Saturday, September 8, 2012 — Oddi, Þórsmörk, Eyjafjallajökull

My feet are bad­ly blis­tered from ear­li­er activ­i­ties, so focused the remain­ing time on a small cor­ner of Ice­land, and did my best to keep off my feet. To this end, the Ice­landic hors­es were a god­send. These won­der­ful ani­mals have five dis­tinct gaits — of which the unique tölt allows them to flow over obsta­cles like caterpillars. 

The area I chose, along the south­ern coast, encom­pass­es the land­scape of Njál’s Saga, and has some of Ice­land’s most spec­tac­u­lar scenery. I vis­it­ed the vil­lage of Oddi, because it was there that Snor­ri Sturlus­son wrote the Heim­skringla, but the ancient monastery that was a great seat of learn­ing in the mid­dle ages is long gone. The present church in mod­ern. But east of there, a dead-end side road leads into the val­ley of the Krossá, a place of extra­or­di­nary beau­ty. It is hemmed in on three sides by glac­i­ers, and by the moun­tain ridge known as Þórsmörk, which from its name (“Thor’s For­est”) must have once had some­thing more sub­stan­tial grow­ing than its cur­rent shrubs and birch­es. The south­ern flank is Eyjaf­jal­la­jökull, whose erup­tion ground­ed Europe´s air trav­el for a week in 2010. The trail which I want­ed to take no longer exists. The fis­sure of Fim­mvörðuháls, which opened up in the ear­li­est stages of the erup­tion cuts across it.

Falls at Þórsmörk

Things are qui­et, now. I had no oppor­tu­ni­ty to see molten lava. But the tor­tured land­scape was elo­quent enough. Words would fail me, I’m sure, if I were to wit­ness an erup­tion. But the Ice­landic com­pos­er Jón Leifs, was able to com­mu­ni­cate some­thing of it from direct expe­ri­ence in his orches­tral piece Hekla (1961).

This last cou­ple of days, I’ve seen much that was beau­ti­ful, but I am very tired, my descrip­tive pow­ers are fail­ing, and I must fuss with things to catch my flight home. 

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