I’m very fond of this absurd 1950s Hollywood version of the Jules Verne classic. My brother tells me that my childhood fascination with paleontology can be traced to being terrified by the “dinosaurs” of the film ― small garden lizards with rubber fins glued to them, matted into the film. Believe it or not, this was top-of-the-line special effects when the film was made, the only other option being claymation. Other unintentionally humorous elements of the film include the casting of Pat Boone (yes, Pat Boone!) as a young geology student spouting the most pathetic attempt at a Scottish accent in history, and a scene where the adventurers reach “a place with a magnetic field that snatches gold away, the junction of the north and south magnetic fields, the CENTER OF THE EARTH!”, which appears to be a whirlpool in an underground ocean. The conceptual confusion in the scene transcends anything you have ever seen in any other movie. Even Ed Wood had a better grasp of physics. Jules Verne’s novel is quaint, today, but it fit reasonably well into the science of its time. Somehow, the screenwriters managed to push the film’s scientific understanding to about two thousand years earlier than Verne.
James Mason and Arlene Dahl are the lead actors in the film. It had a big budget, a lush score composed by Bernard Hermann, and was partly filmed in Carlsbad Caverns, though that natural wonder appears to be filled with cheap junk jewelery and papier maché boulders. Mason does a wonderful job of keeping a straight face as they encounter dinosaurs, giant mushrooms, and the lost city of Atlantis. A villain follows them, played by Thayer David, and he gets to utter one of the most wonderful bad lines in film history: “I never sleep… I hate those little slices of death.” But despite all that high-powered haminess, the film is stolen by Peter Ronson, an Icelandic olympic athlete who got the part because he was the only Icelandic-speaking giant, muscular man available in Hollywood. His character, Hans, seems to have an unhealthy passion for a pet eiderduck, and the duck accompanies them to the center of the earth, meeting a tragic end when the villain gets hungry. Hans’ remorseless march of vengeance is the most wonderful part of the film. Peter Ronson died, last year. This was his only appearance in a film.
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