First-time listening for August 2017

28691. (Paul O’Dette, David Dou­glass & Andrew Lawrence-King) Eng­lish Coun­try Dances ―
. . . . . 17th Cen­tury Music from the Pub­li­ca­tions of John Play­ford
28692. (Rug­giero Leon­cav­allo) La reginetta delle rose [com­plete opera; d. Gallino; Pagli­ughi,
. . . . . D’Arrigo, Avo­gadro, Renzi]
28693. (Gus­tav Mahler) Blu­mine [andante alle­gretto removed from Sym­phony #1]
28694. (Mary J. Blige) The Lon­don Ses­sions
28695. (Crazy House) Still Look­ing for Heaven on Earth
28696. (Johann Nepo­muk Hum­mel) Piano Con­certo #1 in C, Op.36 [also pub­lished as Op.34a]
28697. (Jason Isbell & The 400 Unit) Here We Rest
28698. (T-Bone Walker) The Com­plete Record­ings of T-Bone Walker 1940–1954, vol.1
28699. (Dirty Pro­jec­tors) Dirty Pro­jec­tors
28700. (Thiev­ery Cor­po­ra­tion) The Tem­ple of I & I
28701. (Jacopo Peri) Euridice (orig­i­nal ver­sion) [com­plete opera; d. ; Senecal, Glad­stone]
28702. (Wale) Shine
28703. (Jan Pieter­szoon Sweel­inck) Psalm 150: Or soit loué, Eight-part Motet
28704. (Jan Pieter­szoon Sweel­inck) Psalm 33: Resveillez-vous, Eight-part Motet
28705. (Jan Pieter­szoon Sweel­inck) Psalm 53: Le fol malin, Four-to seven-part Motet
28706. (Jan Pieter­szoon Sweel­inck) Hodie Chris­tus natus est, Five-part Motet [vari­ant at 28614]
28707. (Jan Pieter­szoon Sweel­inck) Te Deum lau­damus, Five-part Motet for Voices and Organ
. . . . . [vari­ant at 28602]
28708. (Jan Pieter­szoon Sweel­inck) Psalm 148: Vous tous les habi­tans de cieux, for
. . . . . Unac­com­pa­nied Seven-part Choir
28709. (Jan Pieter­szoon Sweel­inck) Ab Ori­ente venerunt Magi, for Five-part Choir and Fig­ured
. . . . . Bass [vari­ant of 28604]
28710. (Jan Pieter­szoon Sweel­inck) Orai­son Domini­cale, for Three-part Choir and Viols
28711. (Jan Pieter­szoon Sweel­inck) Psalm 130: De Pro­fundis, canto sacra for 5-part Choir,
. . . . . Lute and Organ
28712. (Jan Pieter­szoon Sweel­inck) Psalm 98: Chantez à Dieu, for Five Solo Voices and Lute
28713. (Jan Pieter­szoon Sweel­inck) Gaude et laetere, can­tio sacra for Five-part Choir, Lutes and
. . . . . Fig­ured Bass [vari­ant at 28604]
28714. (Jan Pieter­szoon Sweel­inck) Ecce prandium, can­tio sacra for Five-part Choir, Lutes and
. . . . . Fig­ured Bass [vari­ant at 28603]
28715. (Rick Ross) Rather You Than Me
28716. (Roberta Flack) First Take
28717. (Charli XCX) Sucker
28718. (Gioacchino Rossini) William Tell [Guglielmo Tell] [com­plete opera: d. d. Rossi;
. . . . . Tad­dei, Car­teri, Fil­ippeschi]
28719. (Hur­ray for the Riff Raff) The Nav­i­ga­tor
28720. (U Hlaing Win Maung) Myan­mar Clas­si­cal Songs & Pleas­ing Melody, vol.2
28721. (Levon Helm) Ties That­Bind ― The Best of Levon Helm 1975–1996
28722. (Johann Sebas­t­ian Bach) Can­tata #58 “Ach Gott, wie manches Herzeleid”, bwv.58
28723. (Johann Sebas­t­ian Bach) Can­tata #59 “Wer mich liebet, der wird mein Wort hal­ten”,
. . . . . bwv.59
28724. (Johann Sebas­t­ian Bach) Can­tata #60 “O Ewigkeit, du Don­ner­wort”, bwv.69
28725. (Johann Sebas­t­ian Bach) Can­tata #61 “Nun komm, der Hei­den Hei­land”, bwv.61
28726. (SZA) Cntrl
28727. (Venus in Furs) Pla­tonic Love & Other Sto­ries
28728. (Dylan Scott) Dylan Scott
28729. (Hor­moz Farhat) String Quar­tet #6
28730. (Synau­lia) Music from Ancient Rome, vol.2
28731. (Arthur Sul­li­van) Song: “Hon­our, Riches, Mar­riage Bless­ings” from Shakespeare’s The
. . . . . Tem­pest
28732. (Arthur Sul­li­van) Song: “Where the Bee Sucks” from Shakespeare’s The Tem­pest
28733. (Arthur Sul­li­van) Suite from the Inci­den­tal Music to The Tem­pest, First Ver­sion [1861]
28734. (Arthur Sul­li­van) The Masque at Kenil­worth for Cho­rus and Orches­tra
28735. (John Dun­sta­ple [Dun­sta­ble]) Quam pul­chra es
28736. (John Dun­sta­ple [Dun­sta­ble]) Kyrie
28737. (John Dun­sta­ple [Dun­sta­ble]) Glo­ria à 4
28738. (John Dun­sta­ple [Dun­sta­ble]) Credo à 4
28739. (John Dun­sta­ple [Dun­sta­ble]) Glo­ria Jesu Christe Fili Dei
28740. (John Dun­sta­ple [Dun­sta­ble]) Credo Jesu Christe Fili Dei
28741. (John Dun­sta­ple [Dun­sta­ble]) Sanc­tus
28742. (John Dun­sta­ple [Dun­sta­ble]) Credo Da gau­dio­rum pre­mia
28743. (John Dun­sta­ple [Dun­sta­ble]) Sanc­tus Da gau­ri­o­rum pre­mia
28744. (John Dun­sta­ple [Dun­sta­ble]) Agnus Dei
28745. (John Dun­sta­ple [Dun­sta­ble]) Veni Sancte spir­i­tus et Veni cre­ator
28746. (John Dun­sta­ple [Dun­sta­ble]) Glo­ria in canon
28747. (Locrian) Infi­nite Dis­so­lu­tion
28748. (Charles Min­gus) Min­gus Dynasty
28749. (Miguel) Wild­heart
28750. (Gioachino Rossini) Ital­ian Girl In Algiers [l’Italiana in Algeri] [com­plete opera; d.
. . . . . Varviso; Berganza, Alva, Corena, Pan­erai]
28751. (3-D) 3-D
28752. (Chase Rice) Dirt Road Com­mu­nion
28753. (Johann Sebas­t­ian Bach) Can­tata #62 “Nun komm, der Hei­den Hei­land”, bwv.62
28754. (Johann Sebas­t­ian Bach) Can­tata #63 “Chris­ten, ätzet diesen Tag”, bwv.63
28755. (Johann Sebas­t­ian Bach) Can­tata #64 “Sehet, welch eine Liebe hat uns der Vater
. . . . . erzeiget”, bwv.64
28756. (Thiev­ery Cor­po­ra­tion) Sounds from the Thiev­ery Hi-Fi
28757. (Big Sean) I Decided
28758. (Okkervil River) Don’t Fall in Love with Every­one You See
28759. (John Bedyn­g­ham) O Rosa bella [wrongly attr. to John Dun­sta­ple]
28760. (5th Dimen­sion) Liv­ing Together, Grow­ing Together
28761. (Bolesław Woy­tow­icz) Sin­fo­nia Con­cer­tante for Piano and Orches­tra
28762. (T-Bone Walker) The Com­plete Record­ings of T-Bone Walker 1940–1954, vol.2
28763. (Jacopo Peri) Euridice [com­plete opera; d. Achten; Vieslet, Achten] [com­pleted by
. . . . . G. Cac­cini]
28764. (Mini­tel Rose) The French Machine
28765. (Jan Pieter­szoon Sweel­inck) Psalm 122: Gefreut hat sich mein Herz und Muth à 4
28766. (Jan Pieter­szoon Sweel­inck) Psalm 42: Ainsi qu’on oit le cerf bruire à 8
28767. (Jan Pieter­szoon Sweel­inck) Vide, homo, quae pro te patior à 5
28768. (Jan Pieter­szoon Sweel­inck) Psalm 43: Revenge moy, pren la querelle à 8
28769. (Jan Pieter­szoon Sweel­inck) Non omnis qui dicit mihi à 5
28770. (Jan Pieter­szoon Sweel­inck) In te Domine sper­avi à 5
28771. (Jan Pieter­szoon Sweel­inck) Qui vult venire post me à 5 [vari­ant at 28605]
28772. (Jan Pieter­szoon Sweel­inck) Beati pau­peres à 5 [vari­ant at 28607]
28773. (Jan Pieter­szoon Sweel­inck) Psalm 108: Mon coeur est dis­pos, Ô mon Dieu à 6
28774. (Jan Pieter­szoon Sweel­inck) Psalm 23: Mon Dieu me paist à 4, 5, 6
28776. (Jan Pieter­szoon Sweel­inck) Psalm 137: Estans assis aux rives aqua­tiques à 4
28777. (Jan Pieter­szoon Sweel­inck) Can­tate Domino à 5 [vari­ant at 28609]
28778. (Jan Pieter­szoon Sweel­inck) Psalm 110: Le Tout­puis­sant à mon Seigneur à 6
28779. (Jan Pieter­szoon Sweel­inck) Regina coeli laetare à 5 [vari­ant at 28635]
28780. (Jan Pieter­szoon Sweel­inck) Psalm 99: Or est main­tenant l’Eternel reg­nant à 6
28781. (Synau­lia) Music from Ancient Rome, vol.3
28782. (Father John Misty [J. Till­mann]) Pure Com­edy
28783. (Nick Hakim) Green Twins
28784. (Takashi Yoshi­matsu) To the Com­pan­ion Star of Sir­ius for Piano, Op.1
28785. (Takashi Yoshi­matsu) Thren­ody to Toki for Piano and String Orches­tra, Op.12
28786. (Takashi Yoshi­matsu) 4 pieces in Bird shape for Clar­inet and Piano, Op.18
28787. (Syd) Fin
28788. (Blue Öys­ter Cult) Don’t Fear the Reaper: The Best of Blue Oys­ter Cult
28789. (Arthur Sul­li­van) Con­certo for Cello and Orches­tra
28790. (T-Bone Walker) The Com­plete Record­ings of T-Bone Walker 1940–1954, vol.3
28791. (Leoš Janáček) Šárka [com­plete opera; d. Mack­er­ras; Urbanová, Straka]
28792. (Goldlink) At What Cost
28793. (Pietro Mascagni) In filanda, Can­tata for 4 Voices [d. Peschetti; Redoglia, de Palma,
. . . . . Fichera]
28794. (Golden Gate Quar­tet) Gospel 1937–1941
28795. (Jere­mih) Late Nights
28796. (Vítězslava Kaprálová) April Pre­ludes for Piano
28797. (Vítězslava Kaprálová) Five Com­po­si­tions for Piano
28798. (Valerie June) The Order of Time
28799. (Harry Styles) Harry Styles
28800. (Roy Hamil­ton) Awe­some Moments in Music
28801. (Domenico Scar­latti) Sonata in D Minor for Viola d’Amore & Harp­si­chord, K.77/L.168
28802. (Domenico Scar­latti) Sonata in F for Viola d’Amore & Harp­si­chord, K.78/L.75
28803. (Domenico Scar­latti) Sonata in G for Viola d’Amore & Harp­si­chord, K.79/L.80
28804. (Domenico Scar­latti) Sonata in G for Harp­si­chord, K.80
28805. (Domenico Scar­latti) Sonata in G Minor for Viola d’Amore & Harp­si­chord, K.88/L.36
28806. (Domenico Scar­latti) Sonata in D Minor for Viola d’Amore & Harp­si­chord, K.89/L.211
28807. (Domenico Scar­latti) Sonata in D Minor for Viola d’Amore & Harp­si­chord, K.90/L.106
28808. (Domenico Scar­latti) Sonata in G for Viola d’Amore & Harp­si­chord, K.91/L.176
28809. (Roc Mar­ciano) Mar­cberg
28810. (Sid­ney Bechet) Best of Sid­ney Bechet
28811. (Arthur Bliss) Med­i­ta­tions on a Theme by John Blow
28812. (Sam­pha) Process
28813. (Schola Hun­gar­ica) Ben­even­tan Chants: Holy Sat­ur­day
28814. (Schola Hun­gar­ica) Ben­even­tan Chants: Feast of the Holy Twelve Broth­ers
28815. (Smino) blk­swn
28816. (3 Inches of Blood) Advance and Van­quish
28817. (David Byrne) Look Into the Eye­ball
28818. (Johann Sebas­t­ian Bach) Can­tata #65 “Sie wer­den aus Saba alle kom­men”, bwv.65
28819. (Johann Sebas­t­ian Bach) Can­tata #66 “Erfreut euch, ihr Herzen”, bwv.66
28820. (Glen Camp­bell) The Best of Glen Camp­bell
28821. (Justin Robert­son) BBC Essen­tial Mix 1994-02-05

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