I’ve collected films for a long time. Long before it was possible to keep them as computer files, I was accumulating videotapes by the gross. I love films of all kinds, good and bad, and will watch all sorts of things that puzzle my friends. Why, for instance, would anyone in 2010 want to watch Spooks Run Wild, starring the East End Kids, or a 1959 Swedish film about extraterrestrials invading Lappland? Well, quite apart from the direct, childish pleasure this sort of thing gives me, I can pretend I have more serious, and presumably laudable reasons.
There’s an unfortunate habit among historians to talk about such and such a point in time as marking the beginning of “modernity” ― a point fixed, according to fashion, anywhere from the proof sheets of the Epic of Gilgamesh to the death of Kurt Cobain ― but there are two points in time where it can be convincingly argued that things did change for us quite drastically. After a mere thirty years of experiment, the technology of photography became widely available by the early 1850s. The sobering reality of the American Civil War leaps out at us from the photographs of Mathew Brady, and it wasn’t anything like war was depicted by the painter Jacques Louis David. Read more »








