Monthly Archives: April 2006 - Page 2

14642. (Philip Marchand) Ghost Empire ― How the French Almost Conquered North America

Fur Traders Descending the Missouri, c. 1845 by George Caleb Bingham. It was originally titled "French Trader, Half-breed Son" - Metropolitan Museum of Art of New York City

Fur Traders Descend­ing the Mis­souri, c. 1845 by George Caleb Bing­ham. It was orig­i­nal­ly titled “French Trad­er, Half-breed Son” — Met­ro­pol­i­tan Muse­um of Art of New York City

This is not, strict­ly speak­ing, a his­tory. It’s more of a med­i­ta­tion on a theme. Marc­hand, a jour­nal­ist raised in a New Eng­land French Cana­dian fam­ily, retraces the route trav­eled by Robert de La Salle in the sev­en­teenth cen­tury. Along the way, he digs up sur­viv­ing traces of French Amer­ica in small towns from Wis­con­sin to Texas (La Salle was not a small-scale explor­er) and con­tem­plates the impact of the French empire in Amer­ica. He is right, of course, to say that Amer­i­can his­to­ri­ans under‑r­e­port this era. Apart from the vague impres­sion that the Mid­west was explored by Gen­eral Motors cars, and a horde of mis­pro­nounced French place-names, most of it has fall­en out of the Amer­i­can his­tor­i­cal consciousness.

06-04-06 READ 14642. (Philip Marchand) Ghost Empire ― How the French Almost Conquered North America pic 2As he points out, there was a con­certed effort in the Nine­teenth Cen­tury to view the huge area between the Appalachi­ans and the Rock­ies as a pris­tine wilder­ness, with only a few scat­tered Indi­an tribes to be pushed aside by rugged pio­neer set­tlers. In real­i­ty, the entire region was a net­work of sta­ble towns and agri­cul­tural set­tle­ments. For exam­ple, when Amer­i­can troops moved into Green Bay, Wis­con­sin , in 1816, they found a well-estab­lished town of farm­ers and traders. The French-speak­ing inhab­i­tants were told that they would not be allowed to engage in trade unless they were Amer­i­can cit­i­zens. When they applied for cit­i­zen­ship, most were refused. Those who were allowed to stay in busi­ness could no longer engage in free trade, but only deal with the state-sup­port­ed monop­oly of the Amer­i­can Fur Com­pany, which rapid­ly forced them into bank­ruptcy. The new regime stripped most farm­ers of their prop­erty, refus­ing to rec­og­nize land titles. Marc­hand only touch­es on this briefly, but I am famil­iar with the process from many his­tor­i­cal sources, and what he hints at could be expand­ed into an entire book. The French-speak­ing soci­ety that stretched from Michi­gan to Mon­tana to the mouth of the Mis­sis­sippi was sub­merged by force and law, as well as by num­bers. Those who didn’t van­ish into mar­ginal pover­ty, or aban­don their lan­guage and reli­gion, fled to West­ern Cana­da. There, French-speak­ing Métis cul­ture shaped Cana­dian his­tory in dra­matic ways. Read more »

(Dr. Seuss & Alexander Abingdon) The Omnibus Boners

06-04-04 READ (Dr. Seuss & Alexander Abingdon) The Omnibus Boners pic 1I spot­ted this in a Good­will book-bin and snatched it. What a lit­tle trea­sure to come across! In 1931, the young com­mer­cial artist Theodore Seuss Geisel, who had already assumed the non-de-plume of “Dr. Seuss”, was com­mis­sioned to il­lus­trate three col­lec­tions of amus­ing quotes from school essays. His biog­ra­phy states that it was this that con­vinced him that he should try mak­ing a book for chil­dren. Dr. Seuss’ inim­itable style is already evi­dent in these illus­tra­tions. The school­boy bloop­ers select­ed are still very fun­ny. Some exam­ples: “Grav­ity was dis­cov­ered by Isaac Wal­ton. It is chiefly notice­able in the autumn, when apples are falling off trees”, “The Zodi­ac is the Zoo of the Sky, where lions, goats, vir­gins and oth­er ani­mals go after they are dead”, “A cow is very like a bull, but a bull hurts more”, “To stop a nose­bleed, stand on your head till your heart stops beat­ing.”, “The arti­choke was an ancient instru­ment of tor­ture”, “Hered­ity means that if your grand­fa­ther didn’t have any chil­dren, then your father prob­a­bly wouldn’t have had any, and nei­ther would you, prob­a­bly.”, “Thomas Paine was a rare indi­vid­ual, obsessed by com­mon sense.”, “Cana­di­ans raise bowl wee­vils for their wool.”, and who could for­get “Socrates was addict­ed to hem­lock, which even­tu­ally cor­rupted his morals.”? Dr. Seuss’s draw­ings do full jus­tice to these gems of error. I don’t doubt that this book is col­lectible, but it would take a gang of furi­ous Scots­men armed with clay­mores to pry it away from me. [appar­ently it isn’t worth any­thing much — a friend checked up on it] Read more »

Tuesday, April 4, 2006 — Dick Gephart Quotes Us (How’s That Again?)

In 1992, I wrote a lit­tle essay in which I crit­i­cized the wide­spread belief that democ­ra­cy is noth­ing more than a mere local cus­tom of a few “west­ern” coun­tries, of lit­tle inter­est or applic­a­bil­i­ty to most of the world. This ortho­doxy, taught in count­less uni­ver­si­ty cours­es and glibly (and glee­ful­ly) chant­ed by all the world’s enthu­si­asts for tyran­ny and exploita­tion, was, I wrote, with­out his­tor­i­cal or anthro­po­log­i­cal foun­da­tion. I point­ed out that the ele­ments on which mod­ern rep­re­sen­ta­tive democ­ra­cies were built exist in every major cul­tur­al tra­di­tion, and are the com­mon expe­ri­ence and her­itage of humankind. I sketched out a series of exam­ples that sup­port­ed my the­sis. But the arti­cle was noth­ing more than an anec­do­tal “think piece”. Read more »

(Scott 2005) Kingdom of Heaven

06-05-03 VIEW (Scott 2005) Kingdom of Heaven

The plot is lift­ed straight out of Wal­ter Scott’s The Tal­is­man. The char­ac­ters spout ridicu­lous speech­es, espous­ing mod­ern sen­ti­ments, which would be high­ly improb­a­ble com­ing out of the mouths of twelfth-cen­tu­ry peo­ple. But who cares? The bat­tle sequences at the end are mag­nif­i­cent. Medieval siege tech­niques, with rolling siege tow­ers and tre­buchets, were every bit as spec­tac­u­lar as mod­ern attacks with smart bombs and mis­siles. Visu­ally, the his­tor­i­cal detail seems fair­ly accu­rate to me. Rid­dley Scott always does some­thing worth look­ing at, even if he some­times has struc­tural prob­lems in sto­ry-telling. Visu­ally, his instincts are always on the mark.


Image of the month:

06-04-01 BLOG Image of the month