First-time listening for August 2017

24607. (Paul O’Dette, David Dou­glass & Andrew Lawrence-King) Eng­lish Coun­try Dances ―
. . . . . 17th Cen­tu­ry Music from the Pub­li­ca­tions of John Playford
24608. (Rug­giero Leon­cav­al­lo) La reginet­ta delle rose [com­plete opera; d. Galli­no; Pagliughi,
. . . . . D’Ar­ri­go, Avo­gadro, Renzi]
24609. (Gus­tav Mahler) Blu­mine [andante alle­gret­to removed from Sym­pho­ny #1]
24610. (Mary J. Blige) The Lon­don Sessions
24611. (Crazy House) Still Look­ing for Heav­en on Earth
24612. (Johann Nepo­muk Hum­mel) Piano Con­cer­to #1 in C, Op.36 [also pub­lished as Op.34a]
24613. (Jason Isbell & The 400 Unit) Here We Rest
24614. (T‑Bone Walk­er) The Com­plete Record­ings of T‑Bone Walk­er 1940–1954, vol.1
24615. (Dirty Pro­jec­tors) Dirty Projectors
24616. (Thiev­ery Cor­po­ra­tion) The Tem­ple of I & I
24617. (Jacopo Peri) Euridice (orig­i­nal ver­sion) [com­plete opera; d. ; Senecal, Gladstone]
24618. (Wale) Shine
24619. (Jan Pieter­szoon Sweel­inck) Psalm 150: Or soit loué, Eight-part Motet
24620. (Jan Pieter­szoon Sweel­inck) Psalm 33: Resveillez-vous, Eight-part Motet
24621. (Jan Pieter­szoon Sweel­inck) Psalm 53: Le fol malin, Four-to sev­en-part Motet
24622. (Jan Pieter­szoon Sweel­inck) Hodie Chris­tus natus est, Five-part Motet [vari­ant at 28614]
24623. (Jan Pieter­szoon Sweel­inck) Te Deum lau­damus, Five-part Motet for Voic­es and Organ
. . . . . [vari­ant at 28602]
24624. (Jan Pieter­szoon Sweel­inck) Psalm 148: Vous tous les habi­tans de cieux, for
. . . . . Unac­com­pa­nied Sev­en-part Choir
24625. (Jan Pieter­szoon Sweel­inck) Ab Ori­ente venerunt Magi, for Five-part Choir and Figured
. . . . . Bass [vari­ant of 28604]
24626. (Jan Pieter­szoon Sweel­inck) Orai­son Domini­cale, for Three-part Choir and Viols
24627. (Jan Pieter­szoon Sweel­inck) Psalm 130: De Pro­fundis, can­tio sacra for 5‑part Choir,
. . . . . Lute and Organ
24628. (Jan Pieter­szoon Sweel­inck) Psalm 98: Chantez à Dieu, for Five Solo Voic­es and Lute
24629. (Jan Pieter­szoon Sweel­inck) Gaude et laetere, can­to sacra for Five-part Choir, Lutes and
. . . . . Fig­ured Bass [vari­ant at 28604]
24630. (Jan Pieter­szoon Sweel­inck) Ecce prandi­um, can­tio sacra for Five-part Choir, Lutes and
. . . . . Fig­ured Bass [vari­ant at 28603]
24631. (Rick Ross) Rather You Than Me
24632. (Rober­ta Flack) First Take
24633. (Char­li XCX) Sucker
24634. (Gioacchi­no Rossi­ni) William Tell [Gugliel­mo Tell] [com­plete opera: d. d. Rossi;
. . . . . Tad­dei, Car­teri, Filippeschi]
24635. (Hur­ray for the Riff Raff) The Navigator
24636. (U Hlaing Win Maung) Myan­mar Clas­si­cal Songs & Pleas­ing Melody, vol.2
24637. (Lev­on Helm) Ties That­Bind ― The Best of Lev­on Helm 1975–1996
24638. (Johann Sebas­t­ian Bach) Can­ta­ta #58 “Ach Gott, wie manch­es Herzeleid”, bwv.58
24639. (Johann Sebas­t­ian Bach) Can­ta­ta #59 “Wer mich liebet, der wird mein Wort halten”,
. . . . . bwv.59
24640. (Johann Sebas­t­ian Bach) Can­ta­ta #60 “O Ewigkeit, du Don­ner­wort”, bwv.69
24641. (Johann Sebas­t­ian Bach) Can­ta­ta #61 “Nun komm, der Hei­den Hei­land”, bwv.61
24642. (SZA) Cntrl
24643. (Venus in Furs) Pla­ton­ic Love & Oth­er Stories
24644. (Dylan Scott) Dylan Scott
24645. (Hor­moz Farhat) String Quar­tet #6
24646. (Synau­lia) Music from Ancient Rome, vol.2
24647. (Arthur Sul­li­van) Song: “Hon­our, Rich­es, Mar­riage Bless­ings” from Shake­speare’s The
. . . . . Tempest
24648. (Arthur Sul­li­van) Song: “Where the Bee Sucks” from Shake­speare’s The Tempest
24649. (Arthur Sul­li­van) Suite from the Inci­den­tal Music to The Tem­pest, First Ver­sion [1861]
24650. (Arthur Sul­li­van) The Masque at Kenil­worth for Cho­rus and Orchestra
24651. (John Dun­sta­ple [Dun­sta­ble]) Quam pul­chra es
24652. (John Dun­sta­ple [Dun­sta­ble]) Kyrie
24653. (John Dun­sta­ple [Dun­sta­ble]) Glo­ria à 4
24654. (John Dun­sta­ple [Dun­sta­ble]) Cre­do à 4
24655. (John Dun­sta­ple [Dun­sta­ble]) Glo­ria Jesu Christe Fili Dei
24656. (John Dun­sta­ple [Dun­sta­ble]) Cre­do Jesu Christe Fili Dei
24657. (John Dun­sta­ple [Dun­sta­ble]) Sanctus
24658. (John Dun­sta­ple [Dun­sta­ble]) Cre­do Da gau­dio­rum premia
24659. (John Dun­sta­ple [Dun­sta­ble]) Sanc­tus Da gau­ri­o­rum premia
24660. (John Dun­sta­ple [Dun­sta­ble]) Agnus Dei
24661. (John Dun­sta­ple [Dun­sta­ble]) Veni Sancte spir­i­tus et Veni creator
24662. (John Dun­sta­ple [Dun­sta­ble]) Glo­ria in canon
24663. (Locri­an) Infi­nite Dissolution
24664. (Charles Min­gus) Min­gus Dynasty
24665. (Miguel) Wildheart
24667. (Gioachi­no Rossi­ni) Ital­ian Girl In Algiers [l’Italiana in Algeri] [com­plete opera; d.
. . . . . Varvi­so; Bergan­za, Alva, Core­na, Panerai]
24668. (3‑D) 3‑D
24669. (Chase Rice) Dirt Road Communion
24670. (Johann Sebas­t­ian Bach) Can­ta­ta #62 “Nun komm, der Hei­den Hei­land”, bwv.62
24671. (Johann Sebas­t­ian Bach) Can­ta­ta #63 “Chris­ten, ätzet diesen Tag”, bwv.63
24672. (Johann Sebas­t­ian Bach) Can­ta­ta #64 “Sehet, welch eine Liebe hat uns der Vater
. . . . . erzeiget”, bwv.64
24673. (Thiev­ery Cor­po­ra­tion) Sounds from the Thiev­ery Hi-Fi
24674. (Big Sean) I Decided
24675. (Okkervil Riv­er) Don’t Fall in Love with Every­one You See
24676. (John Bedyn­g­ham) O Rosa bel­la [wrong­ly attr. to John Dunstaple]
24677. (5th Dimen­sion) Liv­ing Togeth­er, Grow­ing Together
24678. (Bolesław Woy­tow­icz) Sin­fo­nia Con­cer­tante for Piano and Orchestra
24679. (T‑Bone Walk­er) The Com­plete Record­ings of T‑Bone Walk­er 1940–1954, vol.2
24680. (Jacopo Peri) Euridice [com­plete opera; d. Acht­en; Vieslet, Acht­en] [com­plet­ed by
. . . . . G. Caccini]
24681. (Mini­tel Rose) The French Machine
24682. (Jan Pieter­szoon Sweel­inck) Psalm 122: Gefreut hat sich mein Herz und Muth à 4
24683. (Jan Pieter­szoon Sweel­inck) Psalm 42: Ain­si qu’on oit le cerf bruire à 8
24684. (Jan Pieter­szoon Sweel­inck) Vide, homo, quae pro te patior à 5
24685. (Jan Pieter­szoon Sweel­inck) Psalm 43: Revenge moy, pren la querelle à 8
24686. (Jan Pieter­szoon Sweel­inck) Non omnis qui dic­it mihi à 5
24687. (Jan Pieter­szoon Sweel­inck) In te Domine sper­avi à 5
24688. (Jan Pieter­szoon Sweel­inck) Qui vult venire post me à 5 [vari­ant at 28605]
24689. (Jan Pieter­szoon Sweel­inck) Beati pau­peres à 5 [vari­ant at 28607]
24690. (Jan Pieter­szoon Sweel­inck) Psalm 108: Mon coeur est dis­pos, Ô mon Dieu à 6
24691. (Jan Pieter­szoon Sweel­inck) Psalm 23: Mon Dieu me paist à 4, 5, 6
24692. (Jan Pieter­szoon Sweel­inck) Psalm 137: Estans assis aux rives aqua­tiques à 4
24693. (Jan Pieter­szoon Sweel­inck) Can­tate Domi­no à 5 [vari­ant at 28609]
24694. (Jan Pieter­szoon Sweel­inck) Psalm 110: Le Tout­puis­sant à mon Seigneur à 6
24695. (Jan Pieter­szoon Sweel­inck) Regi­na coeli laetare à 5 [vari­ant at 28635]
24696. (Jan Pieter­szoon Sweel­inck) Psalm 99: Or est main­tenant l’Eter­nel reg­nant à 6
24697. (Synau­lia) Music from Ancient Rome, vol.3
24698. (Father John Misty [J. Till­mann]) Pure Comedy
24699. (Nick Hakim) Green Twins
24700. (Takashi Yoshi­mat­su) To the Com­pan­ion Star of Sir­ius for Piano, Op.1
24701. (Takashi Yoshi­mat­su) Thren­ody to Toki for Piano and String Orches­tra, Op.12
24702. (Takashi Yoshi­mat­su) 4 pieces in Bird shape for Clar­inet and Piano, Op.18
24703. (Syd) Fin
24704. (Blue Öys­ter Cult) Don’t Fear the Reaper: The Best of Blue Oys­ter Cult
24705. (Arthur Sul­li­van) Con­cer­to for Cel­lo and Orchestra
24706. (T‑Bone Walk­er) The Com­plete Record­ings of T‑Bone Walk­er 1940–1954, vol.3
24707. (Leoš Janáček) Šár­ka [com­plete opera; d. Mack­er­ras; Urbanová, Straka]
24708. (Goldlink) At What Cost
24709. (Pietro Mascagni) In filan­da, Can­ta­ta for 4 Voic­es [d. Peschet­ti; Redoglia, de Palma,
. . . . . Fichera]
24710. (Gold­en Gate Quar­tet) Gospel 1937–1941
24711. (Jere­mih) Late Nights
24712. (Vítězsla­va Kaprálová) April Pre­ludes for Piano
24713. (Vítězsla­va Kaprálová) Five Com­po­si­tions for Piano
24714. (Valerie June) The Order of Time
24715. (Har­ry Styles) Har­ry Styles
24716. (Roy Hamil­ton) Awe­some Moments in Music
24717. (Domeni­co Scar­lat­ti) Sonata in D Minor for Vio­la d’Amore & Harp­si­chord, K.77/L.168
24718. (Domeni­co Scar­lat­ti) Sonata in F for Vio­la d’Amore & Harp­si­chord, K.78/L.75
24719. (Domeni­co Scar­lat­ti) Sonata in G for Vio­la d’Amore & Harp­si­chord, K.79/L.80
24720. (Domeni­co Scar­lat­ti) Sonata in G for Harp­si­chord, K.80
24721. (Domeni­co Scar­lat­ti) Sonata in G Minor for Vio­la d’Amore & Harp­si­chord, K.88/L.36
24722. (Domeni­co Scar­lat­ti) Sonata in D Minor for Vio­la d’Amore & Harp­si­chord, K.89/L.211
24723. (Domeni­co Scar­lat­ti) Sonata in D Minor for Vio­la d’Amore & Harp­si­chord, K.90/L.106
24724. (Domeni­co Scar­lat­ti) Sonata in G for Vio­la d’Amore & Harp­si­chord, K.91/L.176
24725. (Roc Mar­ciano) Marcberg
24726. (Sid­ney Bechet) Best of Sid­ney Bechet
24727. (Arthur Bliss) Med­i­ta­tions on a Theme by John Blow
24728. (Sam­pha) Process
24729. (Schola Hun­gar­i­ca) Ben­even­tan Chants: Holy Saturday
24730. (Schola Hun­gar­i­ca) Ben­even­tan Chants: Feast of the Holy Twelve Brothers
24731. (Smi­no) blkswn
24732. (3 Inch­es of Blood) Advance and Vanquish
24733. (David Byrne) Look Into the Eyeball
24734. (Johann Sebas­t­ian Bach) Can­ta­ta #65 “Sie wer­den aus Saba alle kom­men”, bwv.65
24735. (Johann Sebas­t­ian Bach) Can­ta­ta #66 “Erfreut euch, ihr Herzen”, bwv.66
24736. (Glen Camp­bell) The Best of Glen Campbell
24737. (Justin Robert­son) BBC Essen­tial Mix 1994-02-05

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