(Huston 1956) Moby Dick

Moby DickCrit­ics were not kind to John Hus­ton’s 1956 film­ing of Melville’s sym­bol­ic mas­ter­piece, but it has much to com­mend it. Gre­go­ry Peck looked awk­ward in the role of Ahab, but in the scenes where he whips his crew into a col­lec­tive fren­zy (where Star­buck sees “a mad­man beget more mad­men”) he was very effec­tive. Ray Brad­bury wrote the script, and I think it one of his most bril­liant accom­plish­ments, for it remains very true to the inten­tions and style of the book. Richard Base­hart was fine as that sim­ple soul, Ish­mael, and Leo Genn per­formed bril­liant­ly in the role of Star­buck. The spe­cial effects were superb for their time, though they might embar­rass a film-mak­er today. Visu­al detail was accurate.

The world of the New Bed­ford whalers in the 1840s holds many sur­pris­es for a mod­ern view­er. It was strik­ing­ly cos­mopoli­tan — the whal­ing ships sailed every sea in the world, and Africans, Native Amer­i­cans, Asians, Poly­ne­sians, and Euro­peans crewed the ships and walked the streets of New Bed­ford. Peo­ple were gen­uine­ly, pro­found­ly reli­gious. Unlike the pho­ny-balony “Chris­t­ian fun­da­men­tal­ists” of mod­ern Amer­i­ca, who nev­er actu­al­ly read the bible, these peo­ple knew it by heart. Melville expect­ed his read­ers to get every one of his thou­sands of bib­li­cal ref­er­ences in the nov­el. The movie cap­tures both these ele­ments exactly.

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