FILMSJANUARY 2013

(Juran 1964) The First Men in the Moon
(Gorst 2004) The Big Ques­tion: Ep.1 — How Did the Uni­verse Begin?
(Gorst 2004) The Big Ques­tion: Ep.3 — Why Are We Here?
(Burke 2011) Coast: Ep.48 ― The West­ern Isles and Shet­land Read more »

First-time listening for January, 2013

22167. (Earth, Wind & Fire) Need of Love
22168. (Tame Impala) Tame Impala EP
22169. (Appa­rat Organ Quar­tet) Pólýfónía
22170. (Goril­laz) Lai­ka Come Home
Read more »

READINGJANUARY 2013

20690. (William R. Short) Food, Diet, and Nutri­tion in the Norse Era [arti­cle]
20691. (Tim­o­thy Sny­der) Blood­lands ― Europe Between Hitler and Stalin
20692. (Hildur Gests­dót­tir) The Palaeopatho­log­i­cal Diag­no­sis of Nutri­tion­al Dis­ease: a Study
. . . . . of the Skele­tal Mate­r­i­al from Skel­jas­tadir, Ice­land [the­sis]
20693. (CBS/AP) Ancient Man­u­scripts Indi­cate Jew­ish Com­mu­ni­ty Once Thrived in
. . . . . Afghanistan [arti­cle]
Read more »

Başar Dikici’ “Köprü”

There were lots of per­for­mances by Başar Diki­ci on YouTube, but I couldn’t find any bio­graph­i­cal infor­ma­tion about him, oth­er than that he was born in Adana. He looks fair­ly young. Dikici’s instru­ment is the Ney, a very sim­ple end-blown flute that has been in con­tin­u­ous use for four or five thou­sand years. A skilled play­er can cov­er three octaves with it. Sim­i­lar instru­ments abound through­out Asia, but the Ney is par­tic­u­lar­ly asso­ci­at­ed with Turk­ish clas­si­cal music. But it’s at home in the many vari­eties of Turk­ish pop music, as well. Read more »

Sunday, January 6, 2013 — Thoughts Generated by Icelandic Shnapps

The fol­low­ing is inspired by my vis­it to Ice­land, but will draw on oth­er expe­ri­ences as well. I still have a bot­tle of Ice­landic Schnapps (“with the good­ness of lichen”), which nobody else I know here in Toron­to is will­ing to drink. I will take a small nip of it every time I fin­ish a paragraph.

I vis­it­ed Ice­land because I had long been fas­ci­nat­ed by its pecu­liar his­to­ry. Its medieval sta­tus as a non-aris­to­crat­ic repub­lic, with unique elec­toral and judi­cial fea­tures, far dif­fer­ent from the urban republics of Italy, com­mends it to any his­to­ri­an of democ­ra­cy. Var­i­ous fea­tures of mod­ern Ice­land are equal­ly inter­est­ing. Con­se­quent­ly, I had been read­ing about Ice­landic his­to­ry and cul­ture for decades before I set foot in the place. One of the rea­sons I was attract­ed to study­ing the his­to­ry and soci­ety of Ice­land was its les­son that a coun­try with a pop­u­la­tion as small as 300,000, blessed with few nat­ur­al resources or strate­gic advan­tages, can pro­vide its cit­i­zens with pret­ty much any­thing they would need in the mod­ern world. While it can­not offer its cit­i­zens air­craft car­ri­ers or lin­ear accel­er­a­tors, it can eas­i­ly pro­vide most of the things that peo­ple in this cen­tu­ry con­sid­er nec­es­sary for a good life. Most of these bless­ings are patent­ly trace­able to its com­mit­ment to, and expe­ri­ence with, effec­tive demo­c­ra­t­ic insti­tu­tions. This les­son is a very impor­tant one for peo­ple in small nations, espe­cial­ly post-colo­nial ones, who yearn for both eco­nom­ic devel­op­ment and the estab­lish­ment of sol­id demo­c­ra­t­ic insti­tu­tions. Ice­land spent many cen­turies as a colony, and many cen­turies in pover­ty. It’s com­plete inde­pen­dence arrived only in the mid-twen­ti­eth cen­tu­ry. It’s achieve­ments since then have, on the whole, been very impres­sive. Read more »

Image of the month: Siberian tiger mom

18-01-01 IMAGE Siberian tiger mom

FILMSDECEMBER 2012

(Liman 2002) The Bourne Identity
(Win­er 2009) Mod­ern Fam­i­ly: Ep.1 — Pilot
(Tay­lor 2010) Coast: Ep.43 ― Ska­gen, Den­mark Read more »

First-time listening for December, 2012

23139. (Jón Leifs) Hafis [Drift Ice], for Mixed Cho­rus & Orches­tra, Op. 63
23140. (Jón Leifs) Song: “Máninn Líður” for Mez­zo-Sopra­no & Orches­tra, Op.14a
23141. (Jón Leifs) Song: “Vög­gu­vísa” for Mez­zo-Sopra­no & Orches­tra, Op.14a
23142. (Jón Leifs) Guðrú­narkviða for Mez­zo-Sopra­no, Tenor, Bari­tone & Orches­tra, Op.22 Read more »

READINGDECEMBER 2012

23511. (Kevin Stone) Overview of Canada’s Coal Sec­tor [arti­cle]
23512. (Bren­dan Gree­ley) Urg­ing Econ­o­mists to Step For­ward from the Black­board [arti­cle]
23513. (Steve Muhlberg­er) [in blog Muhlberber’s World His­to­ry] Bangladesh: Still Wait­ing for
. . . . . the Tide to Raise All Boats [arti­cle]
23514. (Keenan Lee) The Altai Flood [arti­cle]
23515. (Robert Jor­dan) Wheel of Time #1: The Eye of the World Read more »

Swervedriver: Mezcal Head

12-12-04 LISTN Swervedriver - Mezcal HeadI’ve long been fond of this 1993 album by Swervedriv­er, a potent alter­na­tive rock band from Oxford. I have the Cana­dian release on cas­sette tape, which has an addi­tional song, “Nev­er Lose That Feeling/Never Learn”, not avail­able on the U.K. orig­i­nal. Swervedriv­er was an excel­lent band, absorb­ing influ­ences at first from raw bands like Iggy and the Stooges, and slow­ly acquir­ing a denser “alter­na­tive” tex­ture with­out los­ing any aggres­sive­ness. Unlike Dinosaur Jr., Son­ic Youth, My Bloody Valen­tine, and oth­er bands of that gen­eral zeit­geist, Swervedriv­er nev­er found a sat­is­fac­tory rela­tion­ship with a record com­pany, or a broad audi­ence. But Mez­cal Head stands up very well after twen­ty years. “Duel”, the only song to get a video and sig­nif­i­cant air­play, is by no means the only good track on the album. I pre­fer “Last Train To Satans­ville” and the jazz-like “Nev­er Learn”. The vocals are more or less impos­si­ble to make out, and float over the thick instru­men­tal sound like a ping pong ball on a tsuna­mi, but that was par for the course at the time.