Category Archives: C - LISTENING - Page 14

First-time listening for June 2015

23285. (Henk Bad­ings) Sym­pho­ny #3
23286. (Wu-Tang Clan) Enter the Wu-Tang
23287. (Real Estate) Days
23288. (Tarun Bhat­tacharya) Hyp­not­ic Santoor
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First-time listening for May 2015

23200. (Sergei Rach­mani­nov) Litur­gy of St. John Chrysistom
23201. (Cocteau Twins & Harold Budd) The Moon and the Melodies
23202. (Bohuslav Mar­t­inů) Con­cer­to #1 for Cel­lo and Orchestra
23203. (Kendrick Lamar [as K‑dot] & Jay Rock) Train­ing Day [mix­tape]
23204. (Suede) Suede
23205. (7oi) Lost Under a Pile
23206. (Jhené Aiko) Sail­ing Soul(s)
23207. (Jef­fer­son Air­plane) Takes Off [2003 remaster]
23208. (Mini Man­sions) The Great Pretenders
23209. (Kendrick Lamar) Over­ly Ded­i­cat­ed [mix­tape]
23210. (Run the Jew­els) Run the Jewels
23211. (Veld­huis & Kem­per) We Moeten Praten
23212. (La Rue Kétanou) Live at Furia Sound Festival
23213. (Char­lie Park­er) The Com­plete Verve Years CD2 1950–1952
23214. (Anthrax) Armed and Dangerous
23215. (Jef­fer­son Star­ship) Drag­on Fly
Abbeville Break­down 1929–1939:
. . . . 23216. (Amédée Breaux) “Vas y Carrément”
. . . . 23217. (Joe Fal­con) “Poche Town”
. . . . 23218. (Cleo­ma Breaux) “Prenez Courage”
. . . . 23219. (Cleo­ma Breaux) “Quand Je Suis Par­tis Pour le Texas”
. . . . 23220. (Joe Fal­con) “Aimer Et Perdre”
. . . . 23221. (Breaux Frères) “Egan One Step”
. . . . 23222. (Breaux Frères) “T’as Volé Mon Chapeau”
. . . . 23223. (Breaux Frères) “Home Sweet Home”
. . . . 23224. (Breaux Frères) “Le One Step à Martin”
. . . . 23225. (Breaux Frères) “La Valse du Bay­ou Plaquemine”
. . . . 23226. (Alley Boys of Abbeville) “Abbeville Breakdown”
. . . . 23227. (Alley Boys of Abbeville) “Te A Pas Raison”
. . . . 23228. (Alley Boys of Abbeville) “Se Toute Sain Comme Moi Ma Sain”
. . . . 23229. (Alley Boys of Abbeville) “Jolie Petite Fille”
. . . . 23230. (Alley Boys of Abbeville) “Quel Espoire”
. . . . 23231. (Alley Boys of Abbeville) “Moi Et Ma Belle”
. . . . 23232. (Alley Boys of Abbeville) “Je Vous T’Aime Les­sair Pleurer”
. . . . 23233. (Alley Boys of Abbeville) “Es Ce Que Tu Pense Jamais A Moi”
. . . . 23234. (Alley Boys of Abbeville) “Tu Ma Quite Seul”
. . . . 23235. (Alley Boys of Abbeville) “Jolie Petite Blonde”
. . . . 23236. (Alley Boys of Abbeville) “Apres Jen­gles A Toi”
. . . . 23237. (Alley Boys of Abbeville) “Te Bonne Pour Moi Estere”
23238. (Shel­lac) At Action Park
23239. (Djan­go Djan­go) Djan­go Django
23240. (Child­ish Gam­bi­no) Camp
23241. (Belle and Sebas­t­ian) If You’re Feel­ing Sinister 
23242. (Chvrch­es) The Bones of What You Believe
23243. (Gwen­dal) Joe Can’t Reel
23244. (Judy Gar­land) Judy Gar­land in Hollywood
23245. (NONONO) We Are Only What We Feel
23246. (Of Mon­sters and Men) “Lit­tle Talks” [sin­gle]
23247. (Mum­ford & Sons) Babel
23248. (Aulis Salli­nen) Sym­pho­ny #3 “The Sea Symphony”
23249. (Anthrax) Spread­ing the Disease
23250. (Mr. Twin Sis­ter) Mr. Twin Sister
23251. (Sleater-Kin­ney) Call the Doctor
23252. (Drake) Take Care
23253. (Char­li XCX) True Romance
23254. (Will But­ler) Policy
23255. (Björk) Vulnicura
23256. (Mum­ford & Sons) Wilder Mind
23257. (Sol­dat Louis) Bien­v­enue à bord
23258. (Peter & Gor­don) The Best of Peter & Gordon
23259. (Ghost­po­et) Peanut But­ter Blues & Melan­choly Jam
23260. (Nuclear Assault) Survive
23261. (Trom­bone Shorty) Backatown
23262. (Alan Stiv­ell) Tro Ar Bed
23263. (Josquin des Prez) Motet­ti De Pas­sione: “Tu solus qui facis mirabilia”
23264. (Josquin des Prez) Motet­ti De Pas­sione: “Domine, non secundum”
23265. (Josquin des Prez) Motet­ti De Pas­sione: “Ave verum corpus”
23266. (Josquin des Prez) Motet­ti De Pas­sione: “O Domine Jesu Christe”
23267. (Josquin des Prez) Motet­ti De Pas­sione: “Chris­tem ducem; Qui velatus”
23268. (Josquin des Prez) Tout a par moi
23269. (Josquin des Prez) Mis­sa faisant regretz
23270. (Chance the Rap­per) 10Day
23271. (David Bowie) Rare Sin­gles, Out­takes & Lives,1969–74
23272. (Killers) Bat­tle Born
23273. (John Ren­bourn) Live in Italy
23274. (Of Mon­sters and Men) My Head Is an Animal
23275. (Armens) Sans contrefaçon
23276. (Patrick Wat­son) Waterproof9
23277. (Overkill) Feel the Fire
23278. (Shel­lac) Live in Tokyo
23279. (Vielles Pies) Utopies de Comptoir
23280. (Pao­lo Nuti­ni) Caus­tic Love
23281. (Palo­ma Faith) A Per­fect Contradicton
23282. (Ellie Gould­ing) Hal­cy­on Days
23283. (Phar­rell Williams) G I R L
23284. (Bastille) All This Bad Blood

Image of the month: Leonard Cohen…

LEONARD COHEN . CHANTEUR CANADIEN . FOLK . TOURNAGE D UN CLIP . AVEC DOMINIQUE ISSERMANN . PHOTOGRAPHE . PLAGE DE TROUVILLE . 26 JANVIER 1988 .… look­ing so Cana­di­an, it makes your teeth ache.

First-time listening for April 2015

23190. (Yann Tiersen) L’Absente
23191. (Plat­ters) Four Plat­ters and One Love­ly, Vol.7
23192. (Char­lie Parker)The Com­plete Small Group Ses­sions, vol.2
23193. (Henk Bad­ings) Con­cer­to for Harp and Orchestra
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First-time listening for March 2015

23180. (Gio­van­ni Pier­lui­gi da Palest­ri­na) Mis­sa ecce ego Johannes
23181. (Ed Sheer­an) X
23182. (Sam Smith) In the Lone­ly Hour
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First-time listening for February 2015

23153. (Delta Rae) Car­ry the Fire [deluxe version]
C’est Fun! Cajun Classics:
. . . . 23154. (Jam­bal­aya Cajun Band) “C’est Fun”
. . . . 23155. (Cajun Tra­di­tion­al Band) “Louisiana Two Step”
. . . . 23156. (Bal­fa Tou­jours) “L’anse Auix Paillies”
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First-time listening for January 2015

23115. (Camille Saint-Saëns) Pre­mière fan­taisie in E‑f for Organ
23116. (Camille Saint-Saëns) Béné­dic­tion nup­tiale for Organ, Op.9
23117. (Camille Saint-Saëns) Offer­toire in E for Organ
23118. (Camille Saint-Saëns) Elé­va­tion ou Com­mu­nion for Organ, Op.13
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The Icicle Works

This band was named after a short sto­ry by Fred­erik Pohl (“The Day the Ici­cle Works Closed”, Galaxy, Feb­ru­ary 1960). I read the sto­ry when I was a kid, in Pohl’s won­der­ful col­lec­tion The Man Who Ate the World. There was a revival of “psy­che­delic” rock in liv­er­pool in the ear­ly 1980’s, and this band was part of that move­ment. The front­man was Ian McN­abb, who remains today a vet­eran crafts­man in British rock, but isn’t well known in North Amer­ica. Drum­mer Chris Shar­rock and bassist Chris Lay­he formed the oth­er two legs of the tri­pod. The band stuck around for quite awhile, but it nev­er made it big, per­haps because the “neo-psy­che­del­ic” for­mula real­ly didn’t suit them. Despite a few trap­pings of that genre, it sounds to me like they real­ly want­ed to do good sol­id rock with clean, crisp arrange­ments. The only album I pos­sess is the epony­mous first (1984), which con­tains their biggest hit “Love is a Won­der­ful Colour”. But I pre­fer “Whis­per To a Scream (Birds Fly)”, which was a big­ger hit here in Cana­da, and I remem­ber it get­ting con­sid­er­able air­play on Toron­to sta­tions. Sharrock’s drum­work is fine in this one, lift­ing them out of the poten­tial wimpi­ness of the psy­che­delic for­mula (the cut pre­ced­ing it, “In the Caul­dron of Love” sounds too much like recy­cled Moody Blues).

Adden­dum: A friend informs me that the Cana­dian release was quite dif­fer­ent from the U.S. release, and reached much high­er in the Cana­dian charts than in either the U.K. or U.S. ones, con­firm­ing my impres­sion. Unfor­tu­nately, I don’t have the vari­a­tions to com­pare. Mine is the Canadian.

First-time listening for December 2014

23088. (Dan Ar Braz) Zénith [Live]
Best of Afro-Brazil­ian Jazz:
. . . . 23089. (Anto­nio Car­los Jobim) “Brazil Nativo”
. . . . 23090. (Ser­gio Mendes & Brasil ’66) “Lap­in­ha”
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Steve Tilston

14-12-05 LISTN Steve TilstonIt will come as no sur­prise to any­one that I’m fond of the Fair­port Con­ven­tion song “Here’s To Tom Paine”. That song was orig­i­nally com­posed by the fine Eng­lish folk gui­tarist, Steve Tilston. While he must have over a dozen albums, the only one I own is Swans at Coole (1990). Though it nowhere says so on the album, this refers to the William But­ler Yeats poem, “The Wild Swans at Coole”, a wist­ful alle­gory of tran­si­tory beau­ty. The album fits that mood. Tilston’s fine, con­trolled, but not flashy gui­tar play­ing is bal­anced with var­ied accom­pa­ni­ments on ban­jo (Kevin Boyle), vio­lin (Stu­art Gor­don), flute (Mag­gy Boyle), and cel­lo (Tony Hilli­gan). If you want to have some­thing play­ing on a cold win­ter evening, gath­ered by the fire­place, with old friends not inclined to chat­ter, this is just about right.