Category Archives: BL - Reading 2010 - Page 3

READINGFEBRUARY 2010

18576. (Steve Muhlberg­er) [in blog Muhlberg­er’s Ear­ly His­to­ry] Pop­u­la­tion Crash in Europe?
.… . [arti­cle]
18577. (Steve Muhlberg­er) [in blog Muhlberg­er’s Ear­ly His­to­ry] The Chron­i­cle of the Good
.… . Duke and “Mod­ern Times” [arti­cle]
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William Bolcom’s Songs of Innocence and Songs of Experience

Musi­cians have long been attract­ed to William Blake’s inter­con­nect­ed poems known as the Songs of Inno­cence and of Expe­ri­ence. Allen Gins­berg has assert­ed that a study of the rhyme and meter of the poems reveals that Blake intend­ed them to be sung. They cer­tain­ly have the feel­ing of Eng­lish tav­ern bal­lads strange­ly mutat­ed into moral and meta­phys­i­cal med­i­ta­tions. This mix­ture of seri­ous pur­pose and pop­u­lar form is exact­ly the stuff that best suits Amer­i­can com­pos­er William Bol­com. Read more »

READINGJANUARY 2010

18426. [3] (Elias Lön­nrot) The Kale­vala: Epic of the Finnish Peo­ple [trans­lat­ed by Eino Friberg ;
. . . . . edit­ing and intro­duc­tion by George C. Schoolfield; illus­trat­ed by Björn Landström]
. . . . . [read pre­vi­ous­ly in Kir­by (1) and Bosley (2) translations]
18427. [2] (F. R. Kreutzwald) Kale­vipoeg: An Ancient Eston­ian Tale com­piled by Fr.R. Kreutzwald ;
. . . . . trans­la­tion with notes and after­word by Jüri Kur­man Read more »

18586. [3] (Edgar Pangborn) Davy

A most plea­sur­able third read­ing of an old favourite of mine. Edgar Pang­born’s gen­tle and humane nov­els had a tremen­dous influ­ence on me. The book that real­ly hit the mark was A Mir­ror For Observers, but the Davy sto­ries were almost as good. This nov­el intro­duces the char­ac­ter at the age of four­teen, but hops back and forth in time. The back­ground is post-apoc­a­lyp­tic, with the human pop­u­la­tion of upstate New York and New Eng­land reduced to an ear­ly Medieval lev­el of tech­nol­o­gy and the Huly Mur­can Church pro­vid­ing what lit­tle social cohe­sion exists. But this is not a remake of Miller’s A Can­ti­cle For Lei­bowitz. Pang­born saw orga­nized reli­gion as more of a repres­sive and regres­sive force than Miller did. Noth­ing rings false in Pang­born’s imag­ined world. The young Davy is a randy lit­tle raga­muf­fin, and his picaresque progress is more along the line of Field­ing than Bun­yan. But unlike most picaresque writ­ers, Pang­born nev­er placed sex in oppo­si­tion to love, or to moral­i­ty. Rather, he under­stood that sex stands at the heart of moral­i­ty. Spi­der Robin­son has remarked that “Edgar Pang­born said again and again in his books that love is not a con­di­tion or an event or even a state of mind — that love is a coun­try, which we are some­times priv­i­leged to visit.”

18426. [3] (Elias Lönnrot) The Kalevala: Epic of the Finnish People; 18427. [2] (F. R. Kreutzwald) Kalevipoeg: An Ancient Estonian Tale

As my Decem­ber read­ing has con­cen­trat­ed on the relat­ed sub­jects of shaman­ism, Finno-Ugric lin­guis­tics and folk­lore, it’s appro­pri­ate for me to start off the year by re-read­ing the Kale­vala and the Kale­vipoeg. The Finnish Kale­vala has been a con­stant, haunt­ing pres­ence with me for most of my life, but the less well known Eston­ian Kale­vipoeg is some­thing I’ve got­ten into more recent­ly.  Read more »

Sibelius’ Kullervo

As I’m begin­ning the year with a re-read­ing of the Kale­vala, the Finnish mytho­log­i­cal epic that has haunt­ed me since child­hood, it’s log­i­cal for me to begin the year’s musi­cal lis­ten­ing with Sibelius’ largest scale work based on it, the spec­tac­u­lar uni­fied sequence of tone poems about the Kale­vala hero Kuller­vo. I have two record­ings of Kuller­vo, Sym­phon­ic Poem for Sopra­no, Bari­tone, Cho­rus and Orches­tra, Op.7: Jor­ma Pan­u­la con­duct­ing the Turku Phil­har­mon­ic Orches­tra, and Paa­vo Berglund direct­ing the Helsin­ki Sym­pho­ny Orches­tra. They’re both fine, but I pre­fer the Berglund. Eeva-Liisa Saari­nen’s sopra­no in it is superb.
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