Jean Leloup

08-03-03 LISTN Jean LeloupI’m lis­ten­ing again, with plea­sure, to L’amour est sans pitié, a 1990 album by the inter­est­ing Cana­dian rock­er Jean Leloup. Leloup (“The Wolf”) is a stage name for Jean LeClerc, who was born in Que­bec, but spent his child­hood in Togo and Alge­ria, return­ing home at age fif­teen. After an appren­tice­ship in the Que­bec rock scene, he briefly found some nation­al and inter­na­tional suc­cess with this album, which has songs in both French and Eng­lish. He com­bined rock with rai ele­ments long before any­one else was doing this in North Amer­ica, and his lyrics are clever. I’m told that a sub­se­quent album,Le Dôme, which was not as wide­ly dis­trib­uted, is even bet­ter. I haven’t found a copy yet. I under­stand that he sub­se­quently pub­lished a philo­soph­i­cal nov­el called Noir des­tin que le mien, which I haven’t seen.

(Green & Siegel 2003) The Weather Underground

I’m far too irri­tat­ed by this sil­ly doc­u­men­tary to ana­lyze it dis­pas­sion­ate­ly. It fool­ish­ly roman­ti­cizes the Weath­er Under­ground. Those pompous, arro­gant ass­holes were typ­i­cal exam­ples of spoiled-brat rich kids align­ing them­selves with evil and mas­querad­ing as “oppo­nents” of the Viet­nam War. These were NOT rad­i­cals in any sense. Their ide­ol­o­gy was ultra-ortho­dox, ultra-con­ser­v­a­tive, pro-slav­ery, and total­i­tar­i­an. Today, part­ly because of the activ­i­ties of these fake “rev­o­lu­tion­ar­ies”, the tru­ly evil nature of the Viet­nam War has been suc­cess­ful­ly obfus­cat­ed by its per­pe­tra­tors. These clowns were NOT the oppo­si­tion to that evil war. Far from it. As the six­ties say­ing went, you are either part of the prob­lem or you’re part of the solu­tion. Hyp­o­crit­i­cal poseurs like the Weath­er­men were part of the prob­lem. They should be firm­ly clas­si­fied where they belong: sym­bi­ot­ic part­ners with the mon­sters who pro­mot­ed and exe­cut­ed the Viet­nam War. Mean­while, all the courage of the gen­uine oppo­nents of the war has been for­got­ten. Let us hear no more non­sense about these pho­ny creeps.

SECOND MEDITATION ON DICTATORSHIP (written March 1, 2008)

The argu­ment behind this series of med­i­ta­tions is that aris­to­crat­ic elites, whether they are dressed up in mil­i­tary uni­forms, busi­ness suits, or the regalia of roy­al­ty, are iden­ti­cal in pur­pose and func­tion. Dif­fer­ences between them are triv­ial and cos­met­ic, not struc­tur­al. The term “dic­ta­tor­ship” applies equal­ly to all places where an unelect­ed gang of hood­lums rules over peo­ple and ter­ri­to­ry, what­ev­er their sup­posed ide­ol­o­gy or what­ev­er style they chose to prance around in. I fur­ther con­tend that they are nei­ther moral­ly legit­i­mate, nor “gov­ern­ment” in the sense that demo­c­ra­t­i­cal­ly elect­ed admin­is­tra­tions are. Dic­ta­tors are mere­ly crim­i­nals, no dif­fer­ent from the crim­i­nals that rob con­ve­nience stores or attack women in dark­ened car parks. The only dif­fer­ence is the amount of mon­ey they steal and the num­ber of peo­ple they mur­der or maim. Read more »

Image of the month:

08-03-01 BLOG Image of the month

First-time listening for February 2008

18199. The Music of the Uygur Eth­nic Group [We Wu Er Zu: Zhong Guo Shao Shu Min Yin
. . . . . Yue Ji Cheng]
18200. (Fran­cis Poulenc) Sin­foni­et­ta
18201. (Cao Yurong) Ting Er Hu, Ting Di Zi: Er Hu Liu Xing Pian [erh hu works]
18202. (Ben­jamin Brit­ten) Suite for Vio­lin & Piano, Op. 6
18203. (Ben­jamin Brit­ten) Ele­gy for Solo Viola,1930
18204. (Ben­jamin Brit­ten) Sonata for Cel­lo & Piano in C, Op. 65
18205. (Bena­jmin Brit­ten) Six Meta­mor­phoses after Ovid, for Oboe Solo, Op. 49
18206. Chun Jiang Hua Yue Ye: Min Ye Guo Cui [The Moon Night Of Spring Riv­er And
. . . . . Flow­ers and Oth­er Fujianese Clas­sics]
Read more »

READING – FEBRUARY 2008

15593. (Christo­pher Allen) French Paint­ing in the Gold­en Age
15594. (Dana Priest) Sol­dier Sui­cides at Record Lev­el [arti­cle]
15595. (Ken­neth A. Schmidt & Richard S. Ost­feld) Bio­di­ver­si­ty and the Dilu­tion Effect in
. . . . . Dis­ease Ecol­o­gy [arti­cle]
15596. (Jacob Baak-Teshu­va) Rothko
15597. (Rod­ney Cas­tle­den) Britain 3000 BC Read more »

Thursday, February 28, 2008 — Oops! I Missed That Angle

Skye Sepp points out to me that the Con­ser­v­a­tive bud­get is not as innocu­ous as I believed. I find his objec­tion entire­ly con­vinc­ing, and here­by change my mind. He focus­es on the “tax-free $5,000 account” pro­gram, which looks very attrac­tive on the sur­face. But, on clos­er exam­i­na­tion, it turns out to be a swin­dle, aimed at neu­tral­iz­ing the pro­gres­sive income tax sys­tem, so that the rich pay less while the poor and aver­age Cana­di­ans pay more. In the pro­gram, Indi­vid­u­als will be able to put only $5,000 a year into accounts to earn tax-free inter­est and/or cap­i­tal gains. In their first full year of oper­a­tion, this will cost the fed­er­al trea­sury only $50 mil­lion in lost tax rev­enue. That’s why it did­n’t leap out of the bud­get with glar­ing warn­ing lights. In fact, it looked rather warm and fuzzy. The small ini­tial sum makes it look like a mea­sure aimed at Cana­di­ans with mod­est sav­ings. The Con­ser­v­a­tives keep repeat­ing that it would “help some­one buy a car” — which is non­sense on the face of it, as you would have to have very large amounts in sav­ings for it to be use­ful for that. Read more »

Bird Songs of Eastern and Central North America

I love Good­will stores. Where else are you going to find a vinyl press­ing of Bruce Willis’ rock band, or a biog­ra­phy of Tel­ly Savalas? And you occa­sion­ally find some­thing that’s actu­ally valu­able or use­ful. Yes­ter­day, I paid fifty cents for a two-disk record­ing of the calls of about three hun­dred birds of my region, keyed to the page num­bers of Peterson’s Field Guide, the bible of bird­ing on this con­ti­nent. I was sur­prised at the num­ber of calls that I rec­og­nized. But I was dis­ap­pointed to find the Whiskey­jack (Wiis­age­jaak, in Cree) miss­ing. How could they ignore the impu­dent trick­ster? It’s dis­tinc­tive song is usu­ally described as “whee-ah, chuck chuck”. It also whis­tles and screech­es on occa­sion, or sings a charm­ing “whis­per song” when mating.

[Pho­to of a Whiskey­jack tak­en by Aarre Erto­lahti in Lappe, fif­teen miles west of Thun­der Bay. Orig­i­nally pub­lished in Cana­dian Sanomat,a Finnish-lan­guage news­pa­per in North­ern Ontario.]

Tuesday, February 26, 2008 — Two Depressing News Items

Fidel Cas­tro with Chilean dic­ta­tor Augus­to Pinochet, in 1977, cel­e­brat­ing the tri­umph of Pinochet’s tor­ture regime. Pinochet ulti­mate­ly faced a mild pun­ish­ment and repu­di­a­tion, but it looks like Cas­tro will get away with his atroc­i­ties.

Cas­tro with Sovi­et dic­ta­tor Niki­ta Khrushchev. Among oth­er crimes, Khrushchev mas­ter­mind­ed racist pogroms and orches­trat­ed planned famines.. Togeth­er, C and K near­ly brought the world to a nuclear holocaust.

Cas­tro with Ethiopi­an dic­ta­tor Mengis­tu Haile Mari­am. Cas­tro’s behind-the-scenes schem­ing brought Mari­am to pow­er, with Sovi­et sup­port. Cas­tro’s admi­ra­tion for Mengis­tu, who start­ed his reign with a blood­bath, was unbound­ed. In May of 1977 the Swedish gen­er­al sec­re­tary of the Save the Chil­dren Fund stat­ed that “1,000 chil­dren have been killed, and their bod­ies are left in the streets and are being eat­en by wild hye­nas … You can see the heaped-up bod­ies of mur­dered chil­dren, most of them aged eleven to thir­teen, lying in the gut­ter, as you dri­ve out of Addis Aba­ba.” [1] Cas­tro enthu­si­as­ticly applaud­ed the action. Mari­am sub­se­quent­ly under­took one of the cen­tu­ry’s larg­er geno­cides, in which many mil­lions died. Cas­tro’s sup­port for this geno­cide con­tin­ued until Mengis­tu’s fall.

Span­ish dic­ta­tor Fran­cis­co Fran­co. Fran­co and Cas­tro were life-long friends and mutu­al admir­ers. Cas­tro mod­eled his speak­ing style and swag­ger­ing man­ner­isms on Fran­co’s. Cas­tro’s “ide­ol­o­gy” was Span­ish Fas­cism (Falangism) until it sud­den­ly became Marx­ism… a “change” that is mean­ing­less, as it involved no change.

Read more »

Pushing Up Daisies

Not to be con­fused with the Salt Lake City band of the same name, this Cana­dian band put out two albums of fair­ly decent alt-rock before they broke up. I have vague mem­o­ries of an enjoy­able evening at some club (in Mon­treal?) which is con­firmed by the fact that my tape of their first album, Whee­dle, is signed by all the band mem­bers. I must have bought it from them.