(Refn 2009) Valhalla Rising

This is per­haps the odd­est of the Medieval flics I’ve seen recent­ly. Dan­ish direc­tor Nico­las Wind­ing Refn, best known for his Push series of thrillers, has cre­at­ed a relent­less­ly enig­mat­ic, grim, and vio­lent film set in the year 1000 AD The lead role is played by Mads Mikkel­son, who starred in two of the Push films, and has gone on to a Hol­ly­wood career. Val­hal­la Ris­ing is obvi­ous­ly aimed at the “art house” crowd, and in those cir­cles, it has achieved crit­i­cal suc­cess (with some notable dis­sention). Unfor­tu­nate­ly, the dis­trib­u­tors pro­mot­ed it as an “action” pic­ture, try­ing to sell it to peo­ple who liked Brave­heart or High­lander. Those view­ers were bound to be dis­ap­point­ed with its min­i­mal plot, long action­less seg­ments, dream sequences, and unex­plained events. The film cost £4,000,000 to pro­duce and did­n’t make a dime. 

Actu­al­ly, there’s a per­fect­ly straight­for­ward inter­pre­ta­tion of every­thing that hap­pens in the film, but it must be guessed as one goes. A pagan Norse­man named One-Eye escapes from cap­tiv­i­ty in the Scot­tish high­lands. After tak­ing vengeance on his cap­tors, he is joined by a boy named Ari. Togeth­er, they join with a par­ty of Scot­tish cru­saders, bound for the Holy Land. Their ship is lost in the fog, and ends up in a mys­te­ri­ous land, obvi­ous­ly meant to be Que­bec (they enter a vast riv­er estu­ary that runs fresh). The film was shot in Scot­land, and the land­scape looks vague­ly right, but the veg­e­ta­tion is all wrong. They fight among them­selves, take a hal­lu­ci­na­to­ry drug, wan­der around, and are attacked by natives. Every­one dies except the boy. Not much of a plot, but the events are intend­ed pri­mar­i­ly as a coat-hang­er for visu­al images.

The Native Cana­di­ans who appear toward the end of the film look rather odd. They are paint­ed from head to foot in red ochre (which has some his­tor­i­cal sup­port). Well, there is no rea­son why they should have looked as they did six cen­turies lat­er. But they just don’t look right phys­iog­nom­i­cal­ly. I looked close­ly at the clos­ing cred­its, and found that every sin­gle actor who plays one has a Tibetan name! 

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