14694. (Shoma A. Chatterji) Subject: Cinema, Object: Woman, a Study of the Portrayal of Women in Indian Cinema

06-06-28 READ 14694. (Shoma A. Chatterji) Subject Cinema, Object Woman, a Study of the Portrayal of Women in Indian CinemaWho would have guessed that, as ear­ly as the 1930’s, there was an action hero­ine in Indi­an cin­ema, who did all her own stunts, and defied all the con­ven­tions of pas­sive and sim­per­ing fem­i­nin­ity, and played sec­ond fid­dle to no male? That’s the most remark­able infor­ma­tion in this study. Start­ing with Hunter­wali (1935), Fear­less Nadia starred in a series of extreme­ly pop­u­lar adven­ture films. “The female pro­tag­o­nist entered the scene on horse­back, with the clar­ion call of ‘Hey-y-y‑y’, hand raised defi­antly inn the air, rid­ing in with the pride and arro­gance that was more befit­ting of Dou­glas Fair­banks.” This remark­able actress had start­ed out as a steno-typ­ist, but, inclined to be plump, took danc­ing lessons. Then she joined a trav­el­ing cir­cus, and a bal­let troop. Her amaz­ing film stunts (all real) includ­ed hoist­ing strong men on her back, fight­ing four lions, swing­ing from chan­de­liers, leap­ing from cliffs into water­falls. She rode, swam, tum­bled, wres­tled and fenced her way through numer­ous films, often with a mask and a whip, until she was near­ly fifty.

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