Monthly Archives: September 2006

FILMS JULY-SEPTEMBER 2006

(Capra 1936) Mr. Deeds Goes To Town
(McCarey / Marx Broth­ers) Duck Soup
(Allen 1975) Love and Death Read more »

First-time listening for September, 2006

16362. (Chick Corea) My Span­ish Heart
(William Wal­ton) Songs [Ben­jamin Lux­on, bari­tone & David Willi­son, piano]:
. . . . 16363. (William Wal­ton) “The Wind From The West“
. . . . 16364. (William Wal­ton) “When As the Rye”
. . . . 16365. (William Wal­ton) “My Gost­ly Fader”
. . . . 16366. (William Wal­ton) “Lul­la­by”
Read more »

READINGSEPTEMBER 2006

14749. (Cory Doc­torow) Some­one Comes to Town, Some­one Leaves Town
14750. (Joseph Kage) Chapitre Pre­mier: Esquiss­es de la vie Cana­di­enne sous Le Régime Français
14751. (David G. Hub­bard) The Sky­jack­er, His Flights of Fancy
(Bernard DeVo­to) Mark Twain At Work:
. . . . 14752. (Bernard DeVo­to) The Phan­ta­sy of Boy­hood: Tom Sawyer [arti­cle]
. . . . 14753. (Mark Twain) “Boy’s Man­u­script” [frag­ment antic­i­pat­ing Tom Sawyer]
. . . . 14754. (Bernard DeVo­to) Noon and the Dark: Huck­le­ber­ry Finn [arti­cle]
. . . . 14755. (Bernard DeVo­to) The Sym­bols of Despair [arti­cle]
14756. (Robert Graves) I, Claudius
Read more »

Wednesday, September 27, 2006 — Musharaff Drivel

Pak­istani dic­ta­tor Per­vez Mushar­raf revealed, in an inter­view with the CBC (Cana­di­an Broad­cast­ing Corp.) exact­ly how the lead­er­ship of the Grand Alliance Against Ter­ror­ism sees Canada’s role. With some insult­ing­ly snide put-downs, he dis­missed any con­cern in Cana­da about casu­al­ties in Afghanistan as cry-baby weak­ness. Read more »

Monday, September 25, 2006 — Democracy in Thailand

Soraj Honglaradom, at the Phi­los­o­phy depart­ment of the Uni­ver­si­ty of Chu­la­longko­rn Uni­ver­si­ty, Bangkok, has gra­cious­ly allowed me to quote his e‑mail con­cern­ing the coup in Thailand:

The coup d’e­tat was per­pe­trat­ed by a group of offi­cers who are dis­at­is­fied with the Prime Min­is­ter Thaksin Shi­nawa­tra, who has gen­er­at­ed such an intense amount of con­tro­ver­sies in Thai­land as has nev­er been expe­ri­enced before. The tran­si­tion process is going on smooth­ly and there is no vio­lence. At the time of writ­ing this mail, every­thing appears calm. The “Reform Group for Democ­ra­cy under Monar­chy”, as the group calls itself, has declared today (Sept.20) to be a hol­i­day and so I am writ­ing this from home. Many peo­ple that I know actu­al­ly wel­come the event, as they are fed up with the regime of the Prime Min­is­ter. From my past expe­ri­ences with pre­vi­ous Thai coups, what will hap­pen next is prob­a­bly that the Reform Group will name an inter­im Prime Min­is­ter. A new char­ter will be draft­ed (the much vaunt­ed Con­sti­tu­tion of 1997 last­ed only nine years), and final­ly a gen­er­al elec­tion will be called. No one knows exact­ly when this will hap­pen, but my guess is that we will expect a gen­er­al elec­tion with­in a year. This is only my guess: things have a way of unrav­el­ling them­selves in unex­pect­ed ways.

Mr. Saro­j’s com­ment rings true to me. It seems to fit the oth­er reports I’ve got­ten. Read more »

(Polonsky 1948) Force of Evil

06-09-23 VIEW (Polonsky 1948) Force of EvilThis one is no longer neglect­ed. It is now well-known as a “film noir” gem. IMDB states that “In order to show cin­e­matog­ra­ph­er Geprge Barnes how he want­ed the film to look, direc­tor Abra­ham Polon­sky gave him a book of Edward Hop­per’s Third Avenue paint­ings.John Garfield is very good in the film, but it is stolen by char­ac­ter actor Thomas Gomez. Pay spe­cial atten­tion to the scene where Gomez’s char­ac­ter is “rubbed out” if you want to see script, per­for­mance, cam­era, light­ing and edit­ing work­ing in per­fect harmony.

14777. (Cyril M. Kornbluth) The Syndic

06-09-22 READ 14777. (Cyril M. Kornbluth) The Syndic pic 2There was some­thing absolute­ly won­der­ful about the kind of sci­ence fic­tion that was pub­lished in the Amer­i­can SF mag­a­zines in the 1950’s. While the “main­stream” fic­tion writ­ers strug­gled to obey increas­ingly rigid notions of “real­ism” and the short sto­ry vir­tu­ally dis­ap­peared as an art form in the lit­er­ary world, Sci­ence Fic­tion writ­ers flour­ished in their small ghet­to, free to let their imag­i­na­tions roam, and free to sat­i­rize soci­ety with infi­nite jest. That won­der­ful cre­ative caul­dron gave us Theodore Stur­geon, Philip K. Dick, Avram David­son, Edgar Pang­born, William Tenn, Alfred Bester, and many, many more. These were among the finest writ­ers Amer­ica ever pro­duced. There was one writer that almost all these men looked up to and admired, and that was Cyril M. Korn­bluth. Sad­ly, his career end­ed with pre­ma­ture death in 1958, after only sev­en years of writ­ing. But in those sev­en years he pro­duced sev­eral mas­ter­pieces in col­lab­o­ra­tion with Fredrik Pohl —such as the bril­liant satire of adver­tis­ing, The Space Mer­chants, and the remark­ably pre­scient Glad­i­a­tor-at-Law. He also pro­duced sev­eral fine nov­els on his own, much more bit­ing (per­haps because Pohl’s mel­lower per­son­al­ity influ­enced the col­lab­o­ra­tions), as well as a pletho­ra of bril­liant short sto­ries. ‘The Lit­tle Black Bag’ and ‘The March­ing Morons’ are per­fect exam­ples of his superb artistry.

06-09-22 READ 14777. (Cyril M. Kornbluth) The Syndic pic 1A fine intro­duc­tion to Kornbluth’s work would be this nov­el, The Syn­dic, pub­lished in 1953. It posits a future in which gov­ern­ments have col­lapsed under their own weight of bureau­cracy and been replaced by the Mafia. In 1953, it was far-out whim­sy. How would an East­ern Euro­pean read it today? The real plea­sure in read­ing Korn­bluth is that his sharp satire is deliv­ered in a crisp, pure­ly col­lo­quial style, as if Damon Run­yan where writ­ing soci­o­log­i­cal Sci­ence Fic­tion. A seri­ous writer, today, would make heavy going of this stuff, stretch­ing it out and fill­ing it with styl­is­tic tricks and learned ref­er­ences. Korn­bluth wrote like an expe­ri­enced bar­ber.… a few deft strokes with a very sharp blade, done like mag­ic, and over before you can catch your breath. Fifty-three years have passed since this nov­el hit the stands, and it is not quaint. It’s still a good, clean shave.

Wednesday, September 20, 2006 — Anything Except Hunger

A delight­ful Dan­ish say­ing, told me by my friend Joan Jacob­sen: “Du kan vænne dig til alt, und­ta­gen sult…når først du har væn­net dig til det, dør du af det.” [You can get used to any­thing except hunger …Once you’re used to it, it kills you.]

Jason Hunter, who vis­it­ed for almost a week, left this morn­ing. He head­ed back up north, where he will under­take a vision quest. He will fast for four days in prepa­ra­tion. It will be inter­est­ing to see how it affects him. He was good com­pa­ny while he was here. For­tu­nate­ly, it was pos­si­ble for him to take the train part of the way. Even the ten-hour jour­ney on Ontario North­land Railway’s North­lander will take him only half of the way home, but it will be much more pleas­ant than tak­ing bus­es or hitch­ing rides. The final half, of course, must be done by airplane.

(Kubrick 1958) The Killing

This was Stan­ley Kubrick­’s first fea­ture film, a low bud­get crime thriller. Appar­ent­ly the pro­duc­ers thought that its non-lin­ear sto­ry sequence would be incom­pre­hen­si­ble to an audi­ence, and did not pro­mote it. But there are some very good sequences in this, and the act­ing, by unknowns and “B” stars (Stir­ling Hay­den, Coleen Gray, Vince Edwards, Elisha Cook), is quite good. Elisha Cook’s per­for­mance is par­tic­u­lar­ly impressive.

Tuesday, September 19, 2006 — Turfing Thaksin

The media, at least here in Cana­da, have been tak­en com­plete­ly by sur­prise by recent events in Thai­land. A fac­tion of the Thai mil­i­tary says it has over­thrown Prime Min­is­ter Thaksin Shi­nawa­tra. Pre­sum­ably, a long sequence of impor­tant events led up to this, but none of them attract­ed the atten­tion of jour­nal­ists in North Amer­i­ca. It might be wise for peo­ple here to pay a bit more atten­tion. At place of con­cen­trat­ing on dubi­ous and implau­si­ble attempts to bring democ­ra­cy to places like Afghanistan, we should be more con­cerned about its pre­car­i­ous posi­tion in rel­a­tive­ly impor­tant places like Thai­land. For Thai­land is an impor­tant coun­try, with tremen­dous eco­nom­ic poten­tial. It is unique in the region in that it nev­er suf­fered the expe­ri­ence of colo­nial­ism, though it has had to dance nim­bly between the pres­sures brought to bear on it by Britain and France (which had colonies on either side of it), by Japan, Amer­i­ca, and China.

Under Thaksin, Thai­land seems to have had a thin veneer of demo­c­ra­t­ic process, under which steamed a caul­dron of cor­rup­tion, manoeu­ver­ing by the mil­i­tary, and fac­tion­al dis­putes. It is not clear to me exact­ly who wants this sud­den mil­i­tary coup, and who oppos­es it. I sim­ply don’t know enough to have an opin­ion about Thaksin and his poli­cies. To tell the truth, I’m embar­rassed that I know next to noth­ing about this impor­tant country’s pol­i­tics. Thai­land is the kind of coun­try that should be able to find its inner strengths, and estab­lish a work­ing democ­ra­cy. There is no scar­ring lega­cy of colo­nial­ism, it is full of enter­pris­ing and well-edu­cat­ed peo­ple, it has a vig­or­ous cul­tur­al life, it has not been torn up by war. But it doesn’t seem to be able to make things work. I’m hop­ing that some Thai cor­re­spon­dents will give me some insights into this per­plex­ing situation.