16770. (Benjamin Isakhan) The Post-Saddam Iraqi Media

This very inter­est­ing arti­cle in Glob­al Media Jour­nal [7 (13), 2008] by an Aus­tralian schol­ar points out that what­ev­er the motives, or the out­come of the inva­sion of Iraq, it result­ed in the sud­den emer­gence of an active and free press in that coun­try. Tak­ing us on a tour of its vital­i­ty and evi­dent pop­u­lar­i­ty, he points out that this devel­op­ment will pro­found­ly affect the future of the Mid­dle East. And he is keen on its poten­tial for over­turn­ing the clichés and car­toon-analy­sis that out­siders have long imposed on the com­plex­i­ties of that region. Rich in facts and detail.

Dark Captain Light Captain — Miracle Kicker

This debut album was only released a few days ago, in the U.K., but I can safe­ly make the bet that it will be a bigsuc­cess. Close har­mo­ny vocals rem­i­nis­cent of Simon & Gar­fun­kle are com­bined with superb gui­tar play­ing and judi­cious­ly used bits of wood­wind (I think there’s a flugel­horn in there) and elec­tron­ics. The lyrics are real poet­ry. DCLC are list­ed as “exper­i­men­tal, folk, lounge”, which I sup­pose is fair enough, but is inad­e­quate to express the num­ber of nodes they con­nect to. Every song on the album, from the first, “Jeal­ous Ene­mies”, to the last, “Mir­a­cle Kick­er” shows an extra­or­di­nary crafts­man­ship, get­ting every lit­tle detail just right. “Robot Com­mand Cen­tre” and the pro­found­ly orig­i­nal “Spon­ta­neous Com­bus­tion Pact” in par­tic­u­lar had an emo­tion­al impact on me. This is intel­li­gent music.

Dark Cap­tain Light Cap­tain is a Lon­don-based band cur­rent­ly tour­ing the boonies in the U.K. —and I eager­ly antic­i­pate them break­ing out inter­na­tion­al­ly so they can show up here. I’ll be first in line for tick­ets when they play Toron­to. Dan Car­ney (gui­tar, voice), Giles Lit­tle­ford (gui­tar, voice), Neil Klein­er (elec­tron­ics, wood­wind, voice), Chin Of Britain (drums), Mike Cran­ny (bass, voice) Lau­ra Copsey (brass, voice), shown above, are the line-up.

Wednesday, November 5, 2008 — Not cool, California

At the very same time that Amer­i­ca as a nation chose to enter the 21st Cen­tu­ry, the cit­i­zens of Cal­i­for­nia have cho­sen to shame and dis­hon­our them­selves. Propo­si­tion 8 — a loath­some vio­la­tion of fun­da­men­tal moral law, passed in that state. This is the infa­mous ban on gay mar­riage. The deci­sion pre­vents gay cit­i­zens of Cal­i­for­nia from exer­cis­ing their most basic of human rights. It attacks and des­e­crates the prin­ci­ples of a free soci­ety, and equal­ly attacks and des­e­crates civ­i­liza­tion, love and mar­riage. By this dis­gust­ing step, Cal­i­for­nia has aligned itself with the forces of evil, and cho­sen to dupli­cate the immoral­i­ties of Com­mu­nist and Tal­iban dic­ta­tor­ships. Read more »

Wednesday, November 5, 2008 — Way cool

“Way cool, Amer­i­can dudes.…”

Tuesday, November 4, 2008 (just after midnight) — To a Historian

And I did indeed read some Whit­man, just at mid­night. The first sec­tion of Leaves of Grass, “Inscrip­tions”, which of course starts with “One’s-Self I Sing”, and con­tains famil­iar poems such as “In Cab­in’d Ships at Sea”, “I Hear Amer­i­ca Singing”, “Start­ing from Pau­manok” and the superb “Song of Myself”. But among them I rel­ished one rarely cit­ed, and which I had for­got­ten: “To a His­to­ri­an”. To some­one like me, who con­sid­ers him­self both a his­to­ri­an and a Sci­ence Fic­tion writer, this one is par­tic­u­lar­ly appropriate.

You who cel­e­brate bygones,
Who have explored the out­ward, the sur­faces of the races,
the life that has exhib­it­ed itself,
Who have treat­ed of man as the crea­ture of pol­i­tics,
aggre­gates, rulers and priests,
I, habi­tan of the Allegha­nies, treat­ing of him as he is in
him­self in his own rights,
Press­ing the pulse of the life that has sel­dom exhib­it­ed itself,
(the great pride of man in him­self,)
Chanter of Per­son­al­i­ty, out­lin­ing what is yet to be,
I project the his­to­ry of the future.

Monday, November 3, 2008 — I Have Faith in Americans

Over the last few years, in this web­site, I’ve tak­en many crit­i­cal swipes at Amer­i­can pol­i­tics and cul­ture. Like most Cana­di­ans, I have a some­what ambiva­lent and jaun­diced atti­tude towards our south­ern cousins. Some­times this can get car­ried away. When times are at their worst, we tend to respond with the frus­trat­ed anger of some­one who has learned that his admired broth­er has turned into a drug addict or been brain­washed by the Moonies. For the times I’ve been intem­per­ate in my crit­i­cisms, I duly apol­o­gize. But let me say this: I have always admired Amer­i­ca, as most Cana­di­ans have always admired it, for the obvi­ous rea­sons. Those rea­sons can be found in the quin­tes­sen­tial­ly Amer­i­can works of art, music, phi­los­o­phy and lit­er­a­ture that are as much a part of me as the red maple leaves blow­ing in the street out­side my door are part of me. Tomor­row the Amer­i­can peo­ple will decide whether their nation is over and done with or will con­tin­ue and renew itself. If McCain is elect­ed, every­one in the world will know that Amer­i­ca is washed up, fin­ished. Nobody will ever take any Amer­i­can seri­ous­ly again. But it appears that the tide is turn­ing. Amer­i­ca seems to be re-dis­cov­er­ing itself. I have faith in the Amer­i­can peo­ple. Tonight, I’ll read Whitman.

16732. (Terje Anderson) [in blog Daily Kos] Why We Stand in Line to Vote — A Historical Photo Essay [article]

Steve Muhlberg­er’s blog Muhlberg­er’s Ear­ly His­to­rylinked to this mov­ing pho­to arti­clein the Dai­ly Kos. For decades I’ve argued with peo­ple who thought they are being clever by not vot­ing, and who sub­se­quent­ly won­dered why they woke up in a world con­trolled by reli­gious wack­os and sleazy haters of free­dom. Well, it’s because they nev­er showed up at the polls, and the haters of free­dom made sure their min­ions did. The lame log­ic behind the “don’t vote, it only encour­ages them” notion was basi­cal­ly that, if your only weapon is a bow and arrow, and you are being hunt­ed by a some­one with a gun, you should throw away the bow and arrow. The Demo­c­ra­t­ic Par­ty may not be a shin­ing bas­tion of rea­son and free­dom, but at the moment, the dif­fer­ence between it and the Repub­li­can Par­ty is rough­ly equiv­a­lent to the dif­fer­ence between the post-WWII democ­ra­cies and the Sovi­et Union. Remem­ber the nitwits who, back then, liked to talk as if the two were “moral­ly equiv­a­lent”? His­to­ry has turned them into jokes. Right now the last thing in the world a sane human being can claim is that the Demo­c­ra­t­ic and Repub­li­can par­ties are moral­ly equiv­a­lent. The con­trast is stark and irrefutable. Read more »

16731. (Chief Electoral Officer of Canada) A History of the Vote in Canada

It’s a bit of a sur­prise that the Office of the Chief Elec­toral Offi­cer would pro­duce a charm­ing­ly writ­ten and graph­i­cal­ly pleas­ing book — aren’t those folks sup­posed to be soul­less, humour­less bureau­crats? And it presents the his­to­ry of the fran­chise in Cana­da with sys­tem­at­ic schol­ar­ship. It begins by men­tion­ing the rep­re­sen­ta­tive insti­tu­tions of Native Cana­di­ans, and gives a brief dis­cus­sion of the elect­ed assem­bly that exist­ed in New France, the Con­seil de Québec, between 1657 and 1674, only to be sup­pressed by the infa­mous French Sec­re­tary of State, Jean-Bap­tiste Col­bert, who firm­ly rep­ri­mand­ed Fron­tenac for his “inno­va­tion”. Most inter­est­ing to me were the detailed his­to­ries of the fran­chise in all the British North Amer­i­can colonies before Cana­di­an Con­fed­er­a­tion. Read more »

Image of the month: Hylocichla mustelina

08-11-01 BLOG Image of the month - Hylocichla mustelina

First-time listening for October, 2008

19002. (North­ern Cree Singers) Stay Red: Pow-wow Songs Record­ed Live at Pull­man
19003. (Franz Josef Haydn) Sym­pho­ny #24 in D
19004. (Franz Josef Haydn) Sym­pho­ny #25 in C
19005. (Franz Josef Haydn) Sym­pho­ny #27 in G
19006. (Mas­sive Attack) Blue Lines
19007. (Antonín Dvořak) String Quar­tet #3 in D, B.18
19008. (Antonín Dvořak) String Quar­tet #4 in E‑flat, B.19
19009. (North­ern Wind) Med­i­cine Dress [Round Dance songs hon­our­ing the Jin­gle Dress
. . . . . com­posed by Gabe Desrosiers]
Read more »