(Perelman 2003) House of Sand and Fog

This is a good film. It’s based on a nov­el by Andre Dubus III, which I haven’t read*. It was the first fea­ture film of Cana­di­an direc­tor Vadim Perel­man, who had made a rep­u­ta­tion with music videos and com­mer­cials. Appar­ent­ly, nov­el­ist and direc­tor worked togeth­er inti­mate­ly. The cast, Jen­nifer Con­nel­ly, Ben Kings­ley, Shohreh Agh­dashloo, Ron Eldard, Frances Fish­er, Kim Dick­ens, and Jonathan Ahd­out, find every sub­tle­ty pos­si­ble in the char­ac­ters. This was pos­si­ble because the char­ac­ters are well con­ceived, mul­ti-dimen­sion­al, and real. The sto­ry is pure Shake­speare. Two peo­ple have equal­ly just claims to own­ing a house. Noth­ing spe­cial, just an ordi­nary lit­tle house with a view of the sea. One is an Iran­ian immi­grant, played to per­fec­tion by Ben Kings­ley, who des­per­ate­ly needs the house to hold his fam­i­ly togeth­er and retain his much injured pride. The oth­er is a lone­ly woman who has both iso­lat­ed her­self and been iso­lat­ed, and in the course of the strug­gle earned the love of a psy­cho­log­i­cal­ly frag­ile cop. What begins as a low-key dis­pute grad­u­al­ly builds in ten­sion and com­plex­i­ty, and unfolds with the inex­orable steps to tragedy that Shake­speare per­fect­ed, and few drama­tists since have learned. 

*[I read it the next month]

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