None of Beethoven’s piano concertos have carved out any special place in my affections. I’m not sure why. They just don’t seem to move me like the symphonies, sonatas, or quartets do. Number One in C, Op.15 was actually composed in 1796–7, long after Number Two (1789). It has a few nice bits, but most of the time it sounds like warmed-over Hayden. Glen Gould composed cadenzas for it that brighten it up a bit.
A painting of Beethoven in 1803, seven years after composing the first piano concerto, shows him nothing like his later snarling, scowling image. In 1796, its probable date of composition, he would have still looked almost a teenager.
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