is­ter­ing and sup­ply­ing them, and mak­ing sure they do some­thing use­ful is the heart of the mat­ter. Britain had exer­cised con­sid­er­able sea pow­er in the north­ern world in Anglo-Sax­on times, but the land-lub­bing, horse rid­ing Nor­man aris­toc­racy used ships very crude­ly. Even in the Renais­sance, there was no real “navy”, but mere­ly incon­sis­tent attempts to put togeth­er fleets for var­i­ous tem­po­rary pur­poses, and naval tac­tics remained prim­i­tive. Hen­ry VIII was par­tic­u­larly irre­spon­si­ble and destruc­tive, as he was with every­thing else. Elizabeth’s reign was dom­i­nated by “pri­va­teer­ing”. It was only dur­ing Cromwellian times, when the rul­ing dic­ta­tor­ship feared dis­loy­alty among sea­men, that the first attempts were made to orga­nize and admin­is­ter what would fit our mod­ern notions of a nation­al navy. Much of the sto­ry, of course, involves the more eco­nom­i­cally advanced Dutch, with whom British polit­i­cal, mil­i­tary and eco­nomic rela­tions were inter­wo­ven for cen­turies. Rodgers is very adept at sort­ing out these complexities.

14698. (Raymond W. Baker) Capitalism’s Achilles Heel: Dirty Money and How to Renew the Free-Market System

This book, by the author­i­ta­tive expert on glob­al mon­ey laun­der­ing, out­lines the involve­ment of the gov­ern­ments, cor­po­ra­tions, and banks in the pro­cess­ing of crim­i­nal mon­ey on a vast scale. But he is more con­cerned with the sys­tem of false book­keep­ing with which the world’s poor­est regions are sys­tem­at­i­cally drained of cap­i­tal. Bak­er is no philo­soph­i­cal light­weight: he remains trapped in a false sys­tem of def­i­n­i­tions and ter­mi­nol­ogy, but he knows that there is some­thing wrong with it. He cor­rectly points out that the cur­rent Con­ser­v­a­tive ide­ol­ogy of glob­al finance has noth­ing to do with Adam Smith’s the­o­ries of free mar­kets, which it vio­lates in every par­tic­u­lar, but is descend­ed, instead, from the moral blank­ness of Jere­my Bentham’s platophistries. But he can­not pull him­self out of his received frame­work to make the nec­es­sary next steps in analy­sis. There is no doubt, how­ever, of his basic decency..

14697. (Jon George) Faces of Mist and Flame

A very good show for a first nov­el: A young prodi­gy at Cam­bridge uses her dis­cov­ery of bod­i­less time trav­el to enter the mind of a young Amer­i­can sol­dier at the inva­sion of Guam dur­ing World War II. The sto­ry is told in par­al­lel with the clas­si­cal Greek myth of the Labours of Her­cules, and also draws on the native folk­lore of Guam. George pulls you into the sto­ry quick­ly and treats his char­ac­ters with sen­si­tiv­ity. I espe­cially respect this kind of work because it requires real research to pull off. Get­ting things right, his­tor­i­cally, psy­cho­log­i­cally, and cul­tur­ally, has not been a big goal in the big SF pub­lish­ing hous­es, late­ly, and this is an encour­ag­ing excep­tion. I found only a few choic­es of words that I would quib­ble with.

READINGJUNE 2006

14673. (Antho­ny Bouch­er) The Case of the Sev­en Sneezes
14674. (Mar­shall McLuhan) The Guten­burg Galaxy
14675. (Ger­ald Pos­ner) Secrets of the King­dom ― The Inside Sto­ry of the Saudi‑U.S. Connection
14676. (Evan­ge­line Wal­ton) The Chil­dren of Llyr
14677. (Nan­cy Phe­lan & Michael Volin) Sex and Yoga
14678. (Jared Dia­mond) Guns, Germs and Steel
Read more »

14694. (Shoma A. Chatterji) Subject: Cinema, Object: Woman, a Study of the Portrayal of Women in Indian Cinema

06-06-28 READ 14694. (Shoma A. Chatterji) Subject Cinema, Object Woman, a Study of the Portrayal of Women in Indian CinemaWho would have guessed that, as ear­ly as the 1930’s, there was an action hero­ine in Indi­an cin­ema, who did all her own stunts, and defied all the con­ven­tions of pas­sive and sim­per­ing fem­i­nin­ity, and played sec­ond fid­dle to no male? That’s the most remark­able infor­ma­tion in this study. Start­ing with Hunter­wali (1935), Fear­less Nadia starred in a series of extreme­ly pop­u­lar adven­ture films. “The female pro­tag­o­nist entered the scene on horse­back, with the clar­ion call of ‘Hey-y-y‑y’, hand raised defi­antly inn the air, rid­ing in with the pride and arro­gance that was more befit­ting of Dou­glas Fair­banks.” This remark­able actress had start­ed out as a steno-typ­ist, but, inclined to be plump, took danc­ing lessons. Then she joined a trav­el­ing cir­cus, and a bal­let troop. Her amaz­ing film stunts (all real) includ­ed hoist­ing strong men on her back, fight­ing four lions, swing­ing from chan­de­liers, leap­ing from cliffs into water­falls. She rode, swam, tum­bled, wres­tled and fenced her way through numer­ous films, often with a mask and a whip, until she was near­ly fifty.

14693. (Walter Mosley) 47

I’ve been remark­ing that some of the best writ­ten books, in recent times, have been pub­lished in the “juve­nile” mar­ket. This book proves my point. It’s a beau­ti­fully writ­ten, emo­tion­ally pow­er­ful, and high­ly imag­i­na­tive demon­stra­tion of what it means to be a slave. No top­ic is clos­er to my heart, and, frankly, I wish that I had writ­ten this book. “47” is a plan­ta­tion slave, who, in the 1830’s, encoun­ters an alien being who is strand­ed on earth. He tells his tale from the view­point of now, since he has become effec­tively immor­tal, and still retains the 14-year-old body. But the sci­ence fic­tion ele­ment of the sto­ry is under­played. Mosley con­cen­trates on mak­ing the read­er hear, taste, smell, and feel the real­ity of slav­ery. It’s a fine piece of work.

(J. R. R. Tolkien) Tree and Leaf

The first item, the essay “On Fairy Sto­ries”, is essen­tial read­ing for any­one with a seri­ous inter­est in Tolkien. It makes clear exact­ly what he was doing, and why. It was writ­ten dur­ing the height of the dom­i­nant posi­tion of “real­ism” in lit­er­a­ture, when any­thing even remote­ly imag­i­na­tive was con­sid­ered trash by lit­er­ary peo­ple. Tolkien was par­tic­u­larly annoyed by those who saw fan­tasy, espe­cially the par­tic­u­lar kind of fan­tasy that he called “fairy-sto­ry”, as exclu­sively for chil­dren. He writes:

Among those who still have enough wis­dom not to think fairy sto­ries per­ni­cious, the com­mon opin­ion seems to be that there is a nat­ural con­nex­ion between the minds of chil­dren and fairy-sto­ries, of the same order as the con­nex­ion between children’s bod­ies and milk. I think this is an error; at best an error of false sen­ti­ment, and one that is there­fore most often made by those who, for what­ever pri­vate rea­sons (such as child­less­ness), tend to think of chil­dren as a spe­cial kind of crea­ture, almost a dif­fer­ent race, rather than as nor­mal, if imma­ture, mem­bers of a par­tic­u­lar fam­ily, and of the human fam­ily at large. Actu­ally, the asso­ci­a­tion of chil­dren and fairy-sto­ries is an acci­dent of our domes­tic his­tory. Fairy sto­ries have in the mod­ern world been rel­e­gated to the ‘nurs­ery’, as shab­by or old-fash­ioned fur­ni­ture is rel­e­gated to the play-room, pri­mar­ily because adults do not want it, and do not mind if it is misused.

Touché. I can still remem­ber when that atti­tude was gospel, when a good sci­ence fic­tion writer like Kurt Von­negut had to vocif­er­ously deny that he wrote SF so he could be tak­en seri­ously, and the ency­clo­pe­dias described H. G. Wells as the author of Tono Bun­gay, Mr. Brit­tling Sees It Through, and, embarrass­ingly, “some sci­en­tific romances”.

con­tents:

14691. [2] (J. R. R. Tolkien) On Fairy Stories
14692. [3] (J. R. R. Tolkien) Leaf by Niggle